Gertie Young RWS Gone Before Winter Gouache, pencil, collage and cold wax on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Gertie was born in Nottingham and moved to London in 1968 to study at Hornsey School of Art. Over the years she continued to paint, filling sketchbooks and always searching for her own visual language. She takes her subjects from surrounding life - holidays, household objects, walking or gardening. Gertie has firmly established her position as an artist in the UK, having participated in a variety of National competitions and exhibitions such as: the Royal Academy's Summer Exhibition, the National Open Art competition, the RWS' Contemporary Watercolour Competition, the Society of Women Artists Annual Exhibition, the Sunday Times Watercolour competition, the New English Art Club exhibition, the Royal Society of British Artists exhibition, the Royal Institute of painters in watercolour exhibition and the Royal Watercolour Society where, after becoming a member she also became the society treasurer. Her paintings can be found in private collections in the USA, Oman, Germany, France and Spain as well as here in the UK. Each of Gertie's paintings is like a little journey that makes its way out into the unknown. The images that arise are based on a mixture of observation, emotional memory and imagination. Ultimately her pieces often deal with the meeting of opposites: whether near or far, natural or man-made, mundane or celestial, personal or global. Fairy stories, poems, dreams, imaginary or real objects and places provide her with a constant stream of ideas. Gertie spends most of her time pushing back reality. Education Hornsey Art College Select Exhibitions/Awards Memberships include: Member of the Royal Watercolour Society Awards include: Contemporary watercolour competition Seawhite award winner, National Open Art competition winner, Sunday Times watercolour competition winner, Julian Barrow award Exhibitions include: Chelsea Art society, Royal Institute of painters in watercolour, New English Art Club, Royal Society of British Artists, Mall Galleries, RA Summer Exhibition Gallery Representation Bankside Gallery, London Statement about AOAP Submitted Artwork My pieces often deal with the conjunction of opposites; whether near or far, natural or man-made, mundane or celestial. Each painting is like a little journey into the unknown. They are unplanned and assemble themselves as I paint. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
We found 11513 price guide item(s) matching your search
There are 11513 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
11513 item(s)/page
Richard Spare Spring Bullfinch (Detail), 2023 Drypoint and watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Richard Spare is a painter and printmaker. After studying painting at Maidstone College of Art in the 1970s, Richard embarked on a career that has seen him edition work for a number of leading contemporary artists including David Hockney, Robert Ryman and Jasper Johns among others. He has exhibited his own work internationally and has often displayed work in our own Summer Exhibition over the years. He first came to Hockney's attention in 1977 working as his assistant. During their time together, Spare took charge of setting up an etching studio for him and observed Hockney creating sets for a Glyndebourne production of The Magic Flute. A decade later, Spare was working with Jasper Johns in New York, proofing and editioning complex carborundum prints. Today, Spare focuses on producing his own work, drawing on themes of nature and travel. Based in Charlton, he works from a converted Victorian coach house. A homage to the art of printmaking, this specially designed studio is home to his lovingly restored antique etching presses. Education Maidstone College of Art 1971 - 1974 Select Exhibitions/Awards 2001-21 13 tours of Japan totalling over 200 solo exhibitions 2012 Guest International Artist, Melbourne, Australia Solo Exhibitions in: Australia, Japan, Korea, United Kingdom Selected Group Exhibitions RA Summer Exhibitions. 1973-2023 44 Artworks selected for 30 Summer Exhibitions at the Royal Academy of Arts, London Invited Artist at: 2016 The Original Print Show curated by Norman Ackroyd CBE RA, Zillah Bell Gallery, Thirsk, Yorkshire 2014-15 Painter Printmakers - The Six-Month Launch Exhibition of RA Art Sales, The Keeper's House, Royal Academy of Arts, London 2005 The Discerning Eye Exhibition, Mall Galleries, London 2003 The Winter Print Fair, The Friends Room, Royal Academy of Arts, London 1997 The Discerning Eye Exhibition, Mall Galleries, London Gallery Representation Public Collections Art in Healthcare Aston University Berlin Central and Regional Library British Library Cartwright Hall Art Gallery Chelmsford Museum Federation University Australia Hastings Museum and Art Gallery Horsham Regional Art Gallery, Victoria, Australia Hunterian Art Gallery Imperial Health Charity Leeds Art Gallery Maidstone Museum Museum of London Museum of the Home Penlee House Gallery and Museum Royal Cornwall Museum Trevelyan College, Durham University University College London Hospitals Trust Victoria and Albert Museum. Statement about AOAP Submitted Artwork 'Chat' detail, a glimpse into Richard's London Garden, where birds meet for a chat on the garden bench he renovated. Spring Bullfinch detail, a welcome spring visitor to the magnolia tree in Richard's London Garden. Honeysuckle detail, honeysuckle winds its way through the jasmine and clematis in Richard's front garden in London. A heavenly scent on a summer evening. All three are cropped from original drypoint and watercolour prints and are unique. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Richard Spare Chat (detail), 2023 Drypoint and watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Richard Spare is a painter and printmaker. After studying painting at Maidstone College of Art in the 1970s, Richard embarked on a career that has seen him edition work for a number of leading contemporary artists including David Hockney, Robert Ryman and Jasper Johns among others. He has exhibited his own work internationally and has often displayed work in our own Summer Exhibition over the years. He first came to Hockney's attention in 1977 working as his assistant. During their time together, Spare took charge of setting up an etching studio for him and observed Hockney creating sets for a Glyndebourne production of The Magic Flute. A decade later, Spare was working with Jasper Johns in New York, proofing and editioning complex carborundum prints. Today, Spare focuses on producing his own work, drawing on themes of nature and travel. Based in Charlton, he works from a converted Victorian coach house. A homage to the art of printmaking, this specially designed studio is home to his lovingly restored antique etching presses. Education Maidstone College of Art 1971 - 1974 Select Exhibitions/Awards 2001-21 13 tours of Japan totalling over 200 solo exhibitions 2012 Guest International Artist, Melbourne, Australia Solo Exhibitions in: Australia, Japan, Korea, United Kingdom Selected Group Exhibitions RA Summer Exhibitions. 1973-2023 44 Artworks selected for 30 Summer Exhibitions at the Royal Academy of Arts, London Invited Artist at: 2016 The Original Print Show curated by Norman Ackroyd CBE RA, Zillah Bell Gallery, Thirsk, Yorkshire 2014-15 Painter Printmakers - The Six-Month Launch Exhibition of RA Art Sales, The Keeper's House, Royal Academy of Arts, London 2005 The Discerning Eye Exhibition, Mall Galleries, London 2003 The Winter Print Fair, The Friends Room, Royal Academy of Arts, London 1997 The Discerning Eye Exhibition, Mall Galleries, London Gallery Representation Public Collections Art in Healthcare Aston University Berlin Central and Regional Library British Library Cartwright Hall Art Gallery Chelmsford Museum Federation University Australia Hastings Museum and Art Gallery Horsham Regional Art Gallery, Victoria, Australia Hunterian Art Gallery Imperial Health Charity Leeds Art Gallery Maidstone Museum Museum of London Museum of the Home Penlee House Gallery and Museum Royal Cornwall Museum Trevelyan College, Durham University University College London Hospitals Trust Victoria and Albert Museum. Statement about AOAP Submitted Artwork 'Chat' detail, a glimpse into Richard's London Garden, where birds meet for a chat on the garden bench he renovated. Spring Bullfinch detail, a welcome spring visitor to the magnolia tree in Richard's London Garden. Honeysuckle detail, honeysuckle winds its way through the jasmine and clematis in Richard's front garden in London. A heavenly scent on a summer evening. All three are cropped from original drypoint and watercolour prints and are unique. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Richard Spare Honeysuckle (detail), 2023 Drypoint and watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Richard Spare is a painter and printmaker. After studying painting at Maidstone College of Art in the 1970s, Richard embarked on a career that has seen him edition work for a number of leading contemporary artists including David Hockney, Robert Ryman and Jasper Johns among others. He has exhibited his own work internationally and has often displayed work in our own Summer Exhibition over the years. He first came to Hockney's attention in 1977 working as his assistant. During their time together, Spare took charge of setting up an etching studio for him and observed Hockney creating sets for a Glyndebourne production of The Magic Flute. A decade later, Spare was working with Jasper Johns in New York, proofing and editioning complex carborundum prints. Today, Spare focuses on producing his own work, drawing on themes of nature and travel. Based in Charlton, he works from a converted Victorian coach house. A homage to the art of printmaking, this specially designed studio is home to his lovingly restored antique etching presses. Education Maidstone College of Art 1971 - 1974 Select Exhibitions/Awards 2001-21 13 tours of Japan totalling over 200 solo exhibitions 2012 Guest International Artist, Melbourne, Australia Solo Exhibitions in: Australia, Japan, Korea, United Kingdom Selected Group Exhibitions RA Summer Exhibitions. 1973-2023 44 Artworks selected for 30 Summer Exhibitions at the Royal Academy of Arts, London Invited Artist at: 2016 The Original Print Show curated by Norman Ackroyd CBE RA, Zillah Bell Gallery, Thirsk, Yorkshire 2014-15 Painter Printmakers - The Six-Month Launch Exhibition of RA Art Sales, The Keeper's House, Royal Academy of Arts, London 2005 The Discerning Eye Exhibition, Mall Galleries, London 2003 The Winter Print Fair, The Friends Room, Royal Academy of Arts, London 1997 The Discerning Eye Exhibition, Mall Galleries, London Gallery Representation Public Collections Art in Healthcare Aston University Berlin Central and Regional Library British Library Cartwright Hall Art Gallery Chelmsford Museum Federation University Australia Hastings Museum and Art Gallery Horsham Regional Art Gallery, Victoria, Australia Hunterian Art Gallery Imperial Health Charity Leeds Art Gallery Maidstone Museum Museum of London Museum of the Home Penlee House Gallery and Museum Royal Cornwall Museum Trevelyan College, Durham University University College London Hospitals Trust Victoria and Albert Museum. Statement about AOAP Submitted Artwork 'Chat' detail, a glimpse into Richard's London Garden, where birds meet for a chat on the garden bench he renovated. Spring Bullfinch detail, a welcome spring visitor to the magnolia tree in Richard's London Garden. Honeysuckle detail, honeysuckle winds its way through the jasmine and clematis in Richard's front garden in London. A heavenly scent on a summer evening. All three are cropped from original drypoint and watercolour prints and are unique. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Kay Spare The Slipper Thief, 2023 Etching, aquatint and watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Kay Spare studied Art and Education at Goldsmiths' College, University of London (1979-83). She taught Art to 11-19 year old children in London's East End for a decade until the birth of her two sons, when she went into partnership with her husband and fellow artist, Richard Spare. Together they set up Wellington Studio in Charlton, London, where he follows his passion for printmaking - she follows hers for painting. Themes are primarily from still life, landscape and the figure, a discipline instilled whilst at college, where her models were dancers from the Laban Centre, which was then based at Goldsmiths'. Recently, Kay has gone on to write and illustrate three children's books which are published on Amazon Kindle: Mrs Timms' Ten Cats, Roll Up Master Prickles and Mooncat. Kay was a prize-winner in the 2007 Dulwich Picture Gallery Portraits of Children competition, judged by Humphrey Ocean RA. Frequent trips to Brittany in northern France have resulted in a new collection of watercolours and oils featuring seascapes and harbours. The western sky over the sea holds particular fascination for Kay; the endlessly changing colours remain an enduring source of inspiration, resulting in rich oil paintings. Education Kay Spare studied Art and Education at Goldsmiths' College, University of London (1979-83). Select Exhibitions/Awards Two solo exhibitions entitled A New Landscape, influenced by holidays in Tuscany and the South of France, where the sheer joy of the colours, textures and the patterns of the landscape, inspired her work. Held at St Martin's Gallery, St Martin in the Fields, Trafalgar Square, London, and Norden Farm Centre for the Arts, Maidenhead, in collaboration with poet John Powls. This followed a previous collaboration in 1998, when her black and white figure drawings were used by John to illustrate his book of poetry, Galerie D'Amour. Kay was a prize-winner in the 2007 Dulwich Picture Gallery Portraits of Children competition, judged by Humphrey Ocean RA. Gallery Representation She has work held in the collection of Trevelyan College, University of Durham, following Colour & Line, a joint show with Richard, and Kings College Hospital, London, where five of her large watercolour and mixed media paintings are on permanent display. Statement about AOAP Submitted Artwork The Slipper Thief was drawn from life from our mischievous dog, Tina, who would delight in enticing you to play by taking things and then running off to hide. My watercolour Snazzy Cat is an example of my delight in the, seemingly elastic, poses cats throw. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Kay Spare Snazzy Cat Brush and ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Kay Spare studied Art and Education at Goldsmiths' College, University of London (1979-83). She taught Art to 11-19 year old children in London's East End for a decade until the birth of her two sons, when she went into partnership with her husband and fellow artist, Richard Spare. Together they set up Wellington Studio in Charlton, London, where he follows his passion for printmaking - she follows hers for painting. Themes are primarily from still life, landscape and the figure, a discipline instilled whilst at college, where her models were dancers from the Laban Centre, which was then based at Goldsmiths'. Recently, Kay has gone on to write and illustrate three children's books which are published on Amazon Kindle: Mrs Timms' Ten Cats, Roll Up Master Prickles and Mooncat. Kay was a prize-winner in the 2007 Dulwich Picture Gallery Portraits of Children competition, judged by Humphrey Ocean RA. Frequent trips to Brittany in northern France have resulted in a new collection of watercolours and oils featuring seascapes and harbours. The western sky over the sea holds particular fascination for Kay; the endlessly changing colours remain an enduring source of inspiration, resulting in rich oil paintings. Education Kay Spare studied Art and Education at Goldsmiths' College, University of London (1979-83). Select Exhibitions/Awards Two solo exhibitions entitled A New Landscape, influenced by holidays in Tuscany and the South of France, where the sheer joy of the colours, textures and the patterns of the landscape, inspired her work. Held at St Martin's Gallery, St Martin in the Fields, Trafalgar Square, London, and Norden Farm Centre for the Arts, Maidenhead, in collaboration with poet John Powls. This followed a previous collaboration in 1998, when her black and white figure drawings were used by John to illustrate his book of poetry, Galerie D'Amour. Kay was a prize-winner in the 2007 Dulwich Picture Gallery Portraits of Children competition, judged by Humphrey Ocean RA. Gallery Representation She has work held in the collection of Trevelyan College, University of Durham, following Colour & Line, a joint show with Richard, and Kings College Hospital, London, where five of her large watercolour and mixed media paintings are on permanent display. Statement about AOAP Submitted Artwork The Slipper Thief was drawn from life from our mischievous dog, Tina, who would delight in enticing you to play by taking things and then running off to hide. My watercolour Snazzy Cat is an example of my delight in the, seemingly elastic, poses cats throw. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Sonia Martin Which Way, 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Following graduate and postgraduate studies in Fine Art, British artist Sonia Martin completed a Master's Degree in printmaking at Camberwell College of Art, London. Her work has been exhibited widely in solo and group shows including London Art Biennale; Royal Academy Summer Exhibition; New Hall College, Cambridge; the Barbican; Lynn Painter Stainers Prize Exhibition; Bankside Gallery; Contemporary Art Society; Gallery Different; Dentons Art Prize. Arising from her response to the past and to the present, her subjects are a merging of the here-and-now and the imagination. Education City & Guilds Art School and Camberwell College of Arts Select Exhibitions/Awards Widely exhibited including at the Royal Academy Summer Exhibition, the London Art Biennale, Bankside Gallery, and the London Original Print Fair. Recipient of a Pollock-Krasner Award in 2021, a Contemporary British Painting Prize Shortlisted artist in 2022, and became a Fellow of the Royal Society of Painter-Printmakers in 2023. Gallery Representation Tart Gallery, Maggio Art Consultancy, Gallery Different Statement about AOAP Submitted Artwork Figures moving forwards into different spheres. Figure moving towards a different sphere. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Sonia Martin After the Rain, 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Following graduate and postgraduate studies in Fine Art, British artist Sonia Martin completed a Master's Degree in printmaking at Camberwell College of Art, London. Her work has been exhibited widely in solo and group shows including London Art Biennale; Royal Academy Summer Exhibition; New Hall College, Cambridge; the Barbican; Lynn Painter Stainers Prize Exhibition; Bankside Gallery; Contemporary Art Society; Gallery Different; Dentons Art Prize. Arising from her response to the past and to the present, her subjects are a merging of the here-and-now and the imagination. Education City & Guilds Art School and Camberwell College of Arts Select Exhibitions/Awards Widely exhibited including at the Royal Academy Summer Exhibition, the London Art Biennale, Bankside Gallery, and the London Original Print Fair. Recipient of a Pollock-Krasner Award in 2021, a Contemporary British Painting Prize Shortlisted artist in 2022, and became a Fellow of the Royal Society of Painter-Printmakers in 2023. Gallery Representation Tart Gallery, Maggio Art Consultancy, Gallery Different Statement about AOAP Submitted Artwork Figures moving forwards into different spheres. Figure moving towards a different sphere. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Ian Everard Recto Vanishing Point Four, 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About I was born in St. Ives, Cornwall, in 1953. I have lived in Santa Cruz, California, since 1980. Influenced by Minimalism in my youth, I treat Minimalism now as a lapsed Catholic might the Church. So, I find myself still, absurdly perhaps, attempting to pare painting down to its essentials. However, unlike the Minimalists, my focus is, irreverently, on representation. I paint things I have found or inherited, such as books, pamphlets, photos or, in fact, post cards. These things are often mass-market, sexy, romantic, sensational, mysterious or deeply personal. They have been around for a while, show signs of wear and tear and, for me, there is always more to them than meets the eye. They are products of swift manufacture and mass production, but I work many hours to faithfully copy them, right down to each accident, crease, smudge or tear. The paintings are not always finished but I consider them complete. When complete, I almost always juxtapose the thing and the painting of the thing, within the frame - but not always. If not, as with these postcard pieces, it can be assumed that I took a long time making a good copy, and that the exception, absent the original, proves the rule Education B.A. Painting, Stourbridge College of Art; Graduate Certificate, Science Communication/illustration, University of California, Santa Cruz; M.F.A., San Francisco State University, California. Select Exhibitions/Awards I have exhibited my work extensively, in museums, commercial galleries in the U.S. and internationally. Museums include the de Young Museum, San Francisco, the Crocker Museum, Sacramento, the Riverside Museum, Los Angeles, and the Museum of Art and History, Santa Cruz. Commercial galleries include the Jack Fischer and Andrea Schwartz Galleries, in San Francisco, Senior and Shopmaker, in New York, Couturier, Grey McGear Modern and Sherry Frumkin Galleries, in Los Angeles, and Mirage Gallery in Tokyo. COLLECTIONS INCLUDE: The Lawrence B. Benenson Collection, Greenwich, Connecticut; University of California Santa Cruz, Special Collections; The Achenbach Collection at the Fine Arts Museums, San Francisco, California; The Oakland Museum, Oakland, California; The Crocker Art Museum, Sacramento, California; The Farhat Museum Collection, California. AWARDS / SCHOLARSHIPS / FELLOWSHIPS: 2023, The Tree Of Life Individual Artist Award; 2012, Rydell Visual Arts Fellowship; 2007, The Murphy Fellowship; 2004, The George Sugarman Award. Gallery Representation Jack Fischer Gallery, San Francisco, California. Statement about AOAP Submitted Artwork Art on a Postcard has become a mail art adventure, for me! In 2021, for the Art on a Postcard auction, I submitted art of a postcard (well, of two postcards, actually). They were both very exact watercolour copies of postcards in my possession. One of the postcards showed a street scene of my birthplace - St. Ives, in Cornwall; the other, a 1950s leaning man at the Mystery Spot, in Santa Cruz, California, where I live. I knew that the successful bidder, or bidders, for the Mystery Spot postcard painting lives, or live, in Portland, Oregon. Not long after the auction, I received a postcard from Portland in the mail. It was a leaning man Mystery Spot postcard that had been altered. The leaning man had been cut out and replaced with a cosmic pattern leaning man. So, for the Art on a Postcard auction, in 2022, I made a very exact copy of the leaning man Mystery Spot postcard, but left the cosmic pattern out. I also made a very exact watercolour copy of the street scene in St. Ives, with the cosmic leaning man inserted into the scene. Another successful bid was made from Portland, Oregon. Early in 2023, I received another postcard from Portland, Oregon. This time, it was the street scene in St. Ives that had been altered. The background had been cut out and replaced with a repetitive patterned paper, resembling a biological phenomenon of some sort. There was also the addition of an enormous barefoot, as if Gulliver were turning the corner at the end of the street, which was now a fluorescent orange river. I painted an exact copy of this and submitted it for the Art on a Postcard auction. I also painted an exact copy of the reverse side of the postcard, with its Solar eclipse stamp, franked in Portland, and quotation from Victor Segalen; "Is the imagination weakened or reinforced when it comes face to face with the real?". In addition, I painted a fairly exact, but subtly different, watercolour copy of Art on a Postcard's self-addressed envelope bearing the appropriate legend "Please do not bend". You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Ian Everard Verso Vanishing Point Four, 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About I was born in St. Ives, Cornwall, in 1953. I have lived in Santa Cruz, California, since 1980. Influenced by Minimalism in my youth, I treat Minimalism now as a lapsed Catholic might the Church. So, I find myself still, absurdly perhaps, attempting to pare painting down to its essentials. However, unlike the Minimalists, my focus is, irreverently, on representation. I paint things I have found or inherited, such as books, pamphlets, photos or, in fact, post cards. These things are often mass-market, sexy, romantic, sensational, mysterious or deeply personal. They have been around for a while, show signs of wear and tear and, for me, there is always more to them than meets the eye. They are products of swift manufacture and mass production, but I work many hours to faithfully copy them, right down to each accident, crease, smudge or tear. The paintings are not always finished but I consider them complete. When complete, I almost always juxtapose the thing and the painting of the thing, within the frame - but not always. If not, as with these postcard pieces, it can be assumed that I took a long time making a good copy, and that the exception, absent the original, proves the rule Education B.A. Painting, Stourbridge College of Art; Graduate Certificate, Science Communication/illustration, University of California, Santa Cruz; M.F.A., San Francisco State University, California. Select Exhibitions/Awards I have exhibited my work extensively, in museums, commercial galleries in the U.S. and internationally. Museums include the de Young Museum, San Francisco, the Crocker Museum, Sacramento, the Riverside Museum, Los Angeles, and the Museum of Art and History, Santa Cruz. Commercial galleries include the Jack Fischer and Andrea Schwartz Galleries, in San Francisco, Senior and Shopmaker, in New York, Couturier, Grey McGear Modern and Sherry Frumkin Galleries, in Los Angeles, and Mirage Gallery in Tokyo. COLLECTIONS INCLUDE: The Lawrence B. Benenson Collection, Greenwich, Connecticut; University of California Santa Cruz, Special Collections; The Achenbach Collection at the Fine Arts Museums, San Francisco, California; The Oakland Museum, Oakland, California; The Crocker Art Museum, Sacramento, California; The Farhat Museum Collection, California. AWARDS / SCHOLARSHIPS / FELLOWSHIPS: 2023, The Tree Of Life Individual Artist Award; 2012, Rydell Visual Arts Fellowship; 2007, The Murphy Fellowship; 2004, The George Sugarman Award. Gallery Representation Jack Fischer Gallery, San Francisco, California. Statement about AOAP Submitted Artwork Art on a Postcard has become a mail art adventure, for me! In 2021, for the Art on a Postcard auction, I submitted art of a postcard (well, of two postcards, actually). They were both very exact watercolour copies of postcards in my possession. One of the postcards showed a street scene of my birthplace - St. Ives, in Cornwall; the other, a 1950s leaning man at the Mystery Spot, in Santa Cruz, California, where I live. I knew that the successful bidder, or bidders, for the Mystery Spot postcard painting lives, or live, in Portland, Oregon. Not long after the auction, I received a postcard from Portland in the mail. It was a leaning man Mystery Spot postcard that had been altered. The leaning man had been cut out and replaced with a cosmic pattern leaning man. So, for the Art on a Postcard auction, in 2022, I made a very exact copy of the leaning man Mystery Spot postcard, but left the cosmic pattern out. I also made a very exact watercolour copy of the street scene in St. Ives, with the cosmic leaning man inserted into the scene. Another successful bid was made from Portland, Oregon. Early in 2023, I received another postcard from Portland, Oregon. This time, it was the street scene in St. Ives that had been altered. The background had been cut out and replaced with a repetitive patterned paper, resembling a biological phenomenon of some sort. There was also the addition of an enormous barefoot, as if Gulliver were turning the corner at the end of the street, which was now a fluorescent orange river. I painted an exact copy of this and submitted it for the Art on a Postcard auction. I also painted an exact copy of the reverse side of the postcard, with its Solar eclipse stamp, franked in Portland, and quotation from Victor Segalen; "Is the imagination weakened or reinforced when it comes face to face with the real?". In addition, I painted a fairly exact, but subtly different, watercolour copy of Art on a Postcard's self-addressed envelope bearing the appropriate legend "Please do not bend". You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Ian Everard PLEASEDONOTBEND, 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About I was born in St. Ives, Cornwall, in 1953. I have lived in Santa Cruz, California, since 1980. Influenced by Minimalism in my youth, I treat Minimalism now as a lapsed Catholic might the Church. So, I find myself still, absurdly perhaps, attempting to pare painting down to its essentials. However, unlike the Minimalists, my focus is, irreverently, on representation. I paint things I have found or inherited, such as books, pamphlets, photos or, in fact, post cards. These things are often mass-market, sexy, romantic, sensational, mysterious or deeply personal. They have been around for a while, show signs of wear and tear and, for me, there is always more to them than meets the eye. They are products of swift manufacture and mass production, but I work many hours to faithfully copy them, right down to each accident, crease, smudge or tear. The paintings are not always finished but I consider them complete. When complete, I almost always juxtapose the thing and the painting of the thing, within the frame - but not always. If not, as with these postcard pieces, it can be assumed that I took a long time making a good copy, and that the exception, absent the original, proves the rule Education B.A. Painting, Stourbridge College of Art; Graduate Certificate, Science Communication/illustration, University of California, Santa Cruz; M.F.A., San Francisco State University, California. Select Exhibitions/Awards I have exhibited my work extensively, in museums, commercial galleries in the U.S. and internationally. Museums include the de Young Museum, San Francisco, the Crocker Museum, Sacramento, the Riverside Museum, Los Angeles, and the Museum of Art and History, Santa Cruz. Commercial galleries include the Jack Fischer and Andrea Schwartz Galleries, in San Francisco, Senior and Shopmaker, in New York, Couturier, Grey McGear Modern and Sherry Frumkin Galleries, in Los Angeles, and Mirage Gallery in Tokyo. COLLECTIONS INCLUDE: The Lawrence B. Benenson Collection, Greenwich, Connecticut; University