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Florence Barlow (Royal Doulton fame), watercolour "Finches". 19 cm x 13.5 cm, framed. CONDITION REPORT: This painting has come in for sale from a vendor with an association with the Barlow family. We sold a sketchbook with Florence and Hannah Barlow sketches in it from the same vendor a number of years ago. The painting is not signed on the front but has the pencil signature on the reverse which may or may not be by Florence Barlow. The image size is actually 18.7 cm x 13 cm.

LARGE ORIGINAL WATERCOLOUR OF RACING YACHT IN HIGH SEAS BY J MORGAN. LARGE FANTASY PAINTING ACRYLIC/MIXED MEDIA ON CANVAS NAME INDISTINCT & A BANKSY STYLE PRINT

Michael Healy (1873-1941) Co. Dublin Landscape Oil on board, 20 x 26.5cm (7¾ x 10½'') Provenance: Michael Healy Studio Sale, De Vere's 23/9/03, lot 26. Born in Dublin in 1873 in humble circumstances Michael Healy had an innate interest in art and an ability in drawing which developed further with his attendance at the Dublin Metropolitan School of Art in 1892. His artistic education was interrupted for a couple of years while he investigated whether he had a religious vocation. He re-enrolled in art college and on graduating secured a job as an illustrator with The Irish Rosary a new Dominican publication. Through the influence of his editor Healy travelled to Florence where he attended the Life School of the Academia di Belle Arti. He returned to Ireland in 1901 but it wasn’t until 1903 that his career really got going with Sarah Purser’s invitation to join An Túr Gloine, the stained glass studio whose other members included A.E.Child, Beatrice Elvery, Wilhelmina Geddes and Evie Hone. Initially he assisted in the painting of windows designed by others but within a year or two was designing and painting windows entirely himself. The quality of his work set him apart from many of his peers and before long he had ceased assisting others and developed his own style and ultimately a successful practice, producing windows for chapels, churches and cathedrals in Ireland and throughout the world. While stained glass is what he is best known for, we are all very familiar with his ‘Dubliners’ series, small watercolour sketches of people in his native city going about their everyday activities. He did exhibit a small number of oil paintings throughout his life, painting both portraits and landscapes. The present collection of charming and attractive oils were purchased by Homan at Michael Healy’s studio sale held by DeVere’s in September 2003.

Lilian Lucy Davidson ARHA (1879-1954) The Seine, Paris, Through Trees Watercolour, 40 x 33cm (15¾ x 13'') Signed with monogram Originally from Bray, Co. Wicklow, Lilian Davidson studied at the Dublin Metropolitan School of Art where she was a prize-winning student. In 1897 she won the RDS Scholarship which carried a free studentship, it didn’t come too soon as that was the year of her father’s death. She began exhibiting at the RHA in 1914 and did so regularly until her death. When in Dublin she taught painting privately in her studio and at schools around the county. Although not in very buoyant financial circumstances she travelled extensively and did so for most of her life. She painted landscapes in France, Belgium and Switzerland, besides various parts of Ireland. She first exhibited at the Watercolour Society in 1912, and did so until 1954. She also exhibited regularly with the Dublin Painters Society (1939-54) and the Munster Fine Art Club, and was part of an interesting circle, being friendly with Jack Yeats whom she painted. She also wrote plays under the pseudonym of ‘Ulick Burke’, and her most famous play 'Bride' was directed at the Gate Theatre by Hilton Edwards, with sets designed by Michael McLiammoir. She was certainly aware of the works of Honore Daumier and Jean Francois Millet and used the same prototype of humanity for important works depicting the Irish Peasant. Davidson portrayed the Claddagh, the Irish-speaking district of Galway, at a time when she was involved with the Torch Theatre for whom she was writing a play. Her portraits of Jack B. Yeats and Sarah Purser can be found in the permanent collection of the National Gallery of Ireland, and other works including a self-portrait 'The Golden Shawl' are in Dublin City Gallery, the Hugh Lane, the Abbey Theatre and Ulster Museum Collections.

