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WATERCOLOUR OF BAIT ISLAND AND OIL PAINTING OF GLENCOE SIGNED E M REAY

John Wiltshire- A framed and glazed ink and watercolour painting by John Wiltshire entitled 'Stream and Fallen Trees'. Watercolour measures 16 cm high x 10cm wide (not including frame). 

A collection of 19th Century pictures to include a pencil drawing of a couple in a garden with a church behind (dated 1836), an architectural drawing of the nave of a church (dated 1842), a watercolor painting depicting a landscape scene with a temple on a waterfront, and a monochrome watercolour painting of a fortified castle within a country landscape (unsigned). 

Arthur Steward Michael Cumming 1919-1997 - Mr Kinnock! Would You Care To Buy Some Georgian Silver, Antique Family Furniture and an Old Painting, ink and watercolour, signed top right corner, 11" x 14", framed and glazed with label verso, published Nov 13th 1985, 60 Birthday present to AAM from Michael Cumming

A GILT FRAMED AND GLAZED OIL PAINTING ENTITLED FORT CASCADE KILLARNEY BY R. MARSHALL, A COASTAL SCENE WATERCOLOUR SIGNED J.H. DARBY 1921, A GILT FRAMED AND GLAZED OIL ON CANVAS OF A RURAL LANDSCAPE INITIALED VB TOGETHER WITH A FLORAL OIL ON CANVAS (4)

Evelyn (John). Silva: or, a Discourse of Forest Trees..., with Notes by A. Hunter, 1st edition, York, 1776, subscribers list with subscription receipt slip signed by A. Hunter tipped-in, 40 engraved plates including one folding, without portrait frontispiece, folding table, some light toning, occasional marginal stains, contemporary boards without leather covering, 4to, together with Stevens (Francis) , Views of Cottages and Farm-Houses in England and Wales, London: R. Ackermann, 1815, etched frontispiece and numerous plates, some toning mostly to plates, later 19th century half calf, covers detached, worn, 4to, and Nicholson (Francis) , The Practice of Drawing and Painting Landscape from Nature, in Watercolours, 2nd edition, 1823, lithograph portrait frontispiece and plates, occasional spotting, original board detached and worn, strengthening to spine, 4to, plus other miscellaneous antiquarian etc., including two editions of Cary's New Itinerary (1806 & 1815), both worn (1815 edition disbound), and an incomplete Progress of a Water-coloured Drawing by John Laporte, circa 1810, plus a large early 19th century watercolour of cattle by a lake (requiring cleaning and some repair), plus few miscellaneous engravings by Hollar etc. (Qty: a carton)

Brigadier-General Walter Fane (1828-1885) THE ARTIST WRITING HIS NAME ON A WALL Signed and dated 1853 within the painting, watercolour heightened with white 17.5 x 13.5cm

A painted production design by Elliott Scott from the production of Steven Spielberg's action-adventure sequel Indiana Jones and the Temple of Doom. This item comes from the personal collection of producer Robert Watts. Production designer Elliot Scott joined Watts in scouting filming locations around India for several weeks. Due to concerns expressed by the local government of Rajasthan, many of the sets were constructed at Elstree Studios, including exterior shots of the palace. The painting depicts Indiana Jones (Harrison Ford) walking towards the palace and past a wall mural featuring an elephant. Steps leading to several elaborate buildings form the background of the artwork. The illustration was created with watercolour paints and pencil on paper. Scott has signed the piece at the bottom-right corner and has written a brief description in pencil on the rear side of the artwork. A black handwritten message to Watts from Scott adorns the back of the frame. The artwork shows minimal wear and comes presented in a brown wooden frame. Dimensions (framed): 24 cm x 66.5 cm x 2 cm (9 1/2" x 26 1/4" x 3/4")£3000-5000 M *Sold without copyright; see copyright notice in the Buyer's Guide

