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W. R. Whitby - A large watercolour painting depicting Clifton Suspension bridge from Hotwells with the view looking down the Avon Gorge with boats on the river with the New Inn. Signed to the lower corner and dated 1883. Framed and glazed.

Chinon 7-15x35 zoom binoculars, Olympus digital camera, watercolour and painting materials etc

A gilt framed and glazed watercolour painting of a young lady, purportedly an actress, the verso with inscription about sitter and artist Sir Lawrence, internal dimensions 20cm x 17cm

GILT FRAMED OIL PAINTING BY S CREBER OF SHEEP & A F/G WATERCOLOUR F A MOORLANDS SCENE

Estate of Dave Prowse - Star Wars Fan Artwork - an original watercolour on canvas painting of Darth Vader, with handwritten dedication to Mr Prowse ' From Steven - Thanks for your many years of friendship ' Signed ' Fish ' and dated 2007. Unframed. Size 40cm x 30cm. 

Estate of Dave Prowse - Alex Saviuk (Marvel Comics Artist) - an original ink and watercolour painting of the Hulk and Doctor Doom. Highly detailed painting, and signed to the corner by Saviuk. Unframed. Great piece of original Marvel artwork. Measures 36cm x 28cm.

A collection of brass items, including an early 19th century brass chamber stick with candle ejector, 19 by 14cm, a pair of 20th century candlesticks of stepped hexagonal form, 30cm, a pair of candlesticks with pierced sconce rim, 31cm, a large alms dish chased and embossed to the center with mounted chevalier, 44cm, together with a 19th century sampler, named Ann Southon and dated April 30th 1844, 26 by 29.5cm, a bucolic watercolour signed John Drake, titled to back of frame 'View of Cottage, Knowl Hill', and a 19th century oil on canvas painting of a lady tending her hearth with bellows in hand, a farm kitchen in the background, initialled F and dated 1888, 21.5 by 16.5cm, framed. (9)

A box of books to include; Painting Landscapes in Watercolour, The Story of Art, Printed Ephemera, Paradise Lost, A to Z of Arts and Artists.

On the Derwent near Bakewell, a Victorian river landscape, watercolour, signed indistinctly, titled and dated 1869, 31.5cm x 56.5cm, mounted in a gilt frame together with a Hein Heckroth mixed media on paper, 'Mary and Harvey in Casa de la Tiones', 36cm x 41cmCondition: folds in the paper of the Heckroth, rips to the border, cracking of the paint in areas) together with After a painting by C Haigh Wood - Two Strings to her Bow, a framed and glazed print published in 1911 by the Artistic Photographic Company, London, along with another early 20th century framed and glazed printLocation: RWB

Julia Trevelyan Oman (1930-2003)/Panorama of her designs for the production of 'Arabella', Glyndebourne, 1984/signed and inscribed/watercolour, 45cm x 63cm/Note: John Cox's production of Arabella in 1984 was revived in 1996. Oman's painting incorporates views of all three sets for the opera and the leading singers in their costumes CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

19th century oval miniature watercolour on ivory, depicting two putti, image 11 x 14.5cm, in glazed gilt mounted frameCondition report: Painting on ivory, glued to board. Apparently unsigned. Appears in good original order with no signs of wear or damage. Some wear to the frame. Picture slightly loose in frame.

Chinese Art A painting in the style of Qi Bai Shi China, 20th century Watercolour on paper . . Cm 68,50 x 48,00. . Frame present

JAMES GREIG (1861-1941) A North African coastal scene with a fruit seller, watercolour, 43cm diameter, framed and glazed, overall 62cm diameter Condition: the painting in good condition, some small chips and cracks to the frame

MID 19TH CENTURY HEAD AND SHOULDERS WATERCOLOUR of a young woman, unsigned, oil on canvas, 21.5cm x 16.3cm Condition: set within a gilt moulded frame with losses to the frame, the painting in need of cleaning, with signs of old restoration along the lower edge, unlined

HENRY HILTON (ACTIVE 1879-1888) a pastoral landscape with female figure and cattle to the distance, signed bottom left, watercolour on paper, mounted, framed and glazed, approximate size 29cm x 44cm, painting is in good condition, small amount of damage to frame, together with a Scottish landscape, signed P Stubbs dated 1916 (2)

