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ANONYMOUS (REPUBLIC PERIOD) YAMA IN HELL A Chinese watercolour painting, ink and colour on paper, inscribed jiu dian Ping Deng Wang (King of Hell), 139cm x 77cm. framed and glazed. Provenance: the Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

Zara Matthews Mesh (Study-Blue), 2022 Gesso and Pigment on Watercolour Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Zara Matthews is an artist working in Painting, Printmaking and Photography. She lives and works in London and has also spent considerable amounts of time living and working in Italy and France. Since the mid-1980's Matthews has shown extensively in the UK, and also Europe and USA. Her current work concentrates on the auras of objects, and their sense of presence and history. Education Zara Matthews studied at Goldsmiths College from 1979 - 1980, Kingston Polytechnic from 1980 - 1983 and The Royal College of Art from 1997 - 1999. Select Exhibitions/Awards Most recently in 2022 Zara Matthews has been invited to show in 'Small is Beautiful', Flowers Gallery, Cork Street, She has had a 3 person show titled (RE)Configured at The Mall Galleries, and exhibited in the Royal Academy Summer Exhibition 2022. She was long-listed for Future Now - 125 Artist from The Aesthetica Art Prize 2021, selected for 100 Contemporary Artists, Aesthetica Magazine 2020, shortlisted for The Trinity Buoy Wharf Drawing Prize in 2019, and nominated for The 6th Max Mara Art Prize for Women 2016-17. She was awarded The Wapping Project Berlin Residency in 2015 and during 2023 she has been invited to spend 2 months on an artist residency in Pouch Cove, Newfoundland, Canada. Statement about AOAP Submitted Artwork The 4 postcards are small studies for larger paintings that depict, or include, the stretchy netting often used to protect fruit, including papayas. These polystyrene sleeves protect vulnerable fruit as they travel around the globe, but are a single use plastic that damages the planet.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.        

Lily Snowden-Fine Geraldine, 2022 Acrylic on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Lily Snowden-Fine is a British/Canadian painter currently based between London and Vancouver. Her work is inspired by faces and hands, and the subtle emotions that can be given away by intricate poses. She draws from her love of antiques, found imagery and family photographs, while using playful colours inspired by the joy and warmth of 20th century painting. Her use of colour, brush strokes, and subtle poses communicate to the viewer an image of nostalgia for a fleeting moment; mundane memories inflated into cherished imagery after life has moved far enough away for them to feel like a relic of a past life.   Education   2022-2023, The Drawing Year postgraduate program, The Royal Drawing School, London, UK 2015-2019, OCAD University, Bachelor of Design, Illustration, Toronto, ON   Select Exhibitions/Awards   2022, Royal Watercolour Society Open 2022, Bankside Gallery, London, UK 2022, Jackson's Painting Prize, Shortlist 2020, Royal Institute of Painters in Water Colours, Mall Galleries, London, UK   Statement about AOAP Submitted Artwork   The four portraits began as quick pastel studies, gathering the essence of each person in broad strokes. The original reference was then removed, using only the intuitive studies as a guide, in an attempt to diminish the pressure of detailed accuracy and use memory as a guiding force.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.  

Lily Snowden-Fine Anja, 2022 Acrylic on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Lily Snowden-Fine is a British/Canadian painter currently based between London and Vancouver. Her work is inspired by faces and hands, and the subtle emotions that can be given away by intricate poses. She draws from her love of antiques, found imagery and family photographs, while using playful colours inspired by the joy and warmth of 20th century painting. Her use of colour, brush strokes, and subtle poses communicate to the viewer an image of nostalgia for a fleeting moment; mundane memories inflated into cherished imagery after life has moved far enough away for them to feel like a relic of a past life.   Education   2022-2023, The Drawing Year postgraduate program, The Royal Drawing School, London, UK 2015-2019, OCAD University, Bachelor of Design, Illustration, Toronto, ON   Select Exhibitions/Awards   2022, Royal Watercolour Society Open 2022, Bankside Gallery, London, UK 2022, Jackson's Painting Prize, Shortlist 2020, Royal Institute of Painters in Water Colours, Mall Galleries, London, UK   Statement about AOAP Submitted Artwork   The four portraits began as quick pastel studies, gathering the essence of each person in broad strokes. The original reference was then removed, using only the intuitive studies as a guide, in an attempt to diminish the pressure of detailed accuracy and use memory as a guiding force.     Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Pip Shuckburgh Need I Say More?, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Pip Shuckburgh, née Spargo, was born and brought up on the Oxfordshire/Berkshire borders. Her family was, and is, universally artistic. Her parents created, amongst many other things, the iconic television animated series Willo the Wisp. She assumed, as a child, that everyone was an artist and that the regular, evening critique of her and her siblings' art work was as normal as scrambled eggs. Inevitably she went to art college and embarked on a career in illustration and commercial art, landing her first complete book to illustrate at the age of 21. Working largely in watercolour and gouache, she illustrated books for Duckworth, (Cry Wolf, by Patrice Chaplin), Blackie, (The Safe and Sound series), Mitchell Beazeley, (The Pocket Book of Dogs), Heineman, the Sunday Times and many others. She had a studio in Clerkenwell in London where she worked on commercial commissions for such companies as Pedigree Pet foods, ICI, Grand Met, Lucas and Vitalin. To fulfil her long-standing ambition to be a painter, she turned to oils in the 1990s. For several years she honed her painting skills, before her first, solo exhibition in her home town of Bampton, where her work was greeted with huge enthusiasm and many of her paintings found new homes.   Select Exhibitions/Awards   She has exhibited successfully in the C2 gallery in Milton Keynes, the Said gallery, the North Wall gallery and St Hilda's college in Oxford, the Cork Street and Knapp galleries in London, Chelsea Arts Clubs members exhibition, and the 2022 Summer Exhibition at the Royal Academy. Her paintings hang in private collections around the world, as well as BMW in Munich, and, recently, as prints and cards around Oxfordshire.   Statement about AOAP Submitted Artwork   I often try, where appropriate, to inject some humour into my paintings and this seemed like a good opportunity to do so. Like most humour however, these cards have a dark side. Perhaps a small pointer at the current unacceptability of images once considered curious and exotic; maybe a slightly deflating thought about human hubris. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising  

Pip Shuckburgh Nun's Just Like To Have Fun!, 2022 Acrylic and Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Pip Shuckburgh, née Spargo, was born and brought up on the Oxfordshire/Berkshire borders. Her family was, and is, universally artistic. Her parents created, amongst many other things, the iconic television animated series Willo the Wisp. She assumed, as a child, that everyone was an artist and that the regular, evening critique of her and her siblings' art work was as normal as scrambled eggs. Inevitably she went to art college and embarked on a career in illustration and commercial art, landing her first complete book to illustrate at the age of 21. Working largely in watercolour and gouache, she illustrated books for Duckworth, (Cry Wolf, by Patrice Chaplin), Blackie, (The Safe and Sound series), Mitchell Beazeley, (The Pocket Book of Dogs), Heineman, the Sunday Times and many others. She had a studio in Clerkenwell in London where she worked on commercial commissions for such companies as Pedigree Pet foods, ICI, Grand Met, Lucas and Vitalin. To fulfil her long-standing ambition to be a painter, she turned to oils in the 1990s. For several years she honed her painting skills, before her first, solo exhibition in her home town of Bampton, where her work was greeted with huge enthusiasm and many of her paintings found new homes.   Select Exhibitions/Awards   She has exhibited successfully in the C2 gallery in Milton Keynes, the Said gallery, the North Wall gallery and St Hilda's college in Oxford, the Cork Street and Knapp galleries in London, Chelsea Arts Clubs members exhibition, and the 2022 Summer Exhibition at the Royal Academy. Her paintings hang in private collections around the world, as well as BMW in Munich, and, recently, as prints and cards around Oxfordshire.   Statement about AOAP Submitted Artwork   I often try, where appropriate, to inject some humour into my paintings and this seemed like a good opportunity to do so. Like most humour however, these cards have a dark side. Perhaps a small pointer at the current unacceptability of images once considered curious and exotic; maybe a slightly deflating thought about human hubris. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Pip Shuckburgh The Vintage Circus + Red Dots!, 2022 Acrylic and Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Pip Shuckburgh, née Spargo, was born and brought up on the Oxfordshire/Berkshire borders. Her family was, and is, universally artistic. Her parents created, amongst many other things, the iconic television animated series Willo the Wisp. She assumed, as a child, that everyone was an artist and that the regular, evening critique of her and her siblings' art work was as normal as scrambled eggs. Inevitably she went to art college and embarked on a career in illustration and commercial art, landing her first complete book to illustrate at the age of 21. Working largely in watercolour and gouache, she illustrated books for Duckworth, (Cry Wolf, by Patrice Chaplin), Blackie, (The Safe and Sound series), Mitchell Beazeley, (The Pocket Book of Dogs), Heineman, the Sunday Times and many others. She had a studio in Clerkenwell in London where she worked on commercial commissions for such companies as Pedigree Pet foods, ICI, Grand Met, Lucas and Vitalin. To fulfil her long-standing ambition to be a painter, she turned to oils in the 1990s. For several years she honed her painting skills, before her first, solo exhibition in her home town of Bampton, where her work was greeted with huge enthusiasm and many of her paintings found new homes.   Select Exhibitions/Awards   She has exhibited successfully in the C2 gallery in Milton Keynes, the Said gallery, the North Wall gallery and St Hilda's college in Oxford, the Cork Street and Knapp galleries in London, Chelsea Arts Clubs members exhibition, and the 2022 Summer Exhibition at the Royal Academy. Her paintings hang in private collections around the world, as well as BMW in Munich, and, recently, as prints and cards around Oxfordshire.   Statement about AOAP Submitted Artwork   I often try, where appropriate, to inject some humour into my paintings and this seemed like a good opportunity to do so. Like most humour however, these cards have a dark side. Perhaps a small pointer at the current unacceptability of images once considered curious and exotic; maybe a slightly deflating thought about human hubris. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Greg Becker Figure at Cissbury, 2022 Gouache on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Professional artist living in South London   Education   Leeds University BA. Royal College of Art MA.   Select Exhibitions/Awards   John Martin Gallery, From Coast to Country' August/September 2022. Royal Academy Summer Show 2022   Gallery Representation   Exhibiting in various London galleries   Statement about AOAP Submitted Artwork   Two gouache and watercolour painting done especially for art on a postcard based on drawings done on location in the South Downs in West Sussex. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Greg Becker Fences at Shenton, 2022 Gouache on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Professional artist living in South London   Education   Leeds University BA. Royal College of Art MA.   Select Exhibitions/Awards   John Martin Gallery, From Coast to Country' August/September 2022. Royal Academy Summer Show 2022   Gallery Representation   Exhibiting in various London galleries   Statement about AOAP Submitted Artwork   Two gouache and watercolour painting done especially for art on a postcard based on drawings done on location in the South Downs in West Sussex. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Johanna Seidel Hidden (In Plain Sight), 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   *1993, Sebnitz, Germany lives and works in Dresden. In my artistic work I deal with the nature of perceived realities. I approach these by means of a poetic visual language, in which symbols from history, mythology and dreams mix with the everyday and the personal. The canvas offers me the space in which I can freely create references and develop narratives, constantly searching for the balance between realistic and naive figuration. From the painting itself, I thus develop stories and still images that exist in an atmospheric space, condensing memories into abstract moments that become universally accessible and experiential here. Education   2014 - 2021 Studies of Fine Arts at the Academy of Fine Arts Dresden with Peter Bömmels, Anton Henning and Anne Neukamp 2017 - 2018 Semester in exchange at the École nationale superieure des Beaux-Arts Paris 2021 Diploma of Fine Arts Since 2022 Master class studies of Fine Arts at the Academy of Fine Arts Dresden   Select Exhibitions/Awards   2022 Azul Celeste, Artistellar Gallery, London Nocturne, Galerie Mellies, Detmold Dear Diary, Scotty, Berlin If it´s not baroque, don´t fix it, Tchotchke Gallery, New York City 2021 Nymph, Am Walkgraben 13, Chemnitz Staycation Beach, Kunsthalle Ost, Leipzig 2019 Solani Dulcamarae, Phyllis Johnson, Leipzig Dreamers, Galerie Stephanie Kelly, Dresden Statement about AOAP Submitted Artwork   On my postcards you can see my playful approach to the arrangement of motifs that meet in the picture and speak to each other in associative ways. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Zara Matthews Mesh (Study-Dark Blue), 2022 Gesso and Pigment on Watercolour Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Zara Matthews is an artist working in Painting, Printmaking and Photography. She lives and works in London and has also spent considerable amounts of time living and working in Italy and France. Since the mid-1980's Matthews has shown extensively in the UK, and also Europe and USA. Her current work concentrates on the auras of objects, and their sense of presence and history. Education Zara Matthews studied at Goldsmiths College from 1979 - 1980, Kingston Polytechnic from 1980 - 1983 and The Royal College of Art from 1997 - 1999. Select Exhibitions/Awards Most recently in 2022 Zara Matthews has been invited to show in 'Small is Beautiful', Flowers Gallery, Cork Street, She has had a 3 person show titled (RE)Configured at The Mall Galleries, and exhibited in the Royal Academy Summer Exhibition 2022. She was long-listed for Future Now - 125 Artist from The Aesthetica Art Prize 2021, selected for 100 Contemporary Artists, Aesthetica Magazine 2020, shortlisted for The Trinity Buoy Wharf Drawing Prize in 2019, and nominated for The 6th Max Mara Art Prize for Women 2016-17. She was awarded The Wapping Project Berlin Residency in 2015 and during 2023 she has been invited to spend 2 months on an artist residency in Pouch Cove, Newfoundland, Canada. Statement about AOAP Submitted Artwork The 4 postcards are small studies for larger paintings that depict, or include, the stretchy netting often used to protect fruit, including papayas. These polystyrene sleeves protect vulnerable fruit as they travel around the globe, but are a single use plastic that damages the planet.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.      

