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ELIZABETH SORRELL "Miniature dolls amongst cushions", Watercolour painting, signed and dated 1985, see "Royal Society of Painters in Watercolour - Bankside Gallery, London" verso, 31cm x 24cm, mounted in gilt glazed frame with green painted detail

T*M* ROCKE "Mountain Landscape", a drover on the path, distant tower and snow capped peaks, Watercolour painting, monogrammed TMR and dated 1853, 21cm x 33cm, mounted in gilt glazed frame

Indian watercolour painting of a courting couple with chaperones, another painting and a print

Grace Gilpin, Original watercolour depicting Racing Legend Lester Piggott, the painting depicting vignettes of racing winners including Alleged, Cajun, Awaasif, Ardross, Njinski and The Minstrel, signed in pencil by the man himself. Signed lower right and dated 1992, framed and glazed, approx 46 x 32 cms together with Roy Miller Limited Edition Print, entitled 'Nashwan winning the Epsom Derby 1989', edition nr 85/950, signed by winning rider Willie Carson, framed and glazed, approx 50 x 39 cms together with certification.

H. Smithirt Pair of Watercolours. Titled ' The River Fal - S. Devon. Both Paintings Depicting Scenes of The River Fal. Each Watercolour Signed. Each Painting Mounted and Framed Behind Glass. Painting Sizes 9.5 x 11.5 Inches.

A Collection Of Prints And Paintings Three items in total to include original 1960's oil painting in kitsch style depicting a woman with parasol in the style of Renoir. Also a large framed print of Venice waterways with gondolas and a small watercolour, dated 1920 depicting a village scene with children in foreground.

Three original artworks to include oil painting of a horse, floral still life by C. Charnock and "Japanese Song" by Patti Harrild, watercolour (3). No condition reports for this sale.

Louis Le Brocquy HRHA (1916-2012)DelacroixWatercolour, 60 x 44cm (23½ x 17¼'')Signed, inscribed 'For Anne in admiration and friendship' and dated 10th November 1981Provenance: A gift from the artist to Anne Crookshank, 10/11/1981 and thence by family descent.Louis le Brocquy’s (1916 - 2012) many series of portraits of celebrities both historic and contemporary were widely known and admired during his lifetime. However his small group of watercolour sketches of the 19th century French artist Eugene Delacroix are little known and rarely reproduced. Yet, they have a significance far beyond their recognisability because it was to the Delacroix Autoportrait dit au gilet vert in the Louvre in Paris, that le Brocquy owed his own ventures into self-portraiture.In Louis le Brocquy, Portrait Heads, A Celebration of the Artist's Ninetieth Birthday, (catalogue of the exhibition of the same name at the NGI in 2007), le Brocquy is quoted as saying that he resisted pressure to paint his own face from his wife, the painter Anne Madden and others, ‘because my interest was always in painting the other, ….my immediate stimulus happened to be a couple of studies in watercolour I made from Delacroix’s curiously moving self-portrait in the Louvre’. Despite this remark however, le Brocquy is also cited in the same publication, as saying that, ‘An artist tends to paint his self-portrait all the time, since even with a subject before him - what he tries to draw up from the depths of the paper or the canvas, lies really somewhere in his own head.’ That suggests that even though this watercolour sketch of Delacroix is a telling likeness of the great French Romantic as known from many portraits and photographs of him, there is an element of the self-portrait here too. It is of interest that le Brocquy did not attempt a series in oils of Delacroix but shifted his focus, instead, to his own face.This watercolour sketch of Delacroix comes from the collection of Anne Crookshank, the inaugural Head of the History of Art department in Trinity College who died late last year. Anne Crookshank had been a friend of the artist’s since the 1950s when she bought his work, and the work of other emerging contemporary artists, notably William Scott, for the collection at the Ulster Museum in Belfast. An inscription by the artist , dedicates the Delacroix portrait to her ‘in admiration and love’. Elsewhere le Brocquy recorded his great regard for her achievements in Ulster and her unfailing support for living artists through her work for the Rosc exhibitions and her teaching. The painting of Delacroix, connected as it is to an important development in le Brocquy’s own career, was a fitting gift to the country’s leading art historian and a friend whom le Brocquy thought of as ‘a great Irishwoman’. Catherine MarshallAugust 2017

Leonardo da Vinci.- Adams (Cuthbert Harry) The Head of Christ by Leonardo da Vinci, from the "Ministry of Art" by J.G., calligraphic manuscript, on vellum, 1p., part of title and 5 gold initials, watercolour painting of Christ (91 x 66mm.), framed and glazed, overall 221 x 273mm., n.d. [c. 1930s].