PAINTING AND PRINTS, comprising John Bennett watercolour of Lerryn in Cornwall, size approximately 25cm x 36cm - unframed, Mick Durrant artists proof 'Emerald Coast I', screen print, size approximately 73cm x 95cm, landscape screen print signed Wardal size 62cm x 88cm, limited edition print 'Snapdragons' 44/80 signed Walker

PAINTING AND PRINTS, ETC, to include three pen and watercolour sketches of views of Devon - indistinctly signed, size approximately 16cm x 11cm, a coastal watercolour - indistinctly signed, a pen and watercolour sketch, indistinctly signed Vincent Van Gogh 'Avenue of Poplars' print, signed John Watson print, assorted prints of fruit and flowers, landscape oil on canvas (holed), unsigned, Penny Londop, hand made print, mirrors etc

AUGUSTUS OSBORNE LAMPLOUGH (1877-1930), A MOSQUE AND BUILDINGS WITH FIGURES BY THE NILE, signed lower left and dated 1919 (?), watercolour drawing, framed. 22.5cm by 59cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.No noted faults to the painting, the mount with three water stain marks along the bottom edge but there does not appear to be any damage to the painting itself, the mount fairly rough with insect casings caught behind the glass.

Leonhardi, Eduard. 1828 Freiberg - 1905 Dresden, zugeschr. Zwei Figuren (Frau mit Rückenkiepe und Kind) auf Weg in Richtung eines Waldes führend. Aquarell über Bleistift auf Bütten, auf Untersatz mont. und dort wohl v. fremder Hand bez. ''Leonhardi''. Li. unt. Ecke besch. 20,3 x 27,5 cm 1842-1849 Schüler der Dresdener Kunstakademie, davon 3 Jahre im Atelier Ludwig Richters. Erbe der Tintenfabrik seines Vaters Christian August Leonhardi an der Grundstraße in Dresden. Von Richters Naturverständis geprägt: ''...Kein Meister wäre im Stande gewesen, mich mehr für die Natur zu begeistern als L. Richter; denn er verstand es, nicht allein das Auge, sondern auch die Seele für alles Schöne in der Natur empfänglich zu machen. '' (E. Leonhardi: Erinnerungen aus meiner Jugendzeit und späteren künstlerischen Laufbahn, 1897). Nach dem Tode seines Vaters Maler und Unternehmer in seiner Dresdener Heimat, Förderer und Wohltäter junger Dresdener Künstler (u.a. Max Pietschmann, Robert Sterl). Die alte Hentzschelmühle im Loschwitzgrund ließ er zu einem Wohnhaus für mittellose Künstler ausbauen. Das Gebäude beherbergt heute das Leonhardi-Museum. In seinen Bildkompositionen wirklichkeitsnäher als Richter, lockerer im Strich. Sonnen-und lichtdurchflutet. ''Maler des deutschen Waldes''. Leonhardi, Eduard. 1828 Freiberg - 1905 Dresden, attrib. Two figures (a woman with a back pannier and a child) leading along a path towards a forest. Watercolour painting over pencil on handmade paper, mounted on a backing and there probably inscribed by a different hand ''Leonhardi''. Bottom left corner damaged

An early 20th century portrait miniature pendant, depicting a lady wearing pearls, watercolour, signed with monogram and dated 1911, within a plain frame, 10.5cmCondition- Overall good condition- Painting in good condition, with no obvious damage, only very minor rubbing towards edges- Frame worn and discoloured- Additional jump ring to bail surmount- Width (at widest) 7.5cm- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com

Friedrich Johann Gottlieb Lieder (German, 1780-1859), an early 19th century portrait miniature pendant, depicting a lady with blue eyes, watercolour, signed and dated Fr. Lieder 1811 to extreme right, within a scrolling foliate gilt frame, 9.4cmCondition- Overall good to fair condition- Painting in good condition, with no obvious damage, only slight rubbing towards edges- Frame shows evidence of repair- Glazing with small nibbles and chips to edges- Width (at widest) 6.6cm- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com

