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J FielderCliff FaceWatercolourTogether with another watercolour, oil painting and mirror

Len Banks (20th century) Three various local watercolour studies of Portsmouth and the surrounding area, 27 x 33cm, together with an oil painting by the same hand, depicting Salcombe harbour, Devon. 45 x 56cm.

An artist's folio containing watercolour studies, oil painting portraits, sketch book etc

* JEAN B MARTIN RSW (SCOTTISH b 1947), VILLAGE SCENE watercolour 45cm x 31cm Mounted, framed and under glass Note: Jean B Martin was born in Glasgow in 1947 and trained at the Glasgow School of Art. She was elected a member of the Royal Scottish Society of Painters in Watercolour (RSW) in 2002. Luminosity and depth are the most immediately striking features of Martin's work, achieved by building up layers of glazing and collage, lending the effect of an inner glow to her painting. Her work comprises a diversity of subject matter, from vibrant floral-based still lives to sublime church interiors, and landscapes from golden-hued Venice to the blustery East Coast of Scotland, involving the viewer through evoking the distinct atmosphere of each subject. Jean Martin has won numerous awards and is an important Scottish painter of her generation. Her work is held in many private and corporate collections in the UK, Hong Kong, Singapore, Australia, Canada and America.

* MHAIRI MCGREGOR RSW (SCOTTISH b 1971), STILL LIFE OF A JUG WITH VALUTE PATTERN oil on board, signed 30cm x 30cm Framed Note: MHAIRI PATRICIA McGREGOR RSW was born in 1971. She studied at Glasgow School of Art from 1989 - 1993, gaining a BA (Hons) in Fine Art. She has exhibited very widely in Scotland, in England and Australia. While at Art School she received a number of awards including one month working in Vetheuil, France, a Christie’s Bursary for 3rd-Year Studies, Glasgow School of Art Landscape Drawing Prize for a sketchbook done in the open and a John Kinross Scholarship - 3 months working in Florence, Italy. Following graduation, she spent six months painting in Australia. In 1996 she was interviewed by BBC Radio Scotland for The Usual Suspects programme. In 1997 she was short-listed as one of four for the Alastair Salvesen Scholarship and she was awarded the Under 25 Regional Winner of the Laing Art Competition. She spent a further four months painting in Australia. In 1998 she was short-listed, one of six for Gilchrist-Fisher Memorial Award. She took part in a Scottish Television interview for The Home Show programme. In 1999 she was short-listed, one of four for the Alastair Salvesen Scholarship. She was awarded the Ruth Davidson Memorial Award - 3 months working in the South of France. She was elected Member of the Royal Scottish Society of Painters in Watercolour. In 2000 she was awarded Glasgow Art Club Fellowship and spent two months painting in Australia. In 2001 she was awarded the Alexander Graham Munro Travel Award and the Paisley Art Institute Prize. In 2002 she spent two months painting in Arizona and New Mexico.

Grace Cruickshank (fl. 1875 - 1899), Two Children, watercolour, 34 x 21cms, label verso, framedThe painting previously sold at Christies, 31st May 1884 as lot 104, realising £7

Lots 444-458 The Salmon Collection of William Wells Quatremain watercolours were commissioned by the company in the early 1900s and the works have remained in their archive and hence have retained their colours and condition. We are privileged to off er the first group of the collection covering scenes from Stratford-upon-Avon, Warwick and Leamington Spa. WILLIAM WELLS QUATREMAIN (1857-1930) "Mason Croft, Stratford-upon-Avon", once the home of Marie Corelli the novelist, a Watercolour painting , signed, inscribed and dated 1922 (in 1922 Marie Corelli was still resident, she died in 1924), 24cm x 37cm, unframed

WILLIAM WELLS QUATREMAIN (1857-1930) "The Shakespeare Memorial Fountain" (American Fountain), Rother Street, Stratford-upon-Avon. A commemorative clock tower incorporating horse troughs and a drinking fountain, 1886-7 by Jethro Cossins of Birmingham ), depicts a corner of The Thatch Tavern, a motor car, sheep, figures on horses, a Watercolour painting, signed and inscribed verso "Rother Market, Stratford-upon-Avon with American Fountain, original drawing by W.W. Quatremain", 22cm x 37cm, unframe d

