We found 11513 price guide item(s) matching your search

Thomas Bolton Dalziel (1823-1906) 'Marine scene - Stormy Sea', (possibly Dover or off Herne Bay) watercolour painting, 10cm x 22cm, gilt framed, mounted, and glazed (see label to reverse; Royal Exchange Art Gallery, London)

A Late 18th Century Chinese Painting (Canton School) 'Pomegranates on Sprig' (symbol of rejuvenation and eternal life) watercolour painting on pith paper, 36cm x 29cm, gilt framed, mounted and glazed (See label to reverse 'Sotheran's of Sackville St reet' Gallery)

Kirk (believed Mrs C.) fl: 1905-39 'Sand dunes Summer' (featuring two ladies in white) watercolour painting, signed Kirk and dated 1915, 20cm x 33cm, gilt framed, mounted & glazed, (See label to reverse 'Royal Exchange Art Gallery, London', 'Mrs C. Kirk (Alex) - landscape, portrait, and miniature painter...' exhibited widely, including the Royal Academy)

19th Century European School 'A Sign' (figures in prayer, an Angel on a hillside, a middle Eastern / classical city in the background) Watercolour painting 32cm x 50cm, gilt framed, glazedCondition report: late 18th / 19th century, no provenance other that it was from a private house in Warwick, the owner was a conservation Architect and worked at York Minster after the fire.  It is faded, stained (particularly in the sky area (central) the frame is tatty.

Frederick William Scarborough (1860-1939) 'Return of the boats, Gorleston-on Sea, Norfolk' (featuring lighthouse and fishing boats under sail) Watercolour painting, signed F.W. Scarborough, 24cm x 34cm, gilt gesso frame, mounted & glazedCondition report: Some brown discolouration and ‘rust spots’ in white cloud area, otherwise fresh good colour, paper okay, signed lower right, the frame is a bit tatty but okay.

Frederick William Scarborough (1860-1939) 'Low Tide, Whitby' (shows the ruins of Whitby Abbey above the Harbour town) and 'The Inner Harbour, Lowestoft', a pair of watercolour paintings, signed F.W. Scarborough, 16cm x 50cm, (See labels to reverse) gilt gesso frames, mounted, and glazedCondition report: Both have some brown discolouration in the white cloud areas, otherwise bright fresh painting, the paper okay, good colour, clear signatures, frame is a little tatty but okay.

Edward Horace Thompson (1879-1949) 'Tinted with evening's glow - Buttermere with Hanister Crag and the Haystacks' watercolour painting, 20cm x 30cm, signed, dated 1927, gilt framed, mounted & glazed (see label to reverse)

Valentine Walter Bromley (1848-1877) 'My Lady's Maid', watercolour painting, 17cm x 25cm, signed and dated 1860, gilt framed, mounted, and glazed (inscribed to gilt slip)

David Talks (b.1937) 'Continental river scene with arch stone Bridge', watercolour painting, 37cm x 55cm, signed, gilt framed, mounted, & glazed

William Dealtry (1915-2007) 'Arnamurchan Highlands', watercolour painting, 23cm x 37cm, signed, white frame, mounted, and glazed (label to reverse - Brian Sinfield Gallery)

David Talks (b.1937) 'Winter Morning' (Norfolk Mashland), watercolour painting, 35cm x 51cm, signed (see label to reverse dated 1975) framed, mounted & glazed

William Frederick Caswell R.B.S.A (fl: 1870-1914) 'Woodland river scene with Cattle' Watercolour painting, 35cm x 52cm, signed, gilt framed, mounted, and glazed

19th Century European School 'Romantic Lake and Mountain Scene' (with sailboat and figure, distant waterfall) watercolour painting, 14cm x 18cm, gilt framed, mounted, & glazed

