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Fred Yates, British 1922-2008- Portrait of a courtesan, c.1945-50; watercolour, signed with initials FJY, 28x9.5cm, (may be subject to Droit de Suite) Provenance: gifted to the grandmother of the current owner by the artist circa 1945-50; thence by descent. Note: The grandmother of the current owner met Fred Yates whilst working at J J Yates & Co Insurance in Manchester shortly following World War II CONDITION REPORT: rough cut sheet laid onto blue sugar paper which has been tried to be removed around the edges, some glue and sugar paper residue to edges of the sheet painting with grid lines around the sides and unclean edges painting itself appears in overall good original condition

Dr Joseph (Joe) Smedley b.1922, watercolour, pen wash and oil, three painting studies of young nude males, largest 39cm x 48cm together with a still life by the same artist (4)

HAMILTON SLOAN (b.1945) Three framed, glazed, watercolour on paper, to include one coastal scene of picturesque stone cottages along a sandy beach with title to painting ‘Ballyhalbert', one landscape of country lane and fields framed by trees and people picnicking in the shade with title to painting ‘Scrabo Codown’, one landscape of verdant river bank and cows grazing with title to painting ‘Dromore’, average 36cm x 53cm (3).

Watercolour Painting of Continental Townscape plus Coloured Print of Train Station and Engraving of Yachts

Quantity of pictures: Oil painting, 19th Century School, fishing boats along coastline, 13 x 22 cms and 4 19th Century watercolour drawings (5)

Original watercolour still life painting with white roses and a butterfly, indistinctly signed in paint lower left, framed, mounted and glazed, 46 x 60cm

Henry Collen (after Sir Thomas Lawrence) - half length portrait of a young girl with pearl necklace, watercolour on ivory signed and inscribed "copied from a picture by Sir Thomas Lawrence 1821-2, H. Collen", 16cm x 13cm (faults) Henry Collen (9 October 1797-8 May 1879) was a miniature portrait painter to Queen Victoria and the Duchess of Kent. Later in life he turned to photography and was on the cutting edge in photography in mid-19th Century in London. He had great technical expertise and ability to transfer his ideas and dated that he had gathered to new and different fields, such as painting and studies of light, optics and the science of photography.

Joseph Wright of Derby (after) - The Indian Warrior's Widow, grisaille watercolour, 41cm x 55cm, the reverse bearing photocopy of the inscription on the back of the painting inscribed The Drawing Of The Indian Warrior's Widow, Indian ...Drawing by Miss ..., framed

Basil Knightingale - The Earl of Lonsdale on The Mullgh, watercolour heightened with bodycolour, inscribed in pencil top right: "The Earl of Lonsdale on The Mullgh Jumping 33 feet 4 inches at Great Dalby on December 15th 1905. Drawn to scale from the large painting from the spot for His Lordship by me - Basil Knightingale", 34cm x 53cm, framed

A 19th Century primitive portrait miniature, head and shoulders of a young woman, image 10.5cm x 7.5cm, framed; a 19th Century portrait painting of a young girl and child, watercolour on ivory, 16cm diameter, framed (faults); a portrait miniature after Reynolds, a head and shoulder portrait miniature of a young boy (4)

A selection of nautical painting and pictures, largest 55 x 56cm to include Mike Riches watercolour of a fishing boat, paddle steamer 'Cambria' etc

An oil painting - Landscape with market town, by J. C. Pearson, signed and dated '72; a watercolour of a landscape at dusk, by R.S. Clark, signed and dated 1933; together with framed Cope's cigarette cards; and sundry prints. (12)

An oil painting - Still life of poppies; a watercolour of Corbridge, by A. W. Robson; together with sundry prints; and a needlework. (15)

Six engravings of Chinese scenes after William Alexander, oil painting, watercolour, prints, mirror, etc

A collection of pictures including an original landscape watercolour by Edith Todd and a painting on board of chickens, signed T.Pope

WILLIAM LIONEL WYLLIE (1851-1931); dry point etching, "Ryde, Isle of Wight", a harbour scene, signed in pencil to lower left, information on two labels verso, 11 x 35cm, framed and glazed, and WYLLIE, W.L.; Marine Painting in Watercolour, published by Cassell & Co Ltd, London, New York, Toronto & Melbourne, 1919, with 24 coloured illustrations, cloth bound, split to front leaf, 58 pages (2).

