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An Arts & Crafts copper shield-shaped Picture Frame, repoussé decorated with a mythical fish beside a beaded oval aperture enclosing a watercolour painting of a Kingfisher, on corresponding stained oak back board, 15in (38cm) high.

A Dictionary of Artists who have Exhibited Works in the Principal London Exhibitions from 1760 - 1893 by Algernon GravesFurther books on artists to include The Dictionary of British Artists 1880 - 1940, Dictionary of British Watercolour Artists up to 1920, The Paintings of L S Lowry by Mervyn Levy, L S Lowry by Michael Leber and Judith Sandling, Miss Carter Came With Us by Helen Bradley, books on Liverpool to include Herdman's Liverpool, Pictorial Liverpool - the art of W G and Williams Herdman by K Parrott, further books to include Prison Painting by Michael Quanne, books on North Wales, Singapore, Wirral Visions etc also "Made in Liverpool - Liverpool Pottery and Porcelain 1700 - 1850", Colourful World of Clarice Cliff, Victoriana and Art Deco, The Herculaneum Pottery - Liverpool's Forgotten Glory, books on Wedgwood and Worcester etc. (33)

Contemporary watercolour Oriental painting of a rose signed

Chinse watercolour painting of a Geisha girl in a garden setting signed top right

John Wilson Carmichael (British 1799-1868): The Battle of Trafalgar with the Royal Sovereign and St. Anna in the forefront, monochrome wash sketch signed 33cm x 53cmProvenance: this watercolour was a preliminary sketch for the painting at one time in the possession of Mr E F Collingwood (photo included), the names of all the ships are recorded on the mount Condition Report Click here for further images, condition, auction times & delivery costs

Richard Weatherill, watercolour, North Yorkshire coastal scene. 23 cm x 37 cm (see illustration). CONDITION REPORT: This painting is in generally very good condition. It has clearly not been in bright light and the colours are strong. We can see no evidence of any foxing or any other issue for that matter. The painting could be hung and enjoyed in its current state without the need for any repairs or restoration.

John Lovekin, pair of watercolour, rural scenes, each 22 cm x 26 cm, a pair of military watercolours and an oil painting of Kilchurn Castle.

Cecil Aldin (1870-1935), pencil, watercolour and pastel painting, Spanish street scene with figures. 38 cm x 22.5 cm (see illustration).

William Heaton Cooper (1903-1995), watercolour, a Lake District moor and mountain scene. 37 cm x 54 cm, framed, signed (see illustration). ARR CONDITION REPORT: The painting is in reasonable condition but does have minor issues. There are foxing marks evident in the sky in particular. These should be evident from our images. There is also what appears to be a minor scratch across the second from left mountain top. The cardboard mount is also very discoloured and showing signs of foxing. The painting in an ideal world should be cleaned.

Leonard Barton A.R.C.A. 1893 - 1971. Titled ' The Bridge of Knaresborough ' Watercolour. Signed Gallery Label to Obverse. Mounted and Framed Behind Glass. Painting Size 12 x 18 Inches. Provenance - Atkinson Art Gallery.

Leonard Barton A.R.C.A. 1893 - 1971. Titled ' Knaresborough ' Watercolour. Signed. Provenance - College of Art Lancaster. Mounted and Framed Behind Glass. Painting Size 11 x 15 Inches.

Leonard Barton A.R.C.A. 1893 - 1971. Titled ' Cartmel Priory ' Watercolour, Signed Label to Obverse, Mounted and Framed Behind Glass. Painting Size 12.5 x 12.5 Inches. Provenance - College Lancaster of Art.

Leonard Barton A.R.C.A 1893 - 1971 Titled ' Lancaster From The Aqueduct ' Watercolour. Signed Label to Obverse. Painting Size 13 x 18 Inches. Mounted and Framed Behind Glass. Provenance Lancaster College of Art. Foxing To Sky Area of Painting.

A framed and glazed contemporary watercolour painting by Martin Bright of The Royal West Of England Academy entitled Classical shadows. 62cms high x 45cms wide.

Carlo Facchinetti (Italian, 1870-1951), after Fra Filippo Lippi The Virgin Annunciate signed lower left "Carlo Facchinetti" watercolour on paper, in a Renaissance-style embossed, gilded and painted frame 43 x 31cm (17 x 12in) Other Notes: The present painting is after Fra Filippino Lippi, Apparition of the Virgin to St Bernard, 1486, held in Badia Church, Florence. A little foxing along the top edge and also on the Virgin's hands. Under glass.