JOSÉ BENLLIURE GIL (Valencia, 1855 - 1937)."The Gambler".Watercolour on paper.Signed in the lower left corner.Size: 95 x 60 cm; 106 x 72 cm (frame).José Benlliure showed great skill in the instantaneous, almost photographic, capture of his characters, insinuating singular temperaments, like that of this card player. The brother of the sculptor Mariano Benlliure and the painter José, Juan Antonio Benlliure began his training with the latter. He subsequently entered the San Carlos Academy in Valencia, where he furthered his studies and began to stand out as a portraitist. Like many of the artists of his time, he continued his artistic education in Rome. There he settled with his brother José, and began to paint brightly coloured canvases that would bring him renown as well as a good price for his work. In 1884 he took part in the National Exhibition of Fine Arts in Madrid, where his painting "Por la patria! The drawing and colouring of this work already began to reveal the finesse of execution that would characterise his work in the future. Other Valencian artists also took part in this competition, and Benlliure's success spread not only among the artistic and literary circles but also among the upper echelons of society, and he began to receive numerous commissions both in Madrid and in Rome, where he had also begun to frequent the circles of high society. For a brief period he lived in the Italian town of Assisi, where he produced several watercolours depicting the history and landscape of the city. It was during these years that the death of King Alfonso XII made a great impression on him, leading him to consider painting a picture depicting the king's final moment. His friend the Marquis of Togores, Spain's ambassador in Rome, encouraged him to carry out the work, as did his brothers. Benlliure then began work on "The Last Kiss". Presented at the National Exhibition of 1887, it was not awarded a prize due to political circumstances, but it became very famous due to its subject matter and the detailed evocation of the scene. In 1904 Benlliure settled permanently in Madrid, where he achieved great prestige as a portraitist, especially for his female models. In 1929 he was awarded the silver medal at the Rome Exhibition, and in 1920 he was decorated at the National Exhibition in Madrid. He also exhibited at the Sala de Arte Suárez, where he was very well received by the public and critics. He is currently represented in the Museo del Prado, the Museo de Bellas Artes in Valencia, the Palacio de Pedralbes in Barcelona and the museums of Jaén and Málaga, among others, as well as in numerous private collections.

BOOK. MEMOIRS RELATING TO RESTORATION OF KING JAMES I OF SCOTLAND 1716, TOGETHER WITH THREE FURTHER BOOKS, A WATERCOLOUR STUDY OF FLOWERS, A SMALL NAIVE PAINTING ON PANEL OF HMS BOSCOWEN AND TWO COMMEMORATIVE MUGS.

A 19th. C. WATERCOLOUR OF A CASTLE SIGNED W.P.H FOSTER. 17 x 25cms. TOGETHER WITH A VICTORIAN MAPLE FRAMED NEEDLEWORK PANEL AND AN IMPRESSIONISTIC OIL PAINTING, SIZES VARY (3)

BernardA continental street sceneOil on boardTogether with another oil painting and a watercolour

'Female Portrait' of a young girl signed L Ross, a contemporary oil painting on wood panel 18cm x 13cm in a gilt frame, with certificate of authenticity; and 'Female Portrait' of a young woman signed R Lowe, a contemporary oil painting on wood panel 18cm x 13cm gilt framed, with certificate of authenticity, together with an Ethel M H Hawkins after the original by T Geraldy circa 1930, watercolour study of a boy playing cards, signed lower right 23.5cm x 19cm mounted in a glazed gilt frame; and Muriel Matthewman - Winter near Penshurst, Kent, watercolour of a snowy landscape, signed lower right, Royal Institute Galleries Summer Salon label verso 26cm x 36cm, mounted in a glazed frame (2)Location: LWM

A GOOD CHINESE WATERCOLOUR PAINTING OF AN IMMORTAL / SAGE, with a deer to his side, a red crowned crane behind and a minogame turtle at his feet, with script bottom right and with red seal, framed and glazed, 85cm x 42cm.

A fine portrait miniature of Lieutenant-Colonel Charles Fox Canning, 3rd Foot Guards, A.D.C. to the Duke of Wellington at Waterloo where he was killed in action Watercolour painting, probably on ivory, the subject in uniform wearing the Peninsula Gold Cross, approx. 110x86mm, reputed to be by the Scottish miniaturist Andrew Robertson (1777-1845), circa 1815, in ebonised frame, good condition £2,000-£3,000 --- Charles Fox Canning was born in 1782, 3rd son of Stratford Canning and brother of the subsequently celebrated diplomatist Viscount Stratford de Redcliffe. He was commissioned Lieutenant & Captain in the 3rd Foot Guards, 25 December 1807, becoming Captain & Lieutenant-Colonel on 31 March 1814. He served in the Peninsula as A.D.C. to Lord Wellington from May 1809 to April 1814, including actions of Talavera, Busaco, Fuentes D’Onor, Ciudad Rodrigo, Badajoz, Salamanca, Burgos, Vittoria, Pyrenees, Nivelle, Nive, Orthes and Toulouse, and received a Gold Cross for the last four actions. The Duke took him again on his personal staff just before Waterloo where he was killed on the 18th June after delivering a message from the Duke to a far part of the field. Sold with an autograph letter signed C. F. Canning from Portugal to Henry Canning Esq., Berkeley Square, dated Pinhel, 4 December 1811; together with a manuscript memorial notice in the hand of his mother, Mrs Stratford Canning, and a related news cutting from April 1904.

