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James Moore, "Punting on the River", watercolour painting, signed, 32cm x 49cm, gilt framed & glazed

Fullylove, "Country Churchyard", watercolour painting, signed, dated 1881, 32cm x 50cm, gilt framed & glazed

Andy Beck (Teesdale, contemporary) "Brandreth, the Western Fells", a collection of four watercolour landscapes framed as a montage, the central landscape signed Andy Beck, the others initialled, matted and framed under glass, central painting 27.5 x 18 cm seen, 42 x 70 cm overall

A watercolour painting of seaside donkeys on the beach signed Margaret Harvey and titled 'Rhyl 1890' Frame size approx 21 x 17 inches (Glazed) 

Three signed Chinese scroll paintings.*CONDITION REPORT*Overall in good/fair condition.There are a couple of broom marks on the back of each one & a couple of marks on front of the far left painting.2 of them are prints the middle a watercolour.

JOHN MCDOUGAL (1851-1945) Tranquil coastal scene with fishing boats off shore signed lower left, watercolour, 17cm x 34cm John McDougal was a Liverpool born artist and specialised in painting landscape and coastal scenes in Cornwall, Sussex, Devon, Wales, Anglesey and the Isle of Man. He exhibited his works at the Royal Academy, The Royal Society of British Artists and the Royal Institute of Painters in Watercolour between 1877-1903. His works can be found at the Blackburn Museum and Art Gallery and Walker Art Gallery in Liverpool.

ATTRIBUTED TO JOHN GLOVER (1767-1849) 'Rydal Water, Westmorland' Watercolour on paper, Sotheby's label and Christie's stencil verso, 39cm x 52cm, Although born in Leicestershire, Glover emigrated to Van Diemen's Land (Tasmania) in 1831, and went on to establish himself as the 'father of Australian landscape painting'.

An 18thC. Chinese watercolour painting of flowers & vase on rice paper, later inscribed under "M.S to E.E 4th July 1846", mounted in period gesso frame, image size 8.5in x 6.25in

An oil painting of a castle by B Davis, and a watercolour J Beattie “Lewes Castle, Sussex” signed and dated 1932

After Yu Zhao, lilies and a ladybird, a watercolour on paper scroll painting, a line of calligraphy with three seals, 44.4cm x 33cmSome slight discolouration throughout. No obvious tears or repairs.

A long Chinese scroll painting on silk, in the Song dynasty style, a long pictorial image of figures on horseback and foot, passing through a landscape with trees and mountains, with lines of calligraphy, watercolour and gouache on silk laid onto paper, 248cm x 43cmGenerally in good order but with rough edges.

After Yan Bo Long, sparrows alighting on thorny branch, a watercolour on paper scroll painting, 115.5cm x 38.5cm; and a calligraphic scroll painting, loosely translated as 'It's good to be kind', ink on paper, 97cm x 39.5cmNo obvious faults visible.

A WATERCOLOUR OF A COUNTRY VILLAGE SIGNED 42CM X 29CM AND A PAINTING OF A BRIDGE AND MOUNTAINS PAINTED IN DIFFERENT MEDIUMS

A number of Japanese scroll paintings, comprising a Japanese landscape in the manner of Chikusui, 20th Century, watercolour on paper with silk borders, height 68cm, width 130cm; another Japanese watercolour scroll painting of pink and yellow peonies, watercolour on paper bordered with silk, 134cm x 48cm; Japanese calligraphic scroll print with silk border, 134cm x 33cm; Japanese scroll print featuring bamboo, 100cm x 33cm; Japanese watercolour scroll painting of a young woman 'Bijin', within silk borders, 131cm x 59cm; scroll print, 69cm x 42cm (6)

MODERN ABSTRACT WATERCOLOUR IN MIXED MEDIA PAINTING ENTITLED ''DART [SOURCE]'' SIGNED N MOORES, TOGETHER WITH 2 SIGNED LANDSCAPE PHOTOGRAPHS OF DEVON BY THE PHOTOGRAPHER CHRISTOPHER MAYHEAD. ONE ENTITLED HOLWELL, NORTH DEVON THE OTHER WIDECOMBE WINTER ON LABELS TO REVERSE. SIGNED ON THE PHOTO