WILLIAM WELLS QUATREMAIN (1857-1930) "The Shakespeare Memorial by Lord Gower", (the central bronze of the playwright surrounded by the characters Hamlet, Prince Hal, Lady MacBeth and Falstaff), a Watercolour painting, signed and inscribed "The Gower Monument, Stratford-upon-Avon", 33cm x 22cm, unframed

WILLIAM WELLS QUATREMAIN (1857-1930) "The Shakespeare Hostelrie", (Chapel Street, Stratford-upon-Avon), with figures and dogs, a Watercolour painting, signed and dated 1920, 26cm x 39cm, unframed

WILLIAM WELLS QUATREMAIN (1857-1930) "Shakespeare Memorial Theatre", viewed from the Waterside Gardens, showing the Gower Memorial before being moved to its present location. (Historically interesting as painted in 1924 before the destructive fire o f 1926), a Watercolour painting, signed and inscribed verso and dated 1924, 23.5cm x 37cm, unframed

WILLIAM WELLS QUATREMAIN (1857-1930) "Interior of Shakespeare's Birthplace", featuring large fireplace, flagstone floor and pieces of provincial furniture, a Watercolour painting, signed, 23cm x 38cm, unframed

WILLIAM WELLS QUATREMAIN (1857-1930) "Anne Hathaway's Cottage, Shottery, Nr. Stratford-upon-Avon", as seen through woodland, with children and ducks, a Watercolour painting, signed, 31cm x 47cm, unframed

WILLIAM WELLS QUATREMAIN (1857-1930) "Waggoner at Rest" a row of half timbered thatched cottages, near Stratford-upon-Avon, a Watercolour painting, signed and dated 1920, 19.5cm x 28.5cm, unframed

WILLIAM WELLS QUATREMAIN (1857-1930) "Anne Hathaway's Cottage, Shottery, Stratford-upon-Avon" featuring a figure at the garden gate and hollyhocks, a Watercolour painting, signed, 31cm x 48cm, mounted in gilt glazed frame

WILLIAM WELLS QUATREMAIN (1857-1930) "Halls Croft, Stratford-upon-Avon" The Jacobean home of Shakespeare's daughter Susanna and her husband Dr. John Hall, as seen from the gardens, a Watercolour painting, signed and dated 1908, 25cm x 38cm, mounted in gilt glazed frame

WILLIAM WELLS QUATREMAIN (1857-1930) "The Mill, Guys Cliffe, Warwick", a Watercolour painting, signed, inscribed and dated 1921, 25cm x 38cm, unframed

WILLIAM WELLS QUATREMAIN (1857-1930) "The Parade, Royal Leamington Spa", near the Jephson Gardens, with figures and a bath chair in the foreground, a Watercolour painting, signed, inscribed and dated 1912, 24.5cm x 39cm, unframed

FLORENCE F. WILMOT "Winter, Anne Hathaway's Cottage, Stratford-upon-Avon", a Watercolour painting, signed and inscribed verso, 34cm x 21cm, unframed

AN ALBUM OF 19TH CENTURY WATERCOLOUR PAINTINGS BY JOHN TOMES, predominantly landscapes, mounted on pages, some inscribed in pencil with titles (together with folder of correspondence), average size 21cm x 30cm, half calf bound with gilt tooled leathe r title "Sketches by John Tomes, Weston Sands" (85 painting in book)

P.D. WHALLEY "Ducks and Dragonfly" Watercolour painting, signed, 11cm x 19cm, mounted in gilt glazed frame

CECIL J. THORNTON "Seed Drill in Barn", Watercolour painting, signed, 18cm x 27cm, mounted in gilt glazed frame (see paperwork verso)

Mary KRISHNA (1909-1968), an abstract watercolour painting of "The Ascension of Jesus"

Watercolour painting of the Cutty Sark at Greenwich by Chris Neaves

Contemporary pastel of an interior together with a pen and watercolour painting of a wardrobe with a mirror reflection self portrait by Richard Stokes

W Baker 1915, watercolour of a winter scene together with a gilt framed oil painting of a house near a lake with man chopping wood, indistinctly signed (2)

Pollyanna Pickering (British 1942-2018) large framed gouache and watercolour painting of deer crossing a stream, 101 x 78cm.