A painted production design by Elliot Scott from the production of Steven Spielberg's action-adventure sequel Indiana Jones and the Last Crusade. This item comes from the personal collection of legendary producer Robert Watts. The interior of the Temple of the Sun, the last resting place of the Holy Grail, was filmed at Elstree Studios on a complex 80-foot set. The painting depicts a guard heading towards the Knight's chamber within the Temple of the Sun. Several carvings of knights decorate the walls, and the Great Seal is situated at the forefront. Adhered on black card, the illustration was created using a combination of watercolour paints and pencil on paper. The bottom-right corner features Scott's signature in black pen. The artwork is presented in a thick silver-coloured metal frame. A small amount of glue has bled out from under the design on the right side and the frame exhibits minor marks and scratches. Dimensions (framed): 29.5 cm x 52.5 cm x 2.5 cm (11 1/2" x 20 3/4" x 1")£3000-5000 M *Sold without copyright; see copyright notice in the Buyer's Guide

A painting by production designer Elliott Scott, from the production of Steven Spielberg's action-adventure sequel Indiana Jones and the Temple of Doom. This item comes from the personal collection of legendary producer Robert Watts. Scott joined producer Robert Watts in scouting filming locations around northern India for several weeks. But due to concerns expressed by the local government of Rajasthan, many of the sets were constructed within Elstree soundstages, including the interior of Pankot Palace. This painting depicts the elaborate setting within the palace, including ornate pillars, a stage where a dancer and band are performing, and the corner of the infamous banqueting area. It is rendered in watercolour paints and pencil on paper, with acrylic paints used to highlight detailing such as the clothes worn by the figures. The artwork is presented in a light brown wooden frame. The frame exhibits minor scuffs and the artwork displays minimal wear. Dimensions (framed): 37 cm x 66 cm x 2 cm (14 1/2" x 26" x 3/4")£2000-3000 M *Sold without copyright; see copyright notice in the Buyer's Guide

A watercolour portrait of a figure, signed 'Kew?', a pastel portrait of a young woman signed'Keating' and a brush and ink painting, bearing R.A. 1988 exhibition label ' Derelict' by Karen Goddard

* JAMES MCNAUGHT RSW RGI (SCOTTISH b 1948), MAUSOLEUM OF HALICARNASSUS gouache on paper, signed and dated 1983; titled verso 31cm x 26cm Mounted, framed and under glass. Provenance: label verso The Portal Gallery, 16A Grafton Street, London. Note: James McNaught RSW RGI (b.1948) paints buildings and street scenes, mysterious figures and other narrative elements in fictional combinations. James McNaught was born in Glasgow, the only son of parents who worked as carpet designers at Templeton’s Carpet Factory on Glasgow Green. He studied Fine Art at Glasgow School of Art and at Hospitalfield between 1966 and 1970. He won the Royal Scottish Academy painting award in 1970. In 2010 he won the Sir William Gillies Award at the Royal Scottish Society of Painters in Watercolour. James paints in gouache and watercolour with a delicate touch and a faultless technique. His paintings have an obsessive quality, they are witty and enigmatic and depict a surreal, brooding, slightly threatening world. McNaught has had multiple solo exhibitions in London, Glasgow, Edinburgh, Amsterdam and Munich. His paintings are highly sought after and held in significant private collections worldwide.

A Watercolour of a country landscape by Henry Miller and an Oil painting of a river scene with rolling hills, unsigned.

AFTER WILLEM HOEKBOEK (1839-1895) "Amsterdam", in the foreground canal shipping. Watercolour painting, circa 1870, 40cm x 57cm, mounted in ornate gilt glazed frame

SIR THOMAS KINGSLEY "Cato" (working dog pointing in the field) watercolour painting, signed and inscribed, 10cm x 17.5cm, glazed in decorative frame

FREDERICK E. VALTER (1850-1930) "Horse Plough Team at Rest". Watercolour painting, signed and dated 1926, 25cm x 42cm, gilt framed, mounted and glazed

BRIAN LANCASTER (1931-2005) "Steam Age Monuments", engines in a yard with coal hoppers. Watercolour painting, signed, 31cm x 35cm, see to reverse "Guild of Railway Artists' label. framed, mounted and glazed

BRIAN LANCASTER (1931-2005) "Round The Backs", a steam train passing through an urban housing area. Watercolour painting, signed, 27cm x 37cm, see to reverse 'Guild of Railway Artists' label, framed, mounted and glazed

A watercolour portrait of an old man signed H.P.Alldritt - details verso 'The Chelsea Pensioner' painted by H.P.Alldritt circa 1928 (copy of Hans Memling's painting portrait of an old man on display at the Metropolitan Museum New York USA