Alois de Laet (1869-1949) - Ploughing the Field, signed and dated 1915, watercolour, 24 x 34cm, Chinese painting of a bird on bamboo, on silk and another (3) De Laet - vertical stain

Indian reverse painted painting, figures (at fault) together with three other Indian watercolour studies

A framed watercolour painting titled 'Waterloo Kiln' Rockingham potteries signed Griff, dated 1975 along with a similar etching example.

Original vintage advertising poster for a drawing and watercolour exhibition: XVe Salon du Dessin et de la Peinture a l’Eau at the Musee d’Art Modern de le Ville de Paris. The featured artwork is a colourful painting of a face surrounded by plants. Text is below the image in grey, green and black. The Salon du Dessin et de la Peinture a l’Eau was founded in 1949 and held annual exhibitions in Paris, featuring works in a variety of paper-based medium including pencil, charcoal, pastel, ink, watercolour and gouache. Very good condition, minor creasing, minor staining. Country of issue: France, designer: Unknown, size (cm): 64x49, year of printing: 1963

A framed and mounted Watercolour of a Country landscape in snow with buildings and cart, an Ink wash depicting a Continental bridge with buildings and a small framed painting of Sailing boats by the German artist Hoan Kunftwerkftatten.

Edward Wesson (1910-1983). A 20th century watercolour painting by Edward Wesson - Thames Craft. The painting depicting a river view with fishing boats and house. Signed to the margin by the artist. Framed and glazed. Measures 39cm x 45cm.

Edgar James Maybery (A. Simes 1887-1964) - A set of three mid 20th century watercolour painting depicting landscapes, lakes and mountains. All signed to the lower corner E J Maybery. Framed and glazed. Measures, 39cm x 45cm.

William A. Earp 1897 - A 19th century late Victorian watercolour painting by W. A. Earp title Outward Bound depicting ships on Thames river. Signed to the corner by the artist. Framed and glazed.  Measures, 30 cm H x 37 cm W

An early 20th century Chinese watercolour painting of bamboo. Framed and glazed.  Chinese characters to the left. Artists stamp to the right. Measures 83cm x 46cm.

Henry Frank Waring (British, fl. 1900-1928) Watercolour painting of St Ives, Cornwall.  Harbour scene being signed to the corner with notation to the artist verso ( gallery label ) Framed and glazed. Measures 45 cm H x 54 cm W

WARREN WILLIAMS (1863-1918). Fishing boats on the beach, signed lower right, watercolour, gilt framed and glazed, 37 x 54.5 cm, S/D Condition Report:There is evidence of foxing to the painting

ERNEST ALFRED ARIS (1883-1963). An illustration of a gnome painting a hare sitting under a tree 'Mr. Gnome The Artist', signed and dated 1924 lower right, watercolour and pen and ink on paper, unsigned, 26 x 19 cm

Conrad Hector Rafaele Carelli 1869-1956, Listed Artist, Watercolour 'The Bridge at Nevers'. Signed by Artist to lower left. Mounted and framed behind glass. Painting size 7.5'' x 15'' (18.75 cm x 45 cm).

Gabrielle Carelli - Italian Listed Artist 1821-1900, Watercolour of Street Scene in Spanish Town, circa 1880s. Signed by artist. Mounted and framed behind glass. Painting size 7'' x 5'' - 17.5 cm x 12 cm. Pristine original condition, no issues of any kind. From a gentleman's private collection.

Conrad Hector Rafaele Carelli 1869-1956 Egyptian Town Street Scene with figures, watercolour signed by the artist, mounted and framed behind class. Painting size 9'' x 6'' - 22.5 cm x 15 cm. Pristine original condition, confirm with photographs.

