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Théodore Jacques Ralli (Greek, 1852-1909)Odalisque après le bain signé 'Ralli' (en bas à gauche)aquarelle sur papier35.5 x 26cm (14 x 10 1/4in).Peint vers 1906signed (lower left) watercolour on paperFootnotes:ExposéAthens, Megaron - The Athens Concert Hall, C.P. Cavafy, his World and the Art Forms of his Time, November 2003 – January 2004, no. 26 under the title Odalisque after the Bath (discussed and illustrated in the exhibition catalogue, p. 40). Athens, Benaki Museum, Theodoros Ralli, Looking East, December 11 2014 - February 22, 2015, no. 94 (illustrated in the exhibition catalogue, p. 123).LittératurePostcard printed by Aspioti Bros, Corfu, no. 237, c. 1910 (illustrated under the title Bain Maure).Filologiki Protochronia annual review, vol. XIV, 1957, p. 206 (mentioned under the title Moorish Bath).M. Katsanaki, Le Peintre Théodore Ralli (1852-1909) et son Œuvre, doctoral dissertation, Université Paris I - Panthéon-Sorbonne, 2007, no. 378, fig. 224 (illustrated).M. Palioura, The Painting Oeuvre of Theodoros Ralli (1852-1909), doctoral dissertation, University of Athens, Athens 2008, vol. I, p. 134 (mentioned), vol. II, fig. 233 (illustrated).M. Katsanaki, Theodore Ralli, A.G. Leventis Foundation - A.G. Leventis Gallery, Athens 2018, no. 186, p. 361 (catalogued), p. 290 (illustrated).Ralli's extraordinary skill in the watercolour medium provides visual and tactile pleasures. Here, a luscious harem beauty with luminous complexion and satin, snow-white skin, possibly a Circassian from the Black Sea, sits naked on a Moorish hamam's1 low divan, which is covered with a traditional long-haired blanket. Slightly twisting her torso to reinforce the message of languor and sensuousness, she confronts the viewer, inviting them to a dreamworld of oriental fantasy. The setting, which is deliberately spartan to accentuate the beauty and grace of the female body, is enlivened by the inclusion of only few ethnographic details, namely the turban-like headpiece, the impressive nargile, and the ubiquitous pair of nalin2 decorated with geometric designs. Through such scarce but poignant details, Ralli achieved unity of effect, successfully conveying an atmosphere of romantic mysticism and suggestive eroticism. 1 For harem women, the hamam was a luxurious pastime, offering them a chance not only to purify but also to go out into the world. 2 Ottoman high-heeled wooden footwear worn by bathers to protect them from slipping on wet surfaces.For further information on this lot please visit Bonhams.com

A Sikh school Indian painting of Guru Hargovindji, watercolour and gouache, 11" x 8".

A Sikh school Indian painting of a Guru with servants in attendance, watercolour and gouache, 9" x 12".

A watercolour painting of Tower Bridge and HMS Belfast by Frans de Leij. Signed and dated 2004 to lower left. Well framed and mounted. Approx dimensions in frame; 740mm x 550mm. VGC. £40-60

A watercolour painting of Brighton & Hove seafront by Michael Berry. Titled 'Hove Beach Huts', with a view of King's House, the Palace Pier, etc. Signed to lower right. Well framed and mounted with artist's label to reverse. Approx dimensions in frame; 590mm x 435mm. VGC. £40-60