Chinese School (19th century) - Study of birds in water, watercolour on rice paper, 20" x 16", framed (at fault); together with a early 19th century reverse glass painting of birds (2)

•JOHN NORTHCOTE NASH CBE RA (1893-1977) 'Llangennith Panorama' Landscape view on the Gower Peninsula, South Wales, with a farm to the foreground and the sea beyond, c. 1955, signed lower right, oil on canvas, 71cm x 91.5cm Provenance: Purchased by Thos. Agnew & Sons directly from the Artist on Monday 21st April, 1969 for £140. Subsequently sold by Agnew's on Tuesday 22nd April 1969, for £200. Private Collection, Dorset Following his first trip in 1939, John Nash was a frequent visitor to the Gower Peninsula in South Wales, the first area in the United Kingdom to be designated an "Area of Outstanding Natural Beauty". Nash and his wife Christine worked together, with Christine exploring the landscape, finding suitable vistas for John to work on before returning to lead him to the appointed place. Nash would often make a sketch on the spot as the basis of a work he would later complete in his studio. On one of these early visits to Llangennith (Llangenydd), Nash executed the work 'Llangennith Burrows' (now in the Government Art Collection), a watercolour view looking toward the small tidal island of Burry Holms with the famous rolling sand dunes of Llangennith Burrows Beach to the foreground. Both Burry Holms and Llangennith Burrows are visible in the painting offered here. Long-time friend of Nash, Ronald Blythe, opined on the work in 2010: "Your John Nash Landscape is of the Gower Peninsula near Swansea, one of his favourite places. You can just glimpse the sea beyond the farm. It was probably painted 1950-1960. His great friend the artist Sir Cedric Morris came from Sketty on the Gower. John Nash painted all over Britain but was fond of Wales. He was faithful to agricultural buildings and to a 'working' countryside"

A 17TH CENTURY ITALIAN EBONY FRAME with stepped centre enclosing an oval watercolour drawing depicting a religious scene; the frame set with lapis lazuli and other mounted semi-precious stones divided by pinned portrait miniatures frame 42cms by 40cms painting 19.5cms by 16.5cms

Peter Macgregor Wilson R.S.W. 1856 - 1928 Scottish Well Known Watercolourist, Exhibited at the Royal Academy, Title - Springtime In The Scottish Lakes with Figures, Boats Watercolour. Signed Lower Left. Mounted and Framed Behind Glass. Painting Size Only 11 x 19.25 Inches - 27.5 x 48 cm.

Tom Clough 1867 - 1943 ' Oyster Catchers ' Buildings - Figures on the Cornish Coast, Heightened with Touches of White - Watercolour. Signed Lower Ring, Mounted and Framed Behind Glass. Painting Size 21 x 28.5 Inches - 52.5 cm x 71.25 cm.

T. L. Rowbotham 1823 - 1875 Titled ' Lake Lugano, Italy ' Watercolour. Signed and Dated In 1865. -Provenance- Gallery Label, Boydell Galleries to Reverse. Mounted and Framed Behind Glass. Painting Size Only 10 x 15.5 Inches - 25 cm x 38.5 cm.

Charles Henry Howorth (1856-1945) Signed And Glazed Watercolour. Titled Verso 'Stream Clouds' Echo Crater Waimangu. The inferno. Frying Pan. Gibraltar New Zealand. Howorth was a notable New Zealand artist,whose work is represented in major New Zealand galleries and who exhibited at the New Zealand Academy of fine arts on a regular basis. It is an image of Frying Pan Lake, the worlds largest hot spring, now known as Waimangu Cauldron. It records the major eruption of 1917 and is in original condition. Painting 9ins x 26ins

Watercolour of Donkey in Stable Signed TH 1881. Lovely painting of a donkey with a small dog, signature TH and dated 1881 to right hand corner. Picture is mounted and framed behind glass, and measures 73 x 56 cm. Some slight damage to frame. Please confirm with photographs.