Richard Caulfield ORPEN (1863-1938) 'The Kitchen, Rollington Farm, Corfe', watercolour, signed and dated 1910, inscription to the base of the painting, 37cm x 27cm.

Forget Me Nots - Watercolour & acrylic. One positive thing that has come out of the past year’s lockdown for me, is that it enabled me to be around to see the spring plants coming up in my garden. From Snowdrops in February to Tulips in May, I have watched the colours in the garden change. My watercolour painting is a close up of some Forget Me Nots growing over a piece of driftwood.

Blue Dress - Watercolour. This year I thought I would submit a painting of a subject that I am recognised for - a child at play. It is a bit of a nostalgia trip as I am experimenting with other things nowadays, but it is always a pleasure to return to capturing the innocence of children.

Blue Boat - Watercolour. This postcard was donated by the original purchaser of the painting not the creator of it. The original frame is available if required.

Harlequin in Hibernation - Watercolour. The World Land Trust is currently protecting the European hedgehog to ensure its survival in the future. My painting of a hedgehog in multicolour is a depiction of the protection and hope for the mammal synonymous to the rainbow motif which has been a sign of light at the end of the tunnel during the COVID pandemic.

The Beach - Pen & watercolour. The Beach ... if you live locally you'll know which one ... seagulls are the same where ever you go ! You will receive the larger original painting as well as the small postcard size print.

Seaside Memories - Watercolours. Coastal towns and spaces have a special place in my memories. People behave and celebrate their moments by the sea in ways that bring joy to the heart. I have set out to capture a sense of the freedom enjoyed - a oneness with nature that survives through less welcome times. Painting this watercolour sketch has been fun. Does it lift your spirits?

Cat on a Moroccan Roof - Watercolour. My postcard was inspired by travels to Morocco. I distinctly remember staying in a Riad in Marrakesh. And seeing the cat among the wall decorations. Painting this scene has helped to fill a gap in my life as I have missed travelling this past year.

The Space Between - Mixed watercolour and acrylics. ‘The Space Between’ was inspired by the Perseverance mission to Mars in February this year. Discovering incredible online images of the Martian surface has given me creative inspiration and for a long time I’ve been fascinated by Earth viewed from outer space. The distance and 7 month journey from Earth to Mars can only be imagined in my painting. I used a combination of watercolours and acrylics, with photographic images of Earth and Mars.

Garden Robin - watercolour. My paintings are celebratory. They are all done for pleasure. I hope they convey the beauty of the world and the joy of painting in watercolour. Many are done outdoors, in all weathers. Others are studio pieces. But, whatever the circumstances the enjoyment of the subject and the painting process is just the same.

Call of the Wild - Watercolour. I love deer, they are majestic and beautiful. My painting is of a deer who has found water.

Bryan Hanlon (b. 1956) Capercaillie dustbathing Scotland, signed and dated 1999 bottom left, signed and wax sealed verso, watercolour and pencil, measurements 28.5 x 37.5cm, frame 51 x 60 cmConsigned from a significant private collection of wildlife artCondition report: No visible defects to painting.  Mount and frame both good.

David Bennett SWLA (b.1969) House Sparrows in the Brambles, signed and dated '95 bottom right, watercolour and pencil, measurements 35.5 x 49 cm, frame 56 x 69 cmconsigned from a significant private collection of wildlife artCondition report: No visible defects to painting.  Mount good.  Frame shows negligible signs of handling.

