We found 11513 price guide item(s) matching your search

* An Indian miniature painting of a female with deer, shown within a stylised landscape, the back bearing stamped script, mounted within card surround, opaque watercolour, 19cm high x 14.5cm. VAT charged on hammer price.

* An Indian miniature painting of a nobleman with children, one child walking behind, another holding the man`s hand, a third carried upon his shoulders, bearing script to reverse and mounted within card surround, opaque watercolour, 15cm high x 9.5cm. VAT charged on hammer price.

* An Indian miniature painting of deity with attendants, the blue God pours water from his hair in between a cow and figure, opaque watercolour, 19cm high x 14cm wide. VAT charged on hammer price.

* An Indian miniature painting of entertainers, central female climbs pole, surrounded by male figures within landscape, bearing pencil inscription to reverse and mounted in card surround, opaque watercolour, 24cm high x 16cm wide. VAT charged on hammer price.

* An Indian miniature painting of demon and tiger attacking a cow, the demon, attendant and tiger attacking the decapitated cow, mounted within card surround, opaque watercolour, 19.5cm high x 21cm wide. VAT charged on hammer price.

* An Indian miniature painting of a rhinoceros, depicted within grassy landscape with hills to the rear, bearing script to the reverse and mounted within card surround, opaque watercolour, 12cm high x 19cm wide. VAT charged on hammer price.

* An Indian miniature painting of an elephant in landscape, depicted with patterned body under tree with polychrome sky, mounted within card surround, opaque watercolour, 32cm high x 21cm wide. VAT charged on hammer price.

* An Indian miniature painting of an enthroned princess with falcon and attendants in landscape, bearing script to reverse and pencil inscription `Ragini Sanveni wife of Shaee Rag, Balapur, Ca. 1700`, mounted within card surround, opaque watercolour, 23.5cm high x 16.5cm wide. VAT charged on hammer price.

* An Indian miniature painting of Royal figures, possibly depicting Krishna leading Arjuna`s chariot into battle, the Royal figures surrounded by knights on horseback in landscape, mounted within card, opaque watercolour, 23.5cm high x 31cm wide. VAT charged on hammer price.

* An Indian miniature painting of figures near a temple, stylised landscape and birds behind, bearing script and pencil inscription `GHANDHAR - BHIRAVA RAGIIW?` and `Gandhara (or Devagandhara) Ragini or Raga Bhairaval Madura? Ca.1680`, mounted within card, opaque watercolour, 22.5cm high x 14.5cm wide. VAT charged on hammer price.

* An Indian miniature painting depicting seated religious figures, two figures with halos and all seated around a table with religious books, the front bearing script, mounted within card, opaque watercolour, 23.5cm high x 16cm wide. VAT charged on hammer price.

* An Indian miniature painting of a couple, probably depicting Krishna and Radha, standing within a forest, surrounded with female attendants, bearing script to reverse and mounted within card, opaque watercolour, 23cm high x 18cm wide. VAT charged on hammer price.

* An Indian miniature painting of a seated nobleman smoking a hookah pipe, within an interior with attendant behind, mounted within card, opaque watercolour, 17cm high x 14cm wide, (a/f). VAT charged on hammer price.

* An Indian miniature painting of noble figures visiting an elder, the scene a landscape with buildings in the distance, the back bearing pencil inscription `company? school, Lucknow, 1800-1820`, mounted within card surround, opaque watercolour, 25cm high x 20cm wide. VAT charged on hammer price.

* An Indian miniature painting of a landscape, depicting figures within a courtyard with landscape behind, opaque watercolour, 37cm high x 36cm wide; together with five further Indian paintings to include portraits of a Sikh family, a nobleman on a horse, an Indian deity and a seated religious figure with attendants, (5). VAT charged on hammer price.

* An Indian miniature painting depicting figures on two tiers, the top section with figures in a stylised landscape, the bottom with male and female figures bathing, the back bearing script, mounted within card surround, opaque watercolour, 17cm high x 26.5cm. VAT charged on hammer price.

* An Indian miniature painting of a ruler and a young prince, the central figures upon horseback, with attendants and landscape behind, the whole within stylised foliate border, opaque watercolour, 33.5cm high x 48.5cm wide. VAT charged on hammer price.

