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Tom Aldridge (20th/21st century) "Ledbury Herefordshire" signed and dated 03 (2003) watercolour 32 x 22.5 cm, together with a small oil painting of ducks in flight, and an oil painting signed E**Bostock, (3)

Design: Diversity Artist: Rachel Stevens  About the artist Rachel has always loved drawing and painting and spent four years at Art college in Manchester and Kingston-on-Thames. Working as an illustrator, she now sells her paintings directly to the public via market stalls, with a focus on personalised paintings for all ages. She also runs art and craft sessions with children, and is passionate about the therapeutic quality of all creativity.  About the design The inspiration for this bus came from researching the history of Croydon, and seeing the dramatic differences in architecture, which sit alongside each other in this busy place... hence the title 'Diversity'. Rachel works mainly in line and watercolour, and wanted to produce that effect, but in durable acrylics. Location: Dingwall Road  Dimensions: Length- 2.4m Width 0.5m Height- 0.95m

Sir George Clausen RA HRBA RI ROI RSW RWS, British 1852-1944- "Sunlight and Shadow"; watercolour, signed in ink, 26x37cm CONDITION REPORT: In a glazed. wooden, moulded frame, with large cream mount. Unexamined out of frame. Notably a sketch for a larger painting. Paint colours still fresh. No time fading noticed. Signed lower right. 'G. Clausen' Old backboard and label visible verso. Otherwise in very good condition.

ERSKINE NICOL RSA ARA (SCOTTISH 1825 - 1904), BLISS watercolour on paper heightened with white 13cm x 9cm Framed and under glass Note: This is study for the oil painting "Bliss" (1863).

* ROBERT PAYTON REID ARSA (SCOTTISH 1859 -1945), THE REFUGEE watercolour, signed 37cm x 23cm Original Aitken Dott French finish frame Provenace: This painting was sold by McTear's 27/06/2009 lot 447 for £1000 (hammer). Note: An oil painting of the same title and size was first exhibited at The Royal Scottish Academy in 1943 and was acquired for the RSA Collection through The David Muirhead Memorial Trust. The watercolour version is believed to have been a private commission immediately after the 1943 exhibition. The painting is used by Learning and Teaching Scotland as part of their art education programme (see http://www.Itscotland.org.uk/nq/resources/RSAscottishart/imagedetails/arefugee.asp).

PAIR OF GILT MIRROR AND THREE PICTURES including a watercolour woodland fantasy scene, aan etching and an oil painting of a man in a deck chair, all framed,mirrors each 65cm high

A 19th century Chinese fan painting in watercolour on silk, exhibiting four separate studies of fan designs, the first depicting an avian subject amongst flowering stems, the second a scalloped edged mountainous lake scene, the third of fan form with ridged upper edge depicting floral subjects, the fourth depicting a serpent and lizard with various moths, 50¼ x 22in. (127.6 x 55.8cm), signed lower right.

Lucien Besche (French, fl. 1851-1899) , Costume design of Sir Walter Scott's "Ivanhoe"(published. 1820), watercolour, signed centre right "Lucien-Besche", 29 x 20 cm. Areas of foxing and fading, glass very dirty. Lucien Besche was a French porcelain artist who worked for W. T. Copeland and Sons circa 1872-85 as a figure painter, also painting plaques and tiles. Besche left Copeland's in 1885 and established himself as a theatrical costume designer.

Thomson (David Croal) The watercolour drawings of Thomas Bewick, with numerous colour tipped in illustrations, published by Barbizon House, London 1930, further books to include History of Old Sheffield Plate, books on Snuff Boxes, Heraldry, Sculpture, painting etc. (34)

Richard Dighton (1775-1880) "Portrait of a gentleman" watercolour 24x14.5cms, framed CONDITION REPORT: Painting in good condition, minor spotting, remounted, later frame, the later back carries old cards inscribed Richard Dighton, 35 Elm Grove, Hammersmith with a paper label attached for Colnanagni, no sign of monogram.