John Smart (British, 1742/ 1743 - 1811), a gold portrait miniature pendant, possibly depicting Sarah Anne Fane (née Sarah Anne Child 1764 - 1793), Countess of Westmorland, watercolour, signed and dated 'JS. 1788 I' for India lower left, the glazed reverse with gold initials over a woven hair panel, 6.4cmCondition- Overall good condition- Painting in good condition, with no obvious damage, only very minor rubbing towards edges- Length stated in main description includes bail surmount- Width (at widest) 4.6cm- Dimensions of portrait miniature excluding the frame 5.6cm by 4.2cm- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com

OSSIP LUBITCH (Russian, 1896-1990) CIRCUS MINSTRELS Signed, watercolour on paper, backed onto a canvas on a stretcher 96 x 129.5cm. Provenance: A wedding gift from the artist to the vendor's paternal grandfather, Lazare Chpolansky. Yehiel (Lazare's brother) and Lubitch met whilst studying at The Grekov Art School in Odessa. They both worked in Paris in the early 1930's and had studios in Montparnasse. Lubitch became a regular guest at the Chpolansky home in Le Visenet. In 1942, the Chpolansky brothers were sent to Drancy transit camp. Lubitch was also interned at Drancy until the Liberation of Paris in August 1944. Tragically, Lubitch's dear friend, to whom he had given this picture and who had been later transferred to Auschwitz, did not survive the Holocaust. The painting remained with Chpolansky's widow and came to England in the 1960s. It has since passed by descent to the current owner. ++ Some breaks in the paper (upper right, to left of feet of standing figure, on guitar, by accordion, on door); unglazed, so some fly dirt

Taxidermy Art: A Quantity of Original Art Work by Graham Teasdale, Taxidermist, Rotherham, South Yorkshire, framed art work comprising - a pencil drawing of a Male Lion, a watercolour painting of a pair of Passenger Pigeons, a watercolour painting of a Great Auk egg, a print of a Chimpanzee, a print of Great Auk, an oil painting of a Red-tailed Hawk, an oil painting of a Rabbit, a self portrait in pencil within his Blacksmith's shop, a watercolour and pencil picture of a Peregrine Falcon, a book ''Taxidermy & Animla Anatomy for Artists, author Graham Teasdale, all pictures framed and signed by the artist (10)

Eric Brant's original watercolour and gouache painting for the comic book cover, issue #19 of Now Comic's series "Fright Night". Presented in excellent original condition, this makes for a fine piece of collectable horror themed artwork.17" x 11.5" (43 x 29 cm)Condition: Very Good to ExcellentUnrestored, original condition, flat/unfolded (as issued). Displays to very good effect with light handling wear. Artist: Eric Brant£200 - 300VAT Status: M

Mixed collection of pictures and prints; a black and white etching depicting two puppies indistinctly signed in the margin, a modern watercolour of Scottish mountains, signed W C Nicholson, a coloured reproduction after D. Y. Cameron, A View of Edinburgh, various other coloured reproductions of wildlife including a signed artist proof by Charles Fredrick Tunnicliffe, depicting badgers, a signed artist proof by David Pritchard of The Garrison Church Headquarters Cambridge Hospital and Government House, inscribed and numbered 49/500, a modern oil painting of boats on a lake with a cottage amongst trees in the foreground etc. (a collection)

Calum Macfarlane-Barrow (20th/21st century) - 'Jura from Gigha', inscribed on a label verso with the artist's name and the title, oil on board, 16" x 24" *Originally purchased at a charity auction in St Andrews, October 2001 for £200; together with five further pictures one depicting Oriental poppies in mixed media by Irene Duncan DA SSWA., SAAC 13.25" x 17.75" *The artist graduated from Duncan of Jordanstone College of Art, Dundee and is a member of the Scottish society of artists as well as other societies. She exhibits both locally and in Edinburgh. Also a coloured reproduction of the Bute Medical Buildings - University of St Andrews, a small oil painting initialled LH study of blue flowers in a vase, a further watercolour depicting a Scottish croft and finally a watercolour of Edinburgh by Giles Le Maitre, various sizes (6)