* An Indian miniature painting of wild animals, to include rodents and a squirrel within foliage, mounted within black card, opaque watercolour on paper, 25cm high x 16cm wide; together with further Indian miniature paintings/ sketches of cows and figures subduing an elephant; with an Indian illuminated book page containing script and decorated with animals, (4). VAT charged on hammer price.

* An Indian miniature painting of a seated nobleman, possibly a Maharaja with attendant, the nobleman supported on cushions, the attendant fanning him, within gilt foliate mount, opaque watercolour, bearing script to front and reverse with script stamp, 19cm high x 14cm wide, in mount 42cm high x 29cm wide. VAT charged on hammer price.

* An Indian miniature painting of a battle scene, showing a heavily populated theatre of war, the field containing infantry, cavalry, artillery, elephants and wounded figures, to the hills in the foreground the officers/leaders upon horses and elephant, mounted within black card, opaque watercolour on paper, 23.5cm high x 19cm wide; with an Indian miniature painting of a mythical beast with the body of a fish, mounted within black card, opaque watercolour on paper, 17.5cm high x 27.5cm wide, (2). VAT charged on hammer price.

* An Indian miniature painting, possibly of Rama and Sita, seated on yellow ground, mounted in card surround, opaque watercolour, 21.5cm high x 17.5cm wide; An Indian miniature painting depicting a mythical beast, standing full length with bow and arrow, opaque watercolour, 32.5cm high x 24cm wide. VAT charged on hammer price.

*Poul Webb ( b. 1947) `Crazy Horse Independence` Oil on canvas 152.5 x 152.5 cms approximately Provenance: A painting specially commissioned to celebrate and commemorate the third anniversary and independent status of Crazy Horse on 1st October 1998. For this commission Webb has depicted part of the interior of Crazy Horse, a colourful and inventive office environment based on Sioux Native American themes. He has been represented by Francis Kyle Gallery in London since 1978 Soon after graduating from Cambridge School of Art, Webb exhibited at John Moores Liverpool Exhibition and in 1973 in the British Drawing Biennale at Bradford. In the mid 1970`s he showed twice in major International Exhibitions of Original Drawings at the Museum of Modern Art in Rijeka in the former Yugoslavia. In 1987 he was one of ten British Watercolourist`s shown at the Museum of Fine Arts, Bilboa. Originally working principally in watercolour, Webb has turned increasingly to oil, in which he expresses his now well-known interest in distinctive styles of architecture.*Subject to Artists Resale Rights

An interesting WWI autograph album, the fly leaf inscribed “353 Prisoners of War Coy. Formed in October 1918. Stationed at Bailleul”, and signed “S.C. BNibbs 2/Lt”, the “2/Lt” altered in pencil to “Capt”, the first page with a watercolour painting of the camp, the succeeding pages with signatures of (German) Camp staff, Sergeants and Corporals, Interpreters, Cooks and Tradesmen and men under the heading “Section I” to “Section XVII”; also a small quantity of assorted military badges etc, including German WWI wound badges in black and gold, 2 French breast badges, GRVI RASC bronze cap and 3 collars, 5 WWII painted tin divisional signs, and sundry other crowns, pips, etc. Average GC

A pair of Watercolours celebrating the destruction of the first two Rigid Airships by British Aircraft. “Lieut. Reginald Alexander J Warneford (RNAS)” and “Lieut Willian Leefe-Robinson”. Mounted framed and glazed watercolour, showing the destruction of the German Army Airship LZ37 near Ghent in Belgium, on 7 June 1915. The painting is undated but probably post 1979, and is in strong colours; it depicts Warneford in his Morane Monoplane centre right of the picture, with the LZ37 falling in flames behind him. The painting is signed at bottom right “Phil May”*. On the mounting, there has been pasted a newspaper photograph of Warneford, while at the bottom centre is pasted a printed legend reading “Lieut Reginald Alexander J Warneford (RNAS) was awarded the VC for the destruction of the German Airship LZ37 over Ghent, Flying a Morane Saulnier Type L on 7th June, 1915.”. To the reverse is a book review for the book “Warneford VC” by Mary Gibson.Reginald “Rex” Warneford was the first pilot to bring down a Zeppelin and was awarded both the VC and the French Legion of Honour. Ten days later, Warneford died in a flying accident. Also a painting by the same artist depicting the destruction of the German Navy Airship SL11 on 3rd September 1916 by Lieutenant Leefe-Robinson. SL11 was the first of the German Rigid Airships brought down over England, after many months of seeming immunity from British defences. On the evening of 3rd September 1916, SL11 under the command of Hauptman Wilhelm Schramm, was one of 16 German Airships that raided England. Leefe-Robinson was on patrol in his Be2c and after making two attacks on SL11 to no effect, he positioned himself behind the ship firing the entire contents of his last drum of ammunition into a single area. A glow, deep within the hull of the airship, was followed moments later by fire engulfing the tail section of the airship. To the sounds of cheering, singing and unalloyed joy, SL11 came to earth near the village of Cuffley. For his efforts, Leefe-Robinson was awarded the VC. Captured later in the war, Leefe-Robinson succumbed to the influenza on 31 December 1918, shortly after his repatriation. See Plate 2