David Roberts, RA (Scottish, 1796 - 1864) The Temple of Vesta at Tivoli inscribed lower left "Tivoli Oct 1853" pencil and watercolour 19 x 17½cm (7 x 7in) Other Notes: Krystyna Matyjaszkiewicz confirms that the inscription and date are in Roberts' hand and accord with several other known drawings made by Roberts of Tivoli from a slightly more distant viewpoint, one of which has the same date as the present watercolour ('Oct 25 1853'). One of these drawings is in a private collection and the other was sold at Christie's, South Kensington, 18 May 2000, lot 164. Roberts also painted a small oil sketch of Tivoli, (whereabouts unknown), intended as a study for a larger painting that, according to Roberts, was never carried out. The present watercolour may well be the 'Tivoli' categorised under 'Slightly coloured' in Roberts' Studio Sale, Christie's, London, 16 May 1865, lot 621. We are grateful to Krystyna Matyjaszkiewicz for her assistance with the catalogue entry. Slightly faded and worn.

George Perfect Harding (British, 1779-1843) possibly After Cornelis Jonson van Ceulen (Dutch, 1593–1661) possibly After Cornelis Jonson van Ceulen (Dutch, 1593–1661) Portrait miniature of Robert Bertie, 1st Earl of Lindsey (1582-1642), standing full length in armour wearing the Order of the Garter inscribed lower right "Earle of Lindsey 1642" and inscribed verso with an account of the sitter watercolour on board 18 x 12cm (7 x 5in) Other Notes: Lord Lindsey was the godson of Queen Elizabeth I and son of Peregine Bertie, 13th Baron Willoughby de Eresby and Mary de Vere, daughter of John de Vere, 16th Earl of Oxford. He was appointed General-in-Chief of the Royalists for the Battle of Edgehill by King Charles I at the start of the English Civil War. He died at the Battle of Edge Hill, where his son, Lord Willoughby also fought. A three quarter length portrait of Robert Earl of Lindsey by Cornelis Jonson van Ceulen was sold in Belgium in 1993 and this may have provided the model for the present painting.

An Indian miniature painting, watercolour on paper, painted with Krishna in a landscape with four gopis (a.f), 18cm. by 11.5cm, framed and glazed.

DAVID ANDREWS (MODERN) WATERCOLOUR DRAWING ON GREY TINTED PAPER Adult male sparrowhawk Signed, inscribed on label verso 9 3/4" x 7 3/4" (24.5 x 19.5cm) ALSO OIL PAINTING ON BOARD Group of horses Indistinctly signed and dated 1977, lower right 9" x 11 1/2" (23 x 29cm) (2)

W.J. SHAPHARD SMALL WATERCOLOUR DRAWING Be calmed fishing boats 4" x 7 1/2" (10.2cm x 19cm) FOUR OTHER SMALL UNFRAMED WATERCOLOUR DRAWINGS AND W. MOLYNEUX UNFRAMED SMALL OIL PAINTING Fishing boats under sail, 6 1/4" x 4 1/4" (15.9cm x 10.8cm)

Possibly Colonal Poole, a Victorian oil on canvas painting of a terrier, titled Jess 1898 to gilt frame, together with an Art Deco period watercolour of a terrier, framed (2)

Watercolour and gouache painting of a naval ship in a stormy sea (possibly early 20th century) 38.5 cm x 28.5 cm

Abstract David Holmes (1940-2010) watercolour and gouache painting 'Float III' 44 cm x 53 cm

Watercolour and gouache portrait painting of a horse by Lincolnshire artist C A Howe 42 cm x 53 cm

Ralston Gudgeon, signed watercolour study of a stonechat, together with a mixed media painting of an exotic bird, signed L. Buckingham

LOT OF PICTURESincluding a early 20th century harbour scene watercolour, an Aboriginal dot painting, etc

A Really Good Early 20th Century Watercolour of a Hay Shed Interior; no signature but a good painting.

P H ELLIS watercolour - river scene with grazing cattle, signed and entitled verso 'The River Mawddach', Penmaen Cliff in the distance, 27 x 48 cms (no glass to this painting)

An original watercolour painting of an Ironstone jug by television artist Jenny Wheatley

Charles E Brittan, Afterglow, North Hessary, Dartmoor, watercolour, signed, 51.5 x 72 cm, and a print (2) Condition report Report by GH The note on the bottom right hand of the picture reads 'This painting is entitled North Hessary and is a depiction of the hill where, afterwards, Dartmoor Prison was built (the hill is presently host to a large tv mast). It is easy to find the spot where Charles Batten sat with his watercolours' Some discolouration around the edges of the picture and some light spotting, particularly evident in the sky on the left of the picture. However colours generally very good and overall presents well

A fine 18thC watercolour painting, c1750, the wooded landscape with a drover with his cattle by a farmhouse with various chickens, birds and two carriages with riders and horse, in a later maple frame, 60 x 45cm