ALEXANDRE BORISOVICH SEREBRIAKOFF (RUSSIAN 1907-1995) PROJECT FOR THE DECORATION OF LA MAISON A LA VIELLE RUSSIE signed, inscribed and dated '18 Mai 1953,' pen and ink and gouache 49.5cm x 67cm (19.5in x 26.25in) and five further projects for the decoration of La Vielle Russie (6) Provenance: Russian Works of Art from the Collection of The Late Jan Bethge Esq. Note: Alexandre Serebriakoff was a celebrated Russian-French illustrator, particularly known for his paintings of interiors. Serebriakoff was born in 1907 in Neskuchnoe, in the Kurskiy region (modern Ukraine). His mother, Zinaida Serebriakova was herself a prominent artist, who originated from a famous family of architects, sculptors and painters from Benois-Lancere. In 1905 she had married the engineer Boris Serebriakoff. Having trained in Saint Petersburg, Italy and Paris, she became one of the most prominent "World of Art" [Mir Iskusstva] painters of pre-revolutionary Russia. The family's situation changed drastically with the 1917 Revolution. In 1919 Boris Serbriakoff was imprisoned by the Bolshevik government and died in captivity, leaving Zinaida with four children and a sick mother in the war-torn and starving Ukraine. In 1924 however, Zinaida was commissioned to undertake a large project in Paris. She initially planned to return to Russia after the completion of her work, but it was unwise to do so due to the country's continuing political instability. Only two of her four children Alexandre and Ekaterina, managed to escape to France and the family would not be reunited for decades, when in 1960 Zinaida met her two other children after 36 years of separation. Alexandre Serebriakoff remained in Paris for the rest of his life. A largely self-trained artist, he adopted the tradition of the "World of Art" movement and predominantly worked in watercolour and gouache, producing highly realistic interiors in a traditional style. He also worked as a book illustrator with French and British publishers, and collaborated with the renowned grocers Maison Fauchon, along with French cinema and fashion magazines. Serebriakoff became well-known as a specialist interior painter, specifically for his paintings of Paris' hôtels particuliers, painting Daisy Fellowes' rooms at the Paris Ritz in 1948 and the Parisian apartment of the Duke and Duchess of Windsor, Le Château de Groussay. During his lifetime the artist showed his work in numerous group exhibitions in France and Belgium. It is known that Alexandre's sister Catherine, who also worked as an interior painter, collaborated with her brother on many projects, however, her signature often does not appear on the artworks, as she preferred Alexandre to sign the paintings himself. This series of drawings and watercolours were created as part of a collaboration between Alexandre Serebriakoff and the Paris-based Russian antique dealers, A La Vielle Russie and are records of the decorative scheme Serebriakoff created for their shop windows and first-floor library. A La Vieille Russie, was founded in Kiev in 1851 but left the turmoil of the Revolution to be re-established in Paris in the 1920's by the descendants of the original owner. In its original incarnation, Carl Faberge, who held a premises nearby, was a client. The business continued to flourish in Paris, with many high-profile clients including the Duke and Duchess of Windsor. It ultimately became a focal point for socialising among European high-society. At the start of the Second World War, the gallery relocated again, to New York City, taking over premises in the Rockefeller Centre. In America it became the market leader for Fabergé and Russian Imperial treasures, assisting in the formation of some major museum-quality collection. Still a family business, A La Vieille Russie continues to deal in fine art and antiques from Fifth Avenue, New York.

