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PALMER (Arnold), More Than Shadows, A Biography of W. Russell Flint, published 1943, together with various other books relating to British art and artists including the Dictionary of British Equestrian Artists by Sally Mitchell; Watercolour Painting in Britain, The Eighteenth Century and others, (qty).
MICHAEL BENSLEY (XX) A framed and glazed watercolour of the life craft H.F Bailey in rescue for the grounded Mount Ida steam ship 1939. Signed bottom right and verso and dated 2001. 42.5cm x 33.5cm. Together with two hard backed volumes relating to Bensley's work, one of which includes this painting.
Charles Sims, RA, RWS (British, 1873-1928) Breton Maiden signed lower right "Charles Sims 1890" watercolour, in a gilded wooden frame 52 x 35cm (20 x 14in) Provenance: A gift from the artist to a friend in Islington and by descent Charles Sims was born in Islington, London. In 1890 he began to study painting and he enrolled at the South Kensington College of Art, before moving to Paris for two years at the Académie Julian from 1891-1892, under Benjamin Constant and Jules Lefebre. He then studied at the Royal Academy Schools from 1892 to 1895, where he was awarded the Landseer Scholarship. Sims painted portraits, landscapes, and decorative paintings. He was one of that group of artists who continued to paint symbolic and romantic themes after World War I. His Continental training accounts for his fluent handling of paint, and his confident treatment of space and atmosphere. These qualities rapidly gained him critical and academic success. He held a highly successful one man show at the Leicester Gallery in 1906, and 'The Fountain' was bought for the Chantrey Bequest in 1908. Academic honours followed. He was elected Associate of the Royal Academy in 1908, Associate of the Royal Watercolour Society in 1911, Member of the Royal Watercolour Society in 1914 and a Royal Academician in 1915. He became Keeper of the Royal Academy Schools in 1920. The First World War proved to be a traumatic experience for Sims, from which he never recovered. His eldest son was killed and he was unbalanced by what he witnessed in France, where he was sent as a war artist in 1918. His subsequent paintings often show signs of the mental disturbance which led him to resign his post at the Royal Academy Schools in 1926. In 1928, Sims committed suicide. A study of his life by one of his sons appeared in 1934 (Charles Sims, ed. Alan Sims, Picture Making: Technique & Inspiration, London 1934) and a selection of his work appeared in the Last Romantics exhibition (Barbican Art Gallery, London 1989). Some foxing overall.
Chinese School, Watercolour on silk, Cranes and flowers, 95cm x 44cm, Framed and glazed, With another similar but smaller Chinese painting (2) CONDITION REPORT: Both with some fading to the textile ground. The smaller is on paper appears to be reduced in size - parts of the panel are folded over to the reverse of the frame. The larger may have a small section at the bottom folded under the frame / lacking, the edge to the top folded over verso and blue in colour. The larger with fold lines going across at regular intervals. Both a little grubby. Frames with general wear. Attention will be needed to both.
Moorcroft Original Artwork Watercolour Painting By Phillip Gibson Depicts a large vase in the 'Hidcote manor' design. Dated 2004 and signed by the artist to lower right. Framed and mounted under non-reflective glass by the Moorcroft Art Studio. Size inclusive of frame 28 x 21 inches. Excellent condition
Lesley Anne Ivory (b.1934) Original Watercolour Painting A rare and unusual example by world renowned artist and illustrator Lesley Anne Ivory. Depicts two bunnies amongst grasses and wildflowers, rendered in watercolour on paper, signed by the artist to bottom right in grey watercolour. Framed and mounted under glass, 10.5 x 13 inches. This item can not be exported outside of the EU.
Lesley Anne Ivory (b. 1934) Original Watercolour Painting ' Pied Wagtail' A rare example by world renowned artist and illustrator Lesley Anne Ivory. Depicts a Pied Wagtail amongst pebbles. Watercolour with bodycolour, signed by the artist in grey watercolour to bottom centre. Very good condition, framed and mounted under glass, 6.5 x 4.5 inches. This item can not be exported outside of the EU.
GEORGE HENRY EVISON (ENGLISH 1870 - 1928),A Victorian 1892 watercolour painting on card being signed lower left depicting a lady in period dress on country path by gate entitled ' Waiting ' . Evison was an illustrator of a large number of children's adventure books of the Edwardian era, and was highly regarded in his day. The Dictionary of Illustrators describes him as "a particularly good figure artist" Measures 42cms x 35cms
British school, mid 19th century, Portrait of a young man, half length seated wearing a black stock and jacket, watercolour, 11 x 9cm, together with an oil on panel depicting an 18th century gentleman examining a painting and head and shoulders late 19th century oil of a man in Alpine dress, all by different hands, (3)
JOHN BEER "Beeches Brook 1st time round Grand National 1907", watercolour, signed lower right CONDITION REPORTS Areas of foxing on the mount card. The main picture has been heightened in white, mainly the jockeys, horses and the fence. The names written on the painting appear to have been written in pencil first and gone over in watercolour. A couple of dents to the frame. All foxing and damage commensurate with age
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