Company School Ornithological WatercoloursThe exquisitely detailed ornithological paintings seen in the following lots are legacies of the Anglo-Indian relationship fostered at the end of the eighteenth century, when the East India Company expanded its influence across the country. The British colonialists settling in India were fascinated by the exotic flora and fauna they encountered and attempted to document it by commissioning local artists to paint natural history pictures. The artists producing these works came from a range of Indian artistic traditions – Mughal, Maratha, Punjabi, Pahari, Tamil and Telugu. Three distinct schools emerged, first in Lucknow and Calcutta, then later in Delhi. Here we see examples from the Calcutta School at the turn of the 19th century and later examples of ‘Company School’, a term that refers to Indian artists working in a European tradition. The school declined after the 1840s when the practice of painting as a means of documentation was replaced by photography.Calcutta School, c.1800A pair of Indian tree piesnumbered '400' and '399' in Persian (the first l.r., the second l.l.,) both further inscribed l.c., the second with an indistinct inscription in Latin l.l., pencil pen and ink and watercolour, heightened with bodycolour and gum arabicboth 47.6 x 32.8cm (2)Provenance: Christie's London, 'Watercolours and Pictures of Birds', 30 September 1997, lot 17.Condition report: There is possibly a small repair to the paper to the lower left corner of the bird facing left. see image. There are a couple of very minor sports of foxing emerging, see illustrations and a little time staining. Otherwise in generally good order.

*John Frye Bourne (1912-1991)Self-portrait of artist painting lot 28watercolour32.5 x 22cm*Artist's Resale Right may apply to this lot.Condition report: Acidic mount, some time staining, otherwise in apparently good condition, unexamined out of the frame.

*Ithell Colquhoun (1906-1988)Market Place, Corsica, 1938signed and dated 'Colquhoun/38' u.l., and signed and inscribed verso, watercolour39 x 44.5cm*Artist's Resale Right may apply to this lot.Condition report: The painting has been created using very liquid medium, which has left the paper uneven, unexamined out of the frame.

19th century (British school) Watercolour sepia wash "Baths of Caracasia", unsigned, 24cm x 33cm 19th century (British school)Pencil and sepia wash"St Agnese Rome", titled lower right, unsigned, 28cm x 24cm (2) Condition ReportOne black mark that appears original to the painting. No other clear wear to the painting.General wear to frame.

ARTHUR SHELDON PHILLIPS - watercolour of cathedral, together with acrylic painting of harbour scene - signed R MARTIN

A mid century watercolour painting of a fishing boat moored alongside a cottage on a river with people. Signed, possibly Le Focson and dated 1957. Framed and glazed. Measures 57 x 46cm. 

WATERCOLOUR OF A BROADLAND SCENE BY BRIAN HAYES AND ONE FURTHER PAINTING

An acrylic painting, Beryl Moorby, Windmill, initialled, and attributed verso, 32 x 28cm, plus frame and glazed, a watercolour, N Riddle, The Notice Board, signed and dated 1986, 38 x 28cm, plus frame and glazed, and a watercolour, rustic door, 34 x 23cm, plus frame and glazed

Eileen Cooper, a Kestrel perched on a branch, watercolour and body colour, signed lower left, and a similar painting of a Nuthatch on a branch, signed left, both framed, 34.5 cm x 24 cm (2)

An antique 19th Century watercolour on paper painting depicting a Moorish / Turkish scene with castle in distance, figures on camelback, exotic birds, seated merchant and more. Set to a glazed quadriptych type frame with inlaid edge. Frame measures; 43cm x 67cm.

Attributed to Liu Haisu (1896-1994) - Sleeping Panda - Chinese ink and watercolour painting on paper of a Panda Bear sleeping. 137cm x 69.5cm. Rolled.  Liu Haisu (16 March 1896 – 7 August 1994) was a prominent twentieth-century Chinese painter and a noted art educator. He excelled in Chinese painting and oil painting. He was one of the four pioneers of Chinese modern art who earned the title of "The Four Great Academy Presidents".