Archie Franks Village Cricket Featuring Cows, 2022 Oil Pastel and Watercolour on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1986 Archie Franks lives and works in London. He graduated from the Royal Academy Schools in 2012 and has been awarded the Sainsbury Scholarship in Painting 2013 which enabled him to work fully funded in Rome at the British School at Rome for a year, and a Jerwood Painting Fellowship 2016 which consisted of financial support, a mentor scheme and a U.K wide touring show starting at Jerwood Space in London. He has exhibited in numerous group and solo shows both in the U.K and in Europe, including 'Bloomberg New Contemporaries' for promising new graduates in 2013 as well as having contributed articles to publications 'Garageland' and 'Arty'. His work has been positively reviewed in 'Time Out', 'Critic's choice in the Financial Times', 'Art Monthly' 'This is Tomorrow' and 'Fad magazine' amongst others.   Education   Royal Academy Schools 2009-12 City and Guilds of London Art School 2006-9   Select Exhibitions/Awards   'Wells art contemporary' Wells 2022 'We are such stuff as dreams are made on' The cello factory (with Aleph contemporary), London 2021 'The stifled cry' Aleph contemporary (online) 2021 'MK Calling' MK gallery Milton Keynes 2020 'Wells art contemporary' Wells 2019 'Creekside open 2019-selected by Sacha Craddock' APT Gallery London 2019 'Creekside open 2019-selected by Brian Griffiths' APT Gallery London 2019 'Night Plinths' Narrative Projects London 2018 'Disintegration' (solo) Salon London 2017 'Dumb' Mercer Chance London 2017 'Jerwood Painting Fellowship show' Jerwood Space, London (touring to Arts University Bournemouth, Cardiff Bay Arts 2016 and Norwich University 2017) 2016 'Europa' Transition gallery, London 2016 'Carnival Glass' Block 336, London 2015 'Bloomberg New Contemporaries' Spike Island Bristol and ICA London 2013 Gallery Representation   Aleph Contemporary   Statement about AOAP Submitted Artwork   I use imagery from popular culture, leisure and consumer culture and my own everyday and history and mix it in with grand eras of art history. Two paintings in particular have been staple points of reference for some time; Caravaggio's 'Still life with basket of fruit' and Fragonard's 'Le petite parc'. I love the way the basket in Caravaggio's painting appears to fall out of the painting and invade your space, modern day advertising seems to do something similar. An advert for Costa or Mcdonalds uses the same tactics Caravaggio did in 1599. I love the atmosphere in Fragonard's 'Le petite parc painting, and I've tried to incorporate that particular feeling into some of my landscapes and fairground paintings. A gothic atmosphere permeates the work and although the emphasis from painting to painting alters slightly, memory, decadence, and a dream like unreality are core recurring themes. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Archie Franks M&S Pie, 2022 Oil Pastel and Watercolour on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1986 Archie Franks lives and works in London. He graduated from the Royal Academy Schools in 2012 and has been awarded the Sainsbury Scholarship in Painting 2013 which enabled him to work fully funded in Rome at the British School at Rome for a year, and a Jerwood Painting Fellowship 2016 which consisted of financial support, a mentor scheme and a U.K wide touring show starting at Jerwood Space in London. He has exhibited in numerous group and solo shows both in the U.K and in Europe, including 'Bloomberg New Contemporaries' for promising new graduates in 2013 as well as having contributed articles to publications 'Garageland' and 'Arty'. His work has been positively reviewed in 'Time Out', 'Critic's choice in the Financial Times', 'Art Monthly' 'This is Tomorrow' and 'Fad magazine' amongst others.   Education   Royal Academy Schools 2009-12 City and Guilds of London Art School 2006-9   Select Exhibitions/Awards   'Wells art contemporary' Wells 2022 'We are such stuff as dreams are made on' The cello factory (with Aleph contemporary), London 2021 'The stifled cry' Aleph contemporary (online) 2021 'MK Calling' MK gallery Milton Keynes 2020 'Wells art contemporary' Wells 2019 'Creekside open 2019-selected by Sacha Craddock' APT Gallery London 2019 'Creekside open 2019-selected by Brian Griffiths' APT Gallery London 2019 'Night Plinths' Narrative Projects London 2018 'Disintegration' (solo) Salon London 2017 'Dumb' Mercer Chance London 2017 'Jerwood Painting Fellowship show' Jerwood Space, London (touring to Arts University Bournemouth, Cardiff Bay Arts 2016 and Norwich University 2017) 2016 'Europa' Transition gallery, London 2016 'Carnival Glass' Block 336, London 2015 'Bloomberg New Contemporaries' Spike Island Bristol and ICA London 2013 Gallery Representation   Aleph Contemporary   Statement about AOAP Submitted Artwork   I use imagery from popular culture, leisure and consumer culture and my own everyday and history and mix it in with grand eras of art history. Two paintings in particular have been staple points of reference for some time; Caravaggio's 'Still life with basket of fruit' and Fragonard's 'Le petite parc'. I love the way the basket in Caravaggio's painting appears to fall out of the painting and invade your space, modern day advertising seems to do something similar. An advert for Costa or Mcdonalds uses the same tactics Caravaggio did in 1599. I love the atmosphere in Fragonard's 'Le petite parc painting, and I've tried to incorporate that particular feeling into some of my landscapes and fairground paintings. A gothic atmosphere permeates the work and although the emphasis from painting to painting alters slightly, memory, decadence, and a dream like unreality are core recurring themes. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Mary Romer Smouldering August, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Mary's childhood was spent in India, Southern Yemen and East Africa. Born in 1952 in Dar-es-Salaam, Tanzania. Her early years where the vast landscapes of Africa contrasted with the vibrant colours in India were a formative influence. Educated in India, England and France. In 1972 she moved to London taking advantage of the cultural events, attending exhibitions, art lectures at the V & A and life drawing classes at Chelsea College of Art. Over the years she travelled often to France and Italy visiting the major art exhibitions and studying the early frescos of Masaccio in Florence. After marrying and having two sons, she enrolled as a mature student to study art at Anglia Ruskin College, Cambridge. She holds a BA in Fine Art (Contemporary Practice). 2015 she was selected and completed an intensive 3-week course at The Slade, UCL Her work has been exhibited in London and East Anglia, with solo shows as well as being selected for mixed shows. Her work is in private and public collections worldwide.   Education   England and France Anglia Ruskin College, Cambridge - BA Fine Art (Contemporary Practice) Selected 3 week residency at The Slade, UCL   Select Exhibitions/Awards   Eastern Open Kings Lynne - 2004, 2005, 2006 One Church Street Gallery, Amersham selected Winter Open - 2012 Cambridge Artworks - 2013 Cambridge Artworks - 2014 The Lacey Gallery - selected for Summer Exhibition Prize 2016 The Sentinel Gallery - Wivenhoe selected for The Summer Show - 2017 Cobbold & Judd - selected for Winter Show - 2017 Contemporary British Painting, The Crypt, Marylebone, London - 2019 The London Ultra - The Barge House - Free Painters & Sculptors - 2019 The Muse Gallery, Notting Hill, London - Encounters 2021 The Fry Art Gallery, Saffron Walden - 2021 The Royal Academy of The Arts, London, IndiaSummer Exhibition - 2022 AWARDS The Bank House Postcard Award - 2006 Highly Commended - The Orangery, Holland Park - 2011   Gallery Representation   The Muse Gallery, Notting Hill, London The Angela Mellor Gallery, - Ely   Statement about AOAP Submitted Artwork   The Red Dust Vapour paintings are a multi-layered response. Using a palette of pinks and earth-reds became a meditation, recollecting colours used in Renaissance painting, yet pertinent to concerns reflecting the increasing desertificaton of Africa and dust storms that covered streets and cars across Europe. In this series of paintings, I am able to link both process as well as concept. Preparing colour solutions of heavily diluted paint, I begin saturating the surface with water, leaving certain areas dry. The fusion of pigment and water pooling on the surface helps achieve the veils and skeins of tinted colour, expressing sensations of light, vapour and mist as seen in the skies above. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Mary Romer Red Dust Vapour II, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Mary's childhood was spent in India, Southern Yemen and East Africa. Born in 1952 in Dar-es-Salaam, Tanzania. Her early years where the vast landscapes of Africa contrasted with the vibrant colours in India were a formative influence. Educated in India, England and France. In 1972 she moved to London taking advantage of the cultural events, attending exhibitions, art lectures at the V & A and life drawing classes at Chelsea College of Art. Over the years she travelled often to France and Italy visiting the major art exhibitions and studying the early frescos of Masaccio in Florence. After marrying and having two sons, she enrolled as a mature student to study art at Anglia Ruskin College, Cambridge. She holds a BA in Fine Art (Contemporary Practice). 2015 she was selected and completed an intensive 3-week course at The Slade, UCL Her work has been exhibited in London and East Anglia, with solo shows as well as being selected for mixed shows. Her work is in private and public collections worldwide.   Education   England and France Anglia Ruskin College, Cambridge - BA Fine Art (Contemporary Practice) Selected 3 week residency at The Slade, UCL   Select Exhibitions/Awards   Eastern Open Kings Lynne - 2004, 2005, 2006 One Church Street Gallery, Amersham selected Winter Open - 2012 Cambridge Artworks - 2013 Cambridge Artworks - 2014 The Lacey Gallery - selected for Summer Exhibition Prize 2016 The Sentinel Gallery - Wivenhoe selected for The Summer Show - 2017 Cobbold & Judd - selected for Winter Show - 2017 Contemporary British Painting, The Crypt, Marylebone, London - 2019 The London Ultra - The Barge House - Free Painters & Sculptors - 2019 The Muse Gallery, Notting Hill, London - Encounters 2021 The Fry Art Gallery, Saffron Walden - 2021 The Royal Academy of The Arts, London, IndiaSummer Exhibition - 2022 AWARDS The Bank House Postcard Award - 2006 Highly Commended - The Orangery, Holland Park - 2011   Gallery Representation   The Muse Gallery, Notting Hill, London The Angela Mellor Gallery, - Ely   Statement about AOAP Submitted Artwork   The Red Dust Vapour paintings are a multi-layered response. Using a palette of pinks and earth-reds became a meditation, recollecting colours used in Renaissance painting, yet pertinent to concerns reflecting the increasing desertificaton of Africa and dust storms that covered streets and cars across Europe. In this series of paintings, I am able to link both process as well as concept. Preparing colour solutions of heavily diluted paint, I begin saturating the surface with water, leaving certain areas dry. The fusion of pigment and water pooling on the surface helps achieve the veils and skeins of tinted colour, expressing sensations of light, vapour and mist as seen in the skies above. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Elise Ansel Esther II, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Elise Ansel was born and raised in New York City. Ansel received a BA in Comparative Literature from Brown University in 1984. While at Brown, she studied art at both Brown and the Rhode Island School of Design. She worked briefly in the film industry before deciding to make painting her first order medium. Ansel has exhibited her work throughout the United States and in Europe. Her works are held in the permanent collections of the Museum of Contemporary Art in Krakow, the Bowdoin College Museum of Art and the Evansville Museum of Arts and Sciences. She was represented by Danese/Corey in NYC until they closed in April 2020. She now works with Miles McEnery Gallery and Auxier/Kline in New York City and Cadogan Contemporary in London.   