Keith Brockie (b.1955) Two Kestrels on a branch, signed and dated 1989 bottom right, watercolour, original illustration, measurements 14.5 x 20.5 cm, frame 29 x 35 cm, together with two circling Sparrowhawks, signed and dated 1985 bottom right, watercolour, original illustration, measurements 16.5 x 26 cm, frame 31 x 39 cm and a further watercolour of a Sparrowhawk perched on a branch in winter, signed and dated 1985 bottom right, measurements 15 x 18 cm, frame 32 x 34 cm. Sold together with a copies of the books. (5)Original illustrations from Newton, I. 1986, The Sparrowhawk, T & A D Poyser, on page 86 and 270 and for Village, A., 1990, The Kestrel, T & A D Poyser, p.197Consigned from a significant private collection of wildlife artCondition report: Kestrels: the watercolour is framed beneath glazing, not examined external to the frame. It is signed and dated 1989 bottom right. The sheet appears in good condition with no obvious evidence for any rips, creases or folds and the surface appears stable without signs of foxing or deterioration. The paint condition appears well preserved and stable. Frame is in good condition with solid joints Sparrowhawk on branch: the painting is framed under glazing, not examined external to the frame. Signed and dated 1985 bottom right. The paint surface is well preserved and appears stable. The sheet is in good condition with no visible signs of rips, creasing or evidence of deterioration. The frame is in well preserved with solid joints Sparrowhawks in flights: the painting is framed under glazing, not examined external to the frame. It is signed bottom right and dated 1985. The paint appears in good condition with no evidence for deterioration or fading. The sheet appears in good condition- no visible signs of rips, folds or creasing. The frame has solid joints and is in good condition

Richard Barrett Talbot Kelly MBE RI SWLA (1896-1971) Little Ringed Plover, monogrammed bottom left, watercolour, measurements 15.5 x 28 cm, frame 32 x 49 cmconsigned from a significant private collection of wildlife artCondition report: No visible defects to painting.  Mount and frame both good.

Frederick John Widgery (1861-1942) A watercolour on paper painting depicting a mountainous landscape scene likely Dartmoor with pond to the foreground. Signed to corner FJ Widgery and housed in a gilt and glazed frame. Frame measures approx; 44cm x 54cm, artwork measures approx; 25cm x 35cm.

Delmar Harmood Banner (1896-1983) Scafell From Walna Scar'' Signed and dated 1965, watercolour painting being signed and dated by the artist. Framed. Measures approx; 43cm x 52cm.

William Matthew Hale RWS (1849-1929) Winter Twilight .Watercolour painting of street scene being signed by the artist to lower corner. Framed and glazed. Measures approx; 62cm x 51cm.

William Matthew Hale RWS (1849-1929) - Moonrise Bristol Harbour - Watercolour painting of shipping scene being signed by the artist to lower corner. Framed and glazed. Measures approx; 51cm x 67cm.

CM Holland (Late 19th century British school) - River scene with figures, watercolour and bodycolour on paper, signed and dated 1892 and inscribed Part Copied, 22 x 27cm, together with a late 19th century oil painting on canvas of a garden scene with water pump and cat, signed Alfred Parsons, 45 x 59.5cm approx, also together with further oil on board of a landscape with cottage, an oil on board of an 18th century style marine battle scene and an 18th century map of Oxfordshire dedicated to the Bishop of Oxford by RP, 50 x 48cm approx, various sizes, all framed (5)

William G Hooper (British Fl.1870-1898) - Study of a sleeping child with embroidered shawl covering, watercolour and bodycolour on paper, signed and dated 1872 and with biographical details of the artist and a sepia photographic reproduction of the painting verso, 20 x 26.5cm approx, together with - 19th century school - Full length study of a recumbent baby with raised hand, watercolour on paper, no signature visible, 28 x 40cm both framed (2)

A collection of 19th century and later pictures and prints including oil painting on board of a stag in the manner of Landseer, a coloured advertisement for Thomas Carpenter - House Painter, a coloured engraving - The Ancient Order Of Foresters, a watercolour of a mountainous landscape, etc, various sizes, mostly framed (16)

HARDIE (MARTIN) WATERCOLOUR PAINTING IN BRITAIN 3 vols, 1969 Condition Report: Available upon request

Watercolour bluebell woodland, signed Edith Martineau, in a gilt frame, frame size 47cm x 39cm, some wear to frame but painting good and colours bright