A 19th Century Watercolour on Paper. The painting depicting a Cornish Coastal Scene, approx 37 x 26 cms, glazed and framed, indistinct signature lower left. 

Folio of unframed modern signed and unsigned prints after Cecil Aldin, Sturgeon, Norman Wilkinson etc and a floral watercolour painting Conditions reports are not available for our Interiors Sale.

20th.C.ENGLISH SCHOOL. SORROW, WATERCOLOUR. 25 x 35cms TOGETHER WITH A PAINTING BY THOMAS KING OF SWAN STREET, ASHWELL, OIL ON BOARD SIGNED. 33 x 50cms. (2)

[§] PAUL LUCIEN MAZE (BRITISH/FRENCH 1887-1979) EIGHT HORSE GUARDS Signed, watercolour 25cm x 35cm (10in x 13.75in) Note: Paul Lucien Maze was an Anglo-French painter and has been referred to as 'The Last Post-Impressionist'. His father was an art collector and his circle of artistic frineds included Monet, Renoir, Dufy, and Pissarro. Maze learned the fundamentals of painting from Pissarro and, as a young boy, sketched on the beach with Dufy. During the First World War, Maze served in the army and met Sir WInston Churchill in the trenches. Their shared love of painting led to a lifelong friendship. For his bravery in the front line, Maze was awarded the Distinguished Conduct Medal and Military Medal by the British and the Croix de Guerre and Legion D'honneur by the French. After World War 1, Maze immersed himself in the Parisian art scene and became friends with Derain, de Segonzac, Bonnard and, in particular, Vuillard. Maze became one of Churchill's artistic mentors, encouraging him to develop his drawing and painting techniques. Maze's work is held in many galleries, including Tate, and in private collections worldwide.

[§] PAUL LUCIEN MAZE (BRITISH/FRENCH 1887-1979) LIFE GUARD ON HORSEBACK Printed signature, watercolour and charcoal 29cm x 38cm (11.5in x 15in) Note: Paul Lucien Maze was an Anglo-French painter and has been referred to as 'The Last Post-Impressionist'. His father was an art collector and his circle of artistic frineds included Monet, Renoir, Dufy, and Pissarro. Maze learned the fundamentals of painting from Pissarro and, as a young boy, sketched on the beach with Dufy. During the First World War, Maze served in the army and met Sir WInston Churchill in the trenches. Their shared love of painting led to a lifelong friendship. For his bravery in the front line, Maze was awarded the Distinguished Conduct Medal and Military Medal by the British and the Croix de Guerre and Legion D'honneur by the French. After World War 1, Maze immersed himself in the Parisian art scene and became friends with Derain, de Segonzac, Bonnard and, in particular, Vuillard. Maze became one of Churchill's artistic mentors, encouraging him to develop his drawing and painting techniques. Maze's work is held in many galleries, including Tate, and in private collections worldwide.

Late 19th century watercolour by Stuart Lloyd of old Mudeford harbour with the isle of Wight and the Needles in the background, signed, Image size 50 cm x 90 cm approx, framed and glazed Colours reasonably bright - no significant fading, some foxing to painting no other major damage or restoration, has not been removed from frame for inspection.

A QUANTITY OF PICTURES AND PRINTS, etc, to include a watercolour painting of fishing boats beached at low tide, indistinctly signed, approximate size 36cm x 49cm, a limited edition print of York History 280/572, a limited edition print of Rutland History 386/500, together with various other pictures and prints, etc (one box and loose)

WALTER ASHWORTH (1883-1952), a watercolour painting of a family at the edge of a lake in a wooded valley, signed lower right, circa 1930's, size approximately 35cm x 50cm

A SMALL QUANTITY OF PICTURES AND PRINTS, etc, to include an early 20th Century watercolour painting of children outside a country cottage, indistinctly signed, framed, approximate size 37cm x 26cm, together with a variety of pictures, prints and a Spirit of St Louis Airfield clock

POLLY RAYNES (BRITISH CONTEMPORARY), a watercolour painting of a country cottage with a garden in bloom, signed and dated (19)89 lower right, together with two other pictures of flowers (3)

