Arthur Cyril Hilton (British 1897-1960) Walking on the Shoreline, signed lower left, dated 21st May 1920, watercolour, measurements 13 x 17.5 cm (i), frame 30.5 x 34 cm One of a pair mentioned in The Times, 15th September 1959, "two minutely sensitive ink-and-wash sketches (c.1920) of shore scenes, together with one only slightly formalised drawing of a stream curving between trees, reveal a skilled hand with naturalistic renderings" Provenance: The Artist, thence by descent Arthur Cyril Hilton (1897-1960). Hilton was born and lived in the Manchester area and turned to art and painting during his convalescence, having been wounded on the Somme during World War One. His abstract-surrealist style was highly distinctive and he experimented with many mediums, including his elegant hand-carved sculptures in teak, mahogany and sycamore wood. Arthur Cyril Hilton was well-known in the Manchester art circle having been a member of the Manchester Society of Modern Painters from the 1930s, serving as its chairman during the 1950s. He exhibited regularly including solo shows at the Salford Art Gallery, Crane Kalman Gallery and exhibitions at the Manchester City Art Gallery.
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C.N (Chris) Smith (British contemporary) an attractive coastal scene watercolour, entitled 'Looking Across The Cove To St Agnes from Gugh, signed and dated 90 lower right, entitled in ink verso, within a washline card mount, moulded gilt frame, under glass 21cm x 39.5cm overall. ***Chris began painting and drawing as a child, it has always been his primary interest and pursuit. He attended Leeds College of Art and Design, where a friend introduced him to the Isles of Scilly, where he spent the next ten years travelling as an itinerant worker between Europe and Scilly, returning to Scilly in 1980 to live there permanently.
(Um 1395/1399 Vicchio di Mugello bei Florenz - 1455 Rom) nachVerkündigung MariensHalbrundbogenförmiges, feinmalerisch ausgeführtes Miniaturbild des 19. Jhs. mit Darstellung nach dem berühmten, um 1440 entstandenen Fresko im Dormitorium des Klosters von San Marco in Florenz. Ca. 14,8 cm x 12 cm. Rahmen. After Fra Angelico (circa 1395/1399 - 1455). 19th C. miniature watercolour painting after the well known Annunciation fresco in the Dormitory of the Convent of San Marco, Florence./I/Italien. 19. Jh./
Estate of Jeremy Bulloch - Star Wars - Fan Art - M. Solderstrom - original mixed media watercolour and ink painting artwork featuring a Boba Fett figure, titled 'I've Been Acting 25 Years Just To Get This Tin Can Stuck Over My Head? Thanks A LOT George!!' Dated 1981. Mounted. Total size 20cm x 28cm.
Estate of Jeremy Bulloch - Star Wars - a unique hand painted watercolour painting caricature of Bulloch in a Boba Fett costume. Signed by the artist and dated 2003. To the rear features several signatures from various members of the 501st Legion. The artwork presented to Bulloch at an early 2000s convention. Framed. Total size 46cm x 31cm.
A LARGE FRAMED CHINESE WATERCOLOUR PAINTING ON PAPER, DATED 1941. Winter landscape scene with the Zhujiang river and mountain range in the background. With calligraphy to top left with two red seal marks, Tang Nairong, 1941. Framed and glazed. Total frame size 131cm x 70cm.Creasing to artwork paper however in good overall condition with distressed frame.
A LARGE FRAMED CHINESE WATERCOLOUR PAINTING ON PAPER, DATED 1941. Spring landscape scene featuring a boat in the Zhujiang river. With calligraphy to top right with two red seal marks, Tang Nairong, 1941. Framed and glazed. Total frame size 131cm x 70cm.Creasing to paper in good overall condition with a distressed frame.
Etheldred Anne, wife of John 6th Earl of Hopetoun (1836-1884), four village scenes on the banks of the Nile, watercolour on paper, one inscribed Sioot lower right, in open work wood mashrabiyya frames, painting each 25.6 x 17.5cm.; framed, 39.5 x 47cm. (4)Provenance: Private London Collection
§ Roy De Maistre C.B.E. (Australian / British 1894-1968) Two Ladies Reading pastel and watercolour on paper Dimensions:41cm x 68.5cm (16 1/8in x 27in)Provenance:ProvenanceCelia Broadbent (neé Keogh) and by direct descent to the present owner.Celia Broadbent was de Maistre’s cousin once removed, and his executor and friend; her mother, Camilla Keogh, was the subject of ‘La Folie', considered one of de Maistre’s major works.Note: Roy de Maistre is celebrated as an Australian pioneer of abstraction. After graduating from Sydney’s Royal Art Society, de Maistre worked as a colour therapist to aid World War One soldiers suffering from shellshock. A 1923 scholarship enabled him to travel to London, Paris and St Jean de Luz, where he encountered European modernism; Cubism, in particular, had a profound impact on his style. In 1930 de Maistre settled in London, where he befriended Francis Bacon, encouraged him to take up oil painting and is credited for expanding Bacon’s technical and art-historical knowledge. The two artists took neighbouring studios on the King’s Road, Chelsea, and their output in the early 1930s demonstrates mutual influence. De Maistre predominantly painted portraits and interior scenes. He also maintained an interest in religious subjects which intensified following World War Two; his 1954 ‘Stations of the Cross’ remain on display at Westminster Cathedral. A retrospective of De Maistre’s work was held at the Whitechapel Gallery in 1960, and his work is represented in important collections including Tate Britain, the National Gallery of Australia, and the Arts Council of Great Britain. The present collection comes from de Maistre’s cousin-once-removed Celia Broadbent, who was his executor and friend. Celia’s mother was Camilla Keogh, subject of ‘La Folie’ (1946-47), considered one of de Maistre’s major works.