Omar El-Nagdi (Egypt, 1931-2019)Gaza oil on canvas, four panelssigned and dated, executed in 2009250 x 900cm (98 7/16 x 354 5/16in).250 x 225 cm per panelFootnotes:A MONUMENTAL NINE METRE QUADTYCH BY OMAR EL NAGDI DEPICTING THE 2009 GAZA WARProvenance:Property from the Artist's EstateExhibited:Arts-Mart Gallery, Omar El Nagdi: Fragments of a Luminary Cairo, February-March 2016 This monumental and highly significant painting captures the unimaginable hardship, fear and anguish of the Palestinian civilians during the Gaza War which was also better known in the Muslim world as the Gaza Massacre. This three-week armed conflict between The Israeli Defence Forces and the Gaza Strip Palestinian paramilitary groups began on the 27th of December 2008 and ended on the 18th of January 2009 with a unilateral ceasefire. The unrelenting attack on Gaza resulted in over a thousand Palestinian and thirteen Israeli deaths. Omar El-Nagdi found the persecution and the brutal assault on his Palestinian brothers and sisters deeply unsettling and distressing. The ongoing massacres by the Israelis, deeply affected the Egyptian artist and urged him to react to these monstrosities by impulsively expressing himself in this profound composition. Suffering has been an enduring theme in art for centuries, and the tradition of painting violence, pain and oppression has long been a source of expression for artists experiencing conflict.The artist communicates a deep and painful reality; this painting serves as a reminder and reflections of Palestinian history and the ongoing struggle. The historic moment of the 1948 Palestinian exodus also known as the Nakba in Arabic led to the displacement of hundreds of thousands of children and the ongoing war left many casualties. Towering and striking, the present work was painted two months after the conflict ended in 2009 and is one of the finest examples of the artist reacting almost concurrently to the world around him. A seminal piece of artistic activism, in the vein of some of the greatest recorded works in history like Picasso's 'Guernica' and Goya's 'Disasters of War'. In his treatment of conflict, Nagdi clearly recalls Goya, whose set of 82 etchings were inspired by the scarring effect of the Franco-Spanish Peninsular War of 1807.Whilst divergent in form and composition, what Nagdi absorbs from Goya is the jarred, fragmented aesthetic that reflects the tumult of wartime discord. Goya was said to capture scenes in 'agonised haste', and accordingly, the idea of the turbulence of conflict depicted with a ghoulish, monster like aesthetic is heavily incorporated in Nagdi's work. El-Nagdi transcribes literally the chaos of war, isolating each disproportioned figure onto the canvas yet bringing them all together through the agony expressed in their faces.Hopelessness, grief and despair are apparent in the body language of the men, women and children seen in this work. His figures, or rather creatures, appear inhuman and resemble fictional characters rather than people, showing how the sufferings and torturing of war has stripped them bare of their humanity and dignity. Each movement, each body part and each facial expression screams out from the canvas; the hands reaching out in despair and the frightened bulging eyes of the helpless victims.Omar El Nagdi was born in Cairo in 1931 and studied at the Faculty of Fine Arts of Helwan University. Nagdi continued his training in Russia and Italy, eventually graduating from the Academy of Venice in 1967. A prodigious pioneer in Egyptian art history, In the 1960s, Nagdi exhibited in Europe alongside the Western masters Claude Monet, Pablo Picasso and Salvador Dali. His works were soon after acquired by leading institutions around the world. An active member of Cairo's art community and of the Liberal Artists' group headed by Taha Hussein, Nagdi was an extraordinary painter and who equally excelled as a film director and music composer.A multi-disciplinary artist, Nagdi worked with sculpture, oil, watercolour and mosaics. Inspired by the diverse cultures that he encountered in rural Egypt, he fused in his works the Pharaonic and Islamic iconography with Cairo's urban culture idioms and Western aesthetics. His works visually enigmatic and captivating and inspired by folk art and traditions are reflections on everyday life in Egypt. His paintings are sufficient proof of his exceptional gifts for symbolic design and the splendid use of colour. Through his expressive textures, colours and symbolic elements, his works offer a communication that is deeply felt.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