Education   Brown University   Select Exhibitions/Awards   SELECTED SOLO EXHIBITIONS: 2023 Cadogan Contemporary, Recent Work, Milan, Italy (forthcoming) 2023 Cadogan Contemporary, Recent Work, London, UK (forthcoming) 2023 Cover Street Arts, Recent Work, Portland, Maine (forthcoming) 2023 Miles McEnery Gallery, Recent Work, New York, New York (forthcoming) 2022 Auxier/Kline, "Time and Materials," New York, New York 2022 Michael S. Currier Center at the Putney School, "Space Between Angels," Putney, Vermont 2021 Cadogan Contemporary, "Polarity," London, UK 2021 Carol Corey Fine Art, "The Women," Kent, Connecticut 2021 The Schoolhouse Gallery, "Ocean," Provincetown, MA 2020 Carol Corey Fine Art, "Flower of the Mountain," Kent, Connecticut 2020 David Klein Gallery, "Palimpsest," Detroit, Michigan 2019 Cadogan Contemporary, "yes I said Yes," London, UK 2018 Danese/Corey, "Time Present," New York, NY 2017 Cadogan Contemporary, "Amber and Ebony," London, UK 2017 Danese/Corey, "Dialogue," New York, NY Gallery Representation   Miles McEnery Gallery; Cadogan Contemporary; AB NY Gallery; Carol Corey Fine Art   Statement about AOAP Submitted Artwork   My work involves translating Old Master paintings into a contemporary pictorial language. I examine shifting respresenations of the spiritual in art. I try to give voice to the female characters that have been for so long depicted by men Abstraction allows me to interrupt this one sided narrative and transform it into sensually capacious non-narrative form of visual communication that embraces multiple points of view. The Esther watercolors are studies for a series of larger oil paintings. They spring from Esther Before Ahasuerus, ca. 1758 by Lorenzo de Caro,which is the permanent collection of the Detroit Institute of the Arts Museum. I often begin with a series of small improvisational studies. Allowing the constant discovery of one state to give rise to another, I use the small studies as points of departure for larger works. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Elise Ansel Esther III, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Elise Ansel was born and raised in New York City. Ansel received a BA in Comparative Literature from Brown University in 1984. While at Brown, she studied art at both Brown and the Rhode Island School of Design. She worked briefly in the film industry before deciding to make painting her first order medium. Ansel has exhibited her work throughout the United States and in Europe. Her works are held in the permanent collections of the Museum of Contemporary Art in Krakow, the Bowdoin College Museum of Art and the Evansville Museum of Arts and Sciences. She was represented by Danese/Corey in NYC until they closed in April 2020. She now works with Miles McEnery Gallery and Auxier/Kline in New York City and Cadogan Contemporary in London.   Education   Brown University   Select Exhibitions/Awards   SELECTED SOLO EXHIBITIONS: 2023 Cadogan Contemporary, Recent Work, Milan, Italy (forthcoming) 2023 Cadogan Contemporary, Recent Work, London, UK (forthcoming) 2023 Cover Street Arts, Recent Work, Portland, Maine (forthcoming) 2023 Miles McEnery Gallery, Recent Work, New York, New York (forthcoming) 2022 Auxier/Kline, "Time and Materials," New York, New York 2022 Michael S. Currier Center at the Putney School, "Space Between Angels," Putney, Vermont 2021 Cadogan Contemporary, "Polarity," London, UK 2021 Carol Corey Fine Art, "The Women," Kent, Connecticut 2021 The Schoolhouse Gallery, "Ocean," Provincetown, MA 2020 Carol Corey Fine Art, "Flower of the Mountain," Kent, Connecticut 2020 David Klein Gallery, "Palimpsest," Detroit, Michigan 2019 Cadogan Contemporary, "yes I said Yes," London, UK 2018 Danese/Corey, "Time Present," New York, NY 2017 Cadogan Contemporary, "Amber and Ebony," London, UK 2017 Danese/Corey, "Dialogue," New York, NY Gallery Representation   Miles McEnery Gallery; Cadogan Contemporary; AB NY Gallery; Carol Corey Fine Art   Statement about AOAP Submitted Artwork   My work involves translating Old Master paintings into a contemporary pictorial language. I examine shifting respresenations of the spiritual in art. I try to give voice to the female characters that have been for so long depicted by men Abstraction allows me to interrupt this one sided narrative and transform it into sensually capacious non-narrative form of visual communication that embraces multiple points of view. The Esther watercolors are studies for a series of larger oil paintings. They spring from Esther Before Ahasuerus, ca. 1758 by Lorenzo de Caro,which is the permanent collection of the Detroit Institute of the Arts Museum. I often begin with a series of small improvisational studies. Allowing the constant discovery of one state to give rise to another, I use the small studies as points of departure for larger works. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Elise Ansel Esther IV, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Elise Ansel was born and raised in New York City. Ansel received a BA in Comparative Literature from Brown University in 1984. While at Brown, she studied art at both Brown and the Rhode Island School of Design. She worked briefly in the film industry before deciding to make painting her first order medium. Ansel has exhibited her work throughout the United States and in Europe. Her works are held in the permanent collections of the Museum of Contemporary Art in Krakow, the Bowdoin College Museum of Art and the Evansville Museum of Arts and Sciences. She was represented by Danese/Corey in NYC until they closed in April 2020. She now works with Miles McEnery Gallery and Auxier/Kline in New York City and Cadogan Contemporary in London.   Education   Brown University   Select Exhibitions/Awards   SELECTED SOLO EXHIBITIONS: 2023 Cadogan Contemporary, Recent Work, Milan, Italy (forthcoming) 2023 Cadogan Contemporary, Recent Work, London, UK (forthcoming) 2023 Cover Street Arts, Recent Work, Portland, Maine (forthcoming) 2023 Miles McEnery Gallery, Recent Work, New York, New York (forthcoming) 2022 Auxier/Kline, "Time and Materials," New York, New York 2022 Michael S. Currier Center at the Putney School, "Space Between Angels," Putney, Vermont 2021 Cadogan Contemporary, "Polarity," London, UK 2021 Carol Corey Fine Art, "The Women," Kent, Connecticut 2021 The Schoolhouse Gallery, "Ocean," Provincetown, MA 2020 Carol Corey Fine Art, "Flower of the Mountain," Kent, Connecticut 2020 David Klein Gallery, "Palimpsest," Detroit, Michigan 2019 Cadogan Contemporary, "yes I said Yes," London, UK 2018 Danese/Corey, "Time Present," New York, NY 2017 Cadogan Contemporary, "Amber and Ebony," London, UK 2017 Danese/Corey, "Dialogue," New York, NY Gallery Representation   Miles McEnery Gallery; Cadogan Contemporary; AB NY Gallery; Carol Corey Fine Art   Statement about AOAP Submitted Artwork   My work involves translating Old Master paintings into a contemporary pictorial language. I examine shifting respresenations of the spiritual in art. I try to give voice to the female characters that have been for so long depicted by men Abstraction allows me to interrupt this one sided narrative and transform it into sensually capacious non-narrative form of visual communication that embraces multiple points of view. The Esther watercolors are studies for a series of larger oil paintings. They spring from Esther Before Ahasuerus, ca. 1758 by Lorenzo de Caro,which is the permanent collection of the Detroit Institute of the Arts Museum. I often begin with a series of small improvisational studies. Allowing the constant discovery of one state to give rise to another, I use the small studies as points of departure for larger works. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Eugenia Cuellar Pensive, 2022 Watercolour and Pencil on Arches Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Eugenia Cuellar's paintings are mainly focused on women and the challenges they have to face in a contemporary world. Women interacting with men and women, in different settings and situations, in non-places, subjected to other people and to social and cultural norms. Sourced from own images, collages or mass media imagery, the people depicted in her compositions are either real or imagined. Her work can oscillate from painful or abusive situations to idyllic ones that make up a kind of parallel world that surround us. A world of beauty and pleasure that create a new unreachable standard, an unavoidable mirror in which to look oneself at.   Education   Turps Banana Art School CC 2017/2022. Master in Fine Arts 2015/2017 (MIAC) Complutense Unversity Madrid (UCM) Fine Arts, 2010/2015, Complutense University Madrid . Degree in Law, Santiago de Compostela University and La Coruña University.   Select Exhibitions/Awards 2022 Bloomberg New Contemporaries BN22: Hull, HumberStreetGallery & FerensArtGallery and SouthLondonGallery 2022 Dream on Dreamer, Riana Raouna Gallery, Limassol Cyprus (upcoming) 2022 Royal Academy Summer Exhibition, London. 2020 Royal West Academy 168th Annual Open Exhibition. 2020 Wells Art Contemporary, (catalogue). 2019 MOSTYN Open 21, Wales. 2018 Royal Scottish Academy of Art and Architecture, Open Exhibition of Art 2018. 2018 Fe/Male. Air Gallery, (UK) 2017 Peter Scott Gallery, Lancaster Arts, Rabley Drawing Centre, Marlborough, Black Swan Arts, Frome , The Drawing Studios. Plymouth College of Art (Sketch Open ) 2017 Masters Salon Painting. KoMask. Antwerp (BEL). 2017 Royal Ulster Academy, 135th Annual Exhibition 2016 BEEP Wales International Painting prize 2015 7th Annual Passion for Freedom Art Festival, Mall Galleries, London. 2015 The Open West 2015, The Wilson, Cheltenham Art gallery and Museum.   Gallery Representation   Riana Raouna Gallery   Statement about AOAP Submitted Artwork   Both works submitted belong to the realm of fantasy. They are a product of pure imagination. Pomeline and Louis are little lambs that belong to Marie Antoinette and graze happily in the Petit Trianon gardens, completely unaware of their owner's fatal destiny. Equally, the woman in red is absorbed in her thoughts, imagining ways of changing things. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Eugenia Cuellar Pomeline and Louis, 2022 Watercolour and Pencil on Arches Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Eugenia Cuellar's paintings are mainly focused on women and the challenges they have to face in a contemporary world. Women interacting with men and women, in different settings and situations, in non-places, subjected to other people and to social and cultural norms. Sourced from own images, collages or mass media imagery, the people depicted in her compositions are either real or imagined. Her work can oscillate from painful or abusive situations to idyllic ones that make up a kind of parallel world that surround us. A world of beauty and pleasure that create a new unreachable standard, an unavoidable mirror in which to look oneself at.   Education   Turps Banana Art School CC 2017/2022. Master in Fine Arts 2015/2017 (MIAC) Complutense Unversity Madrid (UCM) Fine Arts, 2010/2015, Complutense University Madrid . Degree in Law, Santiago de Compostela University and La Coruña University.   Select Exhibitions/Awards 2022 Bloomberg New Contemporaries BN22: Hull, HumberStreetGallery & FerensArtGallery and SouthLondonGallery 2022 Dream on Dreamer, Riana Raouna Gallery, Limassol Cyprus (upcoming) 2022 Royal Academy Summer Exhibition, London. 2020 Royal West Academy 168th Annual Open Exhibition. 2020 Wells Art Contemporary, (catalogue). 2019 MOSTYN Open 21, Wales. 2018 Royal Scottish Academy of Art and Architecture, Open Exhibition of Art 2018. 2018 Fe/Male. Air Gallery, (UK) 2017 Peter Scott Gallery, Lancaster Arts, Rabley Drawing Centre, Marlborough, Black Swan Arts, Frome , The Drawing Studios. Plymouth College of Art (Sketch Open ) 2017 Masters Salon Painting. KoMask. Antwerp (BEL). 2017 Royal Ulster Academy, 135th Annual Exhibition 2016 BEEP Wales International Painting prize 2015 7th Annual Passion for Freedom Art Festival, Mall Galleries, London. 2015 The Open West 2015, The Wilson, Cheltenham Art gallery and Museum.   Gallery Representation   Riana Raouna Gallery   Statement about AOAP Submitted Artwork   Both works submitted belong to the realm of fantasy. They are a product of pure imagination. Pomeline and Louis are little lambs that belong to Marie Antoinette and graze happily in the Petit Trianon gardens, completely unaware of their owner's fatal destiny. Equally, the woman in red is absorbed in her thoughts, imagining ways of changing things. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jan Lee Johnson Parrot Tulip, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Born in Yorkshire. Worked at BBC london as scene painter from 1976-84. Worked as a Court Artist, drawing in trials from memory (the Rolex Watch murder particularly fascinating) M.A. painting Bath Spa University. Lecturer in painting and interior design at Plymouth college of art and Richmond college of Art. Regular iPad drawing instruction and workshops at Kew Botanic Gardens, V & A. Chelsea Arts Club yearbook 2020   Education   BA HONS Fine Art Loughborough. MA painting Bath Spa University   Select Exhibitions/Awards   Discerning Eye 2020 /Orleans Gallery 'reimagine' 2020/ Royal Academy 2022/ Trinity Bouy Wharf Drawing Prize Longlisted.   Statement about AOAP Submitted Artwork   Given the small postcard size on which to paint I chose to paint tulips.The Parrot Tulips, have multi-coloured markings similar to the exotic bird and this phenomena inspired me to make two watercolours. I have often painted parrot tulips in other paintings, often on a larger scale. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jan Lee Johnson Black Tulip Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Born in Yorkshire. Worked at BBC london as scene painter from 1976-84. Worked as a Court Artist, drawing in trials from memory (the Rolex Watch murder particularly fascinating) M.A. painting Bath Spa University. Lecturer in painting and interior design at Plymouth college of art and Richmond college of Art. Regular iPad drawing instruction and workshops at Kew Botanic Gardens, V & A. Chelsea Arts Club yearbook 2020   Education   BA HONS Fine Art Loughborough. MA painting Bath Spa University   Select Exhibitions/Awards   Discerning Eye 2020 /Orleans Gallery 'reimagine' 2020/ Royal Academy 2022/ Trinity Bouy Wharf Drawing Prize Longlisted.   Statement about AOAP Submitted Artwork   Given the small postcard size on which to paint I chose to paint tulips.The Parrot Tulips, have multi-coloured markings similar to the exotic bird and this phenomena inspired me to make two watercolours. I have often painted parrot tulips in other paintings, often on a larger scale. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Daniel MacCarthy Little Boy Lost, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About The intersection of the man-made with the natural world form the basis of my work. Negative capability; the capacity to accept mystery and doubt rather than the demand for certainty, provides a useful insight into my approach to painting. In allegorical motifs or more oblique atmospheres, the work seeks to capture a place where uncomfortable realities seep in; a search for belonging, a presentiment of loss, anxiety and entropy. Hope too is evident; nature, redemptive if indifferent, is cherished for all its tangled complexity.   Education   TURPS Studio Programme - 2019 - 2020 Royal Drawing School - Post-Grad Diploma - 2009 - 2011 Sussex University - BA - Modern History - 2005 - 2008   Select Exhibitions/Awards   Solo 04/2022 The Peace of Wild Things, The Sidney Nolan Trust, Wales 09/21 Things are in the Saddle - Galera San Soda, Milan, Italy Group 09/2022 - ALL THE LIVES WE EVER LIVED, Canopy COLLECTIONS at Cromwell Place 08/2022 - BEEP painting Biennial, Elysium Gallery, Swansea 05/2022 - Paintings made recently in Wales, curated by LLE, Bay Art Cardiff 03/2022 - The Front Room show, D Contemporary, Mayfair 03/2022 - Royal Watercolour Soc. open, Bankside Gallery, London 02/2022 - Dream baby Dream, Curated by painttalk, Fitzrovia Gallery 11/2021 - A Generous Space, Curated by Matt Buroughs, Hastings Contemporary   Gallery Representation   Canopy Collections Otomys Gallery (Australia)   Statement about AOAP Submitted Artwork   These works are all watercolour or ink on paper. Studies like this are how I often get ideas for larger paintings. The characters can be seen as a cast of imagined figures who in occupying my inner landscapes act as a kind of conduit for my thoughts and emotions. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Daniel MacCarthy The Night Gardener, 2022 Watercolour on Gloss Paper Signed verso 14 x 10cm (5½ x 3¾ in.) About The intersection of the man-made with the natural world form the basis of my work. Negative capability; the capacity to accept mystery and doubt rather than the demand for certainty, provides a useful insight into my approach to painting. In allegorical motifs or more oblique atmospheres, the work seeks to capture a place where uncomfortable realities seep in; a search for belonging, a presentiment of loss, anxiety and entropy. Hope too is evident; nature, redemptive if indifferent, is cherished for all its tangled complexity.   Education   TURPS Studio Programme - 2019 - 2020 Royal Drawing School - Post-Grad Diploma - 2009 - 2011 Sussex University - BA - Modern History - 2005 - 2008   Select Exhibitions/Awards   Solo 04/2022 The Peace of Wild Things, The Sidney Nolan Trust, Wales 09/21 Things are in the Saddle - Galera San Soda, Milan, Italy Group 09/2022 - ALL THE LIVES WE EVER LIVED, Canopy COLLECTIONS at Cromwell Place 08/2022 - BEEP painting Biennial, Elysium Gallery, Swansea 05/2022 - Paintings made recently in Wales, curated by LLE, Bay Art Cardiff 03/2022 - The Front Room show, D Contemporary, Mayfair 03/2022 - Royal Watercolour Soc. open, Bankside Gallery, London 02/2022 - Dream baby Dream, Curated by painttalk, Fitzrovia Gallery 11/2021 - A Generous Space, Curated by Matt Buroughs, Hastings Contemporary   Gallery Representation   Canopy Collections Otomys Gallery (Australia)   Statement about AOAP Submitted Artwork   These works are all watercolour or ink on paper. Studies like this are how I often get ideas for larger paintings. The characters can be seen as a cast of imagined figures who in occupying my inner landscapes act as a kind of conduit for my thoughts and emotions. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Daniel MacCarthy Lakeside, 2022 Watercolour and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About The intersection of the man-made with the natural world form the basis of my work. Negative capability; the capacity to accept mystery and doubt rather than the demand for certainty, provides a useful insight into my approach to painting. In allegorical motifs or more oblique atmospheres, the work seeks to capture a place where uncomfortable realities seep in; a search for belonging, a presentiment of loss, anxiety and entropy. Hope too is evident; nature, redemptive if indifferent, is cherished for all its tangled complexity.   Education   TURPS Studio Programme - 2019 - 2020 Royal Drawing School - Post-Grad Diploma - 2009 - 2011 Sussex University - BA - Modern History - 2005 - 2008   Select Exhibitions/Awards   Solo 04/2022 The Peace of Wild Things, The Sidney Nolan Trust, Wales 09/21 Things are in the Saddle - Galera San Soda, Milan, Italy Group 09/2022 - ALL THE LIVES WE EVER LIVED, Canopy COLLECTIONS at Cromwell Place 08/2022 - BEEP painting Biennial, Elysium Gallery, Swansea 05/2022 - Paintings made recently in Wales, curated by LLE, Bay Art Cardiff 03/2022 - The Front Room show, D Contemporary, Mayfair 03/2022 - Royal Watercolour Soc. open, Bankside Gallery, London 02/2022 - Dream baby Dream, Curated by painttalk, Fitzrovia Gallery 11/2021 - A Generous Space, Curated by Matt Buroughs, Hastings Contemporary   Gallery Representation   Canopy Collections Otomys Gallery (Australia)   Statement about AOAP Submitted Artwork   These works are all watercolour or ink on paper. Studies like this are how I often get ideas for larger paintings. The characters can be seen as a cast of imagined figures who in occupying my inner landscapes act as a kind of conduit for my thoughts and emotions. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Daniel MacCarthy The Winter of Our Lives, 2022 Watercolour on Gloss Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About The intersection of the man-made with the natural world form the basis of my work. Negative capability; the capacity to accept mystery and doubt rather than the demand for certainty, provides a useful insight into my approach to painting. In allegorical motifs or more oblique atmospheres, the work seeks to capture a place where uncomfortable realities seep in; a search for belonging, a presentiment of loss, anxiety and entropy. Hope too is evident; nature, redemptive if indifferent, is cherished for all its tangled complexity.   Education   TURPS Studio Programme - 2019 - 2020 Royal Drawing School - Post-Grad Diploma - 2009 - 2011 Sussex University - BA - Modern History - 2005 - 2008   Select Exhibitions/Awards   Solo 04/2022 The Peace of Wild Things, The Sidney Nolan Trust, Wales 09/21 Things are in the Saddle - Galera San Soda, Milan, Italy Group 09/2022 - ALL THE LIVES WE EVER LIVED, Canopy COLLECTIONS at Cromwell Place 08/2022 - BEEP painting Biennial, Elysium Gallery, Swansea 05/2022 - Paintings made recently in Wales, curated by LLE, Bay Art Cardiff 03/2022 - The Front Room show, D Contemporary, Mayfair 03/2022 - Royal Watercolour Soc. open, Bankside Gallery, London 02/2022 - Dream baby Dream, Curated by painttalk, Fitzrovia Gallery 11/2021 - A Generous Space, Curated by Matt Buroughs, Hastings Contemporary   Gallery Representation   Canopy Collections Otomys Gallery (Australia)   Statement about AOAP Submitted Artwork   These works are all watercolour or ink on paper. Studies like this are how I often get ideas for larger paintings. The characters can be seen as a cast of imagined figures who in occupying my inner landscapes act as a kind of conduit for my thoughts and emotions. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Huddie Hamper Boy on Horse, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   I find painting a pleasure. My work is intuitive by nature, expressing aspects of my current life and psychological states. There is an urge to create, to describe forms in paint that feel natural to me and I aim to communicate the beauty, and sometimes darkness, that is in the world around us. I do not wish to impose a pre-determined meaning of the themes in my work onto the viewer; but to let the painting talk for itself. The process of creating the work is in essence a means of discovery, to be fundamentally grounded in the personal human experience yet retain a sense of mystery. There is a divide in our culture at the moment and I would hope that through seeing simple balance of form, line and colour on a canvas, a painter can do a small part in closing that divide; to bridge gaps between the minds of people is surely why we indulge in the process of creating.   Education   Slade School of Fine Art, 2021 (BA)   Select Exhibitions/Awards   Solo Show - 2022 Liford Gallery Canterbury Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Miyeon Yi Two Women Who Are Not Allowed To Smoke, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Miyeon Yi (born in 1995, Seoul, South Korea) is an artist living and working in London, UK. She obtained her Bachelor of Fine Arts at the School of the Art Institute of Chicago, Chicago, IL, USA (2013-2017), and is pursuing her master's degree on painting at the Royal College of Art, London (2021-2023). Her works have been in group shows in USA, UK and France.   Education   2021-2023 Master of Arts (Painting), Royal College of Art, London, UK 2013-2017 Bachelor of Fine Arts, School of the Art Institute of Chicago, Chicago, IL   Select Exhibitions/Awards   Solo Exhibitions 2022 Ojiri Gallery, London, UK, July 8th-29th 2022 Era Gallery, Milan, Italy May 12th - June 12th Group Exhibitions 2022 Delphian Open Call Winner Show, Unit 1 Gallery, London, UK, Oct 20th-28th 2022 Angel with Dirty Faces, Ojiri Gallery, London, UK, Oct 8th-28th 2022 Fragments, Omer Tiroche Gallery, London, UK, Sep 14th-29th 2022 No Place Like Home, Fitzrovia Gallery, London, UK, August 1st-6th 2022 The Room London Gallery, London, UK, May 17th 2022 Two Doors, House of St.Barnabas, London, UK, May 9th 2022 It's All Fun Until..., Safehouse 1&2, London, UK, March 17th-20th 2022 A Room of Her Own, Irving Contemporary, Oxford, UK, March 10th-April 8th 2022 RAW, Soho Revue, London, UK, March 1st- 5th 2022 WIP SHOW (online), Royal College of Art, London, UK, January 28th-February 4th Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Simon Keenleyside Time of No Reply, 2022 Watercolour, Gouache and Spraypaint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   After studying for his BA at Brighton University Simon Keenleyside completed an MA in painting at the Royal College of Art. He has exhibited extensively throughout the UK and internationally in Italy, Tokyo, America and Denmark. In 2002 he won the BOC Emerging Artist Award and in 2004 he was the UK winner of the Lexmark European Art Prize. He has work in private and corporate collections that include The BOC Group, Comme des Garcons, David Roberts Foundation, Hiscox, Marsh Mclennan , Mario Testino collection and The Museo del Novecento Collection.   