Basoli School, c.1800, an Indian miniature painting depicting Rama and Sita,opaque watercolour and paper 10.1x20.7cm CONDITION REPORT: staining and some losses to edge

Mewar School, c.1840, an Indian miniature painting, depicting elephant procession, pen, ink and watercolour on paper, 46.8x78.2cm (framed and glazed) CONDITION REPORT: Many folds, wear and associated loss to detail, staining possibly water damage, tears and losses to edge

The following lots 171-176 are the Property of a Private Collector A modern Indian miniature painting, late 20th/early 21st century, depicting a gathering, watercolour on paper, 31.5x42.5cm

A modern Indian miniature painting, late 20th/early 21st century, depicting a processional scene welcoming a regal figure, watercolour on paper, 44x65cm

A modern Indian miniature painting, late 20th/early 21st century, depicting a bazaar and garden party, watercolour on paper, 75x53.5cm

Mughal Style, c.1850, an Indian miniature painting depicting noblemen with attendants in an interior, opaque watercolour, 44x33.4cm CONDITION REPORT: chips to edges, some staining and water marks especially to border

Deccan School, c.1850, an Indian miniature painting of a lady observing a musician with austerity, opaque watercolour on paper, 33x25cm CONDITION REPORT: Chips and losses to the edge, slight discolouration/ fading

Kotah School, c.1880, a large Indian miniature painting depicting a hunting scene, opaque watercolour on paper, 42.7x68.8cm CONDITION REPORT: Tape to edges, losses to edges, and to paint

Mewar School, c.1880, an Indian miniature painting depicting the taming of an elephant, opaque watercolour on paper, 34.4x43.5cm CONDITION REPORT: slight areas of scrubbing to paint and very slight chips to edges

The following lots 58-84 are the property of a Private London Collector amassed between the late 1940s and late 1960s An Indian Miniature Painting, 18th/19th century, from the Ragamala series, depicting a supreme deity and musician in attendance, opaque watercolour on paper, 21.1x14.7cm CONDITION REPORT: Some staining and discolouration, overall good condition

Persian School, c.1750, an Islamic miniature painting, opaque watercolour on paper, depicting a prince seated holding beads and a flower surrounded by two attendants, opaque watercolour, 34x30cm CONDITION REPORT: Nibbles and losses to edge, surface staining, central fold

An Indian miniature painting, late 18th/early 19th century depicting a woman holding a glass and flask by an archway and peacock, opaque watercolour on board, 13.6x11.2cm

An Indian miniature painting, 19th century, depicting a Maharaja worshipping and his son making a garland, opaque watercolour on paper, 24x17cm

An Indian miniature painting, 18th/19th century, depicting a courting scene, opaque watercolour on paper, 17.2x18.5cm

An Indian miniature painting, 18th/19th century, depicting a princess and her attendants in a garden, opaque watercolour on paper, 29x20.5cm

An Indian miniature painting, 18th century, depicting five elders with hawk and dog, watercolour, pen and ink, 21.8x12.8cm CONDITION REPORT: unframed sheet is laid down on card five pieces of tape are stuck to the reverse, along three edges corners are scuffed, with other knocks, scuffs and creases to edges handling marks and creasing elsewhere, one crease approx 10cm down across the sheet two pin holes in lower right corner some brown coloured marks

An Indian miniature painting, late 19th century, depicting a regal man with attendants, opaque watercolour on paper, 24.8x36cm

An Indian miniature painting, 18th/19th century, depicting a nobleman with attendants, opaque watercolour on paper, 20.5x13.8cm: An Indian miniature painting, depicting a courting couple, 11x16.6cm, (2)

An early 20th century Chinese scroll painting, depicting lotus flowers and raindrops with calligraphy and seal marks, watercolour on paper within silk worked border, image dimensions 103 x 45cm Condition Report / Extra Information Paper creased and crinkled in areas. Some crazing and minor breaking out of paint. General surface fading.