Framed and glazed watercolour and pencil painting Church scene signed lower right W. Mosley 82. 57 x 38 cm

HARDIE, MARTIN. Watercolour Painting in Britain. 3 volumes (1-3). Sundry works, mainly art related (contents of one box)

An early 20th century oil painting on board showing a still life with pineapple, grapes and other fruit, signed with initials NL, 24 x 34 cm in gilt frame together with a watercolour study of a piece of floral fabric, signed bottom right Bross Jones, further signed with a monogram to centre bottom, with label verso From The Society Of Watercolour Artists The Royal Institute Galleries, Piccadilly - Study Of Drapery, 43 x 55 cm in cream coloured frame

A late 19th century oil painting on canvas, still life with vase of chrysanthemums, inscribed verso Elsie May Newbury, 45 x 36 cm together with a late 19th century watercolour of a rural landscape with house beside a lake, signed bottom left S Vernon, 50 x 76 cm (both unframed)

An oil painting on board of an extensive country landscape, signed with initials bottom left HR, with label verso Hugh Rochard, dated 1997 and inscribed View From Cartworth Moor Towards Holme, West Yorkshire, 41 x 61 cm together with a watercolour of a country landscape signed bottom left Dennis Lewis, with label verso Wraxall From Flax Bourton, Bristol Savages, November 1995, 26 x 36 cm, and a further watercolour of a rainy scene, possibly with the Severn and the power station to the distance, signed bottom right Brian C Lancaster, 25 x 34 cm (all framed)

A watercolour of a town scene at Tewkesbury, signed bottom right E Dangerfield, with label verso Esther Dangerfield and Painswick address, 24 x 30 cm in simple wooden frame together with a watercolour of a jug of roses, signed bottom right Alison Smith and dated 86, a further oil painting on canvas by the same artist showing a similar subject, signed bottom right and dated 87, also together with a further still life of jugs of flowers after A Birley (all framed) (displayed on shelves adjacent)

A set of four Chinese export school botanical and fruit rice paper drawings, Mid 19thCentury The fine and intricate drawings, finely painted depicting exotic fruits and vegetables including melons, pineapples, pears and artichokes, before vibrantly painted aster, peony and lotus blooms, all framed and glazed, watercolour on rice paper, in frame 42cm x 53cm, painting 19cm x 30cm. (4) (illustrated)

A Chinese School painting, Lou Zhong Guo, 20th Century The watercolour, depicting a figure upon a Chinese gondola, sailing between the narrow streets of a provincial village, signed, 37cm x 52cm, together with a pair of Chinese School watercolours, indistinctly signed, depicting fisherman before a village inn, and sampan fishing boats before a mountainous landscape, 35cm x 50 cm. (3)

A LATE 18TH CENTURY WATERCOLOUR PICTURE of a cottage and a church by E. Castle, dated 1798, 21cm x 25cm together with a small painting of a jack russel by Maud Turner, 17cm x 22cm, a print by Harry Neilson 'Mr Fox's Hunt Breakfast on Xmas Day' 41cm x 76cm and a further print (4)

A 20th century Painting St Mary Abbott Kensington Park and a Pair of Framed Oriental Watercolour and Ink, signed

Pu Ru / Xinyu (Chinese 1896-1963) - Figure and branches on a rocky outcrop, ink and watercolour on paper scroll demonstrating the Three Perfections of Poetry, Calligraphy and Painting, with three artists seal marks, 86 x 37cm, within silkwork border Condition Report / Extra Information Silk border good. Paper lightly discoloured all over, some minor marks and stains outside main painting and calligraphy (attached images show the worst areas). Full sheet including silk measures 45.5 x 10.5cm. Consigned by a private vendor from a deceased estate.

Astridus Amandus De CLERCK (1841-1889?) Watercolour, gouache, black ink and pencil Ship portrait – ‘Riviera of Hayle Captain James Glanville Inscribed Signed and dated 1885 21.5” x 34” (54.6cm x 86.4cm) Note: the painting shows the Riviera of Hayle in the North Sea, near West Hinder lightship and approached by a pilot vessel about to put a pilot aboard for voyage up the R. Scheldt to Antwerp. The iron sailing ship was built by the Cornish Copper Company of Hayle in about 1860. Capt. Glanville was a local man

William Woodhouse (1857-1939), watercolour, sheep and grouse in moorland. 9.5 ins x 13.25 ins, framed, signed. CONDITION REPORT: This painting is in generally very good order. The colours are strong particularly in the foreground and on the rocks. The grouse are clearly visible. The sky has a little discolouration and very faint traces of foxing which are more evident in the top right hand quadrant. We do not feel that these problems are particularly significant.