LUIGI ROBERT (1845-1910) 'S.S. TARIFA OF GLASGOW', a watercolour painting of a steam ship during a storm, signed lower left and dated 1887, titled bottom centre, framed, approximate size 39cm x 65cm (condition:- some foxing and paint loss in places)

WARREN BLACKHAM (ACTIVE 1870-1906), a watercolour painting of cattle being driven through a landscape by a man on horseback (possibly Sutton Park), signed lower right, framed and glazed, approximate size 23.5cm x 33.5cm (condition: some foxing and discolouration)

David Andrews, 'Male Wheatear', a signed watercolour and gouache painting, 24.5 x 19.5cm.

Ian Armour-Chelu (1928 - 2000), watercolour - The White Farmhouse, signed and dated 1983, in glazed gilt frame, 17cm x 24cm CONDITION REPORT Glazed- not examined out of frame. Painting appears to be in good original condition, some bugs under glass.

Ian Armour-Chelu (1928 - 2000), watercolour - Bantams by the garden gate, signed and dated 1984, in glazed gilt frame, 21cm x 32cm CONDITION REPORT Glazed- not examined out of frame. Painting appears to be in good original condition, some bugs under glass.

John Cyril Harrison (1898-1985)watercolour and bodycolour on paper'Returning with a neatly plucked grouse'signed27 x 40in.J.C.Harrison studied art at the Slade school of Art which helped him to develop the early talent he had shown. He lived most of his life in Norfolk where he was a keen supporter of the Norfolk Wildlife Trust, support that was continued by his son Robin. He was published by Royle and Son in the seventies and subsequently by the Tryon Gallery who promoted his work and held many London exhibitions for him. He also illustrated a number of books on birds. His ability to capture the movement of birds in flight is particularly good. He painted mainly in watercolour although an occasional oil painting was produced. He had a distinctive and attractive palette which, while using a lot of blue, was never cold.

Grace Cruickshank (fl. 1875 - 1899), Two Children, watercolour, 34 x 21cms, label verso, framedThe painting previously sold at Christies, 31st May 1884 as lot 104, realising £7

A watercolour painting of Romany Gypsy caravan and horse scene signed Lionel

A selection of Newcastle United Futera Platinum football players cards featuring players of the day to include Andy Atkins, Peter Beardsley, Paul Gascoigne, Les Ferdinand, Bryan Robson, Jack Rutherford, etc. together with MARILYN ROSE "Study of a deer in landscape" watercolour, signed lower right, a painting on glass, signed lower left and a cricket bat signed by the 2000 Gloucestershire County squad

ALISTAIR PROUD "Head studies of adult Peregrine Falcons", watercolour, signed lower right CONDITION REPORTS Painting is in overall good condition. There is some fading and some light damage to the mount board on the right hand side.

ALISTAIR PROUD "Sparrowhawk perched upon a gloved hand", watercolour, signed lower right CONDITION REPORTS Painting is in overall good condition. No visible signs of discolouration or fading or sun bleaching.

A Chinese painting on silk of flowering branches and a butterfly, calligraphy and red seal, framed and glazed, 29.5 x 36cm and a watercolour of a flying duck, red seal mark, 24.5 x 15.5cm.

A. D. Lucas, collection of ten watercolour sketches, some signed and dated, botanical illustrations and landscapes, to include an interior view ('I put up this winding staircase myself in the house I had built at Chilworth in 1864, the builder wanted to put up a straight one, A. D. Lucas, 1903'), a little study of 'White Raspberries in Padwell Road', a portrait, a pig called 'Miss Lily' dated 1848 (and a sketch of Miss Lily being butchered). Together with an unframed oil on board depicting moths and caterpillars in a shaded leafy setting, signed 'A. D. Lucas 1902'. together with H. Barden painting, A.C. Shorthouse, Jolly Sailor, two Baxter prints, and Lucas house