An original pen, ink & watercolour painting byJ G Booth, Tunisian scene

Nano Reid RHA (1900-1981)Tinkers in a CampWatercolour, 35.5 x 28cm (14 x 11”)SignedProvenance: Jorgensen Fine ArtBorn in Drogheda Co. Louth, Nano Reid trained at the Metropolitan School of Art in Dublin, where she studied under Sean Keating and Harry Clarke. Afterwards she travelled to Paris, enrolling at the Académie de la Grande Chaumiére along with other Irish artists such as Kathleen Fox. Reid then attended the Central School in London, studying under Bernard Meninsky. Her first solo exhibition was held at the Dublin Painters Gallery in 1934. After returning to Ireland, Reid spent the rest of her life in Drogheda, concentrating on painting aspects of local life and landscapes. However, her paintings are in no way bound by a sense of locality, but are accomplished essays in painterly abstraction.By 1942, she had established a reputation for her richness of invention, with economy of means, and her watercolour landscapes were compared to those of Raoul Dufy. She exhibited at the RHA during the 1930s; but, from 1943, generally exhibited with the IELA, the Dublin Painters and later with the Independent Artists. She represented Ireland with Norah McGuinness at the Venice Biennale in 1950.

Painting - Watercolour, ships in very stormy weather, gilt frame.

Manner of Hendrik Hondius, after Rembrandt, St Jerome, watercolour, unframed, 29cm x 24cm. This subject was painted by Rembrandt but the painting is considered to be lost. Jan Van Vliet did a drawing of this particular subject matter which is assumed to be depicting the lost painting of Rembrandt. Hendrik Hondius, who was a contemporary of Rembrandt and would have known the lost work done by Rembrandt.

A portrait of a Qajar minister, signed Khanazad Abu Al-Hasan III (Thalith), Qajar Iran, dated AH 1294/1877-78 AD, watercolour on paper, the bearded man wears an elaborate embroidered robe, with pearl and emerald decorations, a portrait of Nasir al-Din Shah hung around his neck, with black nasta'liq script reading 'Khanazad Abu al-Hasan thalith AH 1294', mounted, framed and glazed, painting 27.3cm x 17.7cm.

Max Ludby, R.I., R.B.A. (1858-1943) Bee Skeps and Cabbages Signed and dated 1884 Watercolour 58cm.; 23ins by 45cm.; 18in Max Ludby was a landscape and genre painter, he studied in Antwerp, exhibiting at Leading London Galleries and Royal Academy from 1879. Elected R.B.A. 1886 and Royal Institute in 1891. He lived and worked in Cornwall in the 1880s and recorded as painting in St Ives and connections with Newlyn.

Watercolour Painting of a Morris Minor Car

Early 20th century Watercolour Painting Stafford Street Scene with Figures signed Groom

John Berry - 20th century - Cape Town at the foot of Table Mountain - a Pointillist style watercolour - 7 1/2" x 12" signed and a mixed media painting - Still life of two cups and tea pot - ind. signed

A watercolour view of Castle Bytham near Stamford signed bottom right Sheila Featherstone - painting size 36cm x 27cm

A large pencil and watercolour landscape of a Moorland scene by David Cox Junior 1809-1885 signed bottom right - label to back purchased 1968 for £30 - painting size 50cm x 33cm

A detailed watercolour laid on panel of St Jerome in the Wilderness, sitting in his Cave with a Lion - 19 cm x 15 cm - label on back of board E W Leyborne Popham - in an ornate gilt metal frame - 23 cm x 20 cm with inscription to back of frame - from the Whitcombe Greene collection ........ dated 7th July 1932 Condition report: Painting in good condition, frame has a casting fault

A 19th century Chinese fan painting in watercolour on silk, exhibiting four separate studies of fan designs, the first depicting an avian subject amongst flowering stems, the second a scalloped edged mountainous lake scene, the third of fan form with ridged upper edge depicting floral subjects, the fourth depicting a serpent and lizard with various moths, 50¼ x 22in. (127.6 x 55.8cm), signed lower right.

A Japanese watercolour on silk painting circa 1900, depicting two ducks upon the water of a reeded pond, character mark signature to bottom left, 19 x 25in. (48.3 x 63.5cm.).