A unique and highly unusual Victorian cased silver presentation watercolour prize artists pallet, the prize winning trophy artist pallet inscribed ‘~~CHAGFORD, SOUTH NORWOOD - Presented to Miss Coles. - FOR PROFICIENCY IN - Drawing & painting in Water Colours ~ by Richard Elmore ~ 1885.’, 4 7/8in. (12.5cm.) at widest, weight 0.74 tr.oz., (unmarked), presented in original fitted case. * Condition: Silver not hallmarked, very good condition, case with light surface scuffs etc.
Alfred William Rich (1856 - 1921) An impressionistic study of Corfe Castle in Dorset, with cottages nestled amongst trees beneath the elevated ruins, watercolour, signed, in pen lined card mount and gilt frame under glass, 65 cm x 51 cm overall, together with a book, Alfred William Rich, "Water Colour Painting" 1923, Seeley, Service & Co Ltd, London, in which he discusses his methodology behind the painting. [Rich was an artist, teacher and author inspired by Turner and French Impressionism. His book remained in print for over 50 years and was considered the standard on the subject.]
* JEKA KEMP (SCOTTISH 1876 - 1967), BELLAGIO watercolour on paper, signed, titled and dated 1908mounted, framed and under glassimage size 16cm x 23cm, overall size 31cm x 37cmNote: Jeka Kemp was born in Bellahouston, Glasgow where she began her artistic training before continuing in London and later at the Academie Julian in Paris between the years 1903-4. Kemp had her first solo exhibition in Scotland around the year 1907 and is known to have exhibited at the Macindoe’s Gallery in Glasgow regularly between 1910 to 1914. Kemp lived in Paris at 49 Boulevard Montparnasse and in 1922 her "La Liseuse" was catalogued as painting number 1 in Le Salon D'Automne and for a prolonged period, she was regularly exhibiting and socialising with many of the titans of European 20th-century art. La Liseuse was sold again at John Nicholson's (Surrey) lot 422 31.10.2018 for £1600 and in 2006 "French Harbour Scene" a small watercolour was sold at Lyon & Turnbull (Edinburgh) for £1900 (lot 1, 26.05.2006) Kemp's reputation was recognised internationally, and her work was bought by the French Government on several occasions and this interest encouraged the artist to exhibit at the Marcel Bernheim in Paris and the Galerie de la Librairie de la Press in Nantes. Kemp also continued to exhibit in her native Scotland throughout her career. Her work is held in a number of eminent private collections across Europe.
A COMPANY SCHOOL PAINTING OF A NILGAI, BENGAL, INDIA, CIRCA 1800 watercolour on paper, 16.5 x 27.5cmThe nilgai is a type of antelope, native to the Indian subcontinent, characterised by its sturdy build, white fur on the underside of the neck and short horns. The bluish colour, somewhat exaggerated here, is typical on adult males.
A COLLECTION OF FRAMED POSTERS AND PRINTS ETC., mainly film related, to include assorted Star Wars and related titles, Toy Story 3, Disney Cars including large rolled vinyl poster for Cars 2, Harry Potter, Republic of Ireland World Cup U.S.A. 1994, Kolfinnia from the Dark Raven Chronicles signed by the artist Steve Hutton, assorted coastal and French scenes, also includes a watercolour painting of Newhaven Harbour signed H Foster, included is a tray of loose late 2010's Payo McDonalds Smurfs, 28 in total, many duplicates
Manner of J.M.W. Turner (d. 1851), an interesting and well executed Watercolour sketch of the Venice lagoon at sunrise; 19th century, on paper laid on card in an old George Rowney frame; minor foxing; the address given for Rowney at 52 Rathbone Place and (Oxford) Street strongly suggest that the painting was set in its frame at a date no earlier than 1862 and no later than 1881. Visible image 18 1/2" x 26 3/4" approx.
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