ALEXANDRE BORISOVICH SEREBRIAKOFF (RUSSIAN 1907-1995) LES JARDINS DE TUILERIES signed, inscribed and dated 'Paris 1931', pen and ink and watercolour with bodycolour 39cm x 61cm (15.25in x 24in) Provenance: Russian Works of Art from the Collection of The Late Jan Bethge Esq. Note: Alexandre Serebriakoff was a celebrated Russian-French illustrator, particularly known for his paintings of interiors. Serebriakoff was born in 1907 in Neskuchnoe, in the Kurskiy region (modern Ukraine). His mother, Zinaida Serebriakova was herself a prominent artist, who originated from a famous family of architects, sculptors and painters from Benois-Lancere. In 1905 she had married the engineer Boris Serebriakoff. Having trained in Saint Petersburg, Italy and Paris, she became one of the most prominent "World of Art" [Mir Iskusstva] painters of pre-revolutionary Russia. The family's situation changed drastically with the 1917 Revolution. In 1919 Boris Serbriakoff was imprisoned by the Bolshevik government and died in captivity, leaving Zinaida with four children and a sick mother in the war-torn and starving Ukraine. In 1924 however, Zinaida was commissioned to undertake a large project in Paris. She initially planned to return to Russia after the completion of her work, but it was unwise to do so due to the country's continuing political instability. Only two of her four children Alexandre and Ekaterina, managed to escape to France and the family would not be reunited for decades, when in 1960 Zinaida met her two other children after 36 years of separation. Alexandre Serebriakoff remained in Paris for the rest of his life. A largely self-trained artist, he adopted the tradition of the "World of Art" movement and predominantly worked in watercolour and gouache, producing highly realistic interiors in a traditional style. He also worked as a book illustrator with French and British publishers, and collaborated with the renowned grocers Maison Fauchon, along with French cinema and fashion magazines. Serebriakoff became well-known as a specialist interior painter, specifically for his paintings of Paris' hôtels particuliers, painting Daisy Fellowes' rooms at the Paris Ritz in 1948 and the Parisian apartment of the Duke and Duchess of Windsor, Le Château de Groussay. During his lifetime the artist showed his work in numerous group exhibitions in France and Belgium. It is known that Alexandre's sister Catherine, who also worked as an interior painter, collaborated with her brother on many projects, however, her signature often does not appear on the artworks, as she preferred Alexandre to sign the paintings himself.

ALEXANDRE BORISOVICH SEREBRIAKOFF (RUSSIAN 1907-1995) LAUNDRY BOAT ON THE SEINE signed, inscribed 'Paris, Pont Neuf, 1932,' pen and ink and watercolour with bodycolour 46.5cm x 61cm (18.25in x 24in) Provenance: Russian Works of Art from the Collection of The Late Jan Bethge Esq. Note: Alexandre Serebriakoff was a celebrated Russian-French illustrator, particularly known for his paintings of interiors. Serebriakoff was born in 1907 in Neskuchnoe, in the Kurskiy region (modern Ukraine). His mother, Zinaida Serebriakova was herself a prominent artist, who originated from a famous family of architects, sculptors and painters from Benois-Lancere. In 1905 she married the engineer Boris Serebriakoff. Having trained in Saint Petersburg, Italy and Paris, she became one of the most prominent "World of Art" [Mir Iskusstva] painters of pre-revolutionary Russia. The family's situation changed drastically with the 1917 Revolution. In 1919 Boris Serbriakoff was imprisoned by the Bolshevik government and died in captivity, leaving Zinaida with four children and a sick mother in the war-torn and starving Ukraine. In 1924 however, Zinaida was commissioned to undertake a large project in Paris. She initially planned to return to Russia after the completion of her work, but it was unwise to do so due to the country's continuing political instability. Only two of her four children Alexandre and Ekaterina, managed to escape to France and the family would not be reunited for decades, when in 1960 Zinaida met her two other children after 36 years of separation. Alexandre Serebriakoff remained in Paris for the rest of his life. A largely self-trained artist, he adopted the tradition of the "World of Art" movement and predominantly worked in watercolour and gouache, producing highly realistic interiors in a traditional style. He also worked as a book illustrator with French and British publishers, and collaborated with the renowned grocers Maison Fauchon, along with French cinema and fashion magazines. Serebriakoff became well-known as a specialist interior painter, specifically for his paintings of Paris' hôtels particuliers, painting Daisy Fellowes' rooms at the Paris Ritz in 1948 and the Parisian apartment of the Duke and Duchess of Windsor, Le Château de Groussay. During his lifetime the artist showed his work in numerous group exhibitions in France and Belgium. It is known that Alexandre's sister Catherine, who also worked as an interior painter, collaborated with her brother on many projects, however, her signature often does not appear on the artworks, as she preferred Alexandre to sign the paintings himself.