Walter Frederick Osborne RHA ROI (1859-1903)'Old Inn'Watercolour on card, 24.5 x 17cm (9.6 x 6.6”) SignedWith a fragment of the original back panel board and an old label verso inscribed ‘ “Old Inn” / Walter Osborne / 1886 - His First Exhibited Watercolour / P.C Trench / 5 Fitzwilliam Place’Exhibited: Possibly, Dublin Art Club, 1886 as The Village Inn, cat. no. 126Julian Campbell has written : ‘Having earlier studied in Dublin and Antwerp and painted in Brittany, Osborne spent much of the second half of the 1880s working in English villages and towns, painting a series of village, farming and coastal scenes. These are some of the finest pictures of his career. He painted much in Berkshire and Oxfordshire, for instance at Newbury, Uffington, Didcot and on the Downs. Osborne was inspired by the rich tones of English buildings that glowed warmly in the sunshine: reds and russets of brick walls, brown of timber and maroons of roof tiles, as well as ochre clay and verdant foliage.’

S J Drayson - Sussex Scene, pen and wash drawing, signed in a glazed frame, artist label verso, B Crick, river scene with mountains to the distance, signed watercolour in a glazed frame, and a Ukrainian oil painting of figures walking along steps, signed with monogram to lower right corner, and framed verso

A Carel Toms watercolour 'Rocquaine Castle' 15cm x 23cm, together with a T. Weston painting 'Petit Port Bay, Guernsey' 23cm x 36cm. (2)

PICTURES AND PRINTS ETC, to include 'Roosters', a limited edition print by David Shepherd, signed, 63/850, a watercolour painting of Market Square in Lichfield by Harry Gibberd, signed John Sitson print, oil on canvas board of 'White Peonies' by Eilidh Aumour, together with five other paintings and prints (9)

PAINTING AND PRINTS etc, to include watercolour paintings of Scottish landscapes, indistinctly signed, limited edition prints by Gilliam McDonald, J R Conlin, Simon Harmer and Sean Thomas, Paul Barclay drawing of a hotel, personal inscription, together with other prints and photographs

* JOHN NICHOLSON (SCOTTISH 1921 - 2004), THE EMPRESS OF BRITAIN OFFSHORE watercolour on paper, signed 26cm x 36cm Mounted, framed and under glass. Note: John Nicholson was only five when his love affair with ships began. John was fascinated by the workings of a paddle steamer on a day trip to the Isle of Man in 1925 and he was still enjoying sailing on the paddle steamer PS Waverley 78 years later. Drawing was also an interest from a very young age and family holidays on the Clyde in the 1930s provided the subject matter for many of his early paintings. John served in WWII and spent four years as a POW. In the early 1950s he began receiving commissions. Pen and ink drawings appeared in several shipping magazines and from 1984 until 1987, John was commissioned to paint all new vessels to the Cal/Mac fleet. His attention to detail in all his pictures often led to extended correspondence with those wanting a painting of a ship in a particular livery or location. His regular trips to the Isle of Man resulted in a commission from Captain Jack Ronan to paint three Steam Packet ships for him. In 1993 he was commissioned to do a set of paintings of The Isle of Man Steam Packet ships for postage stamps issued by the Isle of Man Post Office. John was a renowned marine artist and his works will remain as a permanent memorial to his abiding interest in all things to do with the sea and, for more than 25 years, he provided the PS Waverley with artwork for their postcards, posters, timetables and advertisements - and all completely free of charge. Early in 1990, the publishers Hart, Maclagan & Will were printing their first book in The Memories of the Clyde series, The Duchess of Fife. They were searching for a suitable front-cover illustration and contact was made with John Nicholson. In 1992 the second title, Steamers of the Clyde, featured all 24 illustrations painted by John Nicholson. In 1994, Liners of the Clyde was published. This book contained illustrations of 24 liners all painted by John with his own authoritative descriptions. He followed this with another work on the steamers of the Clyde and Western Isles with the words provided by himself, Robin Boyd and Iain Quinn.

LIU CHUN-RAN 1947 THREE CHINESE WATERCOLOUR, painting on paper painting peach flower swallos signing to each other framed 27cm x 56cm with various red collectors seal mark. (3)

A CHINESE PAINTING OF MA SHIHUANG standing with horse before a river and confronted by a dragon, 26 x 78cm and another with six horses, watercolour, 26 x 97cm (2) Condition Report: each with wear. stuck down and under glass .

