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Lot 21

An Arts and Crafts inlaid mahogany mirror, with inset watercolour painting above chequer inlay and bevelled plate, 1ft. 8in. x 1ft. 3in.

Lot 109

A. KAPHOVI(?) A young lady painting. Watercolour. Signed and dated 1836. 9 x 8ins. (See illustration)

Lot 310

AFTER ANDREA MANTEGNA ST GEORGE AND THE DRAGON Watercolour 57cm x 29cm (22.5in x 11.5in) Note: The original painting is in the Accademia, Venice

Lot 414

An Indian Miniature Painting, depicting a couple in an erotic pose, opaque watercolour on paper, black ruled border and blue outer, 20x15cm: together with two other Indian miniature paintings of erotic subjects, with script to upper portions, 20x15cm., ea., all in matching brass frames, (3). Provenance: Property of a Deceased Estate

Lot 651

19thC British British Naive School. Subject: The quarter length portraits of female, Medium: Watercolour painting on paper, Size: 24 x 14 cm, glazed, framed.

Lot 63

Etching of Fountains Abbey, Victorian landscape oil painting, small watercolour, 19th century engravings, 2 Sutcliffe prints and two gilt frames

Lot 36

ROBERT ALLENSMORE LOWE watercolour - historical scene of the SS Edernian of the Golden Cross Line (nicknamed Llongau Pwll Parc) unloading coal via lighters in the Dee Estuary, signed, 12. 75 x 20 (Provenance: see interesting accompanying history relating to this painting)

Lot 104

SIR KYFFIN WILLIAMS RA watercolour and pencil - study of a game cock, signed with initials and with label verso ‘Game Cock, 1993’ (see page 94 of ‘Drawings’), 11 X 11. 75, also a Daily Post newspaper cutting referring to the painting in a Royal Cambrian Academy Christmas Exhibition

Lot 100

WALTER CRANE (1845-1915) "Study near Medmenham, Valley of the Thames", watercolour, unsigned, inscribed in pencil verso of painting "Near Medmenham, Oct 12 '75", also inscribed to hand-written label verso "Study near Medmenham, Valley of the Thames, Walter Crane, Beaumont Lodge, Wood Lane ...", and also inscribed in pencil to G. Trollope & Sons label verso, 26 x 36.5 cm (ILLUSTRATED)

Lot 1188

gertrude Martineau (ex.1862-1910) "In Tintajeu and the Port du Moulin, Sark" signed and dated "1875", also inscribed "Sark" with the artist's original exhibition label verso, showing her address, pencil and watercolour with scratching out, 36.5cm by 55cm exhibited at the Royal Manchester Institution her youngest sister was Edith Martineau A.R.W.S. (1842-1909). Gertrude was an unsuccessful candidate for the New Watercolour Society in 1863 and 1864. She specialised in painting animals, flowers and genre subjects. Exhibitions of the works of the two sisters were held at the Modern Gallery in 1906 and at the New Dudley Gallery in 1910.

Lot 1231

sir Frank William Brangwyn R.A., R.W.S., P.R.B.A., R.E., H.R.S.A. (1867-1956) "La Roque" inscribed with the artist's name and the title of the work on an exhibition label verso, pencil and watercolour, 51cm by 72.5cm provenance: With the Fine Art Society Ltd, 148 New Bond Street, London W1, October 1951 illustrated in "Practice of Watercolour Painting", Baldry, page 51 See illustration

Lot 1269

william B. Hough (fl.1857-1894) Still Life of a Bird's Nest with Green Eggs, small wild strawberry in the foreground and against a mossy bank signed, pencil, watercolour and bodycolour heightened with white, 13.5cm by 17cm the artist was an imitator of William Henry Hunt painting very meticulous still life of fruit, flowers and birds. He exhibited at the New Watercolour Society and elsewhere from 1857-1894 and also painted competent and attractive landscapes. He lived in Coventry and London. Examples of his work can be found at the V&A museum, Glasgow Art Gallery and Newport Art Gallery South Wales.