JOAN PONÇ BONET (Barcelona, 1927 - Saint-Paul, France, 1984)."Self-portrait", 1948Watercolour on paper.Unsigned.Frame with faults.Size: 21,5 x 15,5 cm; 36,5 x 30,5 cm (frame).Painter and draughtsman, he trained in Barcelona, in the studio of Ramón Rogent and at the Academy of Plastic Arts with Ángel López-Obrero. After devoting himself to painting and drawing in anonymity, he held his first individual exhibition in 1946, at the Galería Arte in Bilbao, which was to be his definitive establishment on the national art scene. In 1948, together with Tharrats, Puig, Cuixart, Tàpies and Brossa, among others, he founded the avant-garde group Dau al Set. Selected by Eugenio D'Ors, he took part in the Salón de los Once in Madrid in 1951 and 1952. In 1952 he took part in the Hispano-American Biennial, and the following year he spent some time in Paris, where he met Joan Miró and managed to exhibit at the Musée de la Villa. On the latter's recommendation, Ponç gained access to Brazilian artistic circles, settling in São Paulo from 1953 to 1962. In 1954, the year Dau al Set disbanded, he held an exhibition at the city's Museum of Modern Art, which was so successful that the organisation acquired all his works. In Brazil he visited the equatorial jungles, where he was impressed by their fauna, especially insects, which he incorporated into his imagery. In 1955 he founded the Taüll group with Marc Aleu, Modest Cuixart, Jaume Guinovart, Jaume Muxart, Mercadé, Tàpies and Tharrats. After returning to Catalonia due to illness, as a fully established artist he shows his work in New York, Rio de Janeiro, Bonn, Paris, Frankfurt, Geneva, Antibes and various Spanish cities. In 1965 he won the International Grand Prize for Drawing at the São Paulo Biennial. Ponç's paintings present phantasmagoric images that are both painful and tortured, in which the subconscious is the protagonist. For the painter, art is nothing more than an introduction to the mystery and secrets of the spirit. More of a draughtsman than a painter, his work is extremely detailed and meticulous. Ponç's production can be divided into six periods: the Dau al Set period (1947), the Brazilian period (1958), the metaphysical-geometric period (1969), the period of the metaphysical characters (1970), the acupainting period (1971) and a final period of synthesis (1972). He is currently represented at the Museo de Arte Contemporáneo de la Universidad de São Paulo, the Museo Patio Herreriano in Valladolid, the MACBA in Barcelona, the Centro-Museo Vasco de Arte Contemporáneo in Vitoria, the Museo de L'Empordà and the Museo Nacional Centro de Arte Reina Sofía.

Krishna Hawlaji Ara (Indian, 1914-1985)Untitled (Still Life) signed 'Ara' lower rightwatercolour and gouache on paper61.8 x 46.5cm (24 5/16 x 18 5/16in).Footnotes:ProvenancePrivate Collection, India; Acquired from the artist's family member.CompareFor a similarly styled vase and painting technique see Christie's, South Asian Art, Mumbai, 19th December 2013, lot 13.It was around the late 1940s and all through the 1950s that Ara turned towards painting Still Life. His Still Life's have a deliberate roughness in both drawing and painting as can be seen in the present lot, and this is perhaps the most striking aspect of his paintings. The pink flowers drawn with minimal attention to detail, help distinguish his work from other artists and seeks to encapsulate what Ara wished to achieve in his works, which was the honest expression of form. Although Ara worked primarily in watercolours, his techniques evolved so that it looked as though his works were made using oil paints, as one might deduce when looking at the current lot. He achieved this by applying his colours straight from the tube and then spreading it in a dry impasto method. Ara's achievement perhaps lies in his abilities to combine sensuality with a calculated structuring that elevated and distinguished him from his contemporaries.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

17th century A.D. A sepia watercolour and wash depiction of 'The Last Supper' showing Jesus and the Twelve Apostles seated around a table; affixed to a 19th century mount with ink and pencil notation 'Carlo Maratta b. 1625' followed by a faint pencilled note; inked inscription 'Belongs W. Hylton Longstaffe' to reverse. 31 grams, 35.2 x 23.2 cm (13 7/8 x 9 1/8 in). Property of W. Hylton Longstaffe, historian (1826-1898). Acquired early 1970s-late 1980s. Private collection of James Anderson, Worthing, Sussex, UK. Carlo Maratta or Maratti (13 May 1625 - 15 December 1713) was a respected Italian painter who produced works mostly in the Classical style; the background gridlines suggest that this is a study intended to be worked up into a larger painting. W Hylton (Dyer) Longstaffe (2 February 1826 - 4 February 1898) was born at Norton, County Durham and was a noted historian, the author of several works on English and local history; he also designed the original arms for Middlesborough. Fine condition, mount soiled.