A 19th century oil painting on canvas of a church interior scene with a woman and children beside a tomb, 30 x 40 cm in gilt slip, an early 20th century watercolour of wooded hills, signed bottom left Alec C. Quayle, inscribed verso 'East Baldwin, Isle of Man' and with presentation inscription from Elsie and Alec, a watercolour of a woodland scene and a colour print of a young woman and cattle at twilight, all framed, together with an 1897 Jubilee paper napkin showing the colonies

A 20th century oil painting on canvas , still life with a vase of red poppies, indistinctly signed bottom right M. Kremnith? 32 x 42 cm in gilt frame, together with a 19th century watercolour of a landscape with cattle and ruined cottage in burrwood frame, four 19th century coloured engravings of horses in stable interiors, coloured print of a hunting scene, German etching, framed postcards relating to Chipping Campden and a cashbook

A small oil painting on canvas of a landscape with pond and tree, 20 x 15 cm in gilt frame, an early 20th century watercolour of a courtyard scene with figures, indistinctly signed bottom left John Ellis? 30 x 25 cm, a watercolour of a mountainous lake scene with yellow iris, signed bottom right M. Biggs, dated 48 and inscribed Glengariff and with label verso 'Near Kirkcudbright, Mary I. Biggs' and with Moseley address details 27 x 34 cm, also together with a small collection of mirrors of various style

S. Petty 1901. An Edwardian watercolour painting of tall ships at harbour with countryside to the foreground. Signed to the corner, framed and glazed. Measures: 23cms high x 46cms wide.

ORIGINAL WATERCOLOUR "MAN PAINTING BOAT"

George Sheffield (1839-1892),watercolour,Oriental Phantasy (sic), river scene with boats and figures with temple beyond,un-signed,24cm x 34cm - framed and glazedWith City of Manchester Art Gallery label verso for an exhibition in 1912, this painting No 74, owners exhibition label for Sir Arthur H. Crosfield and Thomas Agnew & Sons labelPLEASE NOTE: The proceeds of this lot are being gifted to several animal charities including Animals Asia, Blue Cross, Born Free, China Animal Protection, Compassion Without Borders, Fauna & Flora International, P.E.T.A, Rahat India, RSPCA Hampshire and Surrey Borders, SPANA, Humane Society International, Whale and Dolphin Conservation Sanctuary, Four Paws International and Retired Greyhound Trust

Giuliana Lazzerini (active), "Blue Roof Tops", signed lower right, watercolour, 13 x 17.5 cm, gilt frame, ARR. Giuliana Lazzerini was born in Seravezza near Pietrasanta in Tuscany. Between 1962 and 1968 she was a student at the Istituto D'Arte Stagio Stagi in Pietrasanta, gaining a Master of Arts Diploma. This was followed by a further four years studying painting at the Accademia di Belle Arti di Carrara. Giuliana moved to Yorkshire, England in 1987 and now lives in York. For further information see http://www.giulianalazzerini.com.

John J Holmes ( active 1985 - current), Edinburgh street scene with the castle in the background, signed lower left hand corner, watercolour, 35 x 28 cm, mahogany frame. ARR Lives in Tynemouth, Berwick-Upon Tweed. He moved to Edinburgh in his mid-twenties, working in research and teaching laboratories. In 1985 he retired to dedicate more time to his painting. His work often has a nautical theme.

An oil painting and a watercolour

VARIOUS MANUFACTURERS - sets and part sets of birds and bird related cards; painting of Song Thrush; books and other related material together with two scrap books containing assorted cards; 1930's hotel brochure; watercolour of Looe and other similar items (a lot)

A good watercolour painting of Park Street Bristol , the view towards the top of Park street up to the University and Wills building , signed A.V. PACE a respected local artist

Donald H Edwards. A watercolour painting on board being framed and glazed, likely the Slad Valley. Signed to the corner

CLARENCE WOODBURN - A LAKE SCENE with hills beyond, watercolour signed and dated 1946, 28cm x 37cm together with two prints and a watercolour by Tim Bulmer and a watercolour by Judith Foster and an abstract painting by Marion Crosfield (6)

A WATERCOLOUR PROFILE PORTRAIT of a woman with a rose in her hair, after Dubarry, signed Davis, and dated '38, 49cm x 36cm together with a gouache painting of a Japanese girl studying a butterfly, signed 'B Birch' and dated 1922, 29cm x 16.5cm, and an unframed contemporary painting indistinctly signed and dated '97 (3)

A WATERCOLOUR AND GOUACHE OVAL PAINTING depicting a view of Venice 39.5cm x 29cm together with an Italian lake, lakeland watercolour, signed M.Beal and dated 1871 together with further decorative oil paintings, watercolours and prints to include further lake views and also a pair of plaster profile depictions of suits of armour (16)

An Art Deco style Painting of a Woman in a Half Round Aperture amongst Ferns; Watercolour with Silvered Highlights, Signed Boothe?