DONALD A. PATON (BRITISH 1879-1949), 'Near Poolewe, Ross-Shire', watercolour, signed lower left, unframed but mounted on card and with frame back with label for John Mathieson & Co, 20 Frederick Street, Edinburgh and another with artists name and title, approximately 26.5cm x 36.5cmCondition: there are two small areas of paint loss within the picture the largest is approximately 5mm x 1mm, the smallest is approximately 2mm x 1mm, there is also paint loss to the edges of the painting where the mount was previously glued on, the light areas such as the clouds do show discolouration to the paper

GORDON KING (BRITISH 1931), a young woman holding a bunch of flowers, watercolour, signed lower right, mounted, framed and glazed, approximately 52cm x 71cm (condition: some marks to the white painted frame, the painting is as new) (Artists Resale Rights May Apply To This Lot)

Ray Bawkwill 20th century watercolour painting estuary scene with boat signed and titled Kingsbridge Estuary.

Alphonse Legros (1837-1911) - five hand written in French and signed letters to Alexander Constantine Ionides (1810-1890) - collector and art patron (5)They read:57 Brook Green, Hammersmith, November 18th 1877. My dear Ionides I have not had the pleasure of seeing you for such a long time, that I readily accept your invitation for Wednesday. I shall be at your place about seven. Sincerely yours, A Legros And:15 Rue Thurol Bologne Sur Mer, Seeptember 6th 1880. My dear Ionides I am very sorry but I cannot go and meet you in Paris. I am still here for a few days. I would, however, been delighted to go and visit Le Louvre with you but this cannot be. I hope to see you soon in London. Meanwhile, believe me, sincerely yours, A Legros And:The Jungle, Porchester, April 18th 1885. My dear Ionides My congratulations for this idea of yours of sending your son to Dijon and to commend him to my friend Clement ??, a charming and worth consulting man as you well know. Although, I am at your service, do not offer any help to you in the circumstances, for I am sure my friend will do all he can for your son. Opening your letter, I was expecting some news of the painting from Venice. What does it all mean? More difficulties? Let's hope it is nothing of the sort and that it is only the Italian slowness that holds us up. I accept your kind invitation for next Friday with pleasure and you will find me at the appointed time and place arranged in your letter. Yours truly, A Legros And:57 Brook Green, February 12th 1886. My dear Ionides, Our relationship is no longer, nowadays, what it used to be sometime ago. We are both showing, if not more coldness, at least more coyness in our dealings with each other. As I have now been waiting long enough for an explanation on your part, I feel compelled to decline the invitation you had the kindness to do me. Yours, A Legros And one undated:My dear Ionides I forgot to tell you, last Sunday, that I wanted to send the watercolour 'The Priests Head' to the Belgique Exhibition; if it is not too much to ask you, would you hand it to the porter, Yours sincerely A Legros And one untranslated letter in French in a similar hand (6)

19thC Indian Company School Miniature Painting, Depicting An Figure In An Interior Setting, Painted On Glass Like Material, 6 x 4.5 Inches. Together With A Watercolour Drawing Of A Bengal Tiger, 4.5 x 5.5 Inches

Clifford Fishwick (1923-1997) - Trinity House Depot, Holyhead, watercolour, signed and dated 1950 in pencil lower left, with Bourlet & Son Gallery label verso, 25.5 x 35cm; together with five various further works by the artist consisting of four watercolours and one small oil painting, each signed and dated (6)

James Ulric Walmsley (British 1860-1954): 'Autumn Grindleford Derbyshire', watercolour signed and dated 1919, 17.5cm x 26.5cmNotes: during WWI Ulric was conscripted to a Munitions Factory in Sheffield. He obtained a War Office permit which enabled him to continue painting in the Peak District DDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs

A reverse life belt painting on glass of a steam and sail vessel plus a marine scene watercolour

Alfred Pettitt (British 1840 - 1912) Titled ' Blea Tarn ' Lake District Watercolour, Signed and Dated 1859. Mounted and Framed Behind Glass. Painting Size Only 13.5 x 10 Inches - 34 x 25 cm.

Walter Frederick Roofe Tyndale, RI, RBI (British, 1855–1943) Inside the Brass Bazaar, Cairo inscribed with title in pencil to the reverse watercolour on paper 24 x 17cm (9 x 7in) Literature: A sketch for a painting featured in "Below the Cataracts" published by J B Lippincott, 1907 Colours quite good.