Victor Noble Rainbird (1889 - 1936) : The Shambles, York, watercolour, signed, 35 cm x 26 cm, framed. CONDITION REPORT: The label verso indicates that this painting was purchased from The Saddler Gallery in Durham City for £850.00

Peter Newcombe,Snorscombe,watercolour, signed and dated 1993,31x46cm.Condition report:Please see additional uploaded images of this painting, including one of it in its frame.

A watercolour of a lake and mountains and an oil painting of boats at sea. The second signed lower right John (?), 41.5cm x 31.5cm. Both framed.

An 18th century watercolour depicting a maiden inscribed Rubens painting in The Dulwich Gallery, fitted in a Hogarth style frame- size 25cm x27cm approx. Together with a git framed Regency picture depicting two birds of paradise. Size 15cm x 18cm approx

Peter Gilman (British 1928-1984): 'Towards Whitby', watercolour signed, titled and dated 1981 on exhibition label verso 12cm x 17cm Notes: illustrated in 'Peter Gilman: Painting East Anglia and Beyond' p.85

Harry M Levitt watercolour entitled Boadicea at Westminster, frame size 50cm x 60cm, some staining to mount, painting good

Harry M Levitt watercolour entitled Chalk Cliffs Kent Coast, frame size 50cm x 60cm, painting good, small knocks to frame

Unframed watercolour paintings, small paintings R.M, horses, 19.5 h x 16.5cm w, unsigned painting cottage scene with figures by a pond, 17 h x 30cm w, ink drawing on paper Girly Girly 1901, 25 h x 20cm w and a mounted watercolour signed O. Wharney? cottage scene with church, picture size 24 h x 5cm w.Condition ReportDirt and grime stains, large print with mount damage to edges, ink drawing with creases.

A watercolour by Fred Lawson of Hinderwell Rectory, early 1900's in an ornate gilt frame 24.5 x 34.5cm painting size, 38.5 x 48.5cm frame size, together with a watercolour of East Yorkshire Coastal Village signed B Hardman. 34 x 26cm picture size.Condition ReportCracks to gesso and loss to corners on Fred Lawson picture. Loss to gesso on village scene picture.

A large watercolour and Gouache titled 'Apple' and a small landscape oil painting.

A 19th Century Reeves & Sons paint set, another box and two small painting set tins and watercolour paints

Taxidermy: A Large Late Victorian Cased Great Bustard (Otis tarda), dated 1880, by J. Travis, Naturalist, Animal & Bird Preserver, Gold Street, Saffron Walden, a large full mount adult female, with head turning slightly to the left, stood upon painted faux rockwork, amidst a natural setting of tall grasses, set against a blue-yellow watercolour painted sky back drop, enclosed within a large typical period ebonised three-glass display case, raised upon four squat feet, 88cm by 36.5cm by 85.5cm, taxidermist's oval paper trade label to verso, data label to verso- Female Bustard, taken by Mr W. Jones, Manor Farm, West Wickham, Feb 6th 1880, stating purchased from George Bristow 1942, by James Harrison, a detailed account of this bird appears in Miller Christy The Birds of Essex, (1890), page 230, including a photo copy of the entry.Evidence of historical insect damage to the underbelly of the bird, some minor insect damage to the tail feathers, outer case in need of re-painting and restoration.

A mid - late 19th Century Victorian watercolour on ivory portrait miniature painting study depicting a woman in green dress wearing a white bonnet with floral garland to top. The sitter wearing gold pin brooch, necklace and earrings. Set to an ornate swept frame with Rococo shell and scroll corners. Painting measures approx; 7.5cm x 6cm. Frame 20cm x 19cm.