Kawase Hasui (1883-1957)Showa era (1926-1989), dated 1951A large vertical watercolour painting, titled along the left margin Kisoji Suhara no ame (Rain in Suhara on the Kiso Road), depicting in the foreground a lone elderly woman, hunched beneath a large umbrella, heading home through the rain, walking past large disused timber-built inns lining the wide road, against the dramatic backdrop of Kiso Valley, dated and signed Showa nijurokunen shigatsu jugonichi (15 April, Showa 26 [1951]) Kawase Hasui along the bottom margin; signed Hasui, with a seal Hangado at the bottom right corner of the image. 56.5cm x 42.2cm (22¼in x 16 5/8in).Footnotes:For Hasui's woodblock print depicting the same place, refer to lot 259.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

KAWASE HASUI (1883-1957)Showa era (1926-1989), mid-20th centuryA large horizontal watercolour painting, titled along the left margin Isohara, Ibaraki-ken (Isohara, Ibaraki Prefecture), depicting the pine-clad and grass-covered steep island at low tide; signed Hasui with a red seal Hangado at the bottom left corner of the image. 38.5cm x 48.5cm (15 1/16in x 19 1/16in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Adrian Hill (British 1895-1977) "Tugboats on the Mersey", titled on verso, watercolour.23.5cm x 33cm (9.25in x 13in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The painting is in good, original condition with strong colours. There are one or two minor spots of foxing across the painting. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Sue Atkinson (British 1949-2021) "Old Barn, Newmillerdam", signed, titled on artist's label verso, watercolour.35.5cm x 48.5cm (14in x 19in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The painting is in very good, original condition with strong colours. There is some foxing across the painting. The painting is framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.

Sue Atkinson (British 1949-2021) "Sea Dog, Runswick Bay", signed, titled on artist's label verso, watercolour and gouache.29.5cm x 29.5cm (11.5in x 11.5in)Footnote:Artists' Resale Right (droit de suite) may apply to this lot.Condition report:The painting is in good, original condition. There are spots of mould across the surface and some minor craquelure in the more impasto areas of the painting. The painting is framed and glazed.

T.B. Jones (20th century) "The Last of the Breed - Hudson & Middleton, Sutherland Works, Longton", signed, titled and dated '30th August 1978', watercolour.32.5cm x 49cm (12.75in x 19.25in)Condition report:The painting is in good, original condition with strong colours. The paper has browned universally across the sheet and there is some foxing across the painting. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Geoffrey Woolsey Birks (British 1929-1993) "Lunch Break", signed and dated '75, watercolour and pencil.8.5cm x 12.5cm (3.5in x 5in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The painting is in very good, original condition. There are some very minor spots of foxing running down the left-hand edge of the sheet. The painting is framed and glazed.

Trevor Grimshaw (British 1947-2001) "Hills and Clouds II", signed, watercolour.10.5cm x 10.5cm (4.25in x 4.25in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed.

Caroline Bailey (British 1953-) Floral still life, signed, watercolour.39.5cm x 29.5cm (15.5in x 11.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed.

Trevor Grimshaw (British 1947-2001) "Landscape Study I", signed on verso, watercolour.5cm x 5.5cm (2in x 2.25in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed.

Colin Warden (British 1944-) "Porthmadog", signed, titled on verso, watercolour and pencil.40cm x 26.5cm (15.75in x 10.5in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The painting is in very good, original condition with no obvious faults to report. The painting is framed and glazed. The original metal frame has some minor scuffs and scratches commensurate with age.

Trevor Grimshaw (British 1947-2001) "Hills and Clouds", signed and titled on label verso, watercolour.6.5cm x 6cm (2.5in x 2.5in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting has slipped slightly under the mount. The painting is framed and glazed.

Ivan Taylor (British 1946-) "Loch Tulla, Argyllshire", signed, titled on artist's label verso, watercolour.28.5cm x 47.5cm (11.25in x 18.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Trevor Grimshaw (British 1947-2001) "Blue Horizons", unsigned, watercolour.11cm x 9.5cm (4.25in x 3.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed.