A 1960's Chinese watercolour scroll painting of a duck with blossom mounted with silk border, scroll size 54 x 146cm.

A Chinese watercolour painting of a rack beneath a tree branch, scroll size 45 x 176cm.

A COLLECTION OF ANTIQUE PICTURES TO INCLUDE A GILT FRAMED AND GLAZED OIL PAINTING, WATERCOLOUR OF A CHURCH ETC. TOGETHER WITH A MODERN MIRROR

Portrait of a Regency Gentleman Cut Outs & MoreA watercolour and body colour portrait of a Regency gentleman in stock collar and coat, an oil on copper naive painting of the 'Old' Eastgate in Chester, and two North European painted cut outs of a woman and child in clogs and a well dressed young man c.1930; the portrait 12 cm x 7 cm frame and glazed (4) Damage to the portrait frame.

° Twentieth century Poetry and Prose - 14 works, consisting:-Cocteau, Jean - Le Grand Ecart, 1954; and Les Enfants Terribles, 1929;Gascoyne, David - A Vagrant, with d/j designed by Keith Vaughan, 1950;The Sun at Midnight, 1970; and April, 2000; Armstrong, Martin - Desert A Legend, illustrated by Eric Ravilious, 1926;Powers, Alan, Kitts, Barry and Maddox, Ronald - In Place of Toothpaste, three essayscelebrating the watercolour painting of Eric Ravilious, 2004;Morandi, Giorgio - Lamberto Vitalli, 1964;Greene, Graham (editor) - The Old School, 1934;Wells, H. G - The Happy Turning, 1945 and Mind at the End of Tether, 1945;Day Lewis, C - Noah and the Waters, 1936;Alloway, Lawrence - Nine Abstract Artists, with clipped d/j, 1954;Ford, Charles Henri (editor and translator) - The Mirror of Baudelaire, 1942

Malcolm Root, oil painting on canvas. A rural scene with early Renault(?) car. Signed and dated 1997 in the bottom left corner. Approx dimensions in frame 690mm x 590mm. Together with a Janet Beckett, watercolour. 'A glimpse of Langham'. Signed and titled. Approx dimensions in frame 365mm x 440mm. Both VGC. £50-70

IAN DUNLOP. Ponckle Painting her Cats. Pen & ink & watercolour. Signed. 26 x 32cm.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.  WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

Reg Miller (1931-1998) Artwork; black mixed media in relief with taped label verso, approx. 60cm x 60cm (ARR)BiographyReg Miller R.C.A 1931- 1998A talented painter who’s work was exhibited alongside many notable artists. Included in the Gallery Group Exhibition held at the Leicester Galleries  Bloomsbury, London in the summer of 1966 and The New Year Exhibition of paintings, Drawings and Sculpture by 19th and 20th Century Artists  in the following January (1967). A collage by the artist entitled Leda was exhibited alongside a watercolour by Paul Nash and other exhibitors including his brother John Nash, Augustus John, Walter Sickert, Ruskin Spear, Duncan Grant, Renoir and Pissarro to name but a few.Reg also exhibited at the Royal Academy Summer Exhibition and designed costumes for film and theatre as well as sets for several productions.He was a well respected teacher of painting and Lecturer in the History of Art.

James Lynch (b.1956)Watercolour and gouache drawing"Gaggle of Geese", signed lower right and dated '93, purchased at Maas Gallery exhibition, 45cm x 69cm (ARR)Condition ReportThe colours are bright, no fading, no apparent creasing or foxing. framed . Please ring 01285 642420 if you wish to discuss this painting further

Maurice Overall, local watercolour painting - NO RESERVE

An oil painting depicting a shore line together with a watercolour depicting a river scene

A watercolour of Tower Bridge, signed John Gavin to bottom right, seven further watercolours by various hands (Three signed DMC). A pastel of a cat lying in near a door way, signed DMC to bottom centre, and one further painting on fabric of an elephant in a South Asian style (unsigned) (10).