Education   2000- 2002MA PaintingRoyal College of Art, London 1997-2000BA (Hons) Fine Art PaintingBrighton University, Sussex   Select Exhibitions/Awards   ONE PERSON EXHIBITIONS 2021PrimevalCHARLIE SMITH LONDON, London 2013-14Back to the World Blindarte Contemporanea, Naples 2010Magic lurksRokeby, London 2010Safe in the magic of my woldBlindarte Contemporanea, Naples 2008A place in the darknessRokeby, London 2007The UninhabitedBlindarte Contemporanea, Naples 2006Endless Coloured DaysMogadishni, Copenhagen 2006Dreams by the seaRokeby, London 2005No life in the land Studio d'Arte Cannaviello, Milan 2004Rainbows In Dark PlacesMogadishni, Copenhagen 2003Digging and DaydreamsStandpoint Gallery, London SELECTED GROUP EXHIBITIONS 2021/22. A Generous Space, Artist support pledge. Hastings contemporary. Hastings. 2020 Accelerate Your EscapeWhitechapel Gallery, London 2020PROJECT PAPYROPHILIA CHARLIE SMITH LONDON, London 2018Summertime 2018Galleri Christoffer Egelund, Copenhagen 2017Natura PlasticaBlindarte, Milan 2015Mario Bertolini Collection. The Museo del Novecento, Milan Gallery Representation   BLINDARTE gallery - Naples/Milan   Statement about AOAP Submitted Artwork   For a long while my work has been focused on landscape and I've spent a number years returning to two specific locations; the backwaters and tributaries of the Thames and small woodlands that I discovered and explored as a child. I return to these same sites as an approach in mediation on the changing environment. Each work and each repetition highlighting the shifts in the landscapes - But rather than an interest in pure landscape, I endure repeated trips to these sites not only to evoke physical places, but also mental states, desires and anxieties that accompany me during those times. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Simon Keenleyside Time of No Reply (1), 2022 Watercolour, Gouache and Spraypaint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   After studying for his BA at Brighton University Simon Keenleyside completed an MA in painting at the Royal College of Art. He has exhibited extensively throughout the UK and internationally in Italy, Tokyo, America and Denmark. In 2002 he won the BOC Emerging Artist Award and in 2004 he was the UK winner of the Lexmark European Art Prize. He has work in private and corporate collections that include The BOC Group, Comme des Garcons, David Roberts Foundation, Hiscox, Marsh Mclennan , Mario Testino collection and The Museo del Novecento Collection.   Education   2000- 2002MA PaintingRoyal College of Art, London 1997-2000BA (Hons) Fine Art PaintingBrighton University, Sussex   Select Exhibitions/Awards   ONE PERSON EXHIBITIONS 2021PrimevalCHARLIE SMITH LONDON, London 2013-14Back to the World Blindarte Contemporanea, Naples 2010Magic lurksRokeby, London 2010Safe in the magic of my woldBlindarte Contemporanea, Naples 2008A place in the darknessRokeby, London 2007The UninhabitedBlindarte Contemporanea, Naples 2006Endless Coloured DaysMogadishni, Copenhagen 2006Dreams by the seaRokeby, London 2005No life in the land Studio d'Arte Cannaviello, Milan 2004Rainbows In Dark PlacesMogadishni, Copenhagen 2003Digging and DaydreamsStandpoint Gallery, London SELECTED GROUP EXHIBITIONS 2021/22. A Generous Space, Artist support pledge. Hastings contemporary. Hastings. 2020 Accelerate Your EscapeWhitechapel Gallery, London 2020PROJECT PAPYROPHILIA CHARLIE SMITH LONDON, London 2018Summertime 2018Galleri Christoffer Egelund, Copenhagen 2017Natura PlasticaBlindarte, Milan 2015Mario Bertolini Collection. The Museo del Novecento, Milan Gallery Representation   BLINDARTE gallery - Naples/Milan   Statement about AOAP Submitted Artwork   For a long while my work has been focused on landscape and I've spent a number years returning to two specific locations; the backwaters and tributaries of the Thames and small woodlands that I discovered and explored as a child. I return to these same sites as an approach in mediation on the changing environment. Each work and each repetition highlighting the shifts in the landscapes - But rather than an interest in pure landscape, I endure repeated trips to these sites not only to evoke physical places, but also mental states, desires and anxieties that accompany me during those times. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Simon Keenleyside Until The Morning, 2022 Watercolour, Gouache and Spraypaint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   After studying for his BA at Brighton University Simon Keenleyside completed an MA in painting at the Royal College of Art. He has exhibited extensively throughout the UK and internationally in Italy, Tokyo, America and Denmark. In 2002 he won the BOC Emerging Artist Award and in 2004 he was the UK winner of the Lexmark European Art Prize. He has work in private and corporate collections that include The BOC Group, Comme des Garcons, David Roberts Foundation, Hiscox, Marsh Mclennan , Mario Testino collection and The Museo del Novecento Collection.   Education   2000- 2002MA PaintingRoyal College of Art, London 1997-2000BA (Hons) Fine Art PaintingBrighton University, Sussex   Select Exhibitions/Awards   ONE PERSON EXHIBITIONS 2021PrimevalCHARLIE SMITH LONDON, London 2013-14Back to the World Blindarte Contemporanea, Naples 2010Magic lurksRokeby, London 2010Safe in the magic of my woldBlindarte Contemporanea, Naples 2008A place in the darknessRokeby, London 2007The UninhabitedBlindarte Contemporanea, Naples 2006Endless Coloured DaysMogadishni, Copenhagen 2006Dreams by the seaRokeby, London 2005No life in the land Studio d'Arte Cannaviello, Milan 2004Rainbows In Dark PlacesMogadishni, Copenhagen 2003Digging and DaydreamsStandpoint Gallery, London SELECTED GROUP EXHIBITIONS 2021/22. A Generous Space, Artist support pledge. Hastings contemporary. Hastings. 2020 Accelerate Your EscapeWhitechapel Gallery, London 2020PROJECT PAPYROPHILIA CHARLIE SMITH LONDON, London 2018Summertime 2018Galleri Christoffer Egelund, Copenhagen 2017Natura PlasticaBlindarte, Milan 2015Mario Bertolini Collection. The Museo del Novecento, Milan Gallery Representation   BLINDARTE gallery - Naples/Milan   Statement about AOAP Submitted Artwork   For a long while my work has been focused on landscape and I've spent a number years returning to two specific locations; the backwaters and tributaries of the Thames and small woodlands that I discovered and explored as a child. I return to these same sites as an approach in mediation on the changing environment. Each work and each repetition highlighting the shifts in the landscapes - But rather than an interest in pure landscape, I endure repeated trips to these sites not only to evoke physical places, but also mental states, desires and anxieties that accompany me during those times. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Simon Keenleyside Until The Morning (1), 2022 Watercolour, Gouache and Spraypaint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   After studying for his BA at Brighton University Simon Keenleyside completed an MA in painting at the Royal College of Art. He has exhibited extensively throughout the UK and internationally in Italy, Tokyo, America and Denmark. In 2002 he won the BOC Emerging Artist Award and in 2004 he was the UK winner of the Lexmark European Art Prize. He has work in private and corporate collections that include The BOC Group, Comme des Garcons, David Roberts Foundation, Hiscox, Marsh Mclennan , Mario Testino collection and The Museo del Novecento Collection.   Education   2000- 2002MA PaintingRoyal College of Art, London 1997-2000BA (Hons) Fine Art PaintingBrighton University, Sussex   Select Exhibitions/Awards   ONE PERSON EXHIBITIONS 2021PrimevalCHARLIE SMITH LONDON, London 2013-14Back to the World Blindarte Contemporanea, Naples 2010Magic lurksRokeby, London 2010Safe in the magic of my woldBlindarte Contemporanea, Naples 2008A place in the darknessRokeby, London 2007The UninhabitedBlindarte Contemporanea, Naples 2006Endless Coloured DaysMogadishni, Copenhagen 2006Dreams by the seaRokeby, London 2005No life in the land Studio d'Arte Cannaviello, Milan 2004Rainbows In Dark PlacesMogadishni, Copenhagen 2003Digging and DaydreamsStandpoint Gallery, London SELECTED GROUP EXHIBITIONS 2021/22. A Generous Space, Artist support pledge. Hastings contemporary. Hastings. 2020 Accelerate Your EscapeWhitechapel Gallery, London 2020PROJECT PAPYROPHILIA CHARLIE SMITH LONDON, London 2018Summertime 2018Galleri Christoffer Egelund, Copenhagen 2017Natura PlasticaBlindarte, Milan 2015Mario Bertolini Collection. The Museo del Novecento, Milan Gallery Representation   BLINDARTE gallery - Naples/Milan   Statement about AOAP Submitted Artwork   For a long while my work has been focused on landscape and I've spent a number years returning to two specific locations; the backwaters and tributaries of the Thames and small woodlands that I discovered and explored as a child. I return to these same sites as an approach in mediation on the changing environment. Each work and each repetition highlighting the shifts in the landscapes - But rather than an interest in pure landscape, I endure repeated trips to these sites not only to evoke physical places, but also mental states, desires and anxieties that accompany me during those times. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Davina Jackson After The Bath, 2022 Raw Pigment, Ink, Gouache and Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Davina Jackson is a figurative artist based in London where she currently works from a studio at Kingsgate workshops. She graduated with a masters from the Royal Academy Schools where she also won the Gold Medal for painting. Her interests have remained in the theatrical and psychological use of space and a search for poetic simplicity. She continues to develop themes exploring human relationships and emotional states, finding and articulating the essence of an intimate moment or experience through the simplification of forms, mark making and painterly gestures. She has made regular appearances at The Royal Academy Summer exhibition with her 12th inclusion this year, The Discerning Eye and at Art London and over the past several years, has had 3 solo shows with The Albemarle Gallery, with one in Trieste, Italy, curated by Edward Lucie-Smith. She has showed her work in numerous group exhibitions, most recently at Noho Studios, with Act One, The Royal Watercolour Society and Hastings Contemporary.   Education 1989-1990 Central/St Martins 1991-1994 BA. (Hons) Fine Art - Painting, The Byam Shaw School of Art 1994-1997 Post Graduate Masters - Fine Art, The Royal Academy Schools Select Exhibitions/Awards   2022 The Royal Academy Summer Exhibition , (selected by Alison Wilding ) The Royal Water Colour Society Bankside Galleries Act 1, Group show, Noho Studios 2021 A Generous Space, Hastings Contemporary The Discerning Eye, Mall Galleries The Royal Academy Summer Exhibition, selected by Yinka Shonibare 2020 The Sunday Times Watercolour Competition Shortlist The Willis Museum, Basingstoke The Mall Galleries, London 2020 The Royal Academy Summer/Winter Exhibition, selected by Sonia Boyce The Discerning Eye, Mall galleries 2019 Solo Exhibition - Close to the Sun The Pontone Gallery The Discerning Eye Two person show, Moor House, Moorgate, London 2018 British Painters - Imagined Worlds, The Pontone Gallery The Discerning Eye - Drawing Bursary British Art Fair - Saatchi Gallery 2017 Solo Exhibition, The Woland Club Art Gallery, Italy 2016 Solo Exhibition - A Sculptor in Paint, The Albermarle Gallery