Alan Lowndes (1921-1978) "Italian Hill Village", signed and titled, watercolour.29.5cm x 22.5cm (11.5in x 8.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The painting is in good, original condition. The paper has browned universally across the sheet and there is some foxing and other minor stains across the paper. There is some minor creasing and tears across the paper. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

William Turner F.R.S.A., R.Cam.A. (British 1920-2013) "The Lone Figure", signed and dated 1967, titled on the mount, watercolour.23.5cm x 23.5cm (9.25in x 9.25in)Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed.

Peter Shackleton (British 1933-) "After the Storm", signed twice, titled on verso, watercolour.13.5cm x 19.5cm (5.25in x 7.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Adam Bruce Thomson O.B.E., R.S.A., R.S.W. (Scottish 1885-1976) "Spring Landscape", signed, titled on gallery label - 'Aitken Dott & Son' verso, watercolour.37cm x 52.5cm (14.5in x 20.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed.

Geoffrey Woolsey Birks (British 1929-1993) "Come On Catch Up", signed and dated '75, watercolour and pencil.8.5cm x 13cm (3.5in x 5in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The painting is in very good, original condition with no obvious faults to report. The painting is framed and glazed.

Derek Massey watercolour painting 52cm x 42cms morston looking towards cley Norfolk

Charles Rowbotham 1856 - 1921 - Titled ' A View of Salerno From Vietri ' Panoramic View. Watercolour, Signed and Dated 1902. Mounted and Framed Behind Glass. 8.75 x 28.25 Inches ( 21.90 x 61.90 cms ) Painting Size Only. Size with Frame 17.25 x 37.75 Inches ( 43.20 x 94.40 cms ) No Foxing, No Fading, No Over painting, Frame Excellent.

Collection of Five Paintings, comprising: 'The Broken Gate' by Valerie Montgomery, mounted and framed behind glass, measures 15" x 13" overall; watercolour of lake and mountains, signed to bottom right, measures overall 21" x 17", mounted and framed behind glass; and two amateur paintings depicting cottages and lakes, signed J Barnes, framed behind glass, and an oil painting of a Jazz Player by J Barnes.

Pippa Cunningham, "Boats at Tagalle Harbour Sri Lanka", unframed gouache on watercolour paper 2019, 56 x 76cm. From a series of paintings completed en plein in Sri Lanka. I was painting from outside the police station in Tangalle; below was a view of fishing boats of tangled colour tied up together swaying in the wind. I wanted to capture the colours, flags, birds and ropes, blurring into each other in an exciting mass. Located in Brighton, shipping within the UK at £20.

Pippa Cunningham, "View to Galle", unframed gouache on watercolour paper 2019, 56 x 76cm. From a series completed en plein air in Sri Lanka. The view of Galle from Jungle Beach in Unawatuna. Painting in a part built hotel near Jungle beach, I was inspired by the freshness of the sea, the trees, flowers and in the distance the colonial buildings of Galle. Located in Brighton, shipping within the UK at £20.

A Leather Cased Watercolour Portrait of WWI Soldier, Signed Bottom Right W Hurst, RMS- (Royal Society of Miniature Painters), Painting Measuring 12cm x9.25cm

An early 20th century Mughal school miniature painting on ivory depicting a polo match within a painted border, the panel 5 x 17cm.Additional InformationThere are losses to the inlaid detail on the micro mosaic frame, which is rather tired in parts. The watercolour border is also slightly rippled and there is some water staining to the back board.

M BAGSHAW; watercolour depicting fishermen in harbour scene, signed lower right, 41 x 72cm, framed and glazed.Additional InformationWear, knocks and scuffs to the frame, the odd foxing speckle to the painting, but otherwise good.

