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Fore-edge Painting - [Homer's Iliad], Homeri Ilias, volume II only: Rhapsodia XIII-XXIV, Lipsiae [Leipzig]: Car. Tavchnitii, 1824, portrait frontispiece, finely bound in contemporary blue calf, the covers blocked in gilt with portrait profiles of the epic poet, within gilt and blind tooled and rolled borders, the fore-edge finely painted in polychrome watercolour with a contemporary Grand Tour classical landscape, top and bottom edges gilt, marbled endpapers, 8vo (14cm x 9.5cm), [1] Provenance: L. Slater/d.d./R.P. Hull, contemporary ink MS presentation inscription to ffep.

Watercolour by D Swan local interest painting Newcastle under Lyme: Depicting Clement Wain Ltd., Chemist. Measures 57cm x 37cm excluding mount & frame.

Brown, Doris (1933-), a watercolour picture of woodlands & landscape, 38 x 54cm in later gilt frame:Doris Brown studied painting at the renowned Burslem School of Art., then went on to work for the Josiah Wedgwood Pottery company as a pottery designer, she was also a close friend of Reginal Hagger

DOMINGUEZ, a watercolour painting depicting a matador’s fight with a bull in an arena (1952), signed and framed. Approx. 64cm x 54 cm

Puza - African figures, oil on board, mounted on a paper backboard, circa 1970's together with a slate having aboriginal cave painting images, mixed prints and a watercolour signed Earle of a harbour sceneLocation: RAB

A late 18th/19th century Italian oil painting on board of a man dancing with a bear while a boy plays music on a wind instrument and a monkey in a red jacket sits upon the back of another bear, with buildings beyond, 38cm x 31.5cm dated inscription in pencil verso; along with a 19th century sepia sketch of an Italian scene with ships and buildings, unsigned 16.5cm x 26.5cm mounted in a glazed frame, together with Roland Hilder (1905-1993) Weald of Kent, coloured lithograph with Oast houses, signed and numbered 24/175, 17cm x 30cm in glazed frame, watercolour city river landscape 18cm x 27cm in glazed frame, and a framed collage French print 31cm x 42cm Location:

A selection of film and digital cameras, lens, camera bags and accessories to include a Canon E05 300 and others, along with three pictures to include a large Victorian print after a painting by Jessie Currie, and a watercolour signed F Parr Location:

A Reeves & Sons watercolour painting set, in fitted mahogany box 10" wide

GEORGE CAMERON FOLEY (SCOTTISH b.FALKIRK 1910) A QUANTITY OF WORKS to include oil paintings, Gulbara Utca Budapest, continental scenes including Brittany France, and watercolours, 45 x 62cm (largest work) (9) Foley was a painter, engraver, sculptor, designer, author and illustrator. He studied at the Glasgow School of Art, despite paralysis in his right arm and hand, he showed artistic talent and hence won a scholarship. He travelled extensively throughout Europe, including during WW11. Some travels are recorded in his extensive artworks and include Hungary-Budapest, Germany- Frieburg, Venice, Brittany, Paris. Foley wrote and illustrated Every initially in Boness and later on in Richmond. Childs Book of Painting (1961) and Be a Watercolour Artist (1970). He wrote and drew sketches for Punch and other satirical magazines and London papers. He illustrated various books and book covers for leading publishers and was the official artist to “The Dancing Times and Ballroom Dancing Times. George was a great storyteller and wrote some stories—not all published—Little Giant, Penikins, WWII thriller espionage. He exhibited at RSA from 1938. Condition Report:Available upon request

GILT FRAMED WATERCOLOUR - LANDSCAPE- THE PAINTING IS UNSIGNED BUT THERE IS A LABEL TO BACK WITH NAME FADED HOWEVER THE VENDORS HAVE CONFIRMED THAT THE PAINTING HAS ALWAYS BEEN KNOWN TO BE BY GEORGINA MOUTRAY KYLE

SILVER TROPHY DATED 1851, BIRMINGHAM - ASSOCIATED PLATED DOG COLLAR , LARGE VICTORIAN GILT FRAMED OIL PAINTING OF GREYHOUND 49X60CM, WATERCOLOUR OF GREYHOUND NAMED BEDA WHO WAS WINNER OF THE GORMANSTOWN PUPPY STAKES AT SPIDDAL MARCH 1851

A large painting depicting a stylised reclining nude and a watercolour. Showing a lakeside country landscape, indistinctly signed to bottom right, largest 69cm x 47cm

An assortment of prints, embroideries and paintings. Including a painting of flowers on a ceramic tile, watercolour of a farmer, etc, some framed and glazed