ALEXANDRE BORISOVICH SEREBRIAKOFF (RUSSIAN 1907-1995) STUDY A - PROJECT FOR THE DECORATION OF THE WINDOW OF MAISON A LA VIEL LE RUSSIE, signed, inscribed and dated '10 Mars 1954,' pen and ink and gouache 45cm x 59.5cm (17.75in x 23.5in) and 'Study B' (2) Provenance: Russian Works of Art from the Collection of The Late Jan Bethge Esq. Note: Alexandre Serebriakoff was a celebrated Russian-French illustrator, particularly known for his paintings of interiors. Serebriakoff was born in 1907 in Neskuchnoe, in the Kurskiy region (modern Ukraine). His mother, Zinaida Serebriakova was herself a prominent artist, who originated from a famous family of architects, sculptors and painters from Benois-Lancere. In 1905 she had married the engineer Boris Serebriakoff. Having trained in Saint Petersburg, Italy and Paris, she became one of the most prominent "World of Art" [Mir Iskusstva] painters of pre-revolutionary Russia. The family's situation changed drastically with the 1917 Revolution. In 1919 Boris Serbriakoff was imprisoned by the Bolshevik government and died in captivity, leaving Zinaida with four children and a sick mother in the war-torn and starving Ukraine. In 1924 however, Zinaida was commissioned to undertake a large project in Paris. She initially planned to return to Russia after the completion of her work, but it was unwise to do so due to the country's continuing political instability. Only two of her four children Alexandre and Ekaterina, managed to escape to France and the family would not be reunited for decades, when in 1960 Zinaida met her two other children after 36 years of separation. Alexandre Serebriakoff remained in Paris for the rest of his life. A largely self-trained artist, he adopted the tradition of the "World of Art" movement and predominantly worked in watercolour and gouache, producing highly realistic interiors in a traditional style. He also worked as a book illustrator with French and British publishers, and collaborated with the renowned grocers Maison Fauchon, along with French cinema and fashion magazines. Serebriakoff became well-known as a specialist interior painter, specifically for his paintings of Paris' hôtels particuliers, painting Daisy Fellowes' rooms at the Paris Ritz in 1948 and the Parisian apartment of the Duke and Duchess of Windsor, Le Château de Groussay. During his lifetime the artist showed his work in numerous group exhibitions in France and Belgium. It is known that Alexandre's sister Catherine, who also worked as an interior painter, collaborated with her brother on many projects, however, her signature often does not appear on the artworks, as she preferred Alexandre to sign the paintings himself. This series of drawings and watercolours were created as part of a collaboration between Alexandre Serebriakoff and the Paris-based Russian antique dealers, A La Vielle Russie and are records of the decorative scheme Serebriakoff created for their shop windows and first-floor library. A La Vieille Russie, was founded in Kiev in 1851 but left the turmoil of the Revolution to be re-established in Paris in the 1920's by the descendants of the original owner. In its original incarnation, Carl Faberge, who held a premises nearby, was a client. The business continued to flourish in Paris, with many high-profile clients including the Duke and Duchess of Windsor. It ultimately became a focal point for socialising among European high-society. At the start of the Second World War, the gallery relocated again, to New York City, taking over premises in the Rockefeller Centre. In America it became the market leader for Fabergé and Russian Imperial treasures, assisting in the formation of some major museum-quality collection. Still a family business, A La Vieille Russie continues to deal in fine art and antiques from Fifth Avenue, New York.

A FRAMED AND GLAZED WATERCOLOUR OF BANGOR PIER, ANGLESEY SIGNED E. PAINTING, TOGETHER WITH AN OIL ON BOARD

MOGUL PAINTING, a fine watercolour "Courtiers within walled Courtyard", 20" x 14.5"

A Chinese watercolour painting scene of a tree with lake in the foreground, with houses and temples beyond, H 47cm x W 57cm

A framed watercolour painting, subject make-up on a table. H 24cm x W 14cm

William Dudley Burnett Ward (British/Canadian 1879-1935) 'Lost in the Woods' watercolour, signed and dated '08 lower left 35 x 25cm together with a 1994 Christie's catalogue when the painting was purchased by the vendor