of California Santa Cruz, Special Collections; The Achenbach Collection at the Fine Arts Museums, San Francisco, California; The Oakland Museum, Oakland, California; The Crocker Art Museum, Sacramento, California; The Farhat Museum Collection, California. AWARDS / SCHOLARSHIPS / FELLOWSHIPS: 2023, The Tree Of Life Individual Artist Award; 2012, Rydell Visual Arts Fellowship; 2007, The Murphy Fellowship; 2004, The George Sugarman Award. Gallery Representation Jack Fischer Gallery, San Francisco, California. Statement about AOAP Submitted Artwork Art on a Postcard has become a mail art adventure, for me! In 2021, for the Art on a Postcard auction, I submitted art of a postcard (well, of two postcards, actually). They were both very exact watercolour copies of postcards in my possession. One of the postcards showed a street scene of my birthplace - St. Ives, in Cornwall; the other, a 1950s leaning man at the Mystery Spot, in Santa Cruz, California, where I live. I knew that the successful bidder, or bidders, for the Mystery Spot postcard painting lives, or live, in Portland, Oregon. Not long after the auction, I received a postcard from Portland in the mail. It was a leaning man Mystery Spot postcard that had been altered. The leaning man had been cut out and replaced with a cosmic pattern leaning man. So, for the Art on a Postcard auction, in 2022, I made a very exact copy of the leaning man Mystery Spot postcard, but left the cosmic pattern out. I also made a very exact watercolour copy of the street scene in St. Ives, with the cosmic leaning man inserted into the scene. Another successful bid was made from Portland, Oregon. Early in 2023, I received another postcard from Portland, Oregon. This time, it was the street scene in St. Ives that had been altered. The background had been cut out and replaced with a repetitive patterned paper, resembling a biological phenomenon of some sort. There was also the addition of an enormous barefoot, as if Gulliver were turning the corner at the end of the street, which was now a fluorescent orange river. I painted an exact copy of this and submitted it for the Art on a Postcard auction. I also painted an exact copy of the reverse side of the postcard, with its Solar eclipse stamp, franked in Portland, and quotation from Victor Segalen; "Is the imagination weakened or reinforced when it comes face to face with the real?". In addition, I painted a fairly exact, but subtly different, watercolour copy of Art on a Postcard's self-addressed envelope bearing the appropriate legend "Please do not bend". You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Ryan Leigh In light of recent events Graphite pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Ryan Leigh is a Derbyshire based artist. He studied Fine Art Painting at Wimbledon College of Art, University of the Arts London. Ryan's drawing practice explores the intersections of romanticism, high strangeness and the esoteric. He constructs images using a combination of personal and found imagery coupled with prompts from literature. Ryan's drawings are highly detailed and considered compositions. He uses a range of media across his drawing practice including graphite, pyrography, liquid charcoal and watercolour. Ryan's has work in various collections in the UK and Internationally, including University of the Arts London Emerging Artists Collection and Pollen Street Social Collection, London. His work was included in The Summer Exhibition 2023 at The Royal Academy of Arts, London. Education 2006-09 Bachelor of Art, Fine Art: Painting, University of the Arts London (Wimbledon College of Art) Select Exhibitions/Awards Summer Exhibition, Royal Academy of Arts, London, 2023 Out of Line, Köttinspektionen, Uppsala, Sweden 2017 Portrait of a Life Half Known, Simon Oldfield Gallery, London, 2013 Seduction, Simon Oldfield Gallery, London, 2012 Courtship of the Peoples, Simon Oldfield Gallery, London, 2012 Base Metal, Simon Oldfield Gallery, London, 2010 Saatchi 4 New Sensations, A Foundation, London, 2009 Collections University of the Arts London Emerging Artists Collection, UK Pollen Street Social Collection, London, UK Statement about AOAP Submitted Artwork 'Conduit' depicts a distant family member with an ectoplasmic substance gushing from his mouth. His haunting eyes stare back as the ethereal liquid emanates forth. The work plays on the mystery of unknown relatives; scraps of knowledge and stories passed down the generations constructing intriguing narratives where fiction and truth collide. 'In light of recent events' shows a UFO hovering ominously above the Temple of Vesta in Rome. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Ryan Leigh Conduit Graphite pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Ryan Leigh is a Derbyshire based artist. He studied Fine Art Painting at Wimbledon College of Art, University of the Arts London. Ryan's drawing practice explores the intersections of romanticism, high strangeness and the esoteric. He constructs images using a combination of personal and found imagery coupled with prompts from literature. Ryan's drawings are highly detailed and considered compositions. He uses a range of media across his drawing practice including graphite, pyrography, liquid charcoal and watercolour. Ryan's has work in various collections in the UK and Internationally, including University of the Arts London Emerging Artists Collection and Pollen Street Social Collection, London. His work was included in The Summer Exhibition 2023 at The Royal Academy of Arts, London. Education 2006-09 Bachelor of Art, Fine Art: Painting, University of the Arts London (Wimbledon College of Art) Select Exhibitions/Awards Summer Exhibition, Royal Academy of Arts, London, 2023 Out of Line, Köttinspektionen, Uppsala, Sweden 2017 Portrait of a Life Half Known, Simon Oldfield Gallery, London, 2013 Seduction, Simon Oldfield Gallery, London, 2012 Courtship of the Peoples, Simon Oldfield Gallery, London, 2012 Base Metal, Simon Oldfield Gallery, London, 2010 Saatchi 4 New Sensations, A Foundation, London, 2009 Collections University of the Arts London Emerging Artists Collection, UK Pollen Street Social Collection, London, UK Statement about AOAP Submitted Artwork 'Conduit' depicts a distant family member with an ectoplasmic substance gushing from his mouth. His haunting eyes stare back as the ethereal liquid emanates forth. The work plays on the mystery of unknown relatives; scraps of knowledge and stories passed down the generations constructing intriguing narratives where fiction and truth collide. 'In light of recent events' shows a UFO hovering ominously above the Temple of Vesta in Rome. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Katie Tomlinson Strawbody, 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Katie Tomlinson was born in Teesside, and lives and works in Manchester and London. Katie is an artist, researcher and Lecturer in Painting, focusing on intersectional feminist perspectives in contemporary painting and pedagogy. Education Katie recently completed an MA in Painting at the Royal College of Art, London (2021-2023) supported by the Basil H. Alkazzi Scholarship Award. In 2018, she attained a First-Class BA (Hons) in Fine Art at Manchester School of Art. Select Exhibitions/Awards Recent solo exhibitions include: At Least Buy Me Dinner First, Brooke Benington, London (2022/23) and Fight the Moon, Paradise Works, Manchester (2021/22). Katie has also participated in significant duo and group exhibitions, including Buried in Affection, Galerie Supermarkt, Tokyo (2022); Fayre Share Fayre, The Whitworth Art Gallery, Manchester (2022); Stories, Bankley Gallery, Manchester (2022); A star is just a memory of a star, Brooke Benington, online (2022); RAW, Soho Revue, London (2022); Obstructions, Castlefield Gallery, Manchester (2021). In addition, Katie has received various awards and residencies, including the Zabludowicz Collection Master Class with artist tutors Doug Fishbone, Sir Isaac Julien, Emma Talbot, Ryan Gander and Julia Scher (2021); Arts Council England National Lottery Project Grant (2021); The Sir Richard Stapley Education Trust Grant (2021); The Essential School of Painting Artist Scholarship, ESOP, London (2020); Developing Your Creative Practice Arts Council England Grant (2020), Time, Space, Money Bursary, a-n The Artists Information Company (2020); The University of Salford Spring/Summer Commission (2020); Artists' International Delegation to Denmark - Copenhagen & Aarhus, granted by Castlefield Gallery and a-n (2019). Gallery Representation Brooke Benington (London) Statement about AOAP Submitted Artwork Katie Tomlinson's paintings reflect on the united experiences of women and focus on the intricate dynamics of human connections. Ideas surrounding power structures and vulnerability; nuances of consent, exchange, and desire; heteronormativity and performative femininity; and the politicisation of intimacy recur throughout her practice. Using vivid colour, playful and surreal motifs, absurdity, symbolism, and varying applications of paint, the works are imbued with tension, concealed messages, and fluctuating tempos. Katie's paintings serve as both an exploration into the medium and the figures in which inhabit the frame. These figures demand further exploration, inviting questions about their identities, actions, motivations, and relationships with one another. Katie's paintings overtly reference moments throughout the canon of Western, patriarchal, art history. She reconsiders, reconfigures, and reclaims specific moments from Painting's problematic past. Harbouring this as a tool to enhance, develop, and reinforce her paintings' contemporary social themes within a post-MeToo era. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Katie Tomlinson Fed, 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Katie Tomlinson was born in Teesside, and lives and works in Manchester and London. Katie is an artist, researcher and Lecturer in Painting, focusing on intersectional feminist perspectives in contemporary painting and pedagogy. Education Katie recently completed an MA in Painting at the Royal College of Art, London (2021-2023) supported by the Basil H. Alkazzi Scholarship Award. In 2018, she attained a First-Class BA (Hons) in Fine Art at Manchester School of Art. Select Exhibitions/Awards Recent solo exhibitions include: At Least Buy Me Dinner First, Brooke Benington, London (2022/23) and Fight the Moon, Paradise Works, Manchester (2021/22). Katie has also participated in significant duo and group exhibitions, including Buried in Affection, Galerie Supermarkt, Tokyo (2022); Fayre Share Fayre, The Whitworth Art Gallery, Manchester (2022); Stories, Bankley Gallery, Manchester (2022); A star is just a memory of a star, Brooke Benington, online (2022); RAW, Soho Revue, London (2022); Obstructions, Castlefield Gallery, Manchester (2021). In addition, Katie has received various awards and residencies, including the Zabludowicz Collection Master Class with artist tutors Doug Fishbone, Sir Isaac Julien, Emma Talbot, Ryan Gander and Julia Scher (2021); Arts Council England National Lottery Project Grant (2021); The Sir Richard Stapley Education Trust Grant (2021); The Essential School of Painting Artist Scholarship, ESOP, London (2020); Developing Your Creative Practice Arts Council England Grant (2020), Time, Space, Money Bursary, a-n The Artists Information Company (2020); The University of Salford Spring/Summer Commission (2020); Artists' International Delegation to Denmark - Copenhagen & Aarhus, granted by Castlefield Gallery and a-n (2019). Gallery Representation Brooke Benington (London) Statement about AOAP Submitted Artwork Katie Tomlinson's paintings reflect on the united experiences of women and focus on the intricate dynamics of human connections. Ideas surrounding power structures and vulnerability; nuances of consent, exchange, and desire; heteronormativity and performative femininity; and the politicisation of intimacy recur throughout her practice. Using vivid colour, playful and surreal motifs, absurdity, symbolism, and varying applications of paint, the works are imbued with tension, concealed messages, and fluctuating tempos. Katie's paintings serve as both an exploration into the medium and the figures in which inhabit the frame. These figures demand further exploration, inviting questions about their identities, actions, motivations, and relationships with one another. Katie's paintings overtly reference moments throughout the canon of Western, patriarchal, art history. She reconsiders, reconfigures, and reclaims specific moments from Painting's problematic past. Harbouring this as a tool to enhance, develop, and reinforce her paintings' contemporary social themes within a post-MeToo era. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Katharine Dufault Tree Trio I, 2023 Watercolour/Gouache/Ink Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About British born Katharine Dufault is a New York Times-reviewed artist, curator, visual arts consultant and educator. As a multimedia artist, she works in oils, watercolour, encaustic, printmaking and photography. Katharine graduated with honours from Columbia University, with a degree in painting and literature after studying visual arts, graphic design and photography at Anglia Ruskin University, Cambridge, England. She regularly exhibits her work and has been in numerous shows in New York City, Boston, Ohio, Connecticut, Westchester County, the Berkshires and Cambridge, England. Dufault's work is included in many corporate and private collections. Dufault lives and works in the Berkshires, MA, USA. Education Columbia University, New York, NY. Painting, Literature; Department Honors, Dean's List, Merit Scholarship Anglia Ruskin University, Cambridge, England. Art Foundation: Painting, Photography, Graphic Design; Merit Scholarship Select Exhibitions/Awards SOLO and TWO PERSON EXHIBITIONS 2021Between Earth & Sky, Stark Gallery, Kent State University, OH Katharine Dufault & Sarah Lutz, Susan Eley Fine Art, Hudson, NY To Be In The Same World, The Painting Center, NYC 2019Summer Art Partnership Serendipity Labs, White Plains, NY Early One Morning, The Painting Center, NYC 2017Recent Works, The Rye Art Gallery, Rye NY 2012Reflections of Hindustan, The Rye Arts Center Gallery, Rye, NY 2011New Paintings, Studio Gallery, Great Barrington, MA 2009Variations, Anelle Gandelman Fine Art, Larchmont, NY Milk and Honey: Waterscapes, CPI/UK, Cambridge, UK 2008Mizu, (w/ Mike Solomon) Anelle Gandelman Fine Art, Larchmont, NY 2006Landscapes, CPI/UK, Cambridge, UK SELECTED GROUP EXHIBITIONS 2022 HOLIDAY, LABspace, Hillsdale, NY Small Works Benefit Show 2022, The Painting Center via Artsy Spectrum, Serious Fun Art Fair, White Plains, NY Chair Of Hope Project, art installation, Ammagansett, NY Among Friends 3, Equity Gallery, NYC Pelham Arts Center Arts Group, Pelham Arts Center, Pelham, NY ART NOW: A Multiplicity of Ideas, Madelyn Jordan Fine Art, Scarsdale, NY 2021HOLIDAY, LABspace, Hillsdale, NY Full Circle, WoArt via !stDibs The Best of Both Worlds, Bernay Fine Art, Great Barrington, MA ART FAIR 14C, The Painting Center, Manna Contemporary, NJ Inaugural Exhibition, Refrigerator Poetry Archive, (virtual) Virtual Invitational Show, Art Essex Gallery, NY USPS Art Project, Greenley Art Art Space, Signal Hill, CA 2020HOLIDAY, LABspace, Hillsdale, NY SmallWORKS, Garrison Art Center, Garrison, NY Together Again, The Painting Center, NYC (virtual) USPS Art Project, Pelham Art Center, Pelham, NY Vignettes in Wax and Words, International Encaustic Artists (digital magazine exhibition)Deep Blue See, Ground Floor Gallery, Brooklyn, NY (virtual) Rituals of Resistance, The Urban Collective, New