Lot 1279

john Eveleigh (b.1926) v portrait of John Pilgrim, seated, half length signed, also inscribed with the sitter's name and the date "April 25th 1970", pen, ink and sepia wash, 39.5cm by 33cm john Eveleigh's career is based in two countries, England and Australia. He studied at Canterbury College of Art and was the Head of Foundation Studies in Folkestone, later the highly successful Arts Director of the New Metropole Arts Centre 1971-1983. He was very successful also in Australia as Senior Lecturer in Painting at the University of Woollongong. He also became Honorary Curator of the Permanent Collection of the James Cook Collection, North Queensland. His beautiful and colourful landscapes and portraits have been widely shown-the Royal Academy, Royal Watercolour Society, Piccadilly Gallery, Roland Browse Delbanco, Wye College, Nevill Gallery, Wildenstein, Agnews, Mall Gallery, New Grafton and numerous venues in Australia. They figure in collections all over the world, Africa, Australia, USA, Canada, Sydney University, KCC, Camberwell Borough Council, Hertford County Council, J. Walter Thompson, Marks & Spencer and many others.

Lot 158

FOLDER OF 5 JAPANESE WOOD BLOCK PRINTS, WATERCOLOUR OF CRANE AND A PAINTING ON SILK TOGETHER WITH TINTED PRINT OF A WOMAN

Lot 1402

RICHMOND (LEONARD) and LITTLEJOHNS (J.) "The Technique of Watercolour Painting." col plts comp; plus RICHMOND (L.) "The Art of Landscape Painting." col plts comp, both orig cl, 4to, 1927 g.

Lot 191

Peter Cushing (1913-1994) - Watercolour - “Impression of an oil painting by Edward Seago” - Landscape with cattle watering, 9ins x 13.75ins, unsigned, in moulded frame and glazed Note : Inscribed in Peter Cushing’s hand on label to reverse of frame, signed with initials and dated ‘90

Lot 202

Peter Cushing (1913-1994) - Watercolour - “Watercolour sketch of a detail from an oil painting by Edward Seago” - Landscape with cattle watering, 9.5ins x 6.5ins, unsigned but inscribed in Peter Cushing’s hand on label to reverse, signed with initials and dated ‘90, in limed oak frame and glazed

Lot 645

Wilfred G. May, in the style of William Russell Flint, watercolour still-life of Sunflowers, dated '97, 9" x 8", and seven other still- lives W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years.

Lot 648

Wilfred G. May, in the style of William Russell Flint, watercolour beach scene with reclining nude, signed and dated 1988 W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 22 x w: 14 in.

Lot 650

Wilfred G. May, in the style of William Russell Flint, watercolour portrait of nude female with blonde hair, signed and dated 94, 19" x 15", and four other full-length portraits of females W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years.

Lot 652

Wilfred G. May, in the style of William Russell Flint, watercolour of seated female nude, signed, 13" x 9" , and four other female nudes W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years.

Lot 653

Wilfred G. May, in the style of William Russell Flint, watercolour beach scene of two female nudes eating a watermelon, signed and dated 1989, 13" X 17" W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years.

Lot 654

Wilfred G. May, in the style of William Russell Flint, watercolour full-length portrait of a girl in a white dress, signed, 12" x 8", and four other portraits W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years.

Lot 656

Wilfred G. May, in the style of William Russell Flint, watercolour of a female nude, signed and dated 1978, 13" X 6", one other portrait, one still-life and two landscapes W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years.

Lot 658

Wilfred G. May, watercolour of, The Three Degrees signed and dated '86 W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 14 x w: 18 in.

Lot 659

Wilfred G. May, watercolour of a reclining female nude by a swimming pool, signed, circa 1940 W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 20 x w: 14 in.

Lot 660

Wilfred G. May, watercolour of seated female nude, signed and dated 1991 W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 19 x w: 14 in.

Lot 661

Wilfred G. May, a collection of 11 watercolour sketches and oils of the same model taken from life W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years.