A watercolour, Kate Bentley, wave study, signed and attributed verso, 18 x 48cm, plus frame and glazed, and a mixed media painting, Judith Horsley, initialled, Squall, 23 x 31cm, plus frame

* PETER DAVIS,ORKNEY LANDSCAPEwatercolour on paper, signed and dated 1981image size 31cm x 49cm, overall size 49cm x 68cmMounted, framed and under glass.Note: Born in the North-East of England in 1953, Peter Davis didn't follow the usual path through art school. He chose instead an Art & Design course at Northumberland College of Education and after that taught in Cumbria. In 1981 he moved to Orkney where he set up a studio and gallery in Birsay and did a number of jobs teaching art to children and adults. During the next 10 years he developed his work and began to exhibit in a variety of venues both in Orkney and around other parts of Britain. In 1991 he moved to Shetland and soon took up an art teaching appointment. Peter Davis has had numerous exhibitions both in this country and abroad and taken part in an artists' exchange with the Netherlands and took courses on printmaking and sculpture. Between 2006 and 2008 he worked with Voluntary Service Overseas as a teacher trainer in West Africa. Upon his return to the UK Peter resumed teaching art part-time and painting. In 2013 he retired from teaching to devote his time to painting. In 2014 and 2016 he received Visual Arts Awards from Shetland Arts/Creative Scotland to develop his interest in handmade paint and work towards an exhibition based on visits to Iceland. 'Elemental' was shown at the Bonhoga Gallery in July - September 2016. Peter was a founder member of Veer North, the Shetland artist's group, and since 1994 has been an occasional arts reviewer and critic for The Shetland Times. Peter Davis has work in the collection of Shetland Islands Council, Shetland Arts, Shetland Amenity Trust, and Smyril Line, Faroe. He is currently represented by a number of Scottish galleries including Kilmorack Gallery in Inverness-shire, the Birch Tree Gallery in Dundas Street, Edinburgh and Gallery Heinzel in Aberdeen.

* WILLIAM BIRNIE RSW RGI (SCOTTISH 1929 - 2006),WINTERFIELD, KILBARCHANoil on board, signed, titled labels versoimage size 35cm x 44cm, overall size 49cm x 59cmFramed.Artist's label verso.Handwritten label verso.Label verso: The Open Eye Gallery, Edinburgh.Note: Bill Birnie studied at Glasgow School of Art under Gilbert Spencer and then at Hospitalfield under Ian Fleming. After graduating, he joined the staff at Hyndland Secondary School in 1952. That same year he was also elected a member of the Society of Scottish Artists (SSA). In 1958, he became a founder member of the Glasgow Group and formed the Glasgow Group Society, of which he was Vice-President for 32 years. In 1965, he was elected a member of the Royal Scottish Society of Painters in Watercolour (RSW), a society of which he also became Vice-President and Treasurer. He became Principal Art Teacher at Douglas Academy, near Bearsden, and later at Gryffe High, near Kilbarchan. Bill's abilities not only as a teacher but also as an administrator were noticed by the Department of Education and he was soon appointed Head Examiner in Art for Scotland. He still managed to maintain a very active exhibiting schedule, and showed in all the main public galleries and many of Scotland's best commercial galleries. His work was enthusiastically collected and increasingly sought after. He was elected a member of the Royal Glasgow Institute of Fine Art (RGI) and of the Paisley Art Institute (PAI). In the early years, he painted from his garden, showing the village of Kilbarchan in its changing seasons, under a quiet blanket of winter snow, or framed in a blazing sunset through autumnal trees. Later visits to France and Italy with his artist wife, Cynthia Wall, whom he married in 1953, brought new subject matter, cafe scenes, vine groves, Italian clifftop villages, and the crumbling facades of palaces and churches of Venice. It was characteristic of the man that when told that his illness was terminal, he calmly put his affairs in order and started work for a final one-man show at the Open Eye Gallery (Edinburgh) the scene of so many of his successful shows. Unsurprisingly, the exhibition was a complete sell-out. In recent years there has been a widely acknowledged acceleration in the prices achieved at auctions around the UK for William Birnie's paintings. In the Scottish Contemporary Art Auction of 8th November 2020 lot 567 "The Red House" a 60 x 90cm oil sold for £3000 (hammer) which, not for the first time in recent years, set a new auction record for a painting by William Birnie.