Haven, CT The Enabling Act: A Call To Arms, M. David & Co Gallery, Bushwick, NY ART FAIR 14C, The Painting Center, Jersey City Hyatt, NJ 2019Holiday Benefit Exhibition, M. David & Co Gallery, Bushwick, NY Painters On Location, The Rye Arts Center, Rye NY 2019Connection IV, Atlantic Gallery, NYC Among Friends, The Clement Center, NYC STAGING NATURE: A World Unto Itself, Madelyn Jordan Fine Art, Scarsdale, NY Rye Youth Council Benefit Exhibition, Shenorock Shore Club, Rye, NY 201825th Anniversary Show, The Painting Center, NYC M. David & Co Invitational Fundraiser, M. David & Co. Gallery, Bushwick, NY Small Works/Big Hearts, Atlantic Gallery, NYC Mutual Aid, Stark Gallery, KSU, Ohio Waxing Poetic, Pelham Art Center, Pelham, NY Connection III, Atlantic Gallery, NYC Riverside Auction, Garrison Art Center, Garrison, NY Boston Biennial Project 5, Atlantic Works Gallery, Boston, MA Some Like It Hot - Encaustic Works, The Rye Arts Center, Rye, NY Biennial International Miniature Print Show - Bendheim Gallery, Greenwich CT Painters On Location - The Rye Arts Center, Rye NY 201711th Biennial International Miniature Print Exhibition, Center for Contemporary Printmaking, Norwalk, CT 2016Small Works Show, Catalyst Gallery, Beacon, NY Small Works, The Rye Arts Center, Rye, NY Color-Ful, Mooney Center Gallery, The College of New Rochelle, NY Hot Ticket: Works On Paper, The Rye Arts Center, Rye, NY Winter White: An Absence of Color, The Rye Arts Center, Rye, NY 2015Holiday Exhibition, Center for Contemporary Printmaking, Norwalk, CT Through The Decades, ArtsWestchester, Arts Exchange, White Plains, NY Painters On Location, The Rye Arts Center, Rye, NY 2014Ways of Seeing, ArtsWestchester, Gallery 9, White Plains, NY Pendle Print Fest, Pendle Art Gallery, Lancashire, UK Summer ARTiculated, Osilis Gallery, Concordia College, NY Fourth Biennial Footprint International, Center for Contemporary Printmaking, Norwalk, CT Ninth Westchester Biennial, Castle Gallery, The College of New Rochelle, NY We Love Art, Kenise Barnes Fine Art, Larchmont, NY 2013 International Miniature Print Exhibition, The Bendheim Gallery, Greenwich, CT Artists On Location, The Rye Arts Center Gallery, Rye, NY 9th Biennial Miniature Print Exhibition, Center for Contemporary Printmaking, Norwalk, CT Gallery Representation Bernay Fine Art, Great Barrington MA; Susan Eley Fine Art, Hudson, NY Statement about AOAP Submitted Artwork Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material which can be experienced in various ways by others. I draw on my deep love of nature: the impressions from my new rural life upstate and in the Berkshires, earlier years in Westchester adjacent to a marshland, and my childhood in the Cambridgeshire countryside in England. I want to create paintings which are both familiar yet unknown. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Katharine Dufault Tree Trio II, 2023 Watercolour/Gouache/Ink Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About British born Katharine Dufault is a New York Times-reviewed artist, curator, visual arts consultant and educator. As a multimedia artist, she works in oils, watercolour, encaustic, printmaking and photography. Katharine graduated with honours from Columbia University, with a degree in painting and literature after studying visual arts, graphic design and photography at Anglia Ruskin University, Cambridge, England. She regularly exhibits her work and has been in numerous shows in New York City, Boston, Ohio, Connecticut, Westchester County, the Berkshires and Cambridge, England. Dufault's work is included in many corporate and private collections. Dufault lives and works in the Berkshires, MA, USA. Education Columbia University, New York, NY. Painting, Literature; Department Honors, Dean's List, Merit Scholarship Anglia Ruskin University, Cambridge, England. Art Foundation: Painting, Photography, Graphic Design; Merit Scholarship Select Exhibitions/Awards SOLO and TWO PERSON EXHIBITIONS 2021Between Earth & Sky, Stark Gallery, Kent State University, OH Katharine Dufault & Sarah Lutz, Susan Eley Fine Art, Hudson, NY To Be In The Same World, The Painting Center, NYC 2019Summer Art Partnership Serendipity Labs, White Plains, NY Early One Morning, The Painting Center, NYC 2017Recent Works, The Rye Art Gallery, Rye NY 2012Reflections of Hindustan, The Rye Arts Center Gallery, Rye, NY 2011New Paintings, Studio Gallery, Great Barrington, MA 2009Variations, Anelle Gandelman Fine Art, Larchmont, NY Milk and Honey: Waterscapes, CPI/UK, Cambridge, UK 2008Mizu, (w/ Mike Solomon) Anelle Gandelman Fine Art, Larchmont, NY 2006Landscapes, CPI/UK, Cambridge, UK SELECTED GROUP EXHIBITIONS 2022 HOLIDAY, LABspace, Hillsdale, NY Small Works Benefit Show 2022, The Painting Center via Artsy Spectrum, Serious Fun Art Fair, White Plains, NY Chair Of Hope Project, art installation, Ammagansett, NY Among Friends 3, Equity Gallery, NYC Pelham Arts Center Arts Group, Pelham Arts Center, Pelham, NY ART NOW: A Multiplicity of Ideas, Madelyn Jordan Fine Art, Scarsdale, NY 2021HOLIDAY, LABspace, Hillsdale, NY Full Circle, WoArt via !stDibs The Best of Both Worlds, Bernay Fine Art, Great Barrington, MA ART FAIR 14C, The Painting Center, Manna Contemporary, NJ Inaugural Exhibition, Refrigerator Poetry Archive, (virtual) Virtual Invitational Show, Art Essex Gallery, NY USPS Art Project, Greenley Art Art Space, Signal Hill, CA 2020HOLIDAY, LABspace, Hillsdale, NY SmallWORKS, Garrison Art Center, Garrison, NY Together Again, The Painting Center, NYC (virtual) USPS Art Project, Pelham Art Center, Pelham, NY Vignettes in Wax and Words, International Encaustic Artists (digital magazine exhibition)Deep Blue See, Ground Floor Gallery, Brooklyn, NY (virtual) Rituals of Resistance, The Urban Collective, New Haven, CT The Enabling Act: A Call To Arms, M. David & Co Gallery, Bushwick, NY ART FAIR 14C, The Painting Center, Jersey City Hyatt, NJ 2019Holiday Benefit Exhibition, M. David & Co Gallery, Bushwick, NY Painters On Location, The Rye Arts Center, Rye NY 2019Connection IV, Atlantic Gallery, NYC Among Friends, The Clement Center, NYC STAGING NATURE: A World Unto Itself, Madelyn Jordan Fine Art, Scarsdale, NY Rye Youth Council Benefit Exhibition, Shenorock Shore Club, Rye, NY 201825th Anniversary Show, The Painting Center, NYC M. David & Co Invitational Fundraiser, M. David & Co. Gallery, Bushwick, NY Small Works/Big Hearts, Atlantic Gallery, NYC Mutual Aid, Stark Gallery, KSU, Ohio Waxing Poetic, Pelham Art Center, Pelham, NY Connection III, Atlantic Gallery, NYC Riverside Auction, Garrison Art Center, Garrison, NY Boston Biennial Project 5, Atlantic Works Gallery, Boston, MA Some Like It Hot - Encaustic Works, The Rye Arts Center, Rye, NY Biennial International Miniature Print Show - Bendheim Gallery, Greenwich CT Painters On Location - The Rye Arts Center, Rye NY 201711th Biennial International Miniature Print Exhibition, Center for Contemporary Printmaking, Norwalk, CT 2016Small Works Show, Catalyst Gallery, Beacon, NY Small Works, The Rye Arts Center, Rye, NY Color-Ful, Mooney Center Gallery, The College of New Rochelle, NY Hot Ticket: Works On Paper, The Rye Arts Center, Rye, NY Winter White: An Absence of Color, The Rye Arts Center, Rye, NY 2015Holiday Exhibition, Center for Contemporary Printmaking, Norwalk, CT Through The Decades, ArtsWestchester, Arts Exchange, White Plains, NY Painters On Location, The Rye Arts Center, Rye, NY 2014Ways of Seeing, ArtsWestchester, Gallery 9, White Plains, NY Pendle Print Fest, Pendle Art Gallery, Lancashire, UK Summer ARTiculated, Osilis Gallery, Concordia College, NY Fourth Biennial Footprint International, Center for Contemporary Printmaking, Norwalk, CT Ninth Westchester Biennial, Castle Gallery, The College of New Rochelle, NY We Love Art, Kenise Barnes Fine Art, Larchmont, NY 2013 International Miniature Print Exhibition, The Bendheim Gallery, Greenwich, CT Artists On Location, The Rye Arts Center Gallery, Rye, NY 9th Biennial Miniature Print Exhibition, Center for Contemporary Printmaking, Norwalk, CT Gallery Representation Bernay Fine Art, Great Barrington MA; Susan Eley Fine Art, Hudson, NY Statement about AOAP Submitted Artwork Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material which can be experienced in various ways by others. I draw on my deep love of nature: the impressions from my new rural life upstate and in the Berkshires, earlier years in Westchester adjacent to a marshland, and my childhood in the Cambridgeshire countryside in England. I want to create paintings which are both familiar yet unknown. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Ian Hargreaves Come On Sweetheart, 2023 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Born in 1957, Ian studied at Bournemouth College of Art. At the age of 21 he set off across Europe for ten months, recording his travels in watercolour. This instilled a love of Mediterranean subjects, which was to influence his work many years later. From the ages of 24 - 28 he lived in London and Sicily, earning his keep painting portraits. 1985 saw him move to Germany, where he remained for the next 24 years. Here he exhibited with galleries in Hamburg, Munich and Salzburg. His work was also purchased for numerous Public Collections. Ian moved back to England in 2008. He now works from his studio in Poole, Dorset and exhibits regularly around the country. His work hangs in many private and corporate collections worldwide. Education Bournemouth Art College. Technical Illustration Course. 1973 - 1975 Select Exhibitions/Awards Royal Academy Summer Show. RSMA Show, ROI Show, Lynn Painter Stainers Prize Finalist twice. Artist & Illustrators Artist of the Year Winner. Mall Galleries, London. Gallery Representation Fosse Gallery, Greens & Blues Gallery, Albany Gallery, Davidson Fine Art, Signet Contemporary. Statement about AOAP Submitted Artwork A moment in time on the beach. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Michelle Taube Blue Monday, 2023 Oil on prepared paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Michelle Taube graduated from Manchester Metropolitan University in 2004 with a degree in Illustration with animation, where she specialised in watercolour painting. She then went on to complete a PGCE, after which she spent many years teaching Art and Design in schools and colleges. Michelle continued to produce and sell her own work, winning the IJYA young artist of the year in 2005 and exhibiting in and around Manchester and London. Michelle has exhibited in this year's Royal Academy Summer Exhibition. Michelle's latest 'flower collection' has seen a shift in her painting practice. Education Michelle studied Illustration with animation at Manchester Metropolitan University and then completed a PGCE in Art and Design to teach Secondary School. Select Exhibitions/Awards Royal Academy Summer Exhibition 2023 Tarpey Gallery Open 2023 Blue and Berry Gallery Waterside Arts - Manchester Made A Small Space Cotton on Manchester Inch Arts Statement about AOAP Submitted Artwork Flowers can say a number of things; thank-you, I love you, get well soon, happy birthday, my condolences or just a simple sorry. Ask yourself the question! Why do we give flowers? Do we all love to receive them? Are they a mask for an underlying issue? Do they excuse a loved one's behaviour? Why bother giving them at all when they are here for such a fleeting moment before they die? These 4 postcards celebrate the beauty of plants and flowers, all painted on a small scale in oils. They are a 2023 version of a still life study, mixing bold colours and simple compositions. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Michelle Taube You Happy?, 2023 Oil on prepared paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Michelle Taube graduated from Manchester Metropolitan University in 2004 with a degree in Illustration with animation, where she specialised in watercolour painting. She then went on to complete a PGCE, after which she spent many years teaching Art and Design in schools and colleges. Michelle continued to produce and sell her own work, winning the IJYA young artist of the year in 2005 and exhibiting in and around Manchester and London. Michelle has exhibited in this year's Royal Academy Summer Exhibition. Michelle's latest 'flower collection' has seen a shift in her painting practice. Education Michelle studied Illustration with animation at Manchester Metropolitan University and then completed a PGCE in Art and Design to teach Secondary School. Select Exhibitions/Awards Royal Academy Summer Exhibition 2023 Tarpey Gallery Open 2023 Blue and Berry Gallery Waterside Arts - Manchester Made A Small Space Cotton on Manchester Inch Arts Statement about AOAP Submitted Artwork Flowers can say a number of things; thank-you, I love you, get well soon, happy birthday, my condolences or just a simple sorry. Ask yourself the question! Why do we give flowers? Do we all love to receive them? Are they a mask for an underlying issue? Do they excuse a loved one's behaviour? Why bother giving them at all when they are here for such a fleeting moment before they die? These 4 postcards celebrate the beauty of plants and flowers, all painted on a small scale in oils. They are a 2023 version of a still life study, mixing bold colours and simple compositions. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Michelle Taube Purple Rain, 2023 Oil on prepared paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Michelle Taube graduated from Manchester Metropolitan University in 2004 with a degree in Illustration with animation, where she specialised in watercolour painting. She then went on to complete a PGCE, after which she spent many years teaching Art and Design in schools and colleges. Michelle continued to produce and sell her own work, winning the IJYA young artist of the year in 2005 and exhibiting in and around Manchester and London. Michelle has exhibited in this year's Royal Academy Summer Exhibition. Michelle's latest 'flower collection' has seen a shift in her painting practice. Education Michelle studied Illustration with animation at Manchester Metropolitan University and then completed a PGCE in Art and Design to teach Secondary School. Select Exhibitions/Awards Royal Academy Summer Exhibition 2023 Tarpey Gallery Open 2023 Blue and Berry Gallery Waterside Arts - Manchester Made A Small Space Cotton on Manchester Inch Arts Statement about AOAP Submitted Artwork Flowers can say a number of things; thank-you, I love you, get well soon, happy birthday, my condolences or just a simple sorry. Ask yourself the question! Why do we give flowers? Do we all love to receive them? Are they a mask for an underlying issue? Do they excuse a loved one's behaviour? Why bother giving them at all when they are here for such a fleeting moment before they die? These 4 postcards celebrate the beauty of plants and flowers, all painted on a small scale in oils. They are a 2023 version of a still life study, mixing bold colours and simple compositions. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Michelle Taube Love Me, 2023 Oil on prepared paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Michelle Taube graduated from Manchester Metropolitan University in 2004 with a degree in Illustration with animation, where she specialised in watercolour painting. She then went on to complete a PGCE, after which she spent many years teaching Art and Design in schools and colleges. Michelle continued to produce and sell her own work, winning the IJYA young artist of the year in 2005 and exhibiting in and around Manchester and London. Michelle has exhibited in this year's Royal Academy Summer Exhibition. Michelle's latest 'flower collection' has seen a shift in her painting practice. Education Michelle studied Illustration with animation at Manchester Metropolitan University and then completed a PGCE in Art and Design to teach Secondary School. Select Exhibitions/Awards Royal Academy Summer Exhibition 2023 Tarpey Gallery Open 2023 Blue and Berry Gallery Waterside Arts - Manchester Made A Small Space Cotton on Manchester Inch Arts Statement about AOAP Submitted Artwork Flowers can say a number of things; thank-you, I love you, get well soon, happy birthday, my condolences or just a simple sorry. Ask yourself the question! Why do we give flowers? Do we all love to receive them? Are they a mask for an underlying issue? Do they excuse a loved one's behaviour? Why bother giving them at all when they are here for such a fleeting moment before they die? These 4 postcards celebrate the beauty of plants and flowers, all painted on a small scale in oils. They are a 2023 version of a still life study, mixing bold colours and simple compositions. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Nicholas Wyatt The Anchoress, 2023 Watercolour, ink and acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Dr Nicholas Wyatt is a founding member of Cubitt, an artist-run gallery and studios in London which has gained an international recognition and receives public funding. Nicholas Wyatt's paintings explore how narratives of presence are communicated in painting with particular reference to the reception aesthetics of certain key examples of Baroque religious iconography. Nicholas has exhibited at Victoria Miro, London; Arnolfini, Bristol; Museum Kunstpalast, Dusseldorf; Academia Italiana, London, Galerie de Rijk, Netherlands, Basilica Santa Anastasia Al Palatino, Rome and and with Cubitt Artists at London Art Fair. He has shown work with Peter Doig, Petra van Harte, Tacita Dean, Mariele Neudecker, Neal Tait, Henriette van t'Hoog, Uwe Esser, Howard Rogers, Nelson Diplexcito and Jan Kolata. His work in public collections includes CCR Collection, Palazzo Calista, The Vatican and Stadt Sparkasse Bank, Dusseldorf and private collections in UK, Netherlands and Germany. He has curated international exhibitions - Crosscurrents, the Netherlands, 1993; Sconfinamenti, Italy 1995-97; After the Endgame - New Abstraction, Amsterdam 2008. In 1997 with Simon Morley, he founded The Friedrich Society (an artist debating society on the legacy of German Romanticism in contemporary practice) and co-curated the Wreck of Hope exhibition at The Nunnery Gallery, Bow Arts Trust, London. He has given conference papers in his area of research at The Barber Institute of Fine Arts, University of Birmingham, Liverpool Anglican Cathedral and Loughborough University. Education 2009-2015. PhD. Loughborough University. Thesis (practice-based): The Christian Image & Contemporary British Painting. (The communication of Meaning and Experience in Religious Paintings) 1981-1984 Central St Martins School of Art, London. BA Hons Fine Art (Painting) Select Exhibitions/Awards 2023 Cubitt Artists at London Art Fair 2022 Cubitt 30 Victoria Miro Gallery London 2022 Cubitt 30 Victoria Miro online in association with Vortic Art 2022 St. Ives Society of Artists Spring exhibition. 2021 Art on a Postcard Winter Auction 2021 The Art of Painting, Copeland Gallery, London 2017 Angels & The City, Cubitt Salon #10, Cubitt, London (Petra van Harte) 2017 Basilica Santa Anastasia al Palatino, Rome, 2014 Nicholas Wyatt. Loughborough University. (solo) 2013 Research as Practice. Beaconsfield Gallery, London. 2008 True Romance, Galerie Anton, The Hague. 2007 After the Endgame-New Abstraction. R.C. de Ruimte, Amsterdam 2005 Nicholas Wyatt Showcase nl. Amsterdam. (solo) 2003 Nicholas Wyatt. Galerie de Rijk, The Hague . 2003 Lonely this Christmas. James Windsor Art, London 2000 Nicholas Wyatt. Azul Galerie, The Hague. (solo), 2000 The Wreck of Hope. The Nunnery Gallery, London. 1999. Where do You Want to Go Today? Cubitt, London (Petra van Harte) 1997 Sconfinamenti. Accademia Italiana, London 1996 Grosse Kunst Austellung, Museum Kunstpalast, Dusseldorf 1996 Nicholas Wyatt. Ateliers Hoherweg, Dusseldorf (solo) 1996 The Question of Scale. Arnolfini, Bristol. 1993 Crosscurrents, Centrum Beeldende Kunst Rotterdam (TENT) 1991 Hearts Desire. Knapp Gallery, London (solo) Gallery Representation Cubitt, London Statement about AOAP Submitted Artwork The paintings I have submitted for Art on a Postcard Winter Auction 2023 - 'Tippi at Cooling' and 'The Anchoress' - are examples of my current painting practice, which relates two systems of thought routinely dissociated by modern secular concepts and values: religion and aesthetics. My paintings propose an intervention, not in what is generally regarded as a defunct system of vision - religious imagery - but an intervention in the discourses of a contemporary visual system: - the contemporary painted image - and conflates those historical idioms with contemporary secular visual systems such as fashion photography and cinema. 'Tippi at Cooling' is very much about a genius loci -'spirit of place' - in this case the low-lying marshlands of Cooling in Kent. Across this landscape the figure of the American actress, Tippi Hedren walks, carrying a bird cage. Above her a small group of birds is thrown into relief by the stormy sky. The scene depicted is based on a personal memory. 'The Anchoress' is a smaller version of a larger studio painting which presents a 1930's fashion model holding lilies against a dark and contemplative background. The image suggested to me a similar sense of genius loci - 'spirit of place' - in this case the devotional cell of a mediaeval anchorite (e.g., St. Julian) These paintings explore the contemporary communication of meaning and experience in religious paintings (the visionary, the religious ecstatic). You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Nicholas Wyatt Tippi At Cooling, 2023 Watercolour, Ink and Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Dr Nicholas Wyatt is a founding member of Cubitt, an artist-run gallery and studios in London which has gained an international recognition and receives public funding. Nicholas Wyatt's paintings explore how narratives of presence are communicated in painting with particular reference to the reception aesthetics of certain key examples of Baroque religious iconography. Nicholas has exhibited at Victoria Miro, London; Arnolfini, Bristol; Museum Kunstpalast, Dusseldorf; Academia Italiana, London, Galerie de Rijk, Netherlands, Basilica Santa Anastasia Al Palatino, Rome and and with Cubitt Artists at London Art Fair. He has shown work with Peter Doig, Petra van Harte, Tacita Dean, Mariele Neudecker, Neal Tait, Henriette van t'Hoog, Uwe Esser, Howard Rogers, Nelson Diplexcito and Jan Kolata. His work in public collections includes CCR Collection, Palazzo Calista, The Vatican and Stadt Sparkasse Bank, Dusseldorf and private collections in UK, Netherlands and Germany. He has curated international exhibitions - Crosscurrents, the Netherlands, 1993; Sconfinamenti, Italy 1995-97; After the Endgame - New Abstraction, Amsterdam 2008. In 1997 with Simon Morley, he founded The Friedrich Society (an artist debating society on the legacy of German Romanticism in contemporary practice) and co-curated the Wreck of Hope exhibition at The Nunnery Gallery, Bow Arts Trust, London. He has given conference papers in his area of research at The Barber Institute of Fine Arts, University of Birmingham, Liverpool Anglican Cathedral and Loughborough University. Education 2009-2015. PhD. Loughborough University. Thesis (practice-based): The Christian Image & Contemporary British Painting. (The communication of Meaning and Experience in Religious Paintings) 1981-1984 Central St Martins School of Art, London. BA Hons Fine Art (Painting) Select Exhibitions/Awards 2023 Cubitt Artists at London Art Fair 2022 Cubitt 30 Victoria Miro Gallery London 2022 Cubitt 30 Victoria Miro online in association with Vortic Art 2022 St. Ives Society of Artists Spring exhibition. 2021 Art on a Postcard Winter Auction 2021 The Art of Painting, Copeland Gallery, London 2017 Angels & The City, Cubitt Salon #10, Cubitt, London (Petra van Harte) 2017 Basilica Santa Anastasia al Palatino, Rome, 2014 Nicholas Wyatt. Loughborough University. (solo) 2013 Research as Practice. Beaconsfield Gallery, London. 2008 True Romance, Galerie Anton, The Hague. 2007 After the Endgame-New Abstraction. R.C. de Ruimte, Amsterdam 2005 Nicholas Wyatt Showcase nl. Amsterdam. (solo) 2003 Nicholas Wyatt. Galerie de Rijk, The Hague . 2003 Lonely this Christmas. James Windsor Art, London 2000 Nicholas Wyatt. Azul Galerie, The Hague. (solo), 2000 The Wreck of Hope. The Nunnery Gallery, London. 1999. Where do You Want to Go Today? Cubitt, London (Petra van Harte) 1997 Sconfinamenti. Accademia Italiana, London 1996 Grosse Kunst Austellung, Museum Kunstpalast, Dusseldorf 1996 Nicholas Wyatt. Ateliers Hoherweg, Dusseldorf (solo) 1996 The Question of Scale. Arnolfini, Bristol. 1993 Crosscurrents, Centrum Beeldende Kunst Rotterdam (TENT) 1991 Hearts Desire. Knapp Gallery, London (solo) Gallery Representation Cubitt, London Statement about AOAP Submitted Artwork The paintings I have submitted for Art on a Postcard Winter Auction 2023 - 'Tippi at Cooling' and 'The Anchoress' - are examples of my current painting practice, which relates two systems of thought routinely dissociated by modern secular concepts and values: religion and aesthetics. My paintings propose an intervention, not in what is generally regarded as a defunct system of vision - religious imagery - but an intervention in the discourses of a contemporary visual system: - the contemporary painted image - and conflates those historical idioms with contemporary secular visual systems such as fashion photography and cinema. 'Tippi at Cooling' is very much about a genius loci -'spirit of place' - in this case the low-lying marshlands of Cooling in Kent. Across this landscape the figure of the American actress, Tippi Hedren walks, carrying a bird cage. Above her a small group of birds is thrown into relief by the stormy sky. The scene depicted is based on a personal memory. 'The Anchoress' is a smaller version of a larger studio painting which presents a 1930's fashion model holding lilies against a dark and contemplative background. The image suggested to me a similar sense of genius loci - 'spirit of place' - in this case the devotional cell of a mediaeval anchorite (e.g., St. Julian) These paintings explore the contemporary communication of meaning and experience in religious paintings (the visionary, the religious ecstatic). You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Margie Andrew-Reichelt Us Paint, collage and glitter on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Margie Andrew-Reichelt is a mixed-race English artist, married with two children and based in Nottingham. Since graduating with a Fine Art Degree at Nottingham University 10 years ago, Margie has proved herself to be a fascinating painter and ceramicist. She is a portrait artist whose work focuses on the female form and identity. Margie has been shortlisted for many major exhibitions including the Threadneedle Prize (2013), The Sunday Times Watercolour Exhibition (2015) and The Royal Academy Summer Exhibition (2022, 2023). She has won National Open Art Midland Artist of Year (2017) and ING the Discerning Eye Mentors Award (2022). Education Nottingham University, BA Fine Arts Select Exhibitions/Awards Royal Academy of Arts Summer Exhibition 2023, 2022. ING the Discerning Eye Exhibition, Mall, London 2022, 2021, 2017. Derwent Drawing Exhibition, Mall, London, 2021, 2015. National Open Art Exhibition, OXO Tower Ward, London, 2017. Sunday Times Watercolour Exhibition, Mall, London. Awards ING the Discerning Eye Mentors Award 2022. NOA Competition Painting Award 2017. Statement about AOAP Submitted Artwork My postcards are part of a series of works based on connections. The female form is drawn to represent both sides of my heritage with the theme of love and hope for the future. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Margie Andrew-Reichelt Connect Paint, collage and glitter on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Margie Andrew-Reichelt is a mixed-race English artist, married with two children and based in Nottingham. Since graduating with a Fine Art Degree at Nottingham University 10 years ago, Margie has proved herself to be a fascinating painter and ceramicist. She is a portrait artist whose work focuses on the female form and identity. Margie has been shortlisted for many major exhibitions including the Threadneedle Prize (2013), The Sunday Times Watercolour Exhibition (2015) and The Royal Academy Summer Exhibition (2022, 2023). She has won National Open Art Midland Artist of Year (2017) and ING the Discerning Eye Mentors Award (2022). Education Nottingham University, BA Fine Arts Select Exhibitions/Awards Royal Academy of Arts Summer Exhibition 2023, 2022. ING the Discerning Eye Exhibition, Mall, London 2022, 2021, 2017. Derwent Drawing Exhibition, Mall, London, 2021, 2015. National Open Art Exhibition, OXO Tower Ward, London, 2017. Sunday Times Watercolour Exhibition, Mall, London. Awards ING the Discerning Eye Mentors Award 2022. NOA Competition Painting Award 2017. Statement about AOAP Submitted Artwork My postcards are part of a series of works based on connections. The female form is drawn to represent both sides of my heritage with the theme of love and hope for the future. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Marco Bizzarri Still Standing, Studio I Watercolour and acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Marco Bizzarri (b. 1988, Santiago) is a Chilean artist based in West Sussex, England. Marco deals with memory, commemoration and archive through painting, installation and video. In his work, research processes and materiality are subordinated to context. On the one hand, linked to the experiential encounter, and on the other, to the geographical positioning (rural-industrial territories), so that fieldwork, involvement with the landscape and human testimony are fundamental. Education He graduated from the Pontificia Universidad Católica de Chile with a BA in Fine Arts (2014) Turps art school painting programme (2021) Select Exhibitions/Awards Recent solo exhibitions include Unearthed at Unit 1 Gallery Workshop in London and Incuria at Galería Animal in Chile. He has participated in a number of group exhibitions including Recursion at The Split Gallery (London, 2023) Fauna Presents Auction at Arundel Castle (Arundel, 2023) But dearer still is truth at Plato Gallery (Portugal 2023) Gilbert Bayes Award Exhibition, Royal Society of Sculptors at Cromwell Place (London, 2022), Friends with benefits, Safehouse 2 (London 2022) RSS GBA Exhibition at CASC Gallery, University of Chester (Chester, 2022), Royal Society of Portrait Painters Annual Exhibition at Mall Galleries (London, 2021), "XIV Premio MAVI arte joven" at MAVI Museum (Chile, 2020), Habitantes at Centro Cultural Matta (Argentina,2019), Cohabitar at Cede Galería (Perú, 2016), Outsider at the Gare of Strasbourg (France, 2014), and The Young Collectors Exhibition at the Leila Heller Gallery (USA, 2013). Gallery Representation Galeria Patricia Ready (Chile) Statement About AOAP Submitted Artwork His paintings respond to the exercise of collecting and translating images by delving into the material possibilities of pictorial language. The result combines abstraction and figuration: the images show the multiple resources with which they have been constructed. By rescuing objects, events, people or places - which run the risk of being forgotten - the artist composes situations that link different spaces, times and actors in a single image. An exercise that responds to the need to give visibility to those fleeting things coming from an autobiographical context that shows events of the artist's daily life. His painting reveals as much as it conceals. The gesture of covering the form, through dripping, reveals itself as a means of silencing his images and at the same time charging them with a singular graphic and chromatic expression where light and darkness coexist on the same plane You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Marco Bizzarri Still Standing, Studio II Watercolour and acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Marco Bizzarri (b. 1988, Santiago) is a Chilean artist based in West Sussex, England. Marco deals with memory, commemoration and archive through painting, installation and video. In his work, research processes and materiality are subordinated to context. On the one hand, linked to the experiential encounter, and on the other, to the geographical positioning (rural-industrial territories), so that fieldwork, involvement with the landscape and human testimony are fundamental. Education He graduated from the Pontificia Universidad Católica de Chile with a BA in Fine Arts (2014) Turps art school painting programme (2021) Select Exhibitions/Awards Recent solo exhibitions include Unearthed at Unit 1 Gallery Workshop in London and Incuria at Galería Animal in Chile. He has participated in a number of group exhibitions including Recursion at The Split Gallery (London, 2023) Fauna Presents Auction at Arundel Castle (Arundel, 2023) But dearer still is truth at Plato Gallery (Portugal 2023) Gilbert Bayes Award Exhibition, Royal Society of Sculptors at Cromwell Place (London, 2022), Friends with benefits, Safehouse 2 (London 2022) RSS GBA Exhibition at CASC Gallery, University of Chester (Chester, 2022), Royal Society of Portrait Painters Annual Exhibition at Mall Galleries (London, 2021), "XIV Premio MAVI arte joven" at MAVI Museum (Chile, 2020), Habitantes at Centro Cultural Matta (Argentina,2019), Cohabitar at Cede Galería (Perú, 2016), Outsider at the Gare of Strasbourg (France, 2014), and The Young Collectors Exhibition at the Leila Heller Gallery (USA, 2013). Gallery Representation Galeria Patricia Ready (Chile) Statement About AOAP Submitted Artwork His paintings respond to the exercise of collecting and translating images by delving into the material possibilities of pictorial language. The result combines abstraction and figuration: the images show the multiple resources with which they have been constructed. By rescuing objects, events, people or places - which run the risk of being forgotten - the artist composes situations that link different spaces, times and actors in a single image. An exercise that responds to the need to give visibility to those fleeting things coming from an autobiographical context that shows events of the artist's daily life. His painting reveals as much as it conceals. The gesture of covering the form, through dripping, reveals itself as a means of silencing his images and at the same time charging them with a singular graphic and chromatic expression where light and darkness coexist on the same plane You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Claire Houlihan Piano Player Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Claire is a figurative impressionist painter in oils, acrylic and watercolour who lives in Lancing, West Sussex. Painting often mundane objects and scenes, contrast of light and shadow and themes of emptiness and stillness. Influences include Hopper, Hockney, Cezanne and contemporary American Impressionists. Education The Arts Institute at Bournemouth Brighton College of Technology Select Exhibitions/Awards The Summer Exhibition 2023 Brighton Artist's Open Houses 2022,23 The Sussex Contemporary 2022 Statement about AOAP Submitted Artwork Chandos place is in Covent Gardens, I saw this pretty trio of pastel faced buildings one time, the building says Chandos street but it's actually in Chandos Pl. The piano player was playing on Hove promenade on a mobile box piano. The fluffy cat is a regular visitor to my garden and the yellow door is in one of Hove's regency Squares. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Claire Houlihan Fluffy Cat Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Claire is a figurative impressionist painter in oils, acrylic and watercolour who lives in Lancing, West Sussex. Painting often mundane objects and scenes, contrast of light and shadow and themes of emptiness and stillness. Influences include Hopper, Hockney, Cezanne and contemporary American Impressionists. Education The Arts Institute at Bournemouth Brighton College of Technology Select Exhibitions/Awards The Summer Exhibition 2023 Brighton Artist's Open Houses 2022,23 The Sussex Contemporary 2022 Statement about AOAP Submitted Artwork Chandos place is in Covent Gardens, I saw this pretty trio of pastel faced buildings one time, the building says Chandos street but it's actually in Chandos Pl. The piano player was playing on Hove promenade on a mobile box piano. The fluffy cat is a regular visitor to my garden and the yellow door is in one of Hove's regency Squares. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Claire Houlihan Chandos Place Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Claire is a figurative impressionist painter in oils, acrylic and watercolour who lives in Lancing, West Sussex. Painting often mundane objects and scenes, contrast of light and shadow and themes of emptiness and stillness. Influences include Hopper, Hockney, Cezanne and contemporary American Impressionists. Education The Arts Institute at Bournemouth Brighton College of Technology Select Exhibitions/Awards The Summer Exhibition 2023 Brighton Artist's Open Houses 2022,23 The Sussex Contemporary 2022 Statement about AOAP Submitted Artwork Chandos place is in Covent Gardens, I saw this pretty trio of pastel faced buildings one time, the building says Chandos street but it's actually in Chandos Pl. The piano player was playing on Hove promenade on a mobile box piano. The fluffy cat is a regular visitor to my garden and the yellow door is in one of Hove's regency Squares. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Claire Houlihan The Yellow Door Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Claire is a figurative impressionist painter in oils, acrylic and watercolour who lives in Lancing, West Sussex. Painting often mundane objects and scenes, contrast of light and shadow and themes of emptiness and stillness. Influences include Hopper, Hockney, Cezanne and contemporary American Impressionists. Education The Arts Institute at Bournemouth Brighton College of Technology Select Exhibitions/Awards The Summer Exhibition 2023 Brighton Artist's Open Houses 2022,23 The Sussex Contemporary 2022 Statement about AOAP Submitted Artwork Chandos place is in Covent Gardens, I saw this pretty trio of pastel faced buildings one time, the building says Chandos street but it's actually in Chandos Pl. The piano player was playing on Hove promenade on a mobile box piano. The fluffy cat is a regular visitor to my garden and the yellow door is in one of Hove's regency Squares. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Perdita Sinclair Re-connecting Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About I am interested in capturing a sense of shifting time and space in my work. I want it to not quite inhabit the known world but be more like a dreaming space where meaningful and whimsical fragments of the day happen to have washed up. In this space, elements melt into one another - feelings into ice-cream, sea markers into volcanoes, London Underground tiles into lochs, colourful plastic wrappers, and road signs into a mill-pond-like sea. I keep returning to waves in my work. Not just sea waves but waves as a metaphor for building tension. I see these building tensions everywhere, in the state of the world, in people around me, in my own head, and in the mundanity of day-to-day life. Thinking about a rising tide in a literal and metaphorical sense. I like to imagine what is going on under the surface of the paintings, in the same way that sometimes the most interesting things in life are what is left unsaid. Most of my practice is painting, as the joy and liquidity of this medium allow me to explore my imagined world whilst creating it. Sometimes, however, a work lands more solidly in my brain that demands to be sculpted or videoed. Like my diverse inspirations, there is no hierarchy of mediums here, but more a utilising of different senses to explore my thought process. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Liqing Tan Listen Oil on fine paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Liqing Tan is a prizewinning artist with international exposure. Her work centres on exploring and experimenting with the manifestations of human experience. Creating imaginary spaces (landscapes, objects or body) or capturing dramatic moments (real or illusory) are important elements of her paintings. They are intended to elicit a degree of ambiguity, inviting the viewer to bring their subjective judgement to each piece. Informed by daily routines, they are storylines about contradictory happenings - documenting intimacy and separation, appearing and disappearing, missing and forgetting, discovering and reflecting, focusing and diverging. She seeks to create strange atmospheres in her compositions, mixing ambiguous elements with dramatic features to ultimately represent the co-existence and complexity of human feelings. Education 2016-2018 Master in Fine Art (M.F.A.), UCL Slade School of Fine Art, UK 2011-2015 Bachelor in Fine Art (B.A.), Indiana University Bloomington, US Select Exhibitions/Awards 2023 The Self-Portrait Prize, Ruth Borchard Collection, UK 2022 The 19th Landscape and Figurative Painting Prize, Shenzhen Federation of Literary and Art Association, China A Tale of Two Cities, LingNan Art Museum, China Into the elegant colour - Public Welfare, Shenzhen Care Action Public Welfare Foundation, China 2021 The 17th China International Cultural Industries Fair, International Convention & Exhibition Center, Shenzhen, China Iridescent Flowers in Full Bloom - Invitational Exhibition of Female Artists, DaFen Art Museum, China 2020 Royal Society of British Artists 303rd Annual Exhibition, Mall Galleries, The Mall, London, UK Wells Art Contemporary Awards, Wells Cathedral, Wells, Somerset, UK (Winner of the Next Generation Art Prize) Contemporary Young Artist Award, The Biscuit Factory, Newcastle, UK 2019 ASYAAF, Gallery LVS, Dongdaemun Design Plaza (DDP), Seoul, Korea Bridgeman Studio Award 2019, UK Signature Art Prize 2019, UK 2018 Dentons Art prize, Dentons, London, UK (Winner) The Graduate Art Prize, Exchange House, London, UK 2017 Future Echoes, Museum of Refugees, Thessaloniki, Greece Salón de Gráfica Contemporánea, Nahim Isaias Museum, Guayaquil, Ecuador 2016 Slade Print Fair, Slade School of Fine Art UCL, London, UK 2015 Oversea Program in Florence, Grunwald Gallery, IN Bloomington, US Statement about AOAP Submitted Artwork This is a series of works I made for the auction of Art On a Postcard. Three oil paintings are an exploration of the theme "closer". They are divided into "Listen", "Chat", and "Obsess" three parts, through the modulation of space and colour, describing a private scene of intimacy, a sense of reflection, of pleasant, sometimes suspicious, human warmth. The fourth chapter of watercolour is a winter vision, conveying a quiet and looming atmosphere, and the same time, inviting. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Liqing Tan Obsess Oil on fine paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Liqing Tan is a prizewinning artist with international exposure. Her work centres on exploring and experimenting with the manifestations of human experience. Creating imaginary spaces (landscapes, objects or body) or capturing dramatic moments (real or illusory) are important elements of her paintings. They are intended to elicit a degree of ambiguity, inviting the viewer to bring their subjective judgement to each piece. Informed by daily routines, they are storylines about contradictory happenings - documenting intimacy and separation, appearing and disappearing, missing and forgetting, discovering and reflecting, focusing and diverging. She seeks to create strange atmospheres in her compositions, mixing ambiguous elements with dramatic features to ultimately represent the co-existence and complexity of human feelings. Education 2016-2018 Master in Fine Art (M.F.A.), UCL Slade School of Fine Art, UK 2011-2015 Bachelor in Fine Art (B.A.), Indiana University Bloomington, US Select Exhibitions/Awards 2023 The Self-Portrait Prize, Ruth Borchard Collection, UK 2022 The 19th Landscape and Figurative Painting Prize, Shenzhen Federation of Literary and Art Association, China A Tale of Two Cities, LingNan Art Museum, China Into the elegant colour - Public Welfare, Shenzhen Care Action Public Welfare Foundation, China 2021 The 17th China International Cultural Industries Fair, International Convention & Exhibition Center, Shenzhen, China Iridescent Flowers in Full Bloom - Invitational Exhibition of Female Artists, DaFen Art Museum, China 2020 Royal Society of British Artists 303rd Annual Exhibition, Mall Galleries, The Mall, London, UK Wells Art Contemporary Awards, Wells Cathedral, Wells, Somerset, UK (Winner of the Next Generation Art Prize) Contemporary Young Artist Award, The Biscuit Factory, Newcastle, UK 2019 ASYAAF, Gallery LVS, Dongdaemun Design Plaza (DDP), Seoul, Korea Bridgeman Studio Award 2019, UK Signature Art Prize 2019, UK 2018 Dentons Art prize, Dentons, London, UK (Winner) The Graduate Art Prize, Exchange House, London, UK 2017 Future Echoes, Museum of Refugees, Thessaloniki, Greece Salón de Gráfica Contemporánea, Nahim Isaias Museum, Guayaquil, Ecuador 2016 Slade Print Fair, Slade School of Fine Art UCL, London, UK 2015 Oversea Program in Florence, Grunwald Gallery, IN Bloomington, US Statement about AOAP Submitted Artwork This is a series of works I made for the auction of Art On a Postcard. Three oil paintings are an exploration of the theme "closer". They are divided into "Listen", "Chat", and "Obsess" three parts, through the modulation of space and colour, describing a private scene of intimacy, a sense of reflection, of pleasant, sometimes suspicious, human warmth. The fourth chapter of watercolour is a winter vision, conveying a quiet and looming atmosphere, and the same time, inviting. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Liqing Tan Chat Oil on fine paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Liqing Tan is a prizewinning artist with international exposure. Her work centres on exploring and experimenting with the manifestations of human experience. Creating imaginary spaces (landscapes, objects or body) or capturing dramatic moments (real or illusory) are important elements of her paintings. They are intended to elicit a degree of ambiguity, inviting the viewer to bring their subjective judgement to each piece. Informed by daily routines, they are storylines about contradictory happenings - documenting intimacy and separation, appearing and disappearing, missing and forgetting, discovering and reflecting, focusing and diverging. She seeks to create strange atmospheres in her compositions, mixing ambiguous elements with dramatic features to ultimately represent the co-existence and complexity of human feelings. Education 2016-2018 Master in Fine Art (M.F.A.), UCL Slade School of Fine Art, UK 2011-2015 Bachelor in Fine Art (B.A.), Indiana University Bloomington, US Select Exhibitions/Awards 2023 The Self-Portrait Prize, Ruth Borchard Collection, UK 2022 The 19th Landscape and Figurative Painting Prize, Shenzhen Federation of Literary and Art Association, China A Tale of Two Cities, LingNan Art Museum, China Into the elegant colour - Public Welfare, Shenzhen Care Action Public Welfare Foundation, China 2021 The 17th China International Cultural Industries Fair, International Convention & Exhibition Center, Shenzhen, China Iridescent Flowers in Full Bloom - Invitational Exhibition of Female Artists, DaFen Art Museum, China 2020 Royal Society of British Artists 303rd Annual Exhibition, Mall Galleries, The Mall, London, UK Wells Art Contemporary Awards, Wells Cathedral, Wells, Somerset, UK (Winner of the Next Generation Art Prize) Contemporary Young Artist Award, The Biscuit Factory, Newcastle, UK 2019 ASYAAF, Gallery LVS, Dongdaemun Design Plaza (DDP), Seoul, Korea Bridgeman Studio Award 2019, UK Signature Art Prize 2019, UK 2018 Dentons Art prize, Dentons, London, UK (Winner) The Graduate Art Prize, Exchange House, London, UK 2017 Future Echoes, Museum of Refugees, Thessaloniki, Greece Salón de Gráfica Contemporánea, Nahim Isaias Museum, Guayaquil, Ecuador 2016 Slade Print Fair, Slade School of Fine Art UCL, London, UK 2015 Oversea Program in Florence, Grunwald Gallery, IN Bloomington, US Statement about AOAP Submitted Artwork This is a series of works I made for the auction of Art On a Postcard. Three oil paintings are an exploration of the theme "closer". They are divided into "Listen", "Chat", and "Obsess" three parts, through the modulation of space and colour, describing a private scene of intimacy, a sense of reflection, of pleasant, sometimes suspicious, human warmth. The fourth chapter of watercolour is a winter vision, conveying a quiet and looming atmosphere, and the same time, inviting. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Liqing Tan Winter Oil on fine paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Liqing Tan is a prizewinning artist with international exposure. Her work centres on exploring and experimenting with the manifestations of human experience. Creating imaginary spaces (landscapes, objects or body) or capturing dramatic moments (real or illusory) are important elements of her paintings. They are intended to elicit a degree of ambiguity, inviting the viewer to bring their subjective judgement to each piece. Informed by daily routines, they are storylines about contradictory happenings - documenting intimacy and separation, appearing and disappearing, missing and forgetting, discovering and reflecting, focusing and diverging. She seeks to create strange atmospheres in her compositions, mixing ambiguous elements with dramatic features to ultimately represent the co-existence and complexity of human feelings. Education 2016-2018 Master in Fine Art (M.F.A.), UCL Slade School of Fine Art, UK 2011-2015 Bachelor in Fine Art (B.A.), Indiana University Bloomington, US Select Exhibitions/Awards 2023 The Self-Portrait Prize, Ruth Borchard Collection, UK 2022 The 19th Landscape and Figurative Painting Prize, Shenzhen Federation of Literary and Art Association, China A Tale of Two Cities, LingNan Art Museum, China Into the elegant colour - Public Welfare, Shenzhen Care Action Public Welfare Foundation, China 2021 The 17th China International Cultural Industries Fair, International Convention & Exhibition Center, Shenzhen, China Iridescent Flowers in Full Bloom - Invitational Exhibition of Female Artists, DaFen Art Museum, China 2020 Royal Society of British Artists 303rd Annual Exhibition, Mall Galleries, The Mall, London, UK Wells Art Contemporary Awards, Wells Cathedral, Wells, Somerset, UK (Winner of the Next Generation Art Prize) Contemporary Young Artist Award, The Biscuit Factory, Newcastle, UK 2019 ASYAAF, Gallery LVS, Dongdaemun Design Plaza (DDP), Seoul, Korea Bridgeman Studio Award 2019, UK Signature Art Prize 2019, UK 2018 Dentons Art prize, Dentons, London, UK (Winner) The Graduate Art Prize, Exchange House, London, UK 2017 Future Echoes, Museum of Refugees, Thessaloniki, Greece Salón de Gráfica Contemporánea, Nahim Isaias Museum, Guayaquil, Ecuador 2016 Slade Print Fair, Slade School of Fine Art UCL, London, UK 2015 Oversea Program in Florence, Grunwald Gallery, IN Bloomington, US Statement about AOAP Submitted Artwork This is a series of works I made for the auction of Art On a Postcard. Three oil paintings are an exploration of the theme "closer". They are divided into "Listen", "Chat", and "Obsess" three parts, through the modulation of space and colour, describing a private scene of intimacy, a sense of reflection, of pleasant, sometimes suspicious, human warmth. The fourth chapter of watercolour is a winter vision, conveying a quiet and looming atmosphere, and the same time, inviting. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Marie Robinson Chelsea Bun Oil on primed card paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About An established fine artist I focus my artistic practice on oil painting, underpinned by close observational drawing. My work is contemporary realism rooted in the tradition of representational painting and I am well known for my still lives which often have a bit of a twist! Education 1996-2002 BA Fine Art (First Class Hons) De Montfort University 1991-93 Part-time Foundation, Oxfordshire School of Art & Design 1980-83 Studied Chemistry BSc. King's College London Select Exhibitions/Awards Royal Academy Summer Exhibition 2023 Royal Society of Marine Artists 2023 The Sunday Times Watercolour Competition The Lynn Painter Stainers Prize Exhibition The National Open Art Competition The Society of Women Artists The Royal Birmingham Society of Artists The ING Discerning Eye Exhibition 2011, 2014, 2016/17/18/19 & 2020 Awarded ING Staff Purchase Prize 2014 Artists & Illustrators Artist of the Year Competition 2010(runner-up), 2011 & 2012 (short-listed), 2014 (highly commended) For the last 17 years her work has regularly been shown at Affordable Art Fairs in UK and internationally Publications: Illustrator in 'Teaching Pilates, A Practical Guide' by Jane Paterson. Elsevier Nov 2008 A portrait featured in 'Portraits for NHS Heroes' Bloomsbury Nov 2020 Gallery Representation Marie is represented by Wills Art Warehouse and Wychwood Art Statement about AOAP Submitted Artwork In my work I am most known for my still life paintings, in which I am inspired by the history and associations inherent in ordinary objects and materials particularly from the domestic environment. Some I select because they hold a personal significance, others I collect which have an unknown history, and I paint them directly from life. For my three Art on a Postcard submissions, I have painted objects which were found, or around me in the studio, or which I saw on the way to the studio. The three feathers were treasured finds on a recent family holiday in South Wales - I can never leave a beach without filling my pockets with feathers, shells etc etc! The tape measure has been a trusty companion in my studio for a long time and being bright orange is always easily found! And finally, I spotted the Chelsea bun in a shop on my way to studio and couldn't resist it, both to paint, then eat! You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Marie Robinson Measure For Measure Oil on primed card paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About An established fine artist I focus my artistic practice on oil painting, underpinned by close observational drawing. My work is contemporary realism rooted in the tradition of representational painting and I am well known for my still lives which often have a bit of a twist! Education 1996-2002 BA Fine Art (First Class Hons) De Montfort University 1991-93 Part-time Foundation, Oxfordshire School of Art & Design 1980-83 Studied Chemistry BSc. King's College London Select Exhibitions/Awards Royal Academy Summer Exhibition 2023 Royal Society of Marine Artists 2023 The Sunday Times Watercolour Competition The Lynn Painter Stainers Prize Exhibition The National Open Art Competition The Society of Women Artists The Royal Birmingham Society of Artists The ING Discerning Eye Exhibition 2011, 2014, 2016/17/18/19 & 2020 Awarded ING Staff Purchase Prize 2014 Artists & Illustrators Artist of the Year Competition 2010(runner-up), 2011 & 2012 (short-listed), 2014 (highly commended) For the last 17 years her work has regularly been shown at Affordable Art Fairs in UK and internationally Publications: Illustrator in 'Teaching Pilates, A Practical Guide' by Jane Paterson. Elsevier Nov 2008 A portrait featured in 'Portraits for NHS Heroes' Bloomsbury Nov 2020 Gallery Representation Marie is represented by Wills Art Warehouse and Wychwood Art Statement about AOAP Submitted Artwork In my work I am most known for my still life paintings, in which I am inspired by the history and associations inherent in ordinary objects and materials particularly from the domestic environment. Some I select because they hold a personal significance, others I collect which have an unknown history, and I paint them directly from life. For my three Art on a Postcard submissions, I have painted objects which were found, or around me in the studio, or which I saw on the way to the studio. The three feathers were treasured finds on a recent family holiday in South Wales - I can never leave a beach without filling my pockets with feathers, shells etc etc! The tape measure has been a trusty companion in my studio for a long time and being bright orange is always easily found! And finally, I spotted the Chelsea bun in a shop on my way to studio and couldn't resist it, both to paint, then eat! You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Marie Robinson Beach Combing Oil on primed card paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About An established fine artist I focus my artistic practice on oil painting, underpinned by close observational drawing. My work is contemporary realism rooted in the tradition of representational painting and I am well known for my still lives which often have a bit of a twist! Education 1996-2002 BA Fine Art (First Class Hons) De Montfort University 1991-93 Part-time Foundation, Oxfordshire School of Art & Design 1980-83 Studied Chemistry BSc. King's College London Select Exhibitions/Awards Royal Academy Summer Exhibition 2023 Royal Society of Marine Artists 2023 The Sunday Times Watercolour Competition The Lynn Painter Stainers Prize Exhibition The National Open Art Competition The Society of Women Artists The Royal Birmingham Society of Artists The ING Discerning Eye Exhibition 2011, 2014, 2016/17/18/19 & 2020 Awarded ING Staff Purchase Prize 2014 Artists & Illustrators Artist of the Year Competition 2010(runner-up), 2011 & 2012 (short-listed), 2014 (highly commended) For the last 17 years her work has regularly been shown at Affordable Art Fairs in UK and internationally Publications: Illustrator in 'Teaching Pilates, A Practical Guide' by Jane Paterson. Elsevier Nov 2008 A portrait featured in 'Portraits for NHS Heroes' Bloomsbury Nov 2020 Gallery Representation Marie is represented by Wills Art Warehouse and Wychwood Art Statement about AOAP Submitted Artwork In my work I am most known for my still life paintings, in which I am inspired by the history and associations inherent in ordinary objects and materials particularly from the domestic environment. Some I select because they hold a personal significance, others I collect which have an unknown history, and I paint them directly from life. For my three Art on a Postcard submissions, I have painted objects which were found, or around me in the studio, or which I saw on the way to the studio. The three feathers were treasured finds on a recent family holiday in South Wales - I can never leave a beach without filling my pockets with feathers, shells etc etc! The tape measure has been a trusty companion in my studio for a long time and being bright orange is always easily found! And finally, I spotted the Chelsea bun in a shop on my way to studio and couldn't resist it, both to paint, then eat! You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Olivia Adamczyk O'Sullivan Looking For Hadrian's Wall Gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Olivia lives in Southeast London. Her work has two main focuses: the industrial buildings, blocks of flats, streets and parks of that area, and the landscapes of the English coast and the Drome in France. Olivia's work is based upon on- and off-site sketchbook drawings and paintings as well as still and moving digital images collected on her iPhone. Sketches use charcoal, ink, watercolour and pastels. Her work is mostly on paper using acrylic, watercolour, ink, charcoal and crayon. Olivia wants the images she creates to demonstrate a sense of commitment to a place, a reflective commentary on the continuum of what can be described as 'ordinary', whether a building seen from a commuter train or a brown English beach on the South Coast. Education Olivia studied music at the University of East Anglia, followed by a career as a teacher and in teacher education and research. Towards the end of her career in education Olivia began painting and drawing courses at City Lit London and completed the two-year Fine Art course there in 2016. Select Exhibitions/Awards She won the Royal Watercolour Society Contemporary Open prize in 2019, and the RWS Cass Art Solo Exhibition prize in 2020. She was elected as an Associate Member of the RWS in 2022. Her work was selected for the ING Discerning Eye Exhibition in 2022 and at the Royal Academy Summer Exhibition in 2023. Statement about AOAP Submitted Artwork I usually create larger works, so painting on postcards was a new experience for me. The three postcards are based on work from my sketchbooks where I develop my ideas. I draw and paint en plein air as much as I can - it's when I feel completely alive and free. On Worthing Beach: we frequently visit Worthing for family reasons and I've grown to love painting its wonderful skies and brown beaches. In search of Hadrian's Wall: based on plein air sketches this year in the magnificent Northumbria countryside near the Wall. 'In the park, Southeast London': one of the many paintings I've done of the park on my road - a place which played such an important role in my mental wellbeing during the Covid years. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Olivia Adamczyk O'Sullivan In the Park, South East London Gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Olivia lives in Southeast London. Her work has two main focuses: the industrial buildings, blocks of flats, streets and parks of that area, and the landscapes of the English coast and the Drome in France. Olivia's work is based upon on- and off-site sketchbook drawings and paintings as well as still and moving digital images collected on her iPhone. Sketches use charcoal, ink, watercolour and pastels. Her work is mostly on paper using acrylic, watercolour, ink, charcoal and crayon. Olivia wants the images she creates to demonstrate a sense of commitment to a place, a reflective commentary on the continuum of what can be described as 'ordinary', whether a building seen from a commuter train or a brown English beach on the South Coast. Education Olivia studied music at the University of East Anglia, followed by a career as a teacher and in teacher education and research. Towards the end of her career in education Olivia began painting and drawing courses at City Lit London and completed the two-year Fine Art course there in 2016. Select Exhibitions/Awards She won the Royal Watercolour Society Contemporary Open prize in 2019, and the RWS Cass Art Solo Exhibition prize in 2020. She was elected as an Associate Member of the RWS in 2022. Her work was selected for the ING Discerning Eye Exhibition in 2022 and at the Royal Academy Summer Exhibition in 2023. Statement about AOAP Submitted Artwork I usually create larger works, so painting on postcards was a new experience for me. The three postcards are based on work from my sketchbooks where I develop my ideas. I draw and paint en plein air as much as I can - it's when I feel completely alive and free. On Worthing Beach: we frequently visit Worthing for family reasons and I've grown to love painting its wonderful skies and brown beaches. In search of Hadrian's Wall: based on plein air sketches this year in the magnificent Northumbria countryside near the Wall. 