Original Watercolour “E.4.T Britsh Submarine and RNAS SS Airship 33”. Mounted, framed and glazed (55cmx48cm). A depiction of the RN Submarine E4 surfaced, under the watchful eye of a RNAS SS class blimp. Unsigned, but titled on the front lower right “E.4.T. Dover”. On the backing board is a card “Written on the verso of the painting: E.4.T. British Submarine & RNAS SS Airship 33. War ILL 1918. Dover Patrol. ILL 46 p.Card67.s18”. E4 had been attacked in 1915 by the German Airship SL3, but survived. Frame appears to be walnut with a gilded inner edge. See Plate 4

Original Painting of the LZ 121 – Nordstern. Mounted, glazed and framed watercolour painting depicting the Nordstern flying over a paddle steamer, with a second Zeppelin in the distance over airship sheds. 48cmx38cm. Signed Bergen (no forename). Legend at the bottom right of the painting reads”LUFTSCHIFF NORDSTEEN(sic) – DE LAGE FRIEDRICHSHAFEN + BERLIN STAAKEN 1919” This rather nice artist’s impression is an expression of hope in the future of the Zeppelin company as a passenger transport company, sadly dashed; the ship was appropriated by the French as war reparations almost immediately after her maiden flight in June 1921. See website

Original Watercolour – “Last Mooring of the R101”. A mounted, framed and glazed watercolour (52cmx40cm) by Beresford Johnson, showing the R101 on the mast at Cardington with the two construction sheds in the background. Signed bottom right “Beresford Johnson”. The painting has been re-framed. On the reverse, are several labels transferred to the new backing board by the framers, giving details of the Artist, the title, and the original price from the Guild of Aviation Artists. In addition there is a hand-written label reading “This painting shows the R101 just before she slipped her mooring at Cardington for the last time on the eve of 4 Oct 7.45 pm 1930” See Plate 5

8 Zeppelin-Eckener Fund postcards 1925. All watercolour painting style colour picture cards of county scenes and over the ocean, each with German text underneath. Some duplications but the text differs on the back of each one. VGC good examples. See website

*SHEVCHENKO, ALEXANDER(1883-1948)Gathering Potatoes, a Sketch and a Study for a Painting, two works, one signed on the reverse.One pencil and watercolour on paper and the other pencil on paper, one measuring 17 by 19.5 cm, the other 18 by 24 cm. Provenance: Acquired directly from the artist’s family by the present owner. Private collection, Europe."

*PIMENOV, YURI(1903-1977)Two Factory Girls, Sketch for a Painting, with a pencil sketch of a man`s head on the reverse.Pencil, charcoal, watercolour and gouache on paper, 24 by 21 cm. Provenance: Private collection, Europe.

*SHEVCHENKO, ALEXANDER(1883-1948)Portrait of the Artist’s Wife Nadezhda Psishcheva.Pencil and watercolour on paper, 23 by 26 cm.Executed c. 1908. Provenance: Acquired directly from the artist’s family, Moscow. Private collection, Europe. Alexander Shevchenko’s two remarkable portraits of his wife in this sale were painted in 1907 and 1908 and clearly represent the creative manner in which the artist was workingfrom the middle of the first decade of the century to the early 1910s. The early Shevchenko is characterised by his commitment to Impressionism, to the use of the effects of light, and to more realistic rendering of his portrait subjects. The pur- suit of a sculptural form that was new to the painter naturally tended to be subjected to the advancing influence of Cubo-Futurism, which took hold of Russian painting in the 1910s. Later, Shevchenko’s work too was to come under this influence for a few years.Both portraits depict Nadezhda Sergeievna Shevchenko (née Psishcheva) (1882–1913). As though with a foreboding of her untimely death, the artist painted his first wife’s portrait repeatedly, using various materials and techniques, of which the best examples are the earliest, painted in the years 1904–1908."