Original watercolour painting advertising fabric / wallpaper designs for Heine & Richterl Dresden, 88cm x 77cm

Thomas Churchyard (1798 - 1865), sepia watercolour - Trees, labels verso inscribed 'Copy of Old Crome, the original oil painting of which was in the possession of Churchyard', in glazed gilt frame, 25cm x 17cm

Two oval Moghul-style watercolour profile portraits of Indian noblemen (probably 19th century), to/w a Chinese landscape painting on fabric, a Continental portrait miniature on ivory of a military officer, an etching of a St. Bernard dog by C. Casanova and an Italianate embossed copper panel worked with classical figures

DEMI LOWRY, 20TH/21ST CENTURY, 'White and Yellow Roses', a pair of watercolours framed as one, 9.5" (25cm) x 7" (18cm); another watercolour by the same hand, 'A Church in a Hamlet'; a pair of signed coloured etchings, 'Venetian Scenes'; a book entitled 'Art of the Printed'; and another book 'The Spirit of the Letter in Painting'. (a lot)

Three vintage Eastern pictures; a reverse painting on glass of a figure astride a horse and two watercolour on paper scenes of figures in landscapes, framed

An interesting WWI watercolour, entitled 'Seaplane v Submarine', showing ariel bombing of an enemy U-Boat, indistinctively signed by artist to lower right, dated 18', this painting previously owned by the famous War Photographer Ernest Philipps, 53cm x 38cm, writing to back of canvas, with frame and information on previous owner (parcel)

Francis George Coleridge (1840-1925), a watercolour of lancers charging, possibly Boer War, signed and dated to lower right, F.G Coleridge, 1869There is foxing, mainly to the sky and background, majority to the top. Some lower down but not as bad. Colour of painting generally good. Frame in good condition, dimensions 66.5 cm x 53 cm frame, picture 47.5 cm x 33 cm

Japanese watercolour painting on silk, Meiji (1868-1912), depicting a parakeet on a blossoming branch, inscribed with characters, 104cm x 40cm

Alfred Edward Chalon (1780-1860) - portrait of two girls, watercolour heightened with white, signed with monogram, 32.5cm x 22cm, inscribed verso (This painting was drawn when Georgina was seven years old and Catherine was two years old and given to me by their fond father, George Bampfylde, March 22nd 1830)

A 19th century oriental painting on rice paper of birds amongst foliage, 20 x 32 cm approx, an 18th century sepia coloured engraving of a classical scene with cherubs and an artist, a further similar print after Mazzola, an early 19th century coloured engraving of the Bear Garden on the South Bank of the River Thames, a 19th century engraving of haymakers and a watercolour of a landscape signed I R Need, various sizes, all framed.

An early 19th century watercolour of St John's Wood Church with figures, horse and rider, etc inscribed to mounts St John's Church, Hardwick, 1815, 33 x 46cm, together with a 20th century oil painting on board of a church, signed bottom left J A Jenet, dated 65, an 18th century coloured engraving of a Thames river scene, further topographical etching, etc

MINIATURE PAINTINGS ETC. A miniature watercolour 'Mount's Bay from Newlyn', by J. Batten, one other miniature painting, naive standing copper shoes etc.

Exceptional Photograph, Artwork and Ephemera Album compiled by William Leighton, who served with the Artist Rifles in the Great War Accompanied by his War Medals including 1914 Star. This Regiment evolved from the 38 Middlesex Rifle Volunteers and was essentially formed from Artists, Actors & Writers etc and included William Morris, Paul Nash and Wilfred Owen in its ranks. William provides a very well crafted illustrated journey through his war service from the train about to leave London, embarking on HM Troopship "Australind" in October, 1914, via Bailleul to their positions near Neuve Eglise. All are very well illustrated with line drawings and watercolour paintings and with many photographs and ephemera, together with two excellent coloured painted Trench maps of the Menin Road and Richebourg in 1915. His unit the 2nd Battalion (28 London Regt) is hard hit and he sketches where two Sergeants are killed. He is transferred to the MG School at Wisques, near St Omer and the illustrations of the Barracks are very well executed, with a particularly outstanding coloured painting of St Omer, seen in the distance from Wisques. There is also a particularly good group photograph of the Staff at the school, flanked by two Vickers machine guns. Promoted to Sergeant Instructor William is sent home with Tuberculosis of the lung. Presumably recovered he is transferred to Egypt and his journey is again well supported with drawings and paintings. Finally he joins the Royal Navel Gun Station on Parliament Hill in July 1917 and again the drawings, paintings and photographs provide a unique record of his time in London. A number of other photographs and documents are tipped-in, notably a well executed painting contrasting the wasteland of the trenches with the relative tranquillity of Parliament Hill and this has been signed by the members of the detachment. In summary a unique record of war service supported by a considerable number of original artworks, photographs and documents and his medals, etc., in a large and attractive "crocodile skin" Album.