ALFRED GLENDINNING JNR. RBA (BRITISH 1861-1907) TAMING A DOVE Watercolour heightened with white, signed with monogram and dated 1895, 45.5 x 21.5cm (18 x 8 1/2") Condition Report: On close inspection the paper has a slight wave to it but the painting appears to be in good condition with no significant issues.

E. BROOM "Three English Partridge in Flight with Village in the Background", watercolour, signed lower left, C CHANDLER "Left and Right Guns with Pheasant in Flight", watercolour/pastel, signed lower left and AFTER LEON DANCHIN (1887-1939) "Mallards in Flight", colour print, signed in pencil lower left CONDITION REPORTS Painting appears to be slightly discoloured. There are water marks on the painting and areas of foxing, mainly to the top right of the painting. The mount board is rippled and the water damage is discoloured. There are accretions behind the glass and on the inner frame. Has general wear and tear commensurate with age. See photos for details.

NICOLA OTTLEY "Study of a Labrador", watercolour, signed and dated 1988 lower right, together with a further painting by the same hand depicting "Two Dogs Playing", watercolour, pencil and ink, signed and dated 97 lower left

HENRY CHARLES FOX (1855-1929); watercolour, rural scene featuring farmer driving cattle to foreground, signed and dated 1912 lower right, approx 37 x 54cm, framed and glazed.Additional InformationFrame is heavily worn with damage and loss throughout, the picture has slipped in the mount, some visible spotting and foxing, wear to the corners and edges of the painting.

Attributed to Peter la Cave (Continental 18th Century), Unfinished painting cattle in a stable. Watercolour, mounted and framed. Measurements 22.8 x 30.5 cm

20th century school oil painting on canvas of an abstract style street scene in Lloret De Mar, dated 1959, 30 x 45 cm, a further 20th century oil painting on canvas of a city view, oil painting of forest scene, and a sepia coloured watercolour of a park scene signed Frank S Quinton and dated 1979, various sizes, all framed (4)

M Hayes (20th century British) - Carlingford Castle, Mountains of Mourne, watercolour on paper, signed and dated 76, inscribed verso, 38 x 54.5 cm, together with a coloured print after L S Lowry - Lancashire Village, a coloured print after Coulson of a lake scene, an oil painting on canvas, signed S Leigh of a still life with roses, a mirror with etched decoration of a pony and trap within moulded gilt frame (5)

Judi Whitton (20/21st century British) - view of the Nibley Monument, watercolour on paper, signed, 26 x 36 cm, a further oil painting on canvas of cattle grazing by the same hand, 24.5 x 334.5 cm together with Jo Goodband (20/21st century British) - The Coal Drop, Sharpness, pastel on paper, signed 35 x 53 cm, all framed (3)

E W Storey (late 19th century British) - shoulder length portrait of a native boy, charcoal on paper, with indistinct inscription and signature verso, 46 cm max oval, an oil painting on canvas of an Indian market scene 26 cm x 35 cm, a watercolour of a lake scene, indistinctly signed and dated 1905, a late 19th century sepia photograph of a street scene inscribed Leh Bazaar Ladak, further black and white photographs of landscape subjects, etc, various sizes, all framed (13)

Frederick James Aldridge (1850–1933) - A late 19th/ early 20th Century watercolour painting on paper entitled 'On The Thames' depicting steam and sailing boats on the river Thames, St Paul's cathedral visible in the distance. Signed F. L. Aldridge to lower right corner. Framed and glazed. 

A very good watercolour of a Piazza scene, in Assisi by Gwilt Jolley R A, this painting exhibited at the No 21 Exhibition 1892 - no 1206/1982 - signed Gwilt Jolley Assisi, painting size 37x26 cm - colours good, no foxing

Rosemarie de Goede, pen and watercolour on paper entitled "I'll show you how", the painting depicting a sow eating with piglet watching on, signed lower right, Image size 38 x 26.5 cms, framed size 52 x 42 cms

Good George IV gilt framed portrait miniature watercolour, portrait miniature by William HUDSON, (English d1847), signed lower right, of Master Richard Joseph Dickens, aged 2 1/2 years, dated 1827, in water gilded frame, contemporary with the painting, with hand written label verso, noting provenance, and : Exhibited in the Royal Academy in the year it was painted, 1827, (14.5cm X 10.5cm approx).