English School (19th century) - portrait of a lady wearing a black dress trimmed with ermine and a lace collar with gold necklace and white bonnet, oil on canvas, 30" x 25"; together with five further pictures depicting ladies, one holding a book in her left hand, another unframed oil painting depicting a lady holding a posy of flowers, another depicting a pastel drawing of a lady wearing a cream dress and large black lace bonnet, pastel drawing contained within a Vere Eglomise mount, another pencil drawing of a fashionable lady wearing a decorative headdress and a further watercolour study of a lady, various sizes (6)

Sabrent (20th century) - 'Soldier of The 69th Foot, The South Lincolnshire Regiment 1815 (After 1881,The Welsh Regiment), indistinctly signed also inscribed, watercolour and gouache on tinted paper, 10.25" x 7.25"; together with a small oil painting signed D E Green, depicting a soldier of The Royal Northumberland Fusilier's of circa 1846 (the work is 20th/21st century in depiction), 10.5" x 7.25", two further pictures depicting officers from 1826 and 1832, further military subjectspictures and coloured reproductions including an unframed coloured lithograph depicting the taking by storm of Malakoff and Sebastopol in 1855 the plate numbered 20, unframed etc.

E* Popple (20th cnetury) - portrait of an army officer standing three quarter length wearing an army uniform, signed and dated 19 (1919), oil on canvas, unframed 25.5" x 19.5"; together with eight further pictures including an oil painting of an officer initialled AWL and dated April 1974, an overpainted print depicting a Lord Mayor standing wearing a chain of office, a watercolour of an airman head and shoulders wearing a brown uniform and helmet with goggles, indistinctly signed, a further watercolour depicting an army officer indistinctly signed and inscribed India with an indistinct date; another watercolour of an officer wearing a uniform and two further reproduction pictures of military interest, and an oval watercolour head and shoulders study, portrait of a military gentleman wearing a red uniform, various sizes (9)

Tom Crogan - portrait of Major (later Brigadier General) Thomas Dix Perkin (b.1892), signed, also inscribed on a later label verso, oil on canvas, 30" x 25"; together with four further pictures, including three oil paintings, one unframed depicting a naval officer holding an instrument in his right hand upon a chart, a boat in the distance, inscribed with a Heraldic coat of arms, oil on canvas, unframed, 40" x 30"; another oil painting depicting a Russian officer indistinctly signed and dated 1920. 20.5" x 16"; another military gentleman wearing a blue uniform decorated with a badge and further badges on his lapels, 22.5" x 17" and a watercolour signed Juliet Pannett, depicting a naval officer wearing a uniform and displaying five medals, 19.25" x 14.5" (5)

H* Bennett - portrait of an officer standing three quarter length wearing a green uniform, signed and dated 1946, oil on canvas, 35" x 25"; together with six further pictures including an oil painting of two soldiers wearing uniform and holding canes in their right hand, an oil painting of a spitfire signed Colin Chapman and dated 1977, a further unframed oil painting of a coastal scene with a lighthouse, sea birds and a boat in the foreground, signed Simon, three watercolours, one depicting an officer, indistinctly signed and inscribed Burma, another depicting two galleons in a naval battle signed P McGraa and a watercolour entitled 'Attack on German Troop ship in the Aegean, dated January 1943, signed Arla George dated February 1944 27" x 22" and various sizes (7)

A collection of decorative pictures and prints including an oil on board of a Venetian canal scene, unsigned, 24 x 30cm, an oil painting on canvas of a country house and garden, 34 x 44cm, a watercolour still life of a vase of daffodils and iris, signed Ros Morley, 43 x 29cm, further floral subjects including a watercolour still life of Michaelmas daisies, signed Gill and dated 86, further small signed coloured limited edition etchings including examples by Kate Epps of a blue and yellow macaw, a tiger, etc, various sizes all framed (15)

Vera Furneaux Harris RMS (British 1904 c 1995) full length study of a child in a blue romper suit, pencil and watercolour on paper, inscribed Martin and with label verso with name of artist, 24.5 x 14 cm, together with Romeo Dumoulin (Belgian 1883-1943) children walking in procession with their teacher, signed limited edition black and white etching, 15.5 cm x 19.5 cm approximate visible sheet size, also together with small oil painting on board of a little boy, signed Ch Dadd, a coloured print of drawings of children and heads, etc, all framed (5)