HANS SCHWARZ (Austrian, 1922-2003); watercolour, 'Last Snow Priok Street', signed and dated '86 lower left, 44.5 x 69.5cm, framed and glazed. (D)Additional InformationLosses to the frame. The painting is slightly wavy but the image is good.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

CHINESE SCHOOLCirca mid-19th centuryWatercolour on paper, a set of six 'landscape' paintings variously painted with idyllic scenes with pagodas in tree strewn mountainous riverscapes, with lakes, rice paddies and foot bridges, framed and glazed.Each approx. 29.8cm (11 6/8in) x 28cm (11in). (6).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價約十九世紀中葉 余嘉祥（款） 山水 一組六幅 紙本設色 鏡框裝裱The paintings are inscribed and with seals as follows:1. 倣文衡山筆意 fang Wen Hengshan biyi, after Wen Zhengming's mannerSeal: 余氏伯子 yushi bozi, the descent of Yu family2. 辛亥十月有十日倣馬文璧 xinhai shiyue you shiri fang ma wen[?], after Ma Wan's manner on 10th October of Xinhai year (1851)Seal: 嘉祥，梅村 Jiaxiang (given name), Meicun (courtesy name)3. 仿黃鶴山樵筆意於安江次舟 余嘉祥 fang huang heshanqiao biyi yu anjiang cizhou Yu jiaixiang, Yu Jiaxiang painted in the boat when travelling in the Anjiang river, after Wang Meng's manner. Seal: 梅村 Meicun4. 法大痴筆意 fang dachi biyi, After Huang Gongwang's manner Seal: 余氏伯子 yushi bozi, the descent of Yu family5. 灋蓬心筆意於信江舟中 余嘉祥 fa pengxin biyi yu xinjiang zhouzhong Yu Jiaxiang, Yu Jiaxiang painted in the boat travelling in the Xinjiang river, after Wang Chen's manner Seal: 嘉祥，梅村 Jiaxiang, Meicun6. 仿雲林 梅邨 fang yunlin, Meicun, after Ni Zan's manner, by MeicunSeal: 梅邨 Meicun余嘉祥（1822-1892），字梅邨，路橋人。同治元年解元，官山西監察御史，給事中，工書畫，行書有蘇長公意，尤善畫梅。Yu Jiaxiang (1822-1892), known as his courtesy name, Meicun, a native of Luqiao, Zhejiang. He won the first place (Xieyuan) in provincial examination at the first year of Tongzhi emperor's reign, then he was appointed as Investigating Censor of Shangxi Province. He was know for painting prunus blossom and his calligraphy was strongly influenced by Su Shi (1036-1101).For further information on this lot please visit Bonhams.com

ANONYMOUS, CHINESE COURT SCHOOL (19th CENTURY)Portraits a Court Lady and a Government OfficialEach watercolour on paper, framed. Each painting 211cm (83in) high x 94cm (37in) wide. (2).Footnotes:Provenance: a U.S West Coast private collection.Please note this lot will be offered at no reserve.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.comSome Crazes, infilled areas and restorations to both, the largest area approx 35x20cm; some discolouration and stains.

LOUIS BURLEIGH BRUHL (1861-1942) a figure in a lane before a thatched cottage, signed bottom right, watercolour on paper, approximate size 24cm x 18cm (Condition:- painting is in good overall condition)

EDWIN HINGWAN (TRINIDAD 1932-1976) BEACH HUTS AND PALM TREES, signed and dated (19)75 bottom left, watercolour on paper, mounted, framed and glazed, approximate size 27cm x 37cm (Condition:- the painting is in good condition, small amount of damage to frame)

EDWIN HINGWAN (TRINIDAD 1932-1976) FIGURE AND BOAT IN THE SHADE OF PALM TREES, signed and dated (19)75 bottom left, watercolour on paper, mounted, framed and glazed, approximate size 27cm x 37cm (Condition:- The painting is in good condition, small amount of damage to frame)

WILLIAM CHEESMAN (CIRCA 1841-1910)'WHITE LODGE, RICHMOND PARK, SURREY'?, a view of a stone built house and gardens, signed and indistinctly dated bottom left, watercolour on paper, approximate size 24cm x 35cm (Condition:- Painting and frame are in good condition)

John Houston RSA RSW (Scottish 1930-2008) Evening Sea, watercolour, signed and dated 1996 bottom right, measurements 25.5 x 32.5 cm, frame 52.5 x 59.5 cm Provenance: consigned from a corporate collection Please Note- this lot is subject to VAT on the hammer priceCondition report: The painting is a watercolour on paper, framed under glazing, not examined external to the frame. The paper appears in good condition with no obvious signs of deterioration, rips, creases or folds. The colours are well preserved and the paint condition appears stable. There is some ageing to the mount and general wear and tear to the frame including some chips centre-top with surface loss.