Yiannis Tsarouchis (Greek, 1910-1989)L' homme papillon signé, dédicacé en grec et daté '1965' (en haut à droite)aquarelle sur papier32 x 24cm (12 5/8 x 9 7/16in).signed, dedicated and dated in Greek (upper right)watercolour on paperFootnotes:ProvenancePrivate collection, Athens.LittératureE. Florou, Tsarouchis – Painting, (doctoral dissertation) vol. 1, Athens 1989, no. 579, p. 247 (catalogued).E. Florou, Yannis Tsarouchis, his Painting and his Era, Nea Synora - A.A. Livanis editions, Athens 1989, no. 683, p. 276 (catalogued).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Mickey Mouse Magic Watercolour Book, by Dean; Mickey Mouse Magic Painting Book, by Birn Bros., London; and Mickey & Minnie Mouse Colouring Book, by Saalfield Publishing Co., Ohio, USA (1940's vintage).

Gregynog-Montgomeryshire print of a detailed watercolour painting by artist Brian E. Jones 16/4/92. A beautiful print of this Welsh residence in spring time.

ANONYMOUS (MING DYNASTY) THE EMPEROR IN A PALACE A Chinese watercolour painting, ink and colour on silk, depicting officials seeking an audience with the Emperor in a palace, 124cm x 36cm. Provenance: from the collection of the late Michael Sherrard QC CBE (1928-2012), acquired prior to 2000.

WARREN WILLIAMS ARCA watercolour - seaside cottages with numerous figures and woman feeding poultry, signed and entitled in pencil to mount 'Home Sweet Home - Old Cottages Aberdaron S Caernarfonshire', 37 x 25cms (painting unglazed)

ITO YUHAN / YOSHIHIKO (1867-1942) MEIJI OR TAISHO, 19TH OR 20TH CENTURY Two Japanese watercolour paintings in Yoga style, the largest depicting buildings nestled amongst woodlands and with mountains in the distance, the other with two sampans moored on a lake at twilight, the shadow of a building visible in the distance with a single light shining through the window, both pictures signed 'Y.ITO', framed and glazed, 49cm x 32cm and 43.5cm x 28.5cm respectively. (2) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from an English private collection, London. Ito Yuhan studied at Kyoto Prefecture School of Painting and Harada Naojiro's Shobikan art school in Tokyo. His paintings and woodblock prints are recognisable for their Western style, and he was one of the precursors of the shin-hanga art movement.

F Aldridge 1850 - 1933. An early 20th century watercolour painting of various ships at sea. FraMd and glazed. Measures 42cm x 46cm. 

F Aldridge 1850 - 1933. An early 20th century watercolour painting of various ships at sea. Framed and glazed. Measures 42cm x 46cm. Signed by the artist to the corner.

F Aldridge 1850 - 1933. An early 20th century watercolour painting of various ships at sea. Framed and glazed. Measures 44cm x 46cm.

Joseph Paul Pettitt (1812 - 1865) - A 19th century Victorian watercolour painting having of a countryside scene with ruins to the background. Set within gilt framed having foliate decoration to the corners. Framed, mounted and glazed. Measures 42cm x 52cm.

An early 20th watercolour painting of a coastal scene. Framed and glazed. Signed by the artist to the corner. Measures 42cm x 50cm. 

* ROBERT SAWYERS ARCA (BRITISH 1923 - 2002), BANANA LEAVES, JAMAICA watercolour on paper, initialled, titled verso image size 28cm x 37cm, overall size 46cm x 55cm Mounted, framed and under glass. Note: Robert Sawyers was a British artist best known for witty and creative compositions. He had the ability to transform memories into experiences on canvas and captured the beauty of everyday objects. Sawyers was said to be selective in what he chose to paint, focusing on personal enjoyment rather than societal expectations and commercial success. Born in Peckham, South London, he attended Beckenham School of Art before enrolling in the Royal College of Art in 1942. Following his education, Sawyers was awarded the Herbert Baker Travel Scholarship, which allowed him to travel to Florence, Italy. This was simply the beginning of a long career of travelling and painting; he travelled widely, often teaching and exhibiting in the exotic locations. He began formally teaching in 1947 at Leeds College of Art and later taught at Middlesbrough College of Art. Aside from international exhibitions across Europe and Central America, Sawyers also exhibited closer to home, showing at the Royal Academy of Arts, London, including the RA Summer Shows, the New English Art Club, the Blue Rider Gallery in Mere and at The Rendezvous Gallery in Aberdeen. Robert Sawyers pictures appear at auction infrequently and prices can be erratic but a notable sale was "The Tram Ride" which was sold by Christie's (SK) 15th July 2010, lot 82 for £12,500.