An oil painting of a castle by B Davis, and a watercolour J Beattie “Lewes Castle, Sussex” signed and dated 1932

Modern Painting of a Nude, by Louise XXXX, watercolour on canvas, with beautiful hand embellishments. Measures 8.5" x 12", mounted behind glass and framed in a white modern frame, overall size measures 21" x 24".

Edwin A. Penley ( British Artist ) 1826 - 1893 Landscape Painter Born In Suffolk In 1826, Died Kingston on Thames, Surrey 1893. Titled ' Grassmere ' Lake District. Watercolour, Dated and Signed 1879 - Bottom Right. Mounted and Framed Behind Glass. Size - ( Painting Size Only ) 14.25 x 29 Inches - 32.65 x 72.5 cms. Condition Report - Excellent, No Fading / Foxing and No Over painting.

Edwin A Penley ( British Artist ) 1826 - 1893 Landscape Painter, Born In Suffolk 1826, Died Kingston On Thames 1893. Titled ' Killarney Ireland ' Watercolour, Signed and Dated Bottom Right 1881, Mounted and Framed Behind Glass. Size 14.25 x 29 Inches - 32.65 x 72.5 cms - Painting Size Only. Condition - Excellent, No Fading or Foxing, No Over painting.

J. Morris Watercolour. Antique Watercolour Signed and Dated J. Morris 1912 - Bottom Left. Lovely Original Watercolour of Fisherman and Fisher Women on Beach, Lovely Scene. Size of Painting Overall 23 by 17 Inches.

F* Blake (20th century) - portrait of a young girl, head and shoulders wearing a green cardigan and brown necklace, oil on board, unframed, 18" x 14"; together with a watercolour and gouache depicting Pulteney Bridge Bath, simply signed and dated 1996, a further gouache study of a lion, lioness and cubs and various prints and engravings depicting ballooning scenes in France and etchings of landscapes and coastal scenes, also a pastel drawing entitled 'Port boat - Oporto', by Daphne Boothby and dated 1991, two further works by the same artist entitled 'Romsey Abbey' and a further work entitled 'Perugia', finally an oil painting depicting tall continental buildings beside a sunlit alley, signed Daphne Boothby and dated 98, (1998), various sizes (a collection)

A framed and glazed watercolour, landscape with citadel in the distance, signed Van Oppen and a similar painting by the same hand. H.40 W.34cm

TWO LARGE JAPANESE WOODBLOCK PRINTS & WATERCOLOUR two large Meiji period coloured woodcut prints after Utagawa Toyonobu, with titles to the reverse and both mounted in frames (prints 42cms by 30cms, frames 66cms by 56cms. Also with a watercolour painting with a depiction of three figures, with various writing above (38cms by 25cms, frame 54cms by 40cms). (3)

ROBERT TALBOT KELLY (1861-1934) A SCENE IN BURMA Signed and dated 1904, watercolour 39 x 28cm. * Kelly travelled widely in Burma and published two illustrated books in 1905 (Burma Painted and Described) and 1909 (Burma). He is credited with introducing Western techniques into modern Burmese painting. ++ Slight fading

Charles MILLOT (France and notably China, 1880-1959) also known as Henri GERVESEECOLE DES PEINTRES VOYAGEURS (SCHOOL OF THE TRAVELLING PAINTERS)“Bonze du Sze-Tchouan (Sichuan)” / Portrait of a Vietnamese monkMixed media, pencil, watercolour, and gouache on paperSigned, situated, and dated to the lower right (unidentified)Signed and titled to the backBears an handwritten old collector’s label to the backFramed with a glassDimensions (the sole paper leaf as visible within the frame): 27,5 x 21,3 cmNote: A graduate of the naval school, he served in several Far East campaigns, including in China and Vietnam. In 1921, he was appointed a painter of the Navy.[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- not unframed, so may have been laid on carboard;- minor russets.

A GROUP OF THREE (3) PAINTINGSChina It is comprised of:- an inscribed and sealed ‘bamboo’ ink and watercolour on paper, China;- a suite of two unsigned inks and watercolours on paper, one depicting rocks, one depicting butterflies.All three paintings are framed with a glass.Dimensions (the biggest painting, that of bamboo, framed excl.): 52 x 32 cm

Frank Rousse (1897 - 1917) - A 19th century Victorian watercolour painting of a lady walking by the seaside. Measures 62cm x 42cm. Framed and glazed. 