An oil painting on board, David Fowkes, Reklaw and other barges, York, signed, attributed and dated 1985, verso, 15.5'x12.5' and a watercolour, Roy Abell, Llaneris Stream, signed, 11.5'x15'

A boxed selection of various pictures and prints including original pastel and watercolour painting

)A framed watercolour landscape painting of rural fields by Ernest Inchboard, dated 1909, applied plaque to picture plus a print of Balmoral Castle, initialled 'BJ'.Approximately 32.5x38 and 25x33 cm

Thomas G Hill,Oil on canvas,'Sketch of Ernst Berry 1948', Titled and dated verso, 51cm x 61cm, Unframed, And a Chinese School - Mid 20th century, Watercolour on silk, Boys painting vases, signed 'Ho Lo' and dated '53', 23cm x 41cm,Framed and glazed (2)

A. C. WYATT, framed, signed, watercolour painting of a cottage and garden, 22cm x 32cm.

EDWARD HOLMAN, framed, signed, watercolour painting titled "Falcarragh Donegal" depicting a mountain scene, 23cm x 35cm.

An oriental themed painting on silk, 15.5cm x 15.5cm, together with a watercolour painting of a small boy by a river, 15cm x 20.5cm.

FREDERICK WILLIAM HATTERSLEY (19th century) "Changing Pastures", signed lower right, watercolour, 9.75" x 13.5", and companion painting 'Sheep at rest', signed lower right, watercolour, 9.5" x 13.5" (2).

FREDERICK WILLIAM HATTERSLEY (19th century) "On the Donegal Coast" signed lower right, watercolour, 10" x 7.25" and the companion painting "Got Him!", signed lower left, 10" x 7.25" (2).

FREDERICK WILLIAM HATTERSLEY (19th century) "Hauling the Boats for repair", signed lower left, watercolour, 10 x 13.75", and companion painting "A Good Catch", signed lower left, 10" x 13.75" (2).

ENGLISH SCHOOL (20th century) Stormy skies out to sea, watercolour, 9.5" x 13.5", and the companion painting, a coastal view, watercolour, 9.5" x 13.5".

FREDERICK WILLIAM HATTERSLEY (19th century) "Low Tide, Nevin", signed lower right, watercolour, 9.75" x 13.25", and the companion painting "A little rest after foil", signed lower right, watercolour 9.75" x 13.25" (2).

Harry Riley Watercolour Painting of a Continental Scene. continental scene showing a woman leaning over her balcony, signed right corner. Picture size 11 x 18 inches.Harry Riley 1895-1966 is also known for his commercial work for BOAC and British Rail

Bristol Bulldog Watercolour Painting by S.T. Gleed. A good quality detailed painting of Bristol Bulldog K2158 of 19 Squadron 1934. The aircraft is depicted in flight. Framed and glazed.Bristol Bulldog K2158 flew with 19 Squadron on the 6th September 1934 she was written of when she crashed near RAF Sutton Bridge Lincolnshire.

A c1830's watercolour & wash 'Woman carrying basket'. With fancy pressed paper border. Framed & glazed. Painting 12x8cm, border 21x18cm.

Persian/Iranian miniature watercolour painting on oval plaque with hand painted mount. Glazed & framed in a mosaic Khatam work picture frame measuring 21cm x 26cm - slight damage to 2 corners.