A collection of pictures and prints including early 20th century school oil painting on canvas, three quarter length portrait of a seated woman in southern European style costume, unsigned, 37.5 x 28 cm, unframed, together with an oil painting on canvas, study of a kettle, unsigned, 20.5 x 13.5 cm, a pair of early 19th century watercolours of village street scenes, one signed Cole, 9.5 x 14.5 cm approximately, watercolour of a river scene in the 19th century manner, 13.5 x 19 cm, a small collection of black and white wood cut type prints including squirrel, harbour scene, etc, some signed with initials, etc, various sizes, all framed (14)

* IAN FLEMING RSA RSW RGI (SCOTTISH 1906 -1994), EULOGY oil on board, signed verso 106cm x 208cm (approximately 41.75 x 81.75 inches, image size) Framed. Note: Ian Fleming was born in Glasgow and studied drawing, painting and printmaking at Glasgow School of Art. After graduating, he worked with etcher Charles Murray, and then travelled on an art school scholarship to London, Paris and Spain. In 1931 Fleming started teaching at Glasgow School of Art. During this time he met William Wilson, with whom he exchanged print-making ideas. He served in the police and army during the second world war and continued sketching and printmaking throughout. Notable are the prints he made of the Glasgow blitz. After the war Fleming taught again at Glasgow School of Art and at Hospitalfield, Arbroath. At this time he moved towards painting, rather than print-making, producing landscapes, harbours and portraits both in oil and watercolour. Fleming was principal of Gray's School of Art between 1954 and 1971. He continued in printmaking after his retirement. He died at Aberdeen.

Artist's watercolour painting materials, with palettes, housed in a handled box (4)

FREDERICK H CHIVERS (1881-1965) watercolour - still life of peaches and grapes, signed and dated 1922, later inscribed verso, 38 x 66cms Provenance: private collection, consigned via our Cardiff office Auctioneer's Note: First employed painting fruit and flower patterns on porcelain for Royal Worcester, and then later for Coalport. Presentation & Condition: slightly faded, in period gilt frame.Please note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire) 

Original vintage travel advertising poster promoting tourism to Jerusalem Israel. The poster features a great watercolour painting of one of seven outer gates of the Old City of Jerusalem. Tourists dressed in colourful coats gather at street level, admiring the scale of the city walls. Published by the Ministry of Tourism. Printed by The Survey of Israel. Good condition, creasing, pinholes, tears. Country of issue: Israel, designer: Jossi Stern, size (cm): 98x68, year of printing: 1986

WILLIAM GRANT MURRAY watercolour - view of St Illtyd's Church, Llantwit Major, monogrammed, 36 x 51cms Provenance: private collection consigned via our Cardiff office, letter verso from Philip Davies Fine Arts outlining the career of the artist who was a former curator at the Glynn Vivian Art Gallery in Swansea, salvaged section with artist's full signature from original back of painting applied verso. St Illtyd's Church is one of the oldest churches in Wales and has been called 'The Westminster Abbey of Wales' because of its plentiful ancient carved stones and effigies Presentation & Condition: blemish right of church tower and top left of paper, no problems otherwise, later framed and glazed

Signed, watercolour.30cm x 38cm (11.75in x 15in)Qty: 1Condition report: The painting is in good, original condition with strong colours and no obvious faults to report. The paper has browned slightly in some areas and there is some very light time staining around the edges of the paper near the mount board. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Indistinctly signed and dated 1884, watercolour.35.5cm x 50.5cm (14in x 20in)Condition report: The painting is in good, original condition. The paper has browned in some areas and there are some spots of foxing across the painting. There is a small tear and a couple of small holes in the paper in the lower left-hand corner of the painting. The painting is framed and glazed.