Roy Perry `Dedham Vale` oil painting, a rural scene oil painting, and a Jo Cooper watercolour

Original Watercolour Airfix Artwork by J Sturgess: He was painting Aircraft of the Aces Box Tops for Airfix. This one is 4 separate pieces 32 x 35 cm, From the AIRFIX 1/72 MESSERSCHMITT Bf109K (AIRCRAFT OF THE ACES) MODEL KIT (4)

Original Watercolour Airfix Artwork by J Sturgess: He was painting Aircraft of the Aces Box Tops for Airfix. This one is 55 x 41 cm, From the AIRFIX 1/72 MESSERSCHMITT Bf109K (AIRCRAFT OF THE ACES) MODEL KIT

MADS STAGE - a print from an original painting commissioned by The Danish Museum of Art, a signed Oriental watercolour of a river scene, a watercolour of camellias and one other.

Circle of Thomas Rowlandson (1756-1827) British. A Scene with an Artist painting animals with figures looking on, Watercolour and Ink, Unframed, 4.25” x 7.25 and another by the same hand.

India – Orientalist Rangoon watercolour possibly by Charles Robertson 1844-1891^ monogrammed CR – titled Rangoon. On the verso inscription attributing the painting to Charles Robertson.

An oil painting on board of a study of a female nude, signed bottom right Hunter and dated 80, with Ogle Gallery label verso Ian Hunter "Torso", 51 x 37cm together with a charcoal study of two men in an interior setting, signed with initials bottom right CM and dated 79, with Ogle Gallery label verso "Cyril Mann", 75 x 55cm, a watercolour and coloured chalk study of wrestling male figures, 64 x 45cm a further pastel study of a seated male figure signed D Russell and a pencil study of a female head (all framed).

A quantity of early 20th century photographs, mainly portrait subjects, oil paintings on board of landscape subjects, a watercolour of a tumbled down stable with hay cart, a Spy print of a judge, an oil painting on board of a woodland bank with primroses and birds nest, an engraving after Landseer" The Pet of the Duchess", a black and white engraving of the Duke of Wellington and a further black and white engraving of Harrow School and Church, etc.

John Tennent (b.1926) ``Fulmar at Sea`` Signed artist proof, 36/95, dated 1983, colour reproduction, 46.5cm by 32.5cm; A coloured aquatinted engraving of Melton Mowbray, drawn and engraved by H Moore; An oil painting by Peter Orde of red cyclamen, purchased by Major Lycett, exhibition no.45; A modern reproduction map of Poland; A watercolour by Jane Elliott of pears on a branch, dated 84; A watercolour by W M Wood of a house and sunlit garden, dated 1954 and another (various sizes) (7)

Alfred Dunnington: rural scene, watercolour, framed and glazed; an oil painting: still life of fruit; a watercolour: rural scene

FORE-EDGE PAINTING. – George Gordon Noel, Lord BYRON. The Poetical Works… new and complete edition. London: John Murray, 1876. 8vo (233 x 153mm.) Plates. Contemporary green morocco gilt, the spine in six compartments with raised bands, lettered in the second compartment, the others with repeat decoration in gilt, gilt turn-ins, g.e. with a watercolour fore-edge painting of Conway Castle (spine slightly rubbed and faded). Provenance: Frederick Montagu-Pollock (armorial book plate).

Norman Yule: Four paintings (all signed) two abstract mixed media, one rocky landscape watercolour and one abstract cave painting type oil.