§ Sir William Russell Flint, RA, PRWS (Scottish, 1880-1969) 'Sunday Evening Gossip at a Provencal Farm' signed lower right "W Russell Flint" watercolour 35 x 27cm (14 x 11in) Provenance: Thompson's Gallery, 175a High Street, Aldeburgh, Suffolk; Julia Korner, 52 Strand-On-The-Green, London, W4 (label verso dated January 2008) Signed, titled and inscribed to verso. "A lovely old chateau - farm in a wooded region / of Provence. Not one of the family / left the group to look at what I was / painting - a blessing as I could work / in peace"

Henry John Sylvester Stannard R.B.A (1870-1951), "Cottage near Bedford", signed, titled on mount, watercolour, 24 x 37cm.; 9.5 x 14.5in. Condition Report: The painting is in good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed. Condition report: see terms and conditions

Jonathan Walker (1966-), "The Stout Fellow", signed and titled, watercolour and ink, 23 x 19cm.; 9 x 7.5in. Artists' Resale Right ("droit de suite") may apply to this lot. Condition Report: The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed. Condition report: see terms and conditions

Jonathan Walker (1966-), "The Outcast", signed and titled, watercolour and ink, 33.5 x 22.5cm.; 13.25 x 9in. Artists' Resale Right ("droit de suite") may apply to this lot. Condition Report: The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed. Condition report: see terms and conditions

Phil George (1960-), "Life's A Box of Chocolates", signed and titled, watercolour and pencil, 33 x 20.5cm.; 13 x 8in. Artists' Resale Right ("droit de suite") may apply to this lot. Condition Report: The painting is in very good, original condition with no obvious faults to report. The painting is framed and glazed. Condition report: see terms and conditions

Phil George (1960-), "Here's A Nice Cup of ... Oh!", signed and titled, watercolour and pencil, 29.5 x 17.5cm.; 11.75 x 6.75in. Artists' Resale Right ("droit de suite") may apply to this lot. Condition Report: The painting is in very good, original condition with no obvious faults to report. The painting is framed and glazed. Condition report: see terms and conditions

English School, early 19th century, after Richard Cosway R.A. (1742-1821), Portrait of an Officer, of Emigré cavalry of the Légion de Mirabeau, wearing a peaked helmet with silver front plate, black hair crest and white plume, his black jacket with light blue facings and narrow lapels, heavily frogged in silver, silver aiguilette and black breeches fitting into short boots, his rearing horse held by another officer in the background, bearing signature R. Cosway, watercolour on paper, 25.5 x 16.5cm.; 10 x 6.5in. Condition Report: The painting is in good, original condition with strong colours. The paper has browned universally and there is the odd spot of foxing across the painting. The painting is framed and glazed. Condition report: see terms and conditions

Jonathan Walker (1966-), "Contemplations of a dark past", signed and titled, watercolour and ink, 18.5 x 16cm.; 7.25 x 6.25in. Artists' Resale Right ("droit de suite") may apply to this lot. Condition Report: The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed. Condition report: see terms and conditions

Colin Moss, 20th century, Northumbrian rural landscape, signed, watercolour, 25.5 x 35.5cm.; 10 x 14in. Artists' Resale Right ("droit de suite") may apply to this lot. Condition Report: The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed. Condition report: see terms and conditions

Henry John Sylvester Stannard R.B.A (1870-1951), "Odell Bridge, Bedfordshire", signed, titled on verso, watercolour, 35.5 x 51.5cm.; 14 x 20.25in. Condition Report: The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed. Condition report: see terms and conditions

Roland Vivian Pitchforth R.A., A.R.W.S. (1895-1982), "Venice Heatwave", signed, titled on verso, watercolour, 44.5 x 59.5cm.; 17.5 x 23.5in. Artists' Resale Right ("droit de suite") may apply to this lot. Condition Report: The painting is in good, original condition with strong colours. There is some foxing across the painting. The painting is framed and glazed. Condition report: see terms and conditions

Caroline Bailey (1953-), Floral still life, signed, watercolour, 68.5 x 53cm.; 27 x 21in. Artists' Resale Right ("droit de suite") may apply to this lot. Condition Report: The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed. Condition report: see terms and conditions

Jonathan Walker (1966-), "Thoughts of Lunch", signed and titled, watercolour and ink, 21.5 x 16cm.; 8.5 x 6.25in. Artists' Resale Right ("droit de suite") may apply to this lot. Condition Report: The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed. Condition report: see terms and conditions