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A watercolour painting by Kate Bentley "Boats on Coniston" double mounted, framed and glazed CONDITION REPORT; Available on request. Catalogue descriptions and condition reports are offered as a guide only and we highly recommend inspecting any lot to satisfy yourself as to its condition. Kruger Gibbons Auctioneers offers no guarantee on authenticity or physical condition
19th CENTURY - A WATERLOO PERIOD WATERCOLOUR 'TROPHY OF ARMS' with flintlock musket, drum and sword, signed in pencil bottom right, framed and glazed, together with a late 19th century watercolour a uniformed French artist painting at a rifle-legged easel, signed and inscribed with description of the event, dated 1897, framed and glazed.
Oswald Garside - watercolour and egg tempera depicting 'Argument Yard, Whitby'Framed and glazed not removed for examination, painting has possibly shifted in the window mount, with possible minor loss to the paper top left hand corner, surface showing fine crazing, signed lower left, 28cm x 23cm
*Watercolours & Drawings. A collection of approximately forty original drawings and watercolours, 19th and 20th century, including portraits, costume studies, landscapes, caricatures and cartoons, figure and animal studies, etc., some signed/dated, e.g. a pen & ink caricature of a boy smoking a cigar, signed A. Alexander, 1934, a watercolour of The Old Mill - Rye, by W.H. Longhurst, 1939, a gouache painting of a British mounted Hussar officer, a watercolour of the Pier at Aberystwyth dated 1871 and indistinctly initialled, mostly small-scale (sheet size 36.5 x 25.5cm/14.25 x 10ins, and smaller), some mounted, and one framed, together with one or two prints (approx. 60)
A watercolour by Frank Algernon Stewart showing a team of four farm horses pulling a heavily laden cart and accompanied by a pair of male figures watching a hare run across the pathway of the first horse, signed with initials bottom right FAS and inscribed - Sketch for picture for R L Barclay, 48 x 70 cm approx in gilt frame (together with accompanying literature relating to this painting)
A watercolour of a still life with pebbles and shells, with distant mine and standing stones, inscribed verso - E G Ing, with Camborne address label, titled Stone Landscape, 28 x 38 cm approx together with further pictures and prints including an oil painting on canvas of a woodland scene with deer, an early 20th century watercolour of a woman and child outside a cottage, signed with initials TK, an unusual collage picture of a scene at a polling station, a coloured print of a classical style female archers and a greyhound after Burleigh, etc
Albert Ludovici Jnr, Carriages on the Champs-Elysees, Paris, watercolour, signed, 24 x 33 cm See illustration Condition report Report by GH No provenance. Some spotting and foxing, particularly evident in the lighter areas on the lower half of the painting. The image is lightly foxed all over with a small amount of discolouration. Colours are strong none the less. No obvious damage or restoration. Frame and mount generally in good condition.
George Weatherill, fisher folk unloading the catch, with a horse and cart and other figures on the shoreline, watercolour, signed and dated 1878, 25.5 x 42 cm See illustration Condition report Report by GH From a deceased estate. George Weatherill is understood to have been a distant family relation, however we do not have any written provenance or proof of this. One dark spot to the sky in the centre left of the image. Another lighter spot to the top left (possibly part of the painting). Some light water staining/damage down the centre right part of the picture intersecting the ship, particularly evident at the top.
* Raymond C. Watson [1935-1994]- House Sparrows on a wire:- signed bottom left, inscribed with title on reverse watercolour 43 x 65.5cm. *Provenance. Exhibited at The Moorland Gallery 1967, Summer Exhibition of Sporting and Wildlife Pictures, June 1967. *Biography. Raymond Watson was born in East Anglia and studied art at Ipswich Art School. He made a career in commercial and graphic art, whilst pursuing an interest in drawing and painting on-the-spot accurate sketches of birds which he worked up into finished pictures. His favourite sketching areas were Norfolk and Scotland. He exhibited at the Tryon Gallery London, Mandell's Gallery Norwich and The Haste Gallery Ipswich. He illustrated a book, Birds of the British Coast, in 1986.
David Roberts[1796-1864]- 'Granada', old buildings on the Darro:- signed David Roberts and dated 1833 bottom left, inscribed Bridge of the Carbon, Granada Feb.15th 1833 bottom left watercolour over pencil, heightened with white 23.5 x 34.5cm. *Note: An oil painting of this subject and dated 1834 is in the collection of the Victoria & Albert Museum. 44.5 x 59.5cms Ref. 175[0]. The Corral Del Carbon [coal house] is the oldest monument left by the Arabs in Granada [14th Century]. It was used for warehousing. *Biography. Born at Stockbridge, near Edinburgh. Apprenticed for seven years to a house painter, much of his spare time being occupied in sketching local architectural monuments. Engaged as a scene painter in 1822 at Drury lane. He had a full and much respected career in this field until circa 1830 when he abandoned scene painting for architectural painting. He travelled extensively from 1831 visiting France, Spain and Tangier. Between 1838-39 he visited the Holy Land and Egypt, making sufficient sketches to keep him working for the following ten years. Much of his work was produced with the lithographer in mind. In the early 1850s he toured Italy. He became well known as a topographer and for his architectural accuracy. The results of his many travels exist not only in his oil paintings and watercolours but also in numerous prints, which brought him fame and fortune.
JOHN DUNCAN "Wild geese", watercolour, signed bottom right CONDITION REPORTS Some yellowing and discolouration, some splashes, some wear and scuffs, thunderflies under glass, some warping to mounts, some smudging and possible re-painting where picture and mounts have become damp, appears to have had some repairs/over-painting to the picture possibly due to stains or damp, approx. size of picture 33 x 50 cm.
*Wingfield (Harry, 1910-2002 ). Toys from Tyres, gouache and watercolour, showing a small boy and a girl, each swinging on a tyre hung by a rope from a tree, signed lower right, 29 x 19cm (11.5 x 7.5ins), mounted, framed and glazed, together with a copy of the book for which the painting was produced Original illustration for 'Learning with Mother, The Ladybird Under Five Series, Book 4', published in 1971. (2)
*Wingfield (Harry, 1910-2002 ). A Playground in the Garden, gouache and watercolour, showing several small children playing at buses and balancing, with boxes, planks, and a step-stool, signed lower left, 27.5 x 19.5cm (11 x 7.75ins), mounted, framed and glazed, together with a copy of the book for which the painting was produced Original illustration for 'Learning with Mother, The Ladybird Under Five Series, Book 2', published in 1970. (2)
Potter (Beatrix). Peter Rabbit's Painting Book, Frederick Warne, [1911], twenty full-page illustrations (including endpapers and title), eight printed in colour, only one of the black & white illustrations with careful watercolour in a juvenile hand, original dark green pictorial card wrappers, extremities a trifle rubbed in places, original printed glassine wrapper, later issue with advertisements to flaps, including the first edition of 'Appley Dappley' (1917) and 'Peter Rabbit's Slippers', slightly frayed and creased, slim 4to Linder, p.431. A very good copy, rarely found in the glassine wrapper. (1)
19th century English School, 'Farmyard scene with figures, horses pigs etc.', an unsigned oil painting on board, 29 x 23cm, an oil painting of a fishing smack initialled 'W.I. 1910', 25 x 34.5cm, to the reverse a watercolour of sailing boats, signed 'T Cooper' and seven prints of flowers and fruit, (9).
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11513 item(s)/page