James Longueville P.S., R.B.S.A. (1942-) , "Evening Sun, Grand Canal, Venice", signed, titled on gallery label - 'Sarah Samuels Fine Paintings' verso, oil on board, 39 x 59cm, 15.25 x 23.25in. Artists’ Resale Right (“droit de suite”) may apply to this lot. * James Longueville was born in 1942 near Chester. Following a career in journalism, he started to paint professionally in 1972, concentrating on the landscape around his South Cheshire studio. Working in oil, pastel and watercolour, his work is traditionally figurative, influenced by a long line of exponents in European Landscape painting from Boudin, Constable and the East Anglian School to Wilson Steer, Seago and others. He learned much from the fine North country artist Angus Rands. He successfully captures colour, light and atmosphere in his paintings. Being interested in, and/or excited by, his subject is of paramount importance to him - he is fascinated by light and its interaction with colour and activity. He paints daily and travels in England, Ireland, France and Italy always looking for new material. His work hangs in public and private collections as well as in significant corporate collections in this country and abroad. He has won twice the Patterson Pastel Award at the Pastel Society. He was awarded the John White Memorial Prize at Patterson’s Venice in Peril Exhibition 2010. He has exhibited regularly at the Mall Galleries London, and with the Royal Society of British Artists and the Royal Society of Oil Painters. He is a highly regarded senior member of the Pastel Society to which he was elected in 1983. He has shown in the Royal Academy and exhibits with the Royal Birmingham Society of Artists, a full member of which society he was elected in 1989. All his work passes through Sarah Samuels Fine Paintings before going to galleries in London, Norfolk and Suffolk where his work is also regularly exhibited.

L Bill, 'Street scene, Antibes', unframed watercolour, signed, 52.5 x 36.5cm and a companion, 'Fishermen tending their nets, 37.5 x 55cm, a pair, together with an unsigned oil painting titled 'Paysage, Okehampton' verso, 64.5 x 80cm, (3).

Iris Bowen Evans BA, 'Branches overhanging a river edge', signed circular watercolour on silk, dated 2000, 40cm diameter, a modern oil painting 'Snow Landscape' and one other, a modern wool-work picture and three other paintings, (7).

Pair of gilt framed coloured prints of angels, modern watercolour, vase of flowers, two other framed prints and an Egyptian painting

Dutch scene oil painting, Coastal scene oil, Lake scene oil and unframed watercolour.

George Clarkson ( Stanfield ) 1828 - 1878 Welsh Landscape with Hills / River Watercolour. Signed. Small Size - Please See Photo. 6 x 11 Inches - 15 x 27.5 cm ( Painting Size ) Mounted and Framed Behind Non Reflective Glass.

C.C.Smith British Artist - Titled ' Loch Duich ' Invershiel Watercolour. Signed and Dated 1983, Mounted Behind Glass. Painting Size Only 9.5 x 13 Inches - 23.75 x 34 cm.

Framed Watercolour by David Rust. Painting entitled 'Towards Lands End', framed in a contemporary white frame and mounted behind glass. Painting measures 24" x 24" including frame. Original sales receipt for painting is on the back of the picture, with details of the artist. Please see images.

Peter Macgregor Wilson R.S.W. 1856 - 1928 Scottish Well Known Watercolourist, Exhibited at the Royal Academy, Title - Springtime In The Scottish Lakes with Figures, Boats Watercolour. Signed Lower Left. Mounted and Framed Behind Glass. Painting Size Only 11 x 19.25 Inches - 27.5 x 48 cm.

Watercolour of Donkey in Stable Signed TH 1881. Lovely painting of a donkey with a small dog, signature TH and dated 1881 to right hand corner. Picture is mounted and framed behind glass, and measures 73 x 56 cm. Some slight damage to frame. Please confirm with photographs.

W.L.Leitch 1804 - 1883 - Titled ' Near Reigate ' Leith Hill In Distance Cattle, Sheep to Foreground Farm House and Buildings In Distance - Watercolour. Signed, Mounted and Framed Behind Glass. Gallery Label to Back. Painting Size 6.5 x 9.5 Inches - 16.25 x 23.75 cm. Foxing or Fading Excellent.

Signed Framed Watercolour Painting - Coastal Scene