William Heaton Cooper (1903-1995), watercolour, "October Evening, Grasmere". 14.5 ins x 21 ins, framed, signed (see illustration). ARR CONDITION REPORT: This painting is in extremely good condition. There is no foxing, no damage, no repairs and no restoration. The piece is in its original frame and mount.

N. Preston, watercolour, emblematic of harvesting. Diameter 17 ins, in gilt frame, signed and dated 1902. CONDITION REPORT: The painting is in generally reasonable condition. The colours are not significantly faded and there are no tears or restorations to the image. The only fault is that the painting does have some foxing which is most evident on the raised arm, right cheek and upper lower arm. This should be evident from our images. The original frame is generally tatty. There are losses to all edges and corners.

Sir George Clausen (1852-1944), landscape study in watercolour and gouache. 9.5 ins x 13.5 ins, framed, signed (see illustration). PROVENANCE - Collection of Derwent Wise. Abbott & Holder. CONDITION REPORT: This painting was purchased from Abbot & Holder in 2001. It is in first class condition with no damage, no repairs and no restoration. The piece was reframed in 2001 by the deceased at that time.

DENNIS WEEKS (20TH CENTURY) Grand Canal, Venice, watercolour, 31 x 21cm; together with an unsigned oil painting of a cornfield, 15.5 x 25cm (2)

‡ John Piper (1903-1992) Possible stage design Watercolour with collage, painted on both sides 38 x 56cm; 15 x 22in Provenance: Ronald Duncan, writer and poet with whom Piper worked on The Rape of Lucretia and Judas From whom purchased by the present owner We are grateful to Sebastian Piper for his help in the cataloguing of this painting ++A few light fox marks, paper rippled

A pastel painting - "Lavender Harvest", by Carol Wakenshaw, signed; a colour aquatint - French Village, indistinctly signed and inscribed; and a watercolour - Flower study, by I.A. Lindsay. (3)

A painting in watercolour and gouache - Study of a wren, by Brian Winstanley, signed, inscribed and dated 2000 verso.

An Indian painted scroll,c.1900, depicting various folk stories, gouache,108 x 20cm, framed and glazed,an Indian painting of a female consort,c.1900, opaque watercolour, 27 x 12cm, andanother manuscript folio,opaque watercolour,12 x 26cm (3)

Vernon Ward (1905-1985) - May I have this dance... watercolour, chalk and body colour, signed lower left, 40.5 x 40cm Condition Report / Extra Information Frame good, no apparent faults. Painting appears to be without faults and in good original condition

An early 20th century Japanese watercolour depicting a wild boar, signed lower right, 34.5 x 19cm and a set of eleven early 20th century Chinese coloured prints depicting various interior scenes including a woman seated at a table painting. CONDITION REPORT: Slight dirty markings but no significant damage.

Watercolour Painting 'Clovely, North Wales'. Indistinctly signature and part under mount. Artist A Barnes. Framed. 10 by 14 inches.

Attributed to Friedrich Rauscher (German, 1754-1808) View of the Villa of Maecenas and the Tivoli Falls with sportsmen and hounds in the foreground, and cattle being herded in the distance watercolour 37 x 53cm (14 x 21in) Provenance: Private Collection, UK. The present painting depicts a view of the ruins of the Villa of Maecenas, Tivoli, from the gorge of the Aniene river. At the centre, at the brow of the hill, is the Villa di Mecenate or Tempio di Ercole Vincitore. To the right, lower down the slope is the small rounded Temple of the Dea Tussis. The present painting would appear to be before 1835 when Pope Gregory XVI added the Villa Gregoriana, a villa complex pivoting around the Aniene's falls. The "Great Waterfall" was created through a tunnel in the Monte Catillo, to give an outlet to the waters of the Aniene sufficient to preserve the city from inundations like the devastating flood of 1826. Foxing all over and faded.