UNDEUTLICH SIGNIERT (XIX). Tempel der Vesta (Tivoli).18 cm x 21 cm der Ausschnitt. Gemalt. Aquarell. Links unten signiert. Italienisches Bild der Romantik. Oft gefertigt als Andenken "Grand Tour" oder als Ergänzug zu literarischen Werken. Versand kann organisiert werden. INDISTINCTLY SIGNED (XIX).Temple of Vesta (Tivoli). Painted. Watercolour. Signed lower left. Italian painting of the Romantic period. Often made as a souvenir "Grand Tour" or as a supplement to literary works. Shipping can be arranged.

A Napoleonic era watercolour and ink painting and accompanying letter, from a Corporal David Follington to his wife Maria, the painting dated 1811 depicts a family scene with their son Thomas and the corporal in full uniform, beneath floral swags and cherubs, 26cm x 17.5cm, the letter is dated 28th June and refers to the picture and his orders of 3rd and 4th July to march to Tunbridge Wells and then on to East Grinstead, and how he hopes to see his wife, housed in rosewood frame, along with a period red helmet plume, 20cm long CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.

An early / mid 20th century Chinese watercolour on linen - buildings before mountainous terrain and with trees to the foreground, signed top right and with red seal mark, glazed Hogarth frame (image size 38.5cm x 16cm)Condition Report: The painting itself appears to suffer slightly from foxing mainly to the top area, the bottom and left of the signature and seal mark, there is also some minor foxing to the highest left-hand mountain prevalent to the middle and bottom. The foxing appears much less halfway and beyond. Towards the bottom there is a small fingernail sized kink in the linen to the lower left. Apart from the foxing the painting appears in good general overall condition. 

A 20th century Chinese watercolour hanging scroll painting - two character signature middle right below a red chop mark (image size 100cm x 37.5cm) The Chinese venerate the horse (Ma) as a symbol of speed and strength

A Chinese watercolour painting depicting birds on a branch, with calligraphy, framed & glazed, 20 by 25cms.

Dinh Thi Tham Poong (Vietnamese, b.1970)Poong’s painting, 2010signed 'Poong 2010' l.l., watercolour and gold on handmade paper78 x 107cm Born in 1970 in Lai Chau, Vietnam, Dinh Thi Tham Poong's paintings are heavily influenced by her Muong heritage. Her detailed watercolours use surreal elements to depict the relationship between humans and the natural world - 'To my mind everything has two distinct halves. Everything contains, holds each other, is intertwined with each other'. She has received a number of awards throughout her career and her works are held in many international collections, including the Singapore Art Museum, the Fukuoka Asian Art Museum in Japan, and the Museum of Fine Arts in Boston, USA. The artist currently lives and works in Hanoi, Vietnam.Frame overall 97 x 125cm. Framed, not viewed out of glazed frame, loosely stuck down to the backboard, generally appears to be in good condition. Paper a bit cockled with creases possibly from being rolled up previously, uneven edges.

A Chinese fan-shaped painting, 20th century, painted with figures standing by a lake watching the changing clouds, with a dedication and signature of Feng Zikai (1898-1975) with an artist's seal, ink and colour on paper, 45cm open Corners of mounting board with creases and damages. Picture with foxing and stain marks, a bit cockling, very light surface scratches, small rub to paper due to watercolour technique.

CHEN QIKUAN (CHEN CHI-KWAN) (1921-2007)PeaceInk and colour on paper, hanging scroll, with one seal and signature of the artist. 120cm (47 1/4in) long x 23cm (9in) wide.Footnotes:陳其寬 共存 設色紙本 立軸Provenance: acquired from HanArt Gallery, Hong Kong in the early 1990sAn English private collection 來源：二十世紀九十年代初，購自香港漢雅軒英國私人收藏鈐印：陳其寬印Chen Qikuan (1921-2007) was a Taiwanese artist, architect and educator. He collaborated with I.M.Pei to design the Luce Memorial Chapel on the Tunghai University campus in 1963, which became a hallmark of mid-century Modernist architecture. He also often painted in watercolour and would borrow some aspects from traditional Chinese painting but apply it to modern themes or Western style line work. Many of his works were abstract or referencing small landscapes. His paintings are in the permanent collection at various museums including Smithsonian American Art Museum, Harvard Art Museums, and the British Museum, among others. To commemorate the 90th anniversary of his birth, a selection of Chen's paintings were displayed at the National Palace Museum in Taipei.See a related long hanging painted scroll of a sunrise by Chen Qikuan which was sold at Sotheby's London, 16 May 2018, lot 53.For further information on this lot please visit Bonhams.com