Graham Rust (British, b.1942), The Jungle Wall, Frontispiece, signed lower right “Graham Rust”, watercolour and ink on paper, 21 x 58cm (8 x 23in). Literature: The Painted House, Graham Rust, pub. 1988. Graham Rust studied painting at The Central School of Arts & Crafts and the National Academy of Art, New York. The Royal Academy first exhibited work by him in 1965. Graham Rust is renowned for his beautiful murals and ceiling paintings which he has published in a volume titled ‘The Painted House’. Other books illustrated by him are ‘The Secret Garden’ by Frances Hodgson Burnett, ‘Some Flowers’ by Vita Sackville-West, and ‘Food for Friends’ by Maxine Clanwilliam

CHINESE SCHOOL WATERCOLOUR ON SILK SCROLL PAINTING WITH SILK DETAILING APPROX. 45 X 17.5 INS. AF THE BATON HAVING IVORY FINIALSPostage Cost (basic) : £30

DOUBLE FORE-EDGE PAINTING THE RACING CALENDAR FOR 1820, DUBLIN 1821, with a primary fore-edge depiction in watercolour of The Royal Stakes, The Curragh 1821 with Mr Caldwell's bay horse, Noble, winning, the reverse with a hunting scene, in a purple morocco binding with green gilt borders attributed to Mullan of Dublin and lettered "His Excellency Earl Talbot, etc."; together with The Racing Calendar for 1821, Dublin 1822, recent green rococo with crimson label "H.M. George IV escorted by Earl Talbot attended the Curragh races on August 30th 1821" Sweeney added the second volume as it contains the results of the races attended by the inebriated monarch Provenance: The estate of Tony Sweeney

BRONTE WOODRUFF "Land, Powys", Vandyck Crystals, Ink and seat Salt, dated 2007, 13cm x 12.5cm, together with "Landscape Welsh Borders", Watercolour and Crayon, 17.5cm x 54cm, similar "Cave Painting with Blue Horses", signed and dated, 2006, 26cm x 39cm, and an Oil on Canvas Board, rolling moorland landscape, signed and indistinctly titled verso, 30cm x 40cm, variously framed (4)

Arthur Perigal Jn (1816 - 1884), “Moorland near Kinlochewe”, signed, titled on modern label verso, 6 1/2” x 11 1/2”, gilt frame. ***Amended category***Please note that this is a watercolour and not an oil painting

A pair of watercolour studies by DM and EM Alderson and an oil painting of Aconites

A Japanese watercolour painting on ecru silk depicting three egrets. framed, probably early 20th century, one swallowing a fish, amongst lotus leaves, a lotus flower with seed head and grasses on the edge of a lake, signed in black upper right and with red seal marks, 51¾ x 33½ in. (130 x 85.25cm.).

A Nigel V Robinson maritime watercolour, long painting depicting of ocean liners and cruise ships in Southampton Docks, framed and glazed

An oil painting, DM Illingworth, Scarrhead Cottage, Torver, signed and a watercolour, cottage and river bridge.

Michael Crawley. A Small Watercolour Painting depicting The Pool of London, in a cast brass easel frame, 6 ins x 6½ ins (15 cms x 16 cms)..

A quantity of decorative pictures and prints including an original watercolour from The Magic Roundabout, decorative modern marine oils, a slate painting etc.

Reuben Ward Binks (British 1860-1950) ~CH CROSSFELL~, watercolour, an English setter in profile, signed and dated 1925 lower right, entitled lower left, within a card mount, gilt slip and ebonised frame under glass. 25cm x 35cm Spotting and discolouration to mount, and to painting in a much lesser degree.

A Chinese watercolour painting on paper, 20th Century, depicting four polo players on horseback, red seal mark to top and line of black text to one side, approx 76cm x 122cm, together with a hanging scroll painting of a blossoming branch.

A watercolour and gouache painting by Giovanni Gallo featuring cherubs at their labours

Cricket - Cricket painting. An original watercolour painting of a batsman executing a pull shot with a wicket keeper in the background, on a distinctive orange background. Dated 22nd December 1974. Signed by the artist, name indistinguishable. Mounted, framed and glazed, overall 24”x19”. Ex

An orange hard bound Volume ''Collector's Choice'' - the Chronicle of an Artistic Odyssey through Europe, by Ethel Le Vane. J. Paul Getty, illustrated (reprint 1956), hardbound book 'Landscape Painting; in watercolour by John MacWhirter, R.A. with examples in colour by the author, 1904 (some illustrations missing) and a maroon hide bound Volume 'The Poetical Works of Sir Walter Scott, Bart', profusely illustrated with many fine engravings after originals by J.M.W. Turner R.A., Birket Foster and John Gilbert, 1857

An old watercolour painting of a Japanese arch and a Japanese vesta striker in the form of a man's head.