   Gallery Representation   The Boundary Gallery and The Albemarle Gallery   Statement about AOAP Submitted Artwork   The two works I have donated to this auction express a private moment in time where we witness a glimpse of something familiar, something very human, a space for reflection. A figure we don't know but I hope we somehow recognise in ourselves. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Davina Jackson Watching The Day Fade, 2022 Watercolour, Gouache and Acrylic on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Davina Jackson is a figurative artist based in London where she currently works from a studio at Kingsgate workshops. She graduated with a masters from the Royal Academy Schools where she also won the Gold Medal for painting. Her interests have remained in the theatrical and psychological use of space and a search for poetic simplicity. She continues to develop themes exploring human relationships and emotional states, finding and articulating the essence of an intimate moment or experience through the simplification of forms, mark making and painterly gestures. She has made regular appearances at The Royal Academy Summer exhibition with her 12th inclusion this year, The Discerning Eye and at Art London and over the past several years, has had 3 solo shows with The Albemarle Gallery, with one in Trieste, Italy, curated by Edward Lucie-Smith. She has showed her work in numerous group exhibitions, most recently at Noho Studios, with Act One, The Royal Watercolour Society and Hastings Contemporary.   Education 1989-1990 Central/St Martins 1991-1994 BA. (Hons) Fine Art - Painting, The Byam Shaw School of Art 1994-1997 Post Graduate Masters - Fine Art, The Royal Academy Schools Select Exhibitions/Awards   2022 The Royal Academy Summer Exhibition , (selected by Alison Wilding ) The Royal Water Colour Society Bankside Galleries Act 1, Group show, Noho Studios 2021 A Generous Space, Hastings Contemporary The Discerning Eye, Mall Galleries The Royal Academy Summer Exhibition, selected by Yinka Shonibare 2020 The Sunday Times Watercolour Competition Shortlist The Willis Museum, Basingstoke The Mall Galleries, London 2020 The Royal Academy Summer/Winter Exhibition, selected by Sonia Boyce The Discerning Eye, Mall galleries 2019 Solo Exhibition - Close to the Sun The Pontone Gallery The Discerning Eye Two person show, Moor House, Moorgate, London 2018 British Painters - Imagined Worlds, The Pontone Gallery The Discerning Eye - Drawing Bursary British Art Fair - Saatchi Gallery 2017 Solo Exhibition, The Woland Club Art Gallery, Italy 2016 Solo Exhibition - A Sculptor in Paint, The Albermarle Gallery
   Gallery Representation   The Boundary Gallery and The Albemarle Gallery   Statement about AOAP Submitted Artwork   The two works I have donated to this auction express a private moment in time where we witness a glimpse of something familiar, something very human, a space for reflection. A figure we don't know but I hope we somehow recognise in ourselves. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Olivia Mansfield The Harvest Moon, 2022 Acrylic, Gouache and Watercolour on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1988, Olivia Mansfield is an abstract painter whose works are figments of fantastical, imaginary worlds. Her paintings exist as creative portals to fragmented realms which allude to and echo our own existence. Olivia studied for a Foundation Diploma in Fine Art at the Byam Shaw School of Art (Central Saint Martins, University of the Arts London) before completing a BA (Hons) in Fine Art Practice from Goldsmiths, University of London. Olivia worked in London for several years after graduating before moving back to her hometown, Milton Keynes, to start a family. Olivia has exhibited her work in various online and physical groups and solo shows, most of which have taken place since the beginning of 2021.   Education 2012 BA (Hons), Goldsmiths University Of London, London, United Kingdom 2009 Fine Art Foundation, Central Saint Martens, UAL, London, United Kingdom   Select Exhibitions/Awards   SELECTED SOLO EXHIBITIONS 2021 Rosa Oculus, The Little Bread Peddler, Pimlico, London, UK 2017 In Sediment, Upstairs At The Ritzy Gallery, Brixton, London, UK 2014 Hypostasis, The Old Church, Stoke Newington, London, UK   SELECTED GROUP EXHIBITIONS 2022 A Room Of Her Own, Irving Contemporary, Oxford, UK 2021 While We Wait, Vacant Museum, Online 2021 Reflections, The Holy Art Gallery, London, Online 2021 Together Through Painting, London Paint Club, Online 2021 Into The Cosmere, Brushes With Greatness, Shoreditch, London, UK 2021 Euphoric, Procrastinarting, Josephine-May Bailey, Online 2021 With Love II, Paint Talk, Online 2014 Summer Show, The Dulwich Picture Gallery, Dulwich, London, UK Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Conor Rogers Magnum, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Conor Rogers is an award-winning Sheffield-based artist and graduate of Sheffield Hallam University. He was shortlisted for the John Moores painting prize 2014 and was selected to exhibit in the Bloomberg New Contemporaries 2015 at Primary Gallery, Nottingham & ICA, London. He has since exhibited work both nationally and internationally in group shows, arts festivals and biennales. He was twice shortlisted for the John Ruskin Prize in 2017 and 2019 both exhibitions being held in Sheffield then Manchester. In 2019 Conor was named as the 1st Prize winner of the Robert Walters Group UK Young Artist of the Year Award held at the Saatchi Gallery London. In 2020 he exhibited in 'Me Myself and I' a group show held at Collyer Bristow gallery, London. He has since taken part in numerous group online exhibitions throughout the pandemic and early in 2021 showed work with Guts Gallery London for their online show 'For the many not the few'. He later in June 2021 exhibited in his debut solo show 'Manor Boy' at Yorkshire Artspace, Sheffield as part of the Freeland's Foundation residency program 'Platform 20'. At the end of 2021 Conor was invited to exhibit in the group show 'Fully Awake' at Manchester's Holden gallery and was also invited to judge the 2021 iteration of the UK New Artist Prize. Whilst being a judge he simultaneously exhibited work in the same exhibition as an honorary guest held at the Saatchi Gallery, London. He is currently taking part in a group exhibition 'EN-GER-LAND' at OOF Gallery London and has most recently been commissioned as a collaborative artist for the National Portrait Galleries 'Creative Connections programme'.   Select Exhibitions/Awards Solo Shows: 2021 'Manor Boy', Platform 20 - Freelands Foundation Residency interim show, Yorkshire Artspace, Sheffield.   Group shows: March - April 2022, Platform 20 final Group exhibition at the Freelands Foundation London. 2021 'For the Many not the few' online exhibition, Guts Gallery, London. 2020 'For the love of Avocados' online exhibition, Art Exchange, University of Essex. 2020 'Me Myself and I', Collyer Bristow Gallery, London. 2019 'Robert Walters Group UK Young Artist Award', Saatchi Gallery, London. 2019 'Agent of Change' Ruskin Prize, The Holden Gallery, Manchester. 2019 'MICRO', AirGallery, Manchester. 2018 'Malevolent Eldritch Shrieking' (curated by Paul Morrison), Attercliffe TM, Sheffield 2017 'The Beginnings', The National Assembly, Seoul, South Korea. 2017 'Ruskin Art Prize', The Millennium Gallery, Sheffield. 2017 'Mediterranea 18 Young Artists Biennale' Albanian National Gallery, Tirana, Albania. 2016 'UKYA National Festival 2016', Derby Riverlights, Derby. 2016 'Utopia Deferred' Artlink Gallery, Hull & Corke Gallery, Liverpool. 2015 'Bloomberg New Contemporaries', Primary, Nottingham & ICA, London. 2015 'Overlooked', The Scottish Queen Gallery, Sheffield. 2014 'Exchange Rates Presents: Platform - Paper', Norte Maar, Brooklyn, New York. 2014 'Everyday Illusions', Paper Gallery, Manchester. 2014 'John Moores Painting Prize', The Walker Art Gallery, Liverpool. 2014 'Interim Exhibition', SIA Gallery, Sheffield. 2013 'You are here', The Millennium Gallery, Sheffield.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Laila Tara H Thief! Thief! Thief In My Closet!, 2022 Natural Pigment, Watercolour, Velvet and Handmade Hemp Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Laila Tara H (b.1995, London) is an Iranian-British artist whose practice stems from the visual language of Indo-Persian miniature painting. Laila's Iranian heritage, and years spent moving through continents have inspired the language through which she articulates her own history + life. Utilising historical techniques, her works explore and experiment in scale and negative space. Symbolic forms and multiple, concurrent narratives punctuate the space. Detailed figures suspended amidst contemporary urban scenes, disjointed limbs amidst delicate foliage, are all arranged in stark, startling compositions that defy stylistic cannons and stretch boundaries. She often cuts and folds paper, puncturing and destabilising space to introduce new three-dimensional depth and shadow play. Her works, most often painted on hand-made natural hemp paper sourced from Sanganer, India, explore a range of emotions, and create a charged surface where the tension between form and formlessness; the object and its surrounding emptiness, plays out. The figures explore our sense of perspective and time, and are interlaced with deeply personal narratives. Laila mostly uses pigments that are either naturally derived, or prepared using traditional methods from found materials-these range from crushed red London bricks; walnut ink; madder red pigment; deep blue lapis lazuli from Badakhshan province of Afghanistan and India, sourced from Florence; ochres from Iran, collected from the island of Hormoz.   Education   2017-2019 MA (distinction), The Prince's School of Traditional Arts, Miniature Painting   Select Exhibitions/Awards   Solo / Two-person: 2022 In Studio, Drake's London, New York, United States 2022 Twisted toes, tangled ears (with Anousha Payne), Public Gallery, London, United Kingdom 2022 duck duck goose, Purdy Hicks Gallery, London, United Kingdom 2021 Vexilloid, O Gallery, Tehran, Iran 2021 Am I?, V.O Curations, London, United Kingdom 2021 Sky-Circles (with Anusheh Zia Siddiqui), Indigo+Madder, London, United Kingdom Recent Selected Group: 2022 The body we are in, Confer-Karnac, London 2022 Future Fair, Cob Gallery, New York, United States 2022 Drawing Now Fair, Purdy Hicks Gallery, Paris France 2022 London Art Fair, Purdy Hicks Gallery, London 2022 ASSEMBLE, V.O Curations, London 2021 Slow Burn, Indigo+Madder, London 2021 Cruel Intentions, Arusha Gallery, London 2020 Casa Balandra Open Studios, Casa Balandra, Mallorca, Spain 2020 Nourishment Projects, V.O Curations, London 2020 So Good So Close, Numeroventi, Florence, Italy   Statement about AOAP Submitted Artwork   There's a moth in the cupboard. It's eaten through all the wool and all the silk. There's a moth in the cupboard and I can't get it out. Now that the moth turned velvet red, I sit by the fire and burn all that's left. ____ My painting practice for the last few years has stemmed primarily from Persian and Indian Miniature painting. My adoption of the tradition started as a means to leash myself to my lineal heritage, both by use of technique and medium but also by the active rejection of the western art power structure that has largely shunned non-western production as craft and inspiration. This is symptomatic of the larger geo-political power structure that physically dislocated and dismembered the majority (and most important) of the manuscripts. I say this while noting that tradition is an unstable term, especially when it's being used to cover half a continent and many centuries and is an evolving, thing. With the understanding that tradition is both unstable and unhinged now that it's existing entirely out of its original physical context - not entirely unlike my own biographical existence, I'm interested in the deconstruction of its aesthetic framework. To expand on the former, I am practicing the tradition outside of its original nation/state, outside of it's book-binding, outside of the generations of schools of men dedicated to it, outside of the occident/orient binary, and entirely outside of it's original purpose as a story-teller for political and religious means. Instead, I'm taking it on as a language with which to build a sort of Laila- dialect and weave my lived experiences. My compositions are maximal minimal - they require negative space to push movement and then the paint acts as an interjection. I enjoy taking this dense form of painting that began in manuscripts and reducing it down to its core - to take whole narratives and turn them to single sentences (with titles that are often poems.) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Chris Orr RA Painting Yellow Lines, 2022 Watercolour and Pencil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Lives and works in London. Painter/ Printmaker/Writer   Education   Royal College of Art 1964 - 1967   Select Exhibitions/Awards   Elected Royal Academicial 1995   Gallery Representation   Jill George Gallery   Statement about AOAP Submitted Artwork   What you see is not quite what you get. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jeffrey Harrison Soft Pink, 2022 Watercolour and Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Jeffrey Harrison is Canadian oil painter who lives and works in Toronto. Harrison shuns the notion that paintings should have rules. And his paintings are anything but boring. Instead, he lets the painting do what he feels it has to do, and bends the rules of the medium to somehow make it work. And it does: The result is chaotic, a departure from the safety we've come to know in paintings. Vibrant colours, flowers, and fluid shapes fill the paintings; as if the amorphous figures are begging to be included, squeezed into the canvas.   Gallery Representation   He has been showing with Dianna Witte Gallery since 2005. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jeffrey Harrison 22 Flowers, 2022 Pencil, Watercolour and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Jeffrey Harrison is Canadian oil painter who lives and works in Toronto. Harrison shuns the notion that paintings should have rules. And his paintings are anything but boring. Instead, he lets the painting do what he feels it has to do, and bends the rules of the medium to somehow make it work. And it does: The result is chaotic, a departure from the safety we've come to know in paintings. Vibrant colours, flowers, and fluid shapes fill the paintings; as if the amorphous figures are begging to be included, squeezed into the canvas.   Gallery Representation   He has been showing with Dianna Witte Gallery since 2005. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jeffrey Harrison Last Flower, 2022 Watercolour Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Jeffrey Harrison is Canadian oil painter who lives and works in Toronto. Harrison shuns the notion that paintings should have rules. And his paintings are anything but boring. Instead, he lets the painting do what he feels it has to do, and bends the rules of the medium to somehow make it work. And it does: The result is chaotic, a departure from the safety we've come to know in paintings. Vibrant colours, flowers, and fluid shapes fill the paintings; as if the amorphous figures are begging to be included, squeezed into the canvas.   Gallery Representation   He has been showing with Dianna Witte Gallery since 2005. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Robyn Litchfield Mahinapua, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   About   Robyn Litchfield was born in New Zealand and currently lives in North London. She is a painter and graduated from the City and Guilds of London Art School with an MA Fine Art (distinction) in 2017 and from The School of Art, Architecture and Design, London Metropolitan University with a BA in 2012.   Education   2015-2017 City and Guilds of London Art School, MA Fine Art (Distinction) 2008-2012 The School of Art, Architecture and Design, London Metropolitan University, BA Fine Art   Select Exhibitions/Awards   2022 Beep Painting Prize, Elysium Gallery, Swansea. 2022 The Summer Exhibition, Royal Academy of Arts, Selected by Bill Woodrow 2022 Horizon, Landscape and Beyond, The Cello Factory, London 2022 Affordable Art Fair with Darle and the Bear, Battersea 2022 Frequencies (For Healing), Confer Karnac Gallery, London 2021 The Contemporary British Painting Prize 2021 (long listed) 2021 Landscape's Unstilled Life, Darl-e and the Bear, Woodstock (curator and exhibitor) 2020 The John Moores Painting Prize (long listed) 2020 The Summer Exhibition, The Royal Academy, selected by David Remfry 2020 On the Strangest Sea, The Violet Hour 2020 Women's Lockdown Art, Zabludowicz Collection, womenandhealth.org.uk 2020 The London Art Fair with the Nunnery Gallery 2020 Jackson's Painting Prize 2020, awarded the Landscape/Cityscape/Seascape category prize Gallery Representation   Darle and the Bear, TinMan Art   Statement about AOAP Submitted Artwork   Robyn Litchfield uses wild landscape as a template for exploring personal history, notions of cultural identity, alienation and a sense of belonging. Her paintings are imbued with a longing for an idyllic Arcadia but haunted by the resulting violence, dispossession and ecological loss. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Robyn Litchfield Carew, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   About   Robyn Litchfield was born in New Zealand and currently lives in North London. She is a painter and graduated from the City and Guilds of London Art School with an MA Fine Art (distinction) in 2017 and from The School of Art, Architecture and Design, London Metropolitan University with a BA in 2012.   Education   2015-2017 City and Guilds of London Art School, MA Fine Art (Distinction) 2008-2012 The School of Art, Architecture and Design, London Metropolitan University, BA Fine Art   Select Exhibitions/Awards   2022 Beep Painting Prize, Elysium Gallery, Swansea. 2022 The Summer Exhibition, Royal Academy of Arts, Selected by Bill Woodrow 2022 Horizon, Landscape and Beyond, The Cello Factory, London 2022 Affordable Art Fair with Darle and the Bear, Battersea 2022 Frequencies (For Healing), Confer Karnac Gallery, London 2021 The Contemporary British Painting Prize 2021 (long listed) 2021 Landscape's Unstilled Life, Darl-e and the Bear, Woodstock (curator and exhibitor) 2020 The John Moores Painting Prize (long listed) 2020 The Summer Exhibition, The Royal Academy, selected by David Remfry 2020 On the Strangest Sea, The Violet Hour 2020 Women's Lockdown Art, Zabludowicz Collection, womenandhealth.org.uk 2020 The London Art Fair with the Nunnery Gallery 2020 Jackson's Painting Prize 2020, awarded the Landscape/Cityscape/Seascape category prize Gallery Representation   Darle and the Bear, TinMan Art   Statement about AOAP Submitted Artwork   Robyn Litchfield uses wild landscape as a template for exploring personal history, notions of cultural identity, alienation and a sense of belonging. Her paintings are imbued with a longing for an idyllic Arcadia but haunted by the resulting violence, dispossession and ecological loss. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Robyn Litchfield Tauparikaka, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   About   Robyn Litchfield was born in New Zealand and currently lives in North London. She is a painter and graduated from the City and Guilds of London Art School with an MA Fine Art (distinction) in 2017 and from The School of Art, Architecture and Design, London Metropolitan University with a BA in 2012.   Education   2015-2017 City and Guilds of London Art School, MA Fine Art (Distinction) 2008-2012 The School of Art, Architecture and Design, London Metropolitan University, BA Fine Art   Select Exhibitions/Awards   2022 Beep Painting Prize, Elysium Gallery, Swansea. 2022 The Summer Exhibition, Royal Academy of Arts, Selected by Bill Woodrow 2022 Horizon, Landscape and Beyond, The Cello Factory, London 2022 Affordable Art Fair with Darle and the Bear, Battersea 2022 Frequencies (For Healing), Confer Karnac Gallery, London 2021 The Contemporary British Painting Prize 2021 (long listed) 2021 Landscape's Unstilled Life, Darl-e and the Bear, Woodstock (curator and exhibitor) 2020 The John Moores Painting Prize (long listed) 2020 The Summer Exhibition, The Royal Academy, selected by David Remfry 2020 On the Strangest Sea, The Violet Hour 2020 Women's Lockdown Art, Zabludowicz Collection, womenandhealth.org.uk 2020 The London Art Fair with the Nunnery Gallery 2020 Jackson's Painting Prize 2020, awarded the Landscape/Cityscape/Seascape category prize Gallery Representation   Darle and the Bear, TinMan Art   Statement about AOAP Submitted Artwork   Robyn Litchfield uses wild landscape as a template for exploring personal history, notions of cultural identity, alienation and a sense of belonging. Her paintings are imbued with a longing for an idyllic Arcadia but haunted by the resulting violence, dispossession and ecological loss. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Ian Everard Correct Perspective Three, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   I was born in St. Ives, Cornwall, in 1953. I have lived in Santa Cruz, California, since 1980. Influenced by Minimalism in my youth, I treat Minimalism now as a lapsed Catholic might the Church. So, I find myself still, absurdly perhaps, attempting to pare painting down to its essentials. However, unlike the Minimalists, my focus is, irreverently, on representation. I paint things I have found or inherited, such as books, pamphlets, photos or, in fact, post cards. These things are often mass-market, sexy, romantic, sensational, mysterious or deeply personal. They have been around for a while, show signs of wear and tear and, for me, there is always more to them than meets the eye. They are products of swift manufacture and mass production, but I work many hours to faithfully copy them, right down to each accident, crease, smudge or tear. The paintings are not always finished but I consider them complete. When complete, I almost always juxtapose the thing and the painting of the thing, within the frame - but not always. If not, as with these postcard pieces, it can be assumed that I took a long time making a good copy, and that the exception, absent the original, proves the rule. Education   B.A. Painting, Stourbridge College of Art; Graduate Certificate, Science Communication/illustration, University of California, Santa Cruz; M.F.A., San Francisco State University, California.   Select Exhibitions/Awards   I have exhibited my work extensively, in museums, commercial galleries in the U.S. and internationally. Museums include the de Young Museum, San Francisco, the Crocker Museum, Sacramento, the Riverside Museum, Los Angeles, and the Museum of Art and History, Santa Cruz. Commercial galleries include the Jack Fischer and Andrea Schwartz Galleries, in San Francisco, Senior and Shopmaker, in New York, Couturier, Grey McGear Modern and Sherry Frumkin Galleries, in Los Angeles, and Mirage Gallery in Tokyo. COLLECTIONS INCLUDE: The Lawrence B. Benenson Collection, Greenwich, Connecticut. University of California Santa Cruz Special Collections, The Achenbach Collection at the Fine Arts Museums, San Francisco, California. The Oakland Museum, Oakland, California. The Crocker Art Museum, Sacramento, California, The Farhat Museum Collection, California. AWARDS / SCHOLARSHIPS / FELLOWSHIPS: 2012, Rydell Visual Arts Fellowship. 2007, The Murphy Fellowship. 2004, The George Sugerman Foundation Award.   Gallery Representation   Jack Fischer Gallery, San Francisco.   Statement about AOAP Submitted Artwork   For the Art on a Postcard auction, in 2021, I submitted art of a postcard (well, art of two postcards, actually). The watercolour paintings were of found and inherited postcards of places I have lived. One, entitled Vanishing Point II, shows the house of my birth on The Warren, in St. Ives; the other, Correct Perspective I, a man leaning at an impossible angle at the Mystery Spot in Santa Cruz, California, where I live. I inherited the postcard of The Warren from my parents. My Grandmother sent it from St. Ives to my parents, in Dundee, on August 10th, 1948. I found the Mystery Spot postcard. It was never sent to anyone. The painting of the Mystery Spot was acquired from the auction by a mystery person in Portland, Oregon. On February 28, 2022, a mystery person in Portland, Oregon, sent me an altered leaning man Mystery Spot postcard. The leaning man had been cut out and replaced by a cosmic pattern figure. "I made a watercolour copy without the cosmic pattern figure (Correct Perspective Three), and then another watercolour copy of The Warren postcard (Vanishing Point Three), with the cut out cosmic figure in flight toward the house where my grandmother wrote the words "Never had the time to write but will soon..." Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Ian Everard Vanishing Point Three, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   I was born in St. Ives, Cornwall, in 1953. I have lived in Santa Cruz, California, since 1980. Influenced by Minimalism in my youth, I treat Minimalism now as a lapsed Catholic might the Church. So, I find myself still, absurdly perhaps, attempting to pare painting down to its essentials. However, unlike the Minimalists, my focus is, irreverently, on representation. I paint things I have found or inherited, such as books, pamphlets, photos or, in fact, post cards. These things are often mass-market, sexy, romantic, sensational, mysterious or deeply personal. They have been around for a while, show signs of wear and tear and, for me, there is always more to them than meets the eye. They are products of swift manufacture and mass production, but I work many hours to faithfully copy them, right down to each accident, crease, smudge or tear. The paintings are not always finished but I consider them complete. When complete, I almost always juxtapose the thing and the painting of the thing, within the frame - but not always. If not, as with these postcard pieces, it can be assumed that I took a long time making a good copy, and that the exception, absent the original, proves the rule. Education   B.A. Painting, Stourbridge College of Art; Graduate Certificate, Science Communication/illustration, University of California, Santa Cruz; M.F.A., San Francisco State University, California.   