Indistinctly signed and dated '82, watercolour.46.5cm x 35cm (18.25in x 13.75in)Condition report: The painting is in good, original condition with strong colours. There is some foxing across the painting. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Signed and dated 1857, watercolour.31cm x 47cm (12.25in x 18.5in)Footnote: * One of a distinguished family of painters, Edward Richardson was the second son of the watercolourist Thomas Miles Richardson (1784-1848) and the brother of Thomas Miles Richardson the Younger (1813-1890). He exhibited at the Royal Academy and at the Royal Institute of Painters in Watercolours of which he became an Associate in 1859. He painted mainly landscapes and coastal views in the British Isles and travelled in Europe. A sale of his watercolours was held at Christie's on 19th February 1864. Following his death in 1874 the contents of his studio were sold at Christie's on 25th May 1875. Collections: Victoria and Albert Museum; Manchester City Art Gallery; Laing Art Gallery, Newcastle; Newport Art Gallery and Williamson Art Gallery, Birkenhead.Condition report: The painting is in good, original condition with strong colours. The paper has browned universally across the sheet with a lighter strip running down the right hand edge of the paper and a lighter area in the upper left hand corner. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Signed and dated 1809, watercolour.41.5cm x 58.5cm (16.25in x 23in)Condition report: The painting is in fair, original condition. The paper has browned universally and there are some spots of foxing and other surface marks across the painting. There are some light creases to the paper in the lower corners of the painting. The painting is framed and glazed.

Signed and dated 1965, watercolour.14.5cm x 20.5cm (5.75in x 8in)Condition report: The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Signed and dated 1929, watercolour.25.5cm x 34.5cm (10in x 13.5in)Condition report: The painting is in good, original condition with strong colours. The paper has browned universally across the sheet. The painting is framed and glazed. The frame has some minor knocks and losses commensurate with age.

Signed, watercolour.34cm x 49.5cm (13.5in x 19.5in)Condition report: The painting is in very good, original condition with strong colours. The painting is framed and glazed. The frame has the odd minor knock and loss commensurate with age.

Signed, watercolour.20cm x 34.5cm (8in x 13.5in)Condition report: The painting is in good, original condition. The painting is ornately framed and glazed. The frame has some knocks and losses.

Signed, titled on artist's label verso, watercolour.39cm x 45.5cm (15.25in x 17.75in)Condition report: The painting is in good, original condition with strong colours. The painting is framed and glazed.

Signed and dated 1891, titled on the mount, watercolour.28.5cm x 46.5cm (11.25in x 18.25in)Qty: 1Condition report: The painting is in good, original condition with strong colours. The paper has browned slightly in some areas. The painting is framed and glazed.

Signed and dated 1887, watercolour.31.5cm x 45cm (12.5in x 17.75in)Condition report: The painting is in good, original condition with strong colours. The paper has browned universally and there are spots of foxing and other marks across the painting. The painting is framed and glazed.

Signed, titled on artist's label verso, watercolour.42.5cm x 75.5cm (16.75in x 29.75in)Condition report: The painting is in good, original condition with strong colours and no obvious faults to report. There is some very light time staining and browning around the edges of the painting near the mount board. The painting is ornately framed and glazed. The frame has some minor knocks and losses commensurate with age.

Signed, watercolour.45cm x 31.5cm (17.75in x 12.5in)Condition report: The painting is in good, original condition. There are some minor spots of foxing across the painting. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Unsigned, watercolour.42.5cm x 32.5cm (16.75in x 12.75in)Condition report: The painting is in good, original condition with strong colours. The paper has browned universally across the sheet and there are one or two minor surface scratches across the paper. The painting is framed and glazed.

Signed and titled, unframed, watercolour.21.5cm x 28cm (8.5in x 11in)Condition report: The painting is in very good, original condition with strong colours. There are some minor spots of foxing across the painting. The painting is unframed but mounted and laid onto board.

Initialled, titled on mount board, watercolour and pastel, unframed.23cm x 21cm (9in x 8.25in)Condition report: The painting is in good, original condition with strong colours. The paper has browned universally and there are some minor spots of foxing and browning across the sheet. The painting is unframed but mounted and laid onto a card board. There is extensive foxing across the mount board.

Signed, ink and watercolour.17.5cm x 24.5cm (7in x 9.75in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The painting is in very good, original condition with strong colours. There is some minor foxing and spots of browning across the painting. The painting is framed and glazed.

Signed, watercolour.19cm x 26cm (7.5in x 10.25in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The painting is in very good, original condition with strong colours. There is some minor foxing and spots of browning across the painting. The painting is framed and glazed.

Signed and dated 24/11/18, watercolour and ink illustration.25cm x 17.5cm (9.75in x 6.75in)Condition report: The drawing is in good, original condition with strong colours. There are one or two minor spots of foxing across the painting. The painting is framed and glazed.