PAINTINGS AND PRINTS, COMPRISING A BERTRAM MORRISH WATERCOLOUR LANDSCAPE, circa early 20th century, signed bottom right, approximate size 27cm x 78cm, a Michael Smith watercolour / gouache depicting a coastal view of Stupe Island in Croatia, a mixed media forest stream landscape, indistinctly signed, three African watercolours signed E Ngoma, four Monet prints and a still life flower print by Emile Vouga, the Morrish painting is in good overall condition with a couple of spots of foxing visible, some damage to the frame

ROY OF THE ROVERS, A COMIC STRIP PAINTING DEPICTING A FOOTBALL MATCH, unsigned, pen and watercolour on paper, with a blank text box top left, approximate size 38cm x 37cm, mounted, framed and glazed

AN ORIGINAL COMIC STRIP PAINTING 'CUSTER', depicting a disgraced British Army officer who goes to California to join the Gold Rush, unsigned with writing to the margins, pen and watercolour on paper, framed and glazed, approximate size 55cm x 39cm,

A QUANTITY OF PAINTINGS AND PRINTS ETC, to include an early 20th century lake view landscape, indistinctly signed, oil on board, approximate size 47cm x 72cm, a similar painting signed R. Bush, an unsigned watercolour depicting 'The Promenade - Sheringham', approximate size 14cm x 19cm, two coastal watercolours signed A. F. Megson, amateur oils signed Curzon, Belgian woodblock print indistinctly signed and dated 1975 verso, depicting dancers and musicians, together with two signs for Birmingham and District Carnation Society and a hand written history of Chinese art dated 1956

A framed watercolour signed 'Richard Thorn', along with a watercolour of a harbour scene, signed 'Alan Whitehead' and a mixed media painting entitled 'Carrying Mats' by Suzanne O'Driscoll.

Framed pastel Painting “near hepple Northumberland” by Ross Hickling plus a framed watercolour of Warkmouth mill walk

Gilt framed watercolour painting of “the Royal Albert” Dock road North Shields, signed & dated by the artist bottom right A.H.Herbert 1971. ALBERT HENRY HERBERT...1914 - 1982. .BORN YORK BUT MOVED TO NORTH SHIELDS FOR REST OF LIFE. .I BELIEVE THAT THIS PARTICULAR PAINTING WAS SOLD, INITIALLY, FOR £295

Gilt framed watercolour painting of “Table Rocks” Whitley Bay - signed by the artist A.J.Sticks, 48x22cm

Framed watercolour painting by Tom Manson - fisherman with net, signed bottom right, 20x25cm

Framed watercolour painting of the River Tyne by Albert H. Herbert, dated 1972 - 53x35cm

Gilt framed watercolour painting of a coastal scene (local interest) signed bottom left by the artist Thomas Swift Hutton, 53x28cm

Eleanor HUGHES (1882-1959)The drawing room at Chyangweal 1912Watercolour34x29cmProvenance: From the Estate of Robert Morson & Eleanor HughesWe have examined this work out of its frame but it appears to be in excellent condition. There are marks on the glass that are likely to be paint from the mount, but do not affect the painting.

Italian School, 19th centuryarchitectural painting depicting the 'Porta della Carta' entrance to the Ducal palace in Venice, indistinctly signed lower right, watercolour on paper, 47 cm x 32 cm, within a glazed giltwood frame

Caricature watercolour painting of a golfer signed Jerome 1991 and watercolour and gouache painting of two kittens 'Please' signed Nigel Farnworth

WILLIAM WYLD (BRITISH 1806-1889) 'BALMORAL CASTLE', a Scottish landscape featuring a view of Balmoral Castle, signed bottom left, watercolour on paper, approximate size 17cm x25cm, unframed, an almost identical version of this painting is held in the Royal Collection, Condition:, light crease to top corner

A painting of flowers on glass, framed and glazed, together with a watercolour of Cromer, framed and glazed.

David Andrews, "Green Woodpecker" , watercolour painting, signed, 24cm x 30cm, labels to reverse include "Alexander Gallery, Bristol", gilt framed, mounted an glazed

A19th century watercolour painting, Loch scene, figures on the path, 22cm x 32cm, in an ebonised and gilt frame, indistinctly inscribed to the reverse

Edith Martino, "Woodland Cottage, with ducks in the foreground", watercolour painting, signed and dated 1894, 38cm x 33cm, gilt framed and glazed

Original watercolour painting of an Egyptian (?) scene - 57cm x 32cm t/w 2 German prints in parquetry frames

After Yan Bo Long, sparrows alighting on thorny branch, a watercolour on paper scroll painting, 115.5cm x 38.5cm; and a calligraphic scroll painting, loosely translated as 'It's good to be kind', ink on paper, 97cm x 39.5cmNo obvious faults visible.

Gregynog-Montgomeryshire print of a detailed watercolour painting by artist Brian E. Jones 16/4/92. A beautiful print of this Welsh residence in spring time.