Chinese watercolour and 19c engraving of Woodcock shooting plus 2 books on art/painting

Eddie Worrall (British 21st C. School) Watercolour painting entitled Tiger Moth meet at Old Warden Aerodrome, signed and dated 1998 with Guild of aviation artist's exhibition label verso, entered for aviation painting of the year. Fram?e size approx 27 1/4 x 18 3/4 inches (Glazed)

Various volumes including Jewellery Through the Ages; European Porcelain; Watercolour Painting and others etc

KANG ZHUANG Contemporary Chinese Painting Two seated women talking Watercolour on paper Signed and initialled, 48cm x 50cm.Good condition, framed and glazed.

Contemporary Chinese watercolour The Furniture Painting Workshop Unsigned, 53cm x 78cm and two further contemporary works, loose, signed and sealed (3)

SANDRA BLOW, R.A. [1926-2006]. Abstract. watercolour on paper [there is another painting on the reverse]. 23 x 32 cm - overall including frame 40 x 49 cm. Provenance: Artist's estate; David Lay auctions; private collection, UK. [very good condition - unexamined out of frame]. Buyers premium of 20% + vat is payable.

Jon Catleugh (1920-2009) Torso, a plaster wall hanging, 'Kitchen Maid' a watercolour on paper costume design attributed to Jon Catleugh, a small painting on silver ground by Jon Catleugh, eight small abstract paintings and two sketch books unsigned, (13)

R. Wilson (20th Century) Staithes, Yorkshire, 1984 signed and dated (lower right) watercolour 40 x 55cm.   Condition report: Painting in good condition. framed and glazed .

Jacqueline Rizvi (b.1944) Study for a Three-Fold Screen, Leaves to Birds, 2005 signed with initials and dated in pencil (lower left) pencil, watercolour, and bodycolour on paper 27 x 42cm.   Provenance: Alpha House Gallery, Sherborne. Condition report: painting sound. Frame loose and has dirt under the mount.

John Neale watercolour seascape, Robert Hughes limited edition print of Easton Royal canal scene, Eastern painting tiger hunt etc.

Group of prints and painting to include 19th century watercolour wash of a Public house exterior with figures a 20th century oil on board sheep in a rural landscape,a signed photograph of Ronnie O'sullivan,set of four Samuel Howett shooting prints etc.

Frank Sherwin watercolour painting a figure seated outside at table signed titled verso THE CONVENT AT FIESOLE FLORENCE 16 X 47 cm together with a group of paintings and prints to include a portrait print by Stanley Spencer.

EUROPEAN SCHOOL 'Lake Folly', watercolour painting c.1900, monogrammed WB, 25cm x 18cm, in ornate gilt frame, mounted and glazed, together with one other watercolour painting, city scene with horse drawn carriage, possibly New Orleans, sign H. Keele r, 23cm x 15cm, framed mounted and glazed (2)

19TH CENTURY EUROPEAN SCHOOL 'Shipwreck', figures in the foreground on the rocks, in the distance a City with Towers, watercolour painting, 42cm x 45cm, framed & glazed

WILLIAM WELLS QUATREMAIN (1857-1930) 'The Lygon Arms' (Hotel in Broadway, Worcestershire, with hunt & hounds) watercolour painting on board, signed, inscribed to reverse, unframed, 21.5cm x 33.5cm

WILLIAM WELLS QUATREMAIN (1857-1930) 'Compton Wynyates' (Tudor Manor House, Warwickshire, horseman & hound at the entrance), watercolour painting on board, signature part trimmed. see label to reverse, 23cm x 35cm, inscribed and dated 1915, unframed

WILLIAM WELLS QUATREMAIN (1857-1930) 'Shakespeare's Birthplace, Stratford Upon Avon', watercolour painting on board, inscribed to the front & reverse, the back signed & dated 1925, 22cm x 33.5cm, unframed