A Watercolour Painting of Figures in an Ornate Setting with a Fountain, inscribed 'From Macbeth Act I Scene I' and 'Lady Macbeth Sleepwalking', signed, together with a Watercolour Painting of Three Witches at a Cauldron, not signed. 46 x 63 cm. By British Artist Peter Jones (1917-2008).

Framed watercolour of a Viking Flagship at Garrison Savanna, horse racing painting signed Matt 04

Stirling Gillespie (1908-1993) 'Clyde Panorama' Watercolour, signed lower right, 27 x 19cm CONDITION REPORT: Lot 350 - painting itself in good condition, very minor foxing to mount, frame slightly chipped. Gallery stamp verso: 'David Brown, Glasgow'.

WWII PORTRAIT WATERCOLOUR PAINTING OF OFFICER IN TROPICAL UNIFORM

A watercolour, Hugh Casson, Beached Boat at Aeyira, monogrammed, 2.5x6', mounted and framed and a Japanesque rice paper painting, 7x10.5'

RIGBY GRAHAM (1931-2015) (ARR) An original framed watercolour landscape painting signed and dated 29th May 1984 with original Goldmark Gallery label verso, 24.5cm x 35cm

Mid 20th Century School - abstract study, oil on canvas, 36" x 28", mounted but unframed (at fault); together with 1960s landscape watercolour monogrammed AS and a 1970s oil painting by Noel Gibson (3)

ROBERT GEMMELL HUTCHISON RSA RSW RBA ROI (SCOTTISH 1855 - 1936), GULLS AT ST ABBS oil on canvas, signed 76.2cm x 101.6cm (30 x 40 inches) Framed. Provenance: The estate of the artist and by descent. Note: Robert Gemmell Hutchison was born and educated in Edinburgh. He was soon recognised by the art fraternity and became one of the most prolific exhibitors of his day. He was elected to many prestigious academies throughout the British Isles, including; The Royal Society of British Artists, The Royal Institute of Oil Painters, The Royal Society of Painters in Watercolour and The Royal Scottish Academy. There are close similarities between his work and some of the Glasgow School of Painters in particular, in his use of broad brushstrokes and soft, mute colouring. Coastal views are most effective on a large scale, an inspiration Hutchison would have drawn from William McTaggart, and the younger artist was instructed by him at the Trustees' Academy in 1877 alongside notable contemporaries such as Arthur Melville and Patrick William Adam. This painting is a relatively rare and large example of a Gemmell Hutchison coastal view without children playing in the foreground. The McTaggart influence is obviously strong.

‡RUDOLPH HELMUT SAUTER (1895-1977)The Chase (China Clay Pits)signed 'R.H. Sauter' (lower left)watercolour, unframed21 1/4 x 15 1/2 in (54.1 x 39.4cm); and a selection of eleven other watercolours by the same artist depicting landscapes, all signed, subjects include Harlech Bay (1949) and The British Camp-The Malverns; twelve (12)Sauter studied art in London and Munich. During the First World War he was interned at Alexandra Palace, London and in Frimley, Surrey. Later he travelled widely, painting landscapes in Britain, Europe and Africa. He was the nephew of the novelist John Galsworthy.

EDWARD KING REDMORE (1860-1941)Low Tidesigned with initials 'E.K.R.' (lower left)oil on canvas11 1/2 x 17 1/2 in (29.2 x 44.3cm)Sold with a watercolour by Thomas Bush Hardy RBA depicting 'A beached Lugger on the shore at Eastbourne'; and an oil painting by John Falconar Slater depicting a farmhand returning home on a country track, walking past a cottage; three (3)

A Really Good Early 20th Century Watercolour of a Hay Shed Interior; no signature but a good painting.

TWO HANDLED WOODEN SMALL OBLONG TRAY WITH GLAZED NEEDLEWORK CENTRE, REPRODUCTION 'DOMESDAY MAP OF LANCASHIRE' 1086', WATERCOLOUR DRAWING BY D. BUDGE, 'FIGHTING DOG OF ANCIENT BRITAIN', EGYPTIAN PAINTING ON PAPYRUS AND A COLOUR PRINT 'CROSSING LANCASTER SANDS' (5)

A COLLECTION OF PICTURES TO INCLUDE; TWO WATERCOLOUR DRAWINGS OF SNOW SCENES, AN OIL PAINTING ON A GARDEN SCENE, ANOTHER PRINT OF LUDLOW AND TWO OTHERS (6)