INITIALLED 'R W' watercolour - The Severn Bridge with ship and other yachts nearby, with presentation plaque 'To Sir Wyn Roberts, MP Minister of State for Wales', initialled and dated '89, 59 x 82cms, and, PATRICIA BALLARD (2) one oil on canvas - similar presentation painting for Newbridge Bypass, 23.5 x 34cms and one oil on board - River Ceiriog Bridge, Chirk, 35 x 48cms

Watercolour painting of coastal town (contemporary), watercolour on paper, indistinctly signed and dated 2002 lower right, double-mounted, 39 x 72 cm, framed and glazed

Chinese painting of Emperor with boy on embroidery (Qing period), watercolour on rice paper, 31 x 41 (including embroidery), framed and glazed

ENGLISH SCHOOL, 20th century. A naïve watercolour painting of the sailing ship “Nelly”; unsigned, 8½” x 14¼”; in glazed bird’s-eye maple frame. (12½” x 18½” over-all).

William John Bertram Newcombe (Canadian 1907-1969). Abstract in yellow, brown and black. Watercolour and gouache over pencil. 70cm x 50cm. Signed in green ink, inscribed in pencil on reverse of painting "Yellow to top, Newcombe, Lon. '63".

Artist- A Hunt, Signed original watercolour painting of a river- landscape size 13cm H X 22cm W

A 19th century Victorian watercolour painting to depict a figure walking along a riverside with castle and trees beyond. Artist monogram to lower corner. Framed and glazed. Measures 39cm x 45cm. 

A 20th century British School watercolour still life painting. The scene to depict a an assortment of book with a pair on spectacles resting on top, aside an Art Nouveau manner candlestick on a blue silk cloth. Unsigned. Framed and glazed. Measures 41cm x 36cm. 

Attributed to David Cox - (1783-1859) 'On Morecombe Bay Sands' watercolour painting to depict a figure on horseback at the seaside at low tide. Bearing signature lower left, watercolour painting. Framed and glazed. Measures 41cm x 32cm. 

PAINTINGS AND PRINTS ETC, comprising Ronald John Margetts (1924) 'Red Wood' an abstract study of woodland, signed bottom right, artist label verso, approximate size 26cm x 38cm, an abstract study attributed to Anthony Baynes (1921-2003) bears initials bottom left, a woodland watercolour 'Sussex Wood' no visible signature but bears a torn artist label verso with the name John P???, a mixed media African landscape 'Amboselli, Kenya', signed E Bostock, a mixed media sketch of a cave painting horse by Jilly Cobbe, a limited edition print after William Russell Flint 'Artemis and Chione' 166/850 published 1981 and an Ole West print 'Wegetonne' a shipping beacon against a maritime map (7)

* JANE CORSELLIS RWS RCA NEAC (BRITISH b. 1940), UNTITLED watercolour on paper, signed image size 37cm x 52cm, overall size 63cm x 75cm Mounted, framed and under glass. Note: Jane Corsellis has been a member of the New English Art Club for almost 50 years and a member of the Royal Watercolour Society since 1985. She was a member of the Royal Cambrian Academy and the Royal West of England Academy. Jane is a passionate supporter of figurative painting. To observe closely and record everyday subjects in her own way is the essence of her paintings. Her oils and watercolours and her prints reflect her response to the quality and surprises of light and colour. She constructs her painting with much thought, building a composition which steers towards the abstract but never foregoing the figurative tradition. Sir Kenneth Clark said that “above all else art must be life enhancing” and Jane’s work reveals and celebrates that. Jane has a studio at her home on the River Thames at Chiswick and another in Wales at her house near Newport Pembrokeshire. She has had solo exhibitions in Hong Kong, Kuala Lumpur and Singapore, Ottawa, New York and Cardiff as well as in London galleries including Messums, Pattersons, the New Academy Gallery, The Russell Gallery, The Richmond Hill Gallery and Thompson's Gallery.