David Roberts, RA (British, 1796-1864) A street scene in Brescia, Lombardy signed lower left with initials "DR" watercolour 18 x 12cm (7 x 5in) Provenance: Bought at Sotheby's, London, 17 February 1965, from the collection of Sir Bruce Ingram, lot 690 (£25). From the collection of Arthur Stanley Oswald. Literature: James Ballentine, Life of David Roberts, 1866 - "Roberts visited Brescia on his way from Milan to Verona and thence to Venice in October 1851". J M W Turner persuaded David Roberts to become a full time artist. During his life Roberts travelled extensively in Egypt and the Far East. In 1851 and again in 1853 Roberts travelled in Italy, painting in Rome, Venice and Brescia. His last volume of illustrations "Italy, Classical, Historical and Picturesque" was published in 1859 One tiny foxing spot centre top edge, otherwise fine.

English School (19th Century) Portrait of a young girl in a red jacket, resting her elbow on a stone ledge watercolour on ivory (or possibly ivorine) 11 x 9cm (4 x 4in) Provenance: From an Oxfordshire country house. Under glass and colours are very good. Old gilt slip is spotted. White marks on inside of the glass - does not appear to be on painting.

English School (18th-19th Century) Studies of Cattle by various hands pen, ink and watercolour, one with fleur-de-lys watermark, unframed 10 x 16cm (4 x 6.5in), 16 x 23cm (6.5 x 9in) and 19 x 24cm (7.5 x 9.5in) (3) Unframed and with some foxing, particularly to the smallest sketch.  The left hand illustration is after a painting by Cuyp.

Henry Stacy Marks, RA, RWS, HRCA (British, 1829-1898) Study of a Hyacinth Macaw signed lower right with initials "HSM" watercolour 24 x 9cm (9 x 4in) Henry Stacy Marks, RA was an English artist who took a particular interest in painting birds. Henry enrolled at the Royal Academy Schools in 1851 and first exhibited at the Royal Academy in 1853. Marks became a member of the St John's Wood Clique in 1862. As his career progressed, he became increasingly interested in painting birds. Possibly his most famous painting is "A Select Committee" of 1891 which is now in the Walker Art Gallery. He was elected as a member of the Royal Academy following his painting "Convocation" which was exhibited in 1878. Most of his paintings of birds were watercolours, which he exhibited at the Old Watercolour Society or at the Fine Art Society. The Victoria and Albert Museum holds three of Marks' s finished watercolour studies of birds and eleven sketches for larger paintings. Some of his works are exhibited in the Parrot House of Eaton Hall, Cheshire. A little dirt under the glass, colours are good.

Alfred Leyman (1856-1933), Clovelly, Devon, signed watercolour, 55cm x 37cm NB: The public house featured in this painting was relocated to the other side of the street in 1920!

MARION BROOM (1878-1962) Still Life Flowers, watercolour painting, signed, 40cm x 33cm

A watercolour - A Scottish urban garden, by Irvine Russell, signed; An oil painting - "Staithes Harbour", artist unknown.

A watercolour and gouache painting - "An Old Perthshire Farm", by Donald Shannon, signed, inscribed verso.

An African painting in gouache - Village scene, signed G. Malimelo, and dated 2011; together with a small African watercolour - Village scene, indistinctly signed. (2)

An oil painting on board - Provincial French landscape, artist unknown; together with an oil painting - Parisian street scene, unframed; and a watercolour pen and ink drawing - "Nicosia", indistinctly signed (J. Sabry?), inscribed with title and dated 1945.

ALBIN ROBERT BURT (1783-1842) British Portrait of a Gentleman Watercolour Signed and dated 1831 22.5 x 29.5 cm, framed and glazed CONDITION REPORTS: Some staining, some over painting.

FRERDERICK JAMES ALDRIDGE (1850-1933) British Dutch Canal Side Market Watercolour 25 x 16 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, old label to verso inscribed "This painting was painted by my grandfather Frederick James Aldridge."