Monastic characters and scenes. Six prints including 'A Lady at Confession' by J. Smith after Lauron, mezzotint, 25 x 20cm, and two Pears Soap adverts; also a watercolour 'Candlemas Day in St Peters. The Odour of Sanctity', 1872, 22 x 29.5cm, and oil painting of a monk in a beer cellar (unframed) (9)

A 20th Century Indian watercolour painting of young men and maidens dancing within a border of exoticallly dressed figures together with another of a reilgious festival 105 x 87cm (2)

A Collection of Framed Pictures to include a French folk art style acrylic painting, depicting a stylised racecourse, together with a watercolour of a cottage marked F G Fraser, an etching depicting a cottage dated 1923 signed Wm. B Robins, and a Percy Lancaster engraving depicting an antique dealer, and a Rosalyn S Evans Limited Edition print No.2/50.

Full title: Yan Wenliang (1893-1988): An album of landscape paintings, watercolour on paperDescription:Dim.: 27,5 x 19,5 cm (closed)Dim.: 38,5 X 19,5 cm (opened)Ê The album with colophons by:- Fang Junbi ___ (1898 - 1986), one of the most important Chinese artists of the modern era.- Wen Yiduo ___ (1899 - 1946), one of the most famous Chinese poets and scholars.Ê The colophon by Fang Junbi:Han mu chun hua ____, which translates to: 'each has his own merits'Ê The colophon by Wen Yiduo_Translates to: 'Mr. Wu's paintings incorporate autumn trees, poetic clouds and smoke, bright moons and shadows and leaves... What an exceptional work!'Ê Ref.: Christie's, Hong Kong, Nov. 27, 2010, lot 1016, for a magnificent landscape painting from his hand. (link available on our website rm-auctions.com)Ê Yan Wenliang (Chinese: ___; 20 July 1893 – 1 May 1988) was a Chinese painter and educator, who is regarded as one of the fathers of Chinese oil painting and an important art educator of his time. Born in Suzhou, Jiangsu province, Yan began studying painting in 1909, founded the Suzhou Art Academy along with Zhu Shijie in 1922 and went to Paris in 1929, enrolling in the Ecole Superieure Nationale des Beaux Arts, making him, along with Xu Beihong and Sanyu, one of the earliest Chinese artists to study abroad in France. He was one of the four pioneers of Chinese modern art who earned the title of 'The Four Great Academy Presidents'.Ê _____________________________________________________________"____"________________________1927_____________1928____________________1932__________________________________________________________________________________________________________________________________Ê The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com

Adrian Keith Graham Hill - After the Passing Shower, a 1950's watercolour, signed, 52cm x 37cm, mounted in a gold painted frameLocation: RWMOf Interest: Adrian Hill was a BBC television broadcaster in the 1950's as part of the sketching, drawing and painting program

A group of framed and glazed watercolours, and an oil painting to include three Ray Styles bird studies, a Marjorie Martyn still life oil on board flower painting, Desmond Winsett watercolour, and others (7) Location: LWM

JOHN ATKINSON (1863-1924) “Plough team and figures harvesting in a field”, watercolour heightened with white, signed lower right, together with a companion “Same scene from a different view”, watercolour heightened with white, signed lower left, 28 cm x 37 cm CONDITION REPORTS First image with horse and drover to the left hand side - overall condition good. Frame with some cracking and loss to the top finial. See image.Second painting with horse and drover to the right hand side - whilst overall condition again good, the paper appears to be either discoloured or more brown in colour in the first place but certainly different to image one. See images. Frame with cracking to the gesso but otherwise sound.

RICCARDO MEACCI (1856-1938) "La Madonna dei fiori" watercolour heightened with gilding signed lower right, titled verso 26 cm x 13.5 cm housed in a Gothic style painted and gilded frame CONDITION REPORTS Overall conditon of work its self appears good, the frame of basically sound, although requires attention in places, the two coloumns loose but extand, there is some rubbing to the painting/gilding to the base particularly. See images for more details.