Alice E. Newling (British, fl. early 20th century) Vale Castle, Guernsey watercolour, signed and dated 1925 lower left 5½ x 12in. (14 x 30.5cm.) Condition: Some very minor light foxing and time staining to very edges where they contact mount. Two other faint vertical lines of time staining to centre of painting. In a period gilt frame with replaced stepped mount.

Alice E. Newling (British, fl. early 20th century) Vale Church, Guernsey at sunset watercolour, signed lower left 5 x 11in. (12.7 x 27.9cm.) Condition: Light foxing across the painting. In a period gilt frame with replaced stepped mount..

Ethel Sophia Cheeswright (British, 1874-1977) Les Autelets from the beach at Port du Moulin, Sark watercolour, signed lower right 14¼ x 20½in. (36.25 x 52cm.) Condition: There is some time staining to paper visible to the sky, right hand margin and left side of the lower margin - there is evidence of thin white overpainting to sky to conceal this, and some white retouches to fox marks across the sky. There is also a scattering of fox marks  to the right hand side of the painting. Colours appealingly mellowed due to fading. In a modern gilt frame with pale grey mount.

attributed to Paul Pascal (French, 1832-1903) Egyptian street scene watercolour, signed lower left 9 x 12½in. (22.8 x 31.7cm.) Condition: Some loss of paint in the form of scratch marks and spots, may be indicative of previous glazed frame shattering on to painting as there is also evidence of a possible impact mark, of 7mm upper left and a similar tear style mark of approx 20mm, in navy mount with wood frame.

RAILWAYANA: Framed watercolour painting by renowned artist G.S "Sid" Cooper. LNER Top link Montage.

Eleazar Albin (British, 18th Century) A set of six ornothological engravings of The Sheldrake of Bergander;the Wood Crow from Switzerland; the Guillemot from Green land; the Woodcock; The Barker; and The Sea Pie or Olive inscribed with title lower centre, and signed in the print "E Albin delin", one dated "June 21 1736", numbered top right corner hand-coloured engravings (7) 22½ x 27½cm (9 x 11in) Eleazar Albin was an English naturalist and watercolourist illustrator who wrote and illustrated a number of books including "A Natural History of English Insects", "A Natural History of Birds" and "The Natural History of Spiders and other Curious Insects". Albin taught watercolour painting before being instructed in natural history by silk weaver and naturalist Joseph Dandridge. He lived in Piccadilly, London, with his wife and daughter who would help him with colouring his natural history plates. All with crinkled paper, some browning.

* 19th century English School, Painting of a wooded landscape with a figure on a path, Oil on Board, 6" (15cms) x 9" (23cms); Sir Martyn Beckett, Watercolour of the River Rye in Duncombe Park, and three other Pictures.

A collection of 19th century and other pictures and prints including an oil painting on board of a still life with Christmas Roses, signed bottom right Amy E B Hicks, with address label verso Newquay, Cornwall, 27 x 36 cm, a watercolour study of Oyster Catchers, signed bottom right Kim Atkinson and dated 88, 16 x 25 cm, a pair of Victorian botanical studies of oval form, six 19th century Le Blonde prints of oval form, etc

A black and white etching of Tenby, signed bottom right John Allison, an oil painting on board of a mountainous lake scene with shepherd, signed bottom right J Drake, a watercolour of Crummock Water, signed bottom right W T Longmire and dated 1892, 29 x 42 cm, a black and white limited edition print of Clifton College, signed John Western, 33 x 68 cm ,etc

An interesting mixed media abstract study dated 1953 and inscribed Frau Lingumann and dated 1953, 32 x 39 cm in simple oak frame together with an abstract etching indistinctly signed bottom right Hohm (?) and further inscribed in German and dated 1959, 51 x 33 cm, a black and white etching of an industrial building, a watercolour of a mountainous lake scene and an ethnic style painting of harvesting scenes

A collection of pictures and prints including an early 20th century watercolour showing the estuary of the Taw and Torridge, North Devon, inscribed to mount, an early 20th century oil painting on panel of a coastal scene with wrecked ship, signed bottom right B Andrews and dated 1911, an 18th century black and white engraving showing the pursuits of ethnic characters and inscribed Habitations Des Negres De Celle Du Roi D'Isigny and De Ses Suiets, 36 x 48 cm, a large coloured print of a sailing ships at high seas, two Renaissance style religious prints, etc