Lot 663

Wilfred G. May, watercolour of a female nude paddling, signed, circa 1940, and six others W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 10 x w: 7.50 in.

Lot 665

Wilfred G. May, watercolour of a female nude in surf, and six others unsigned W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 13 x w: 10 in.

Lot 667

Wilfred G. May, watercolour, female nude wading away from a boat, signed and dated ''87, and four others W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. w: 14 x d: 10 in.

Lot 668

Wilfred G. May, watercolour, seated nude with blonde hair, signed, dated 1968, and another of a female nude with blonde hair, 12" x 9" W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 13 x w: 9 in.

Lot 669

Wilfred G. May, watercolour, female nude with brown hair and wearing black suspenders, signed and dated 1970, and four others W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 13 x w: 9 in.

Lot 672

Wilfred G. May, watercolour, female nude with a pink beach towel billowing in the wind, unsigned, and four others W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 12 x w: 5 in.

Lot 673

Wilfred G. May, watercolour, portrait of the artist's wife, signed W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 8 x w: 7 in.

Lot 674

Wilfred G. May, watercolour, four ballerinas, signed, dated '88, and another of a dancer, 8" x 11" W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 6 x w: 8 in.

Lot 675

Wilfred G. May, watercolour, three female portraits, signed and dated 1970 W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 9 x w: 15 in.

Lot 676

Wilfred G. May, watercolour, girl floating in water, signed and dated 1950, and a watercolour of a girl in suspenders wearing gold coloured gloves and stilettos, signed, 6" x 8" W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 10 x w: 7 in.

Lot 677

Wilfred G. May, watercolour, blonde in pink trunks, signed and dated 1939, 10" x 8" and a watercolour of a female nude, brunette, waist-length portrait W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 7 x w: 6 in.

Lot 678

Wilfred G. May, watercolour, female nude seated by a pool, signed '85, 13" x 10", and six others W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years.

Lot 680

Wilfred G. May, pastel, female nude seated, signed, 11" x 12", and a watercolour of a nude woman gazing out of a window, signed and dated 1990, 10" x 13" W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in gall ries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years.

Lot 682

Wilfred G. May, watercolour,still life of Anenemones signed, 6" x 9" and five others W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as hairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years.

Lot 683

Wilfred G. May, watercolour landscape, 14" x 9", and four others W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years.

Lot 684

Wilfred G. May, watercolour, monument to Victor Emanuel II in Rome, signed and dated 1991, 13" x 10" and a watercolour landscape of the Rhondda Bridge, Spain, signed and dated '82 W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 13 x w: 10 in.

Lot 105

EDWARD HENRY MARTINEAU (1823/24-1901) Emmanuel Hospital, signed and dated 1891, watercolour, 9 1/4" x 13". The painting shows the Queen Ann Almshouses in what is now Buckingham Gate, London SW1 just before they were pulled down to make way for the first London skyscraper, St James' Court (see illustration).

Lot 1013

Attributed to Adrien Etienne Drian 1885-1961- Floral still life; watercolour and gouache on buff paper, signed,32x40cm: together with a reverse painting on glass by a related hand of a figure in a garden, signed, 17x12cm and a signed and dedicated copy of a sale catalogue Hommage a Valentine Hugo, Palais Galliera, 4 Juillet 1963, (3)

Lot 435

William Smyth (British, 19th Century) The artist Thomas Churchyard painting his mother Mrs Churchyard's house at Henley Park inscribed on reverse "William Smyth, May 1859" watercolour 21 x 30cm A true artist of Woodbridge, Thomas Churchyard was born in Melton in 1798 just before the start of the Napoleonic wars. A bright child, he was sent to Dedham Grammer School, where John Constable had been a pupil twenty years earlier.

Lot 447

John Frederick Lewis, RA, HRSA (British, 1805-1876) Spanish Carpet Sellers pencil and watercolour heightened with bodycolour 30 x 40cm John Frederick Lewis arrived in Madrid on 22 August 1832 and went on to Granada where he made a series of drawings of the Alhambra and then Seville in 1832-1833 as the guest of Richard Ford. In the spring he travelled south to Gibraltar and then to Tangiers before returning to Granada where he continued painting in the Alhambra.