Manner of Sir Kyffin Williams (Welsh School 1918-2006) Crib Goch, watercolour, initialled KW in pencil bottom right, measurements 48 x 55 cm (i), frame 58 x 74 cm Condition report: The painting is a watercolour on paper, mounted and framed under glazing, not examined external to the frame. The paper appears in good condition, some minor cockling, no signs of rips, tears or creases, and appears stable. The paint condition is very good, colours well preserved and no signs of deterioration. There is some general wear and tear to the frame, joints appear solid, some ageing present to the mount. Initialled KW bottom right in pencil

* CLAIRE HARKESS RSW (SCOTTISH B. 1970 - ), PASSING ISLANDS II watercolour on paper, signed 17cm x 20cm (excluding frame and mount) Mounted, framed and under glass. Multiple labels verso: including The Scottish Gallery, Claire Harkess RSW "Galapagos" (Exhibition) 4th - 28th June 2008 catalogue number 84 where sold. Other Scottish Gallery stock labels with title, medium etc and artist's label. Note: Claire Harkess was born in Ayr, Scotland, graduating from Glasgow School of Art in the early 1990s. In recent years her painting has taken her to fragile lands to study and interpret life on the edge. Antarctica, Outback Australia and St Kilda are all places where, in such extreme environments, survival is difficult and the balance of life is delicate. Harkess has also worked on the Galápagos Islands, made famous by Charles Darwin’s ‘The Origin of the Species’. This isolated volcanic outpost remained relatively untouched by man, evolving to become one of the World’s unique ecosystems. The balance present in nature is clearly communicated through Claire's paintings. Painting in watercolour or gouache offers a unique directness; the essential qualities of light and energy present in the natural world are the very essence of the medium itself. The delicacy of her palette and oriental economy of her mark-making creates a subtle tension representing a world that is ‘holding still’, giving a sense of freedom, spirit, time and place. Claire's work is exhibited at The Scottish Gallery, where her most recent highly successful solo show was in July 2020, and at other prestigious galleries around the UK.

Cecilia Montgomery (1792-1879) - Near Savonna, watercolour, signed and dated 1852 lower left, 29 x 22cm; contemporary portrait watercolour; Indian school reverse painting on paper; and one other (4)

Vintage ink, watercolour and body colour painting of nymphs bathing, unsigned, approx 36cm x 11cm

An Artists Drawing Book, containing pencil drawings, Frank Fletcher photographs 1913, black-white plates, pencil drawing of a gentleman reading a book. Japanese watercolour of birds on a branch. Marine painting in water colour W.L. Wyllie. R.A.

After G MorlandA 19th Century Asylum Painting of a group of figures resting by a tree, watercolour laid on card, inscribed in ink to lower left corner ‘King’s Bench Hospice’, unframed: John Drapentier, a 17th Century View of Aspeden Hall, Hertfordshire, hand coloured engraving (2)

W. R. Whitby - A large watercolour painting depicting Clifton Suspension bridge from Hotwells with the view looking down the Avon Gorge with boats on the river with the New Inn. Signed to the lower corner and dated 1883. Framed and glazed.

Chinon 7-15x35 zoom binoculars, Olympus digital camera, watercolour and painting materials etc

A gilt framed and glazed watercolour painting of a young lady, purportedly an actress, the verso with inscription about sitter and artist Sir Lawrence, internal dimensions 20cm x 17cm