A Chinese watercolour on silk painting of cranes. 19 1/2'' x 29''

A Chinese watercolour on silk painting depicting Parrots. 29 1/2'' x 42''

A George Godsell watercolour 'The Towpath overlooking Llanellen Village' dated verso 1988, along with an Oil painting by the same artist 'Canal scene in Winter' dated 1983 and one other oil/canvas depicting Boats moored on beach by Carotin

A Watercolour of Birds by G.E. Rudge, a signed painting of a Black Grouse, a small Oil of a Lady by a Fence, a M. Chamberlain watercolour of 'Primroses and Fungi', a Cottage with a W. Powell watercolour depicting a Bird

N. Pocock (1740 -1821), a gilded framed Watercolour painting on card very ably portraying the world renowned Fingal's cave on the Island of Staffa in the Hebrides, the landmark is shown with two figures on the rocky shore as a long boat approaches rowed by four oarsmen while the coxswain and a standing figure with a chart in his hand point to the approach to the cave, signed and dated 1792 to lower left. Some foxing and discolouration commensurate with the age, the image 10 1/8'' x 14 3/16'' approx. in glazed frame, 12 1/8'' x 16 1/8'' approx. overall. With the painting, formerly having been attached to the rear, is an old hand-written note reading ''FINGAL'S CAVE This picture, painted by Nicholas Pocock in 1793 is of Fingal's Cave (named after warrior hero of the Gaels of the second and third centuries AD). It is on the Island of Staffa, one of the Inner Hebrides. It is of the rock structure similar to that of the Giant's Causeway and as like giant organ pipes of a Cathedral probably due to the great upheaval of ancient lava. Because of the sound made, at times by the wind in the caves, it's Gaelic name is 'Cave of Music'. Nicholas Pocock 1741 - 1821 was the son of a Bristol Merchant. In his twenties he was master of two ships ''Lloyd'' in 1767 and later ''Minerva'' owned by Richard Champion, who later owned a china factory. A log of Cpt. Pocock's voyage to Jamaica in 1776 is now owned by Richard Walton of Ware Priory. He left the sea at 40 years and painted Fingal's Cave at the age of 50 years.'' Pocock was renowned for the charming drawings featured in the journals of his voyages, each day brought to life by an illustration of the most memorable incident. Interestingly, in the late 1700s, it is noted that he was resident at No. 12 Great George, Westminster, this being the modern day address of the Royal Institution of Chartered Surveyors.

EARLY 20TH CENTURY BRITISH SCHOOL, WOODLAND BRIDGE watercolour on paper, signed FEK 10cm x 15cm Mounted, framed and under glass Both the frame and painting are in very good condition

JOHN COCHRANE WATERCOLOUR LANDSCAPE seacape subject, framed, frame 47cm high x 57cm wide The painting has foxing and water marks, frame in fair condition

Early 20th Century School, "Betty", half length study of a female artist painting at an easel, indistinctly initialled watercolour, titled and dated 1919, 28.5cm x 19cm, partially stained wooden frame

An Oriental painting (watercolour) with pencil descriptions, initials ED and M.L. (20th Century)

A Continental watercolour and charcoal painting of a fiddle player, mid C20th, signed indistinctly, possibly German, 15½'' x 10''

CHINESE WATERCOLOUR PAINTING by artist Ban Ding Chen, flowers, signed seal stamped, framed and under glass, 39cm x 52cm overall

A collection of pictures of local scenes including a watercolour by Donald Milner of a wooded landscape, signed bottom right D E Milner, 27 x 35 cm, an oil painting on board showing Wotton Church, signed bottom left Hadrell and inscribed verso, 29 x 38 cm, a black and white print showing Wotton Church from the south gate after Vic Jellings, signed in pencil and dated 82, etc

An oil painting on canvas of a woman in a red dress, possibly attributed to Rose Hilton, 56 x 46 cm unframed together with catalogue of Rose Hilton's work from David Messum Fine Art 1995 and two watercolour studies of figures, one of a boy, one of a girl, 19 x 12 cm approx both in simple frames