Lot 455

Thomas Charles Barfield (British, b.1858) The Interior of the Hall of a Country House signed lower right "T C Barfield" and inscribed on the reverse "Agatha, Lady Westbury, sketch for larger painting" watercolour 13 x 26cm Provenance: Private collection, Cambridge

Lot 29

Mixed group of pictures including San Johann - Austrian street scene, watercolour, 20 x 27 cm; M.M. - Lady painting in garden, oil on board, 19 x 24 cm; Florentine scene, watercolour, 14 x 17 cm; Kapp, Still life of fruit, mixed media, 24.5 x 33 cm (4)

Lot 514

John Alford, 'Le Louvre', watercolour, signed, 17cm x 22cm, also one other watercolour signed Kathleen Rollett and an oil painting (3)

Lot 349

John Keppie ARSA RSA FRIBA (1863-1945) 'Whiteholm, Gullane' watercolour, signed and dated July 1907 25.5cm x 30.5cm Note: Born Glasgow, studied Glasgow University and the Ecole des Beaux-Arts, Paris. Partner of the firm of Honeyman and Keppie. A design by one of his juniors, Charles Rennie Mackintosh, won the contract to build the Glasgow School of Art. At the time this painting was undertaken Mackintosh had become a full partner of the firm. Among the buildings designed by him are those of the Glasgow Herald Mitchell Street buildings and those of the Daily Record. His watercolours are particularly effective and show the influence of Arthur Melville

Lot 794

F.ROSE. Unsigned watercolour on paper, a surrealist composition, see verso together with unsigned oil painting on board landscape with figure ""Penseur d'Autumn. bears name and dated 1943 verso (2)

Lot 112

WILLIAM J. GEORGE Mousehole harbour. Watercolour. Inscribed and signed to the reverse by Jack Pender, the artist's grandson. 10 x 16ins. NOTE: William J. George, started painting at the age of 75. He was a fisherman by profession and his work was often linked with that of Alfred Wallis and Mary Jewels. He was a friend of Alethea Garstin and his studio became that of his grandson, Jack Pender. (See illustration)

Lot 366

English School, Rural landscape with buildings beyond, Watercolour and a similar Painting, (2).

Lot 370

Robin Darwin, "St Martin Duovar", Watercolour and a similar Painting, (2).

Lot 371

G. Rust, Study of a country house, monochrome Watercolour and a companion Painting, rosewood frames, (2).

Lot 825

Follower of John Crome 1768-1821- Cottage and figure in a woodland glade; oil on card, tondo, 22x22cm. Note:This painting is possibly a copy of John Crome's watercolour titled ''The Glade Cottage'' which was sold to Lord Battersea, sent in 1912 to Pierpoint Morgan the American banker and lost in the Titanic Disaster.

Lot 216

ANN MARY ALLISON (Annie Allison) (1870-1929) Still Life, a stoneware vase of mixed tulips, watercolour, 19 1/2" x 13 1/2". Annie Allison was the sister of John William Allison (1866-1934) and was a regular exhibitor at the Royal Academy, London, mainly painting Still Lives in watercolour. Provenance: by family descent and the lot is sold together with a sketchbook by the same hand, including designs for embroidery etc (2) (see illustration).

Lot 448

D. William Tillyer (British, b.1938) Red Ginger (Alpinia Purpurata), Hawaii signed lower right "Tillyer" watercolour 150 x 75cm William Tillyer studied at the Slade School of Art from 1960-1962, painting with William Coldstream and etching with Anthony Gross, and later under William Hayter in Paris, where he won a scholarship. He taught at the Chelsea School of Art from 1963 to 1970. In the 1980s he travelled widely and had shows at Bernard Jacobson in 2000 and 2002. His work is in the Victoria and Albert Musuem, the Tate Gallery and the Museum of Modern Art in New York

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