(Attributed) Sir William Russell Flint (British 1880-1969) – ‘The Moors Near Stonehaven ‘A watercolour painting depicting moors scene being signed in pencil with notation to the verso. Framed and glazed. Measures 34cm x 24cm

William Stothard Scott (1783-1850) - A 20th century limited edition print by The William Marler Gallery of the watercolour painting of Ludlow Castle at Sunset. Framed and glazed. Measures 71cm x 84cm. 

A late 20th century watercolour and ink painting depicting a harbour scene. The picture being signed 'Howard' to the corner. Framed and glazed. Measures 70cm x 80cm. 

A quantity of pictures to include a country scene, oil on board, 19cm x 22.5cm mounted in a silvered frame; F.H. Scollick, Windsor castle, watercolour; a parquetry inlaid picture; Joseph Pike, Steamliner, pencil drawing; and two antique engravings of St Ives (7)Condition report: Oil painting in good condition; marquetry picture in good condition; frames with some wear; St Ives pictures in good condition with some minor discolouration

A collection of pictures and prints to include; W. F. Cooper, river landscape with mountain backdrop, watercolour, framed and glazed, 36.5cm x 22cm, a portrait of a girl with her dog, charcoal and chalk, framed and glazed, 30.5cm x 39cm; an overflowing basket, mixed media, framed and glazed, 37cm x 25.5cm; an Asian mountain landscape, oil painting, signed indistinctly to the lower left, framed and glazed, 17.5cm x 14cm; two portraits of young women, coloured pencil sketch, framed and glazed, 19cm x 21.5cm and 8.5cm x 13.5cm; a small circular mirror, the gilt wood frame decorated with spheres, 26cm diameter, and further pictures and prints (15)Condition report: Frames with chips and damages

Watercolour of Rubi slaw quarry Aberdeen with document with painting of history of king Robert II of Scotland .

Jie Hua (also known as Wan Tong): Chinese finger painting, 116cm x 28cm, framed, together with an oriental watercolour painting of bamboo, signed, framed (2)

J. Thornely (20th century), Foxhounds, watercolour, signed, 26cm x 38cm), framed, together with another watercolour painting by another hand, street scene (2)

MID 19TH CENTURY ENGLISH SCHOOL 'Banqueting Hall, Kenilworth Castle', pencil drawing, inscribed and dated 1849, 21cm x 26.5cm, gilt framed, mounted, and glazed, together with a watercolour painting of the same scene 21cm x 26.5cm, similarly framed, with a different coloured mount (2)

ANTHONY BRANDENBURG 'St. Nicholas Spire' (Warwick Castle as seen from across the river) watercolour painting, signed and dated (19)97, 45cm x 35cm, framed, mounted, & glazed (see exhibition label to reverse)

JOAN FARLEY (20TH CENTURY) 'Plough', watercolour painting, 35cm x 50cm, signed, gilt metal framed, fabric mount, and glazed

FINE COLLECTION OF ART REFERENCE / COFFEE TABLE BOOKS including 'British Landscape Painting of the 18th Century' by Luke Hermann (Faber & Faber 1973), 'French Flower Painters of the 19th Century' by Elisabeth Hardouin-Fugier & Etienne Grafe (Philip Wilson 1989), 'Watercolour Painting in Britain' (three volumes) by Martin Hardie (B T Hatsford 1967), 'Dictionary of British Artists' (two volumes) by Grant M Waters (Eastbourne Fine Art Publications 1975), 'A Dictionary of Artists who have exhibited works in the Principal London Exhibitions by Algernon Graves (Kingsmead 1970), 'Great Sea Battles' by Oliver Warner (Spring Books 1970), 'Monograms of Victorian & Edwardian Artists' by Peter Nahum (Victoria Square 1976) (10 vols) Provenance: deceased estate Neath - Port Talbot Comments: fine collection in overall library condition, please enquire

Signed, titled on artist's label verso, watercolour.37cm x 54cm (14.5in x 21.25in)Condition report: The painting is in very good, original condition. There are some minor spots of foxing across the paper. The painting is ornately framed and glazed. The frame has some minor knocks and losses commensurate with age.