Select Exhibitions/Awards   I have exhibited my work extensively, in museums, commercial galleries in the U.S. and internationally. Museums include the de Young Museum, San Francisco, the Crocker Museum, Sacramento, the Riverside Museum, Los Angeles, and the Museum of Art and History, Santa Cruz. Commercial galleries include the Jack Fischer and Andrea Schwartz Galleries, in San Francisco, Senior and Shopmaker, in New York, Couturier, Grey McGear Modern and Sherry Frumkin Galleries, in Los Angeles, and Mirage Gallery in Tokyo. COLLECTIONS INCLUDE: The Lawrence B. Benenson Collection, Greenwich, Connecticut. University of California Santa Cruz Special Collections, The Achenbach Collection at the Fine Arts Museums, San Francisco, California. The Oakland Museum, Oakland, California. The Crocker Art Museum, Sacramento, California, The Farhat Museum Collection, California. AWARDS / SCHOLARSHIPS / FELLOWSHIPS: 2012, Rydell Visual Arts Fellowship. 2007, The Murphy Fellowship. 2004, The George Sugerman Foundation Award.   Gallery Representation   Jack Fischer Gallery, San Francisco.   Statement about AOAP Submitted Artwork   For the Art on a Postcard auction, in 2021, I submitted art of a postcard (well, art of two postcards, actually). The watercolour paintings were of found and inherited postcards of places I have lived. One, entitled Vanishing Point II, shows the house of my birth on The Warren, in St. Ives; the other, Correct Perspective I, a man leaning at an impossible angle at the Mystery Spot in Santa Cruz, California, where I live. I inherited the postcard of The Warren from my parents. My Grandmother sent it from St. Ives to my parents, in Dundee, on August 10th, 1948. I found the Mystery Spot postcard. It was never sent to anyone. The painting of the Mystery Spot was acquired from the auction by a mystery person in Portland, Oregon. On February 28, 2022, a mystery person in Portland, Oregon, sent me an altered leaning man Mystery Spot postcard. The leaning man had been cut out and replaced by a cosmic pattern figure. "I made a watercolour copy without the cosmic pattern figure (Correct Perspective Three), and then another watercolour copy of The Warren postcard (Vanishing Point Three), with the cut out cosmic figure in flight toward the house where my grandmother wrote the words "Never had the time to write but will soon..." Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Katherine Benson Itch, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Katherine Benson graduated from The University of Edinburgh in 2021 with an MA in Fine Art. She now splits her time between painting at her home in Hertfordshire and working in London. She is represented by ArtPistol Gallery in Glasgow, BirdsNest Gallery in Edinburgh and New Blood Art online.   Education   The University of Edinburgh   Select Exhibitions/Awards   Best of Scottish Art Schools Graduate Show 2021 at ArtPistol Gallery Aberdeen Art Fair 2022 with BirdsNest Gallery Featured on Grayson Perry's Art Club Featured in 'Artists Responding To' Magazine   Gallery Representation   ArtPistol Gallery, BirdsNest Gallery and NewBloodArt Online   Statement about AOAP Submitted Artwork   My practice focuses on the representation of the female form and the relationship between women and the domestic sphere. My small-scale compositions offer a glimpse into everyday moments of domestic life and aims to highlight the emotionality of daily simple tasks. Within these settings, I provide a safe space for my female figures, in which they can exist without a hypercritical gaze - and are often accompanied by a feline friend. In this way, my work can be read overall as a love letter to women - the women I have grown up with, the women artists I have admired, and the female relationships that have been so important to me.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Katherine Benson A Big Fat Cat Called Jessie, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Katherine Benson graduated from The University of Edinburgh in 2021 with an MA in Fine Art. She now splits her time between painting at her home in Hertfordshire and working in London. She is represented by ArtPistol Gallery in Glasgow, BirdsNest Gallery in Edinburgh and New Blood Art online.   Education   The University of Edinburgh   Select Exhibitions/Awards   Best of Scottish Art Schools Graduate Show 2021 at ArtPistol Gallery Aberdeen Art Fair 2022 with BirdsNest Gallery Featured on Grayson Perry's Art Club Featured in 'Artists Responding To' Magazine   Gallery Representation   ArtPistol Gallery, BirdsNest Gallery and NewBloodArt Online   Statement about AOAP Submitted Artwork   My practice focuses on the representation of the female form and the relationship between women and the domestic sphere. My small-scale compositions offer a glimpse into everyday moments of domestic life and aims to highlight the emotionality of daily simple tasks. Within these settings, I provide a safe space for my female figures, in which they can exist without a hypercritical gaze - and are often accompanied by a feline friend. In this way, my work can be read overall as a love letter to women - the women I have grown up with, the women artists I have admired, and the female relationships that have been so important to me.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Haroun Hayward Craigs Birch, Winter, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Lives and works in London   Education   Goldsmiths MFA   Select Exhibitions/Awards Bridging Landscapes - French Riviera Gallery Now I am a Lake - Public Gallery In Landscape Mode, Galerie Isa, Mumbai. India Art Fair, Delhi. The Amber Room, London HAWALA, Paradise Row, London Two Nice, Play it Twice. Indigoplusmadder. London   Statement about AOAP Submitted Artwork   The image is a watercolor taken from a Ben Nicholson painting of "Craigs Birch" in the Winter time. An image that has become a re occurring theme in my practice.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Lily Snowden-Fine James, 2022 Acrylic on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Lily Snowden-Fine is a British/Canadian painter currently based between London and Vancouver. Her work is inspired by faces and hands, and the subtle emotions that can be given away by intricate poses. She draws from her love of antiques, found imagery and family photographs, while using playful colours inspired by the joy and warmth of 20th century painting. Her use of colour, brush strokes, and subtle poses communicate to the viewer an image of nostalgia for a fleeting moment; mundane memories inflated into cherished imagery after life has moved far enough away for them to feel like a relic of a past life.   Education   2022-2023, The Drawing Year Postgraduate program, The Royal Drawing School, London, UK 2015-2019, OCAD University, Bachelor of Design, Illustration, Toronto, ON   Select Exhibitions/Awards   2022, Royal Watercolour Society Open 2022, Bankside Gallery, London, UK 2022, Jackson's Painting Prize, Shortlist 2020, Royal Institute of Painters in Water Colours, Mall Galleries, London, UK   Statement about AOAP Submitted Artwork   The four portraits began as quick pastel studies, gathering the essence of each person in broad strokes. The original reference was then removed, using only the intuitive studies as a guide, in an attempt to diminish the pressure of detailed accuracy and use memory as a guiding force.     Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Lily Snowden-Fine Josephine, 2022 Acrylic on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Lily Snowden-Fine is a British/Canadian painter currently based between London and Vancouver. Her work is inspired by faces and hands, and the subtle emotions that can be given away by intricate poses. She draws from her love of antiques, found imagery and family photographs, while using playful colours inspired by the joy and warmth of 20th century painting. Her use of colour, brush strokes, and subtle poses communicate to the viewer an image of nostalgia for a fleeting moment; mundane memories inflated into cherished imagery after life has moved far enough away for them to feel like a relic of a past life.   Education   2022-2023, The Drawing Year postgraduate program, The Royal Drawing School, London, UK 2015-2019, OCAD University, Bachelor of Design, Illustration, Toronto, ON   Select Exhibitions/Awards   2022, Royal Watercolour Society Open 2022, Bankside Gallery, London, UK 2022, Jackson's Painting Prize, Shortlist 2020, Royal Institute of Painters in Water Colours, Mall Galleries, London, UK   Statement about AOAP Submitted Artwork   The four portraits began as quick pastel studies, gathering the essence of each person in broad strokes. The original reference was then removed, using only the intuitive studies as a guide, in an attempt to diminish the pressure of detailed accuracy and use memory as a guiding force.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.  

ROBERTS, D. & G. CROLY. The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. Lond., Day & Son, 1855-56. 6 vols. W. 250 tinted (some cold.) lithogr. plates by L. Haghe after Roberts, incl. 2 plain maps, all under tissue guards. 4°. Or., elaborately gilt blue cl., a.e.g. (Binds. slightly worn on extremities (espec. on spine ends), a bit loose in places, browned/foxed throughout (as always)). NOTE:The painter William Turner persuaded David Roberts (1796-1864) to abandon scene painting and devote himself to becoming a full-time artist. Roberts set sail for Egypt on 31 August 1838, a few years after Owen Jones. His intent was to produce drawings that he could later use as the basis for the paintings and lithographs to sell to the public. Egypt was much in vogue at this time, and travellers, collectors and lovers of antiquities were keen to buy works inspired by the East or depicting the great monuments of ancient Egypt. He made a long tour in Egypt, Nubia, the Sinai, the Holy Land, Jordan and Lebanon. Throughout, he produced a vast collection of drawings and watercolour sketches. This is the quarto edition (290 x 206 mm) with the plates reduced photographically. - Cf. Abbey, Travel, 388.

An oil painting on board by Deborah Jones depicting two young girls stood outside a confections shop, signed, 11½” x 15½”; & a watercolour painting of Kilchurn Castle, signed indistinctly, 10¼” x 14”, both framed.

A watercolour painting by Hamilton Glass titled to reverse M. Border stream, signed, 13¾” x 20¾”; a black & white etching of a castle, 8¾” x 11¼”; & ten various other decorative pictures, all framed.

Spanish Garden framed watercolour, Egyptian painting, two similar bevelled wall mirrors and two camel stools (6).

ATTRIBUTED TO TAKEUCHI SEIHO (1864-1942) KONO BAIREI (1844-95) MEIJI ERA, 19TH/20TH CENTURY A Japanese watercolour painting of a large owl perched on a flowering prunus tree, with the full moon behind and a small sparrow flying below, signed and with a red seal mark for Seiho, 32.4cm x 17cm; and a Japanese woodblock print depicting two small owls, a stream meandering below and with a crescent moon behind, a panel of calligraphy lower left, signed and sealed, 36.9cm x 24.2cm. (2) Provenance: from the private collection of a British artist, formed in the 1990s.

A framed watercolour painting signed H.A Linton. 63 x 38cm

James Henry Crossland (1852-1939) Oil Painting on Canvas of a Figure driving Sheep in a Mountainous Landscape, signed 46cm x 30cm (damaged) together with E A Summers, 19th century Watercolour of Night Time Landscape, signed and dated 1884, 41cm x 28cm, framed and glazed, and another Oil Painting (3)

P W Bayly (Early 20th century) Oval Watercolour Still Life Flowers in a Jug, signed and dated 1930, 28cm high together with R Rosini (20th century) Oil Painting of Flowers in a Vase, 29cm x 40cm and a Framed and Glazed Indenture dated 1830

Victor Mathias (French 1905-1933) Gouache Lake Scene, 25cm x 20cm together with A Handcock 19th century Watercolour, two further Watercolours, D Fulford Oil Painting, Antique Engraving of The Former Church of Clifton and a Print (7)