* WILLIAM BIRNIE RSW RGI (SCOTTISH 1929 - 2006), EVENING LIGHT, GUBBIO (UMBRIA, ITALY) oil on board, signed and dated '93, titled label verso image size 101cm x 44cm, overall size 117cm x 62cm Framed. Label verso: Roger BIllcliffe Fine Art, Glasgow. Comment: Like many great Scottish artists before him, Bill Birnie often painted the relationship between human architecture and monumental nature. "Evening Light, Gubbio" is an outstanding late example and the profile and physical dimensions of the picture emphasise the significance of the tree. Note: Bill Birnie studied at Glasgow School of Art under Gilbert Spencer and then at Hospitalfield under Ian Fleming. After graduating, he joined the staff at Hyndland Secondary School in 1952. That same year he was also elected a member of the Society of Scottish Artists (SSA). In 1958, he became a founder member of the Glasgow Group and formed the Glasgow Group Society, of which he was Vice-President for 32 years. In 1965, he was elected a member of the Royal Scottish Society of Painters in Watercolour (RSW), a society of which he also became Vice-President and Treasurer. He became Principal Art Teacher at Douglas Academy, near Bearsden, and later at Gryffe High, near Kilbarchan. Bill's abilities not only as a teacher but also as an administrator were noticed by the Department of Education and he was soon appointed Head Examiner in Art for Scotland. He still managed to maintain a very active exhibiting schedule and showed in all the main public galleries and many of Scotland's best commercial galleries. His work was enthusiastically collected and increasingly sought after. He was elected a member of the Royal Glasgow Institute of Fine Art (RGI) and of the Paisley Art Institute (PAI). In the early years, he painted from his garden, showing the village of Kilbarchan in its changing seasons, under a quiet blanket of winter snow, or framed in a blazing sunset through autumnal trees. Later visits to France and Italy with his artist wife, Cynthia Wall, whom he married in 1953, brought new subject matter, cafe scenes, vine groves, Italian clifftop villages, and the crumbling facades of palaces and churches of Venice. It was characteristic of the man that when told that his illness was terminal, he calmly put his affairs in order and started work for a final one-man show at the Open Eye Gallery (Edinburgh) the scene of so many of his successful shows. Unsurprisingly, the exhibition was a complete sell-out. In recent years there has been a widely acknowledged acceleration in the prices achieved at auctions around the UK for William Birnie's paintings. In the Scottish Contemporary Art Auction of 8th November 2020 lot 567 "The Red House" a 60 x 90cm oil sold for £3000 (hammer) which, not for the first time in recent years, set a new auction record for a painting by William Birnie.

Sydney Buckley, (1899-1985), a watercolour, Cartmel, 7 x 10cm, framed, 8 x 11cm, and a (20th), oil painting, Italian still life, oval, indistinctly signed, 9 x 6cm, ornate brass frame, 14 x 10cm20-30

Three Oriental pictures to include a floral painting on silk, writing on hand made paper, and watercolour of a mountain and waterfalls, glass a/f.

Mallet Cartoon Watercolour, signed of a man painting a weather vein on top a a church, signed bottom right 15.5 x 14cm, together with a Boys Own paper, print International Football Caps.

Robert Brindley (20th century)Winter Light, Lower Quebec FarmSigned, watercolour, together with a landscape watercolour by John Blockley, a further coastal watercolour by another hand and an etching (4)Each painting with areas of foxing and discoloration, otherwise OK.

Beatrice Emma Parsons R.A. (British 1870-1955) "The Rose Garden, Porlock Bay, Somerset" Signed, watercolour.17cm x 25cm (6.75in x 9.75in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition. There are one or two minor spots of foxing across the paper. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Paul Sandby R.A. (1725-1809) View at Borrowdale Unsigned, titled on gallery label - 'J S Maas & Co Ltd, London' verso, watercolour and pencil.23cm x 29cm (9in x 11.5in)The painting is in good, original condition. There are some areas of light browning across the sheet and some minor spots of foxing. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Thomas Swift Hutton (British c.1860-1935) Northumbrian coastal scene with figures on the beach Signed and dated 1919, watercolour.26cm x 72cm (10.25in x 28.25in)The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Frank Watson Wood (Scottish 1862-1953) "A Bit of Old Berwick" Signed, titled and dated 1933, watercolour.35.5cm x 24.5cm (14in x 9.75in)The painting is in good, original condition. There is some light time staining and browning in areas across the sheet and around the edges of the paper near the mount board. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Daphne Pitt-Taylor (British 19th/20th century) "Old Doorway, Carcassonne" Initialled, titled on verso, watercolour.27cm x 40cm (10.75in x 15.75in)The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Mary McNichol Wroe (fl.1882-1930) "Lord Street, Southport looking South" Signed and dated 1910, watercolour.22.5cm x 39cm (9in x 15.5in)The painting is in good, original condition. The paper has browned universally across the sheet and there is a minor crease in the lower right hand corner. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Warren Williams A.R.C.A. (British 1863-1941) Welsh coastal village with figures Signed, watercolour.37cm x 58.5cm (14.5in x 23in)The painting is in very good, original condition with strong colours. There are one or two minor spots of foxing across the paper. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

G. Tyller (British 18th/19th century) Portrait of a clergyman Signed and dated 1827, miniature, watercolour en grisaille.14cm x 12cm (5.5in x 4.75in)The painting is in good, original condition. The paper has browned slightly in some areas. The painting is framed and glazed.

Gertrude Martineau (British 1840-1924) "Loch Goil" Signed and dated 1897, watercolour.21.5cm x 37.5cm (8.5in x 14.75in)The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.