'In the park, Southeast London': one of the many paintings I've done of the park on my road - a place which played such an important role in my mental wellbeing during the Covid years. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Olivia Adamczyk O'Sullivan On Worthing Beach Gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Olivia lives in Southeast London. Her work has two main focuses: the industrial buildings, blocks of flats, streets and parks of that area, and the landscapes of the English coast and the Drome in France. Olivia's work is based upon on- and off-site sketchbook drawings and paintings as well as still and moving digital images collected on her iPhone. Sketches use charcoal, ink, watercolour and pastels. Her work is mostly on paper using acrylic, watercolour, ink, charcoal and crayon. Olivia wants the images she creates to demonstrate a sense of commitment to a place, a reflective commentary on the continuum of what can be described as 'ordinary', whether a building seen from a commuter train or a brown English beach on the South Coast. Education Olivia studied music at the University of East Anglia, followed by a career as a teacher and in teacher education and research. Towards the end of her career in education Olivia began painting and drawing courses at City Lit London and completed the two-year Fine Art course there in 2016. Select Exhibitions/Awards She won the Royal Watercolour Society Contemporary Open prize in 2019, and the RWS Cass Art Solo Exhibition prize in 2020. She was elected as an Associate Member of the RWS in 2022. Her work was selected for the ING Discerning Eye Exhibition in 2022 and at the Royal Academy Summer Exhibition in 2023. Statement about AOAP Submitted Artwork I usually create larger works, so painting on postcards was a new experience for me. The three postcards are based on work from my sketchbooks where I develop my ideas. I draw and paint en plein air as much as I can - it's when I feel completely alive and free. On Worthing Beach: we frequently visit Worthing for family reasons and I've grown to love painting its wonderful skies and brown beaches. In search of Hadrian's Wall: based on plein air sketches this year in the magnificent Northumbria countryside near the Wall. 'In the park, Southeast London': one of the many paintings I've done of the park on my road - a place which played such an important role in my mental wellbeing during the Covid years. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Jonathan Parker Roses Now or Never Watercolour, concentrated watercolour and gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Jonathan Parker is a painter known for his portraits and figurative compositions that often combine landscape, figure and interior. His work highlights the fragility of the environments depicted. Key points in time are recorded with closely observed / loosely executed techniques for capturing light and absorbing memory. Subtle emotional triggers are found within each piece and the use of layering leaves the viewer with more to be discovered over time. The significance of the sources of inspiration is left open, posing questions to be addressed, about how we see and how we feel. The answers are apprehended both as processes and things. Education 1982-1987 King's College School, Wimbledon and Camberwell School of Art, England 1988-1991 Apprenticeships in Zaragoza, Spain and Havana, Cuba 1992 Graduated from Northumbria University, England (Newcastle Polytechnic) BA Hons Fine Art Select Exhibitions/Awards 1991 Dibujos, Taller Rene Portocarrero, Havana, Cuba (solo) 1992 Winner of the Royal Academy of Arts, London, UK, Richard Ford Award 2000 Mercury Gallery, London, UK (solo) 2010-2011 Wind & Fire, Earth & Space, Water, River and Rowing Museum, Henley on Thames, UK (solo) 2017 Jonathan Parker Familiarity and Mystery, Centre for Visual Arts and Culture, Durham University, Durham, UK (solo) 2020 The Isolation Series, Brocket Gallery, Online, UK (solo) Gallery Representation Brocket Gallery Statement about AOAP Submitted Artwork Two postcards submitted: "RosesNowOrNever" features the roses picked from the studio garden each year. They probably won't last more than a couple of days, depending on the climate, so painting them becomes an essential act in a way. Recording something fleeting and fragile is such an important gift of painting, making it possible to return to that moment. Such a return can have even greater symbolism if the thing or place being re-visited is familiar from childhood with questions of innocence, wisdom, freshness and value potentially raised. "Woods(Four)" is based on a view in Northumberland, near the grand country house of Wallington - a place of unrestricted adventure and timeless imagination - where an exploration of how we experience time continues. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Jonathan Parker Woods (Four) Watercolour, ink and gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Jonathan Parker is a painter known for his portraits and figurative compositions that often combine landscape, figure and interior. His work highlights the fragility of the environments depicted. Key points in time are recorded with closely observed / loosely executed techniques for capturing light and absorbing memory. Subtle emotional triggers are found within each piece and the use of layering leaves the viewer with more to be discovered over time. The significance of the sources of inspiration is left open, posing questions to be addressed, about how we see and how we feel. The answers are apprehended both as processes and things. Education 1982-1987 King's College School, Wimbledon and Camberwell School of Art, England 1988-1991 Apprenticeships in Zaragoza, Spain and Havana, Cuba 1992 Graduated from Northumbria University, England (Newcastle Polytechnic) BA Hons Fine Art Select Exhibitions/Awards 1991 Dibujos, Taller Rene Portocarrero, Havana, Cuba (solo) 1992 Winner of the Royal Academy of Arts, London, UK, Richard Ford Award 2000 Mercury Gallery, London, UK (solo) 2010-2011 Wind & Fire, Earth & Space, Water, River and Rowing Museum, Henley on Thames, UK (solo) 2017 Jonathan Parker Familiarity and Mystery, Centre for Visual Arts and Culture, Durham University, Durham, UK (solo) 2020 The Isolation Series, Brocket Gallery, Online, UK (solo) Gallery Representation Brocket Gallery Statement about AOAP Submitted Artwork Two postcards submitted: "RosesNowOrNever" features the roses picked from the studio garden each year. They probably won't last more than a couple of days, depending on the climate, so painting them becomes an essential act in a way. Recording something fleeting and fragile is such an important gift of painting, making it possible to return to that moment. Such a return can have even greater symbolism if the thing or place being re-visited is familiar from childhood with questions of innocence, wisdom, freshness and value potentially raised. "Woods(Four)" is based on a view in Northumberland, near the grand country house of Wallington - a place of unrestricted adventure and timeless imagination - where an exploration of how we experience time continues. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Hynek Martinec Dream in color (1) Pencil and watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Hynek Martinec graduated from the Studio of Classical Painting Techniques at the Academy of Fine Arts, Prague. After his studies he left for Paris (2005-2007) and since 2007 has been living in London. He received the prestigious BP Young Artist Award (2007) for his hyper realistic portraits. His paintings are inspired by Old Masters and/or photographs, which link the past with the future, using modern technologies. Education Cooper Union, New York 2004 Middlesex University, London 2002 Academy of Fine Art (MgA.), Prague 1999-2005 Select Exhibitions/Awards 2008 The Changing Faces, London 2007 BP Young Artist Award, National Portrait Gallery, London BP Visitor Choice, National Portrait Gallery, London BP Visitor Choice, National Scottish Portrait Gallery, Edinburgh 2003 Studio Prize, Academy of Fine Art, Prague Selected Solo Exhibitions and Projects 2023 Thank You For Looking at Me, OHSH Projects, London 2021/22 Will and Representation, Parafin, London 2019 The Everyday Archive, Brixton Beneficiary, London 2018 Voyage to Iceland, National Gallery, Prague Kilián Ignác D. Galerie Dům, Broumov 2017 El Greco is Watching, (ongoing), Spain The Birth of Tragedies, Parafin, London 2016 Hybrid, The Factory Gallery, London Thank You For Looking at Me, (ongoing), Iceland 2015 Intellectual Properties, Galerie Václava Špály, Prague 2014 Every Minute You Are Closer To Death, Parafin, London 2013 Every Minute You Are Closer To Death, Flowers Gallery, London Selected Group Exhibitions 2023 Summer Exhibition, Royal Academy of Arts, London Gallery Artist, Parafin, London 2022 BFAMI, Art Auction, Phillips, London ABSURD, OHSH Projects, London Men, AJG - Alšova jihočeská galerie, Czech Republic STILL LIFE/LIFE STILL, OHSH Projects, London 2021 Vanitas, Dox Centre for Contemporary Art, Prague Signál II, Telegraph Gallery, Olomouc The Will to Power, ASC Gallery, London 2020 Complex States - Art in the Years of Brexit, AR platform International and virtual exhibition, Worldwide Same For Everyone, Parafin, London Inspiration - Iconic Works, Finnish National Gallery, Helsinki Inspiration - Iconic Works, Nationalmuseum, Stockholm 2019 In Loving Memory, Emo Court, Co Laois, Republic of Ireland Vanité, Brixton Beneficiary, London 2017 Fascination with Reality, Museum of Modern Art, Olomouc Arc of Time, Zahorian and Van Espen, Prague 2015 Blow-up, Parafin, London 2014 John Moores Painting Prize, Walker Art Gallery, Liverpool 2013 BP Portrait Award, National Portrait Gallery, London 2012 Beyond Reality. British Painting Today, Galerie Rudolfinum, Prague Ein Weisses Feld, Schlachthaus Aschaffenburg Coal and Steel, Candid Arts Trust Gallery, London Coal and Steel, Czech Centre Gallery, Prague Gallery Representation Parafin Gallery Statement about AOAP Submitted Artwork Watercolours are reflecting my dream world. A topic consistent to my practice and one I have for years pursued in drawings. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Hynek Martinec Dream in color (2) Pencil and watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Hynek Martinec graduated from the Studio of Classical Painting Techniques at the Academy of Fine Arts, Prague. After his studies he left for Paris (2005-2007) and since 2007 has been living in London. He received the prestigious BP Young Artist Award (2007) for his hyper realistic portraits. His paintings are inspired by Old Masters and/or photographs, which link the past with the future, using modern technologies. Education Cooper Union, New York 2004 Middlesex University, London 2002 Academy of Fine Art (MgA.), Prague 1999-2005 Select Exhibitions/Awards 2008 The Changing Faces, London 2007 BP Young Artist Award, National Portrait Gallery, London BP Visitor Choice, National Portrait Gallery, London BP Visitor Choice, National Scottish Portrait Gallery, Edinburgh 2003 Studio Prize, Academy of Fine Art, Prague Selected Solo Exhibitions and Projects 2023 Thank You For Looking at Me, OHSH Projects, London 2021/22 Will and Representation, Parafin, London 2019 The Everyday Archive, Brixton Beneficiary, London 2018 Voyage to Iceland, National Gallery, Prague Kilián Ignác D. Galerie Dům, Broumov 2017 El Greco is Watching, (ongoing), Spain The Birth of Tragedies, Parafin, London 2016 Hybrid, The Factory Gallery, London Thank You For Looking at Me, (ongoing), Iceland 2015 Intellectual Properties, Galerie Václava Špály, Prague 2014 Every Minute You Are Closer To Death, Parafin, London 2013 Every Minute You Are Closer To Death, Flowers Gallery, London Selected Group Exhibitions 2023 Summer Exhibition, Royal Academy of Arts, London Gallery Artist, Parafin, London 2022 BFAMI, Art Auction, Phillips, London ABSURD, OHSH Projects, London Men, AJG - Alšova jihočeská galerie, Czech Republic STILL LIFE/LIFE STILL, OHSH Projects, London 2021 Vanitas, Dox Centre for Contemporary Art, Prague Signál II, Telegraph Gallery, Olomouc The Will to Power, ASC Gallery, London 2020 Complex States - Art in the Years of Brexit, AR platform International and virtual exhibition, Worldwide Same For Everyone, Parafin, London Inspiration - Iconic Works, Finnish National Gallery, Helsinki Inspiration - Iconic Works, Nationalmuseum, Stockholm 2019 In Loving Memory, Emo Court, Co Laois, Republic of Ireland Vanité, Brixton Beneficiary, London 2017 Fascination with Reality, Museum of Modern Art, Olomouc Arc of Time, Zahorian and Van Espen, Prague 2015 Blow-up, Parafin, London 2014 John Moores Painting Prize, Walker Art Gallery, Liverpool 2013 BP Portrait Award, National Portrait Gallery, London 2012 Beyond Reality. British Painting Today, Galerie Rudolfinum, Prague Ein Weisses Feld, Schlachthaus Aschaffenburg Coal and Steel, Candid Arts Trust Gallery, London Coal and Steel, Czech Centre Gallery, Prague Gallery Representation Parafin Gallery Statement about AOAP Submitted Artwork Watercolours are reflecting my dream world. A topic consistent to my practice and one I have for years pursued in drawings. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Edit Toaso Money Plant Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Edit Toaso is a fine artist who is currently interested in painting her immediate environment, particularly plants, gardens, and landscapes. She's preoccupied with exploring the topic of roots or rather lack thereof and female identity through them. Her preference is to use oil paint on linen, watercolour, and non-synthetic art materials for her paintings. Education Edit completed her Masters in Fine Arts at the Academy of Fine Arts, Budapest and won a scholarship to study Experimental Printmaking, with a focus on etching and aquatint, at the Royal Academy of Fine Arts in The Hague, the Netherlands. Select Exhibitions/Awards Edit's work has been selected for group exhibitions including: Summer Exhibition, The Royal Academy of Arts London, UK. Wales Contemporary, Milford Haven, Green & Stone, Chelsea, UK & NY International Print Show, Manhattan Graphics Center, USA; International Miniprint Biennale, Rosario, Argentina; Première Vision, Paris, France. She had a solo presentation, Flow, at Platform 39 Gallery, London, UK. She also won third prize at Wales Contemporary and has been longlisted for the Contemporary British Painting Prize. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Edit Toaso Money Plant 2 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Edit Toaso is a fine artist who is currently interested in painting her immediate environment, particularly plants, gardens, and landscapes. She's preoccupied with exploring the topic of roots or rather lack thereof and female identity through them. Her preference is to use oil paint on linen, watercolour, and non-synthetic art materials for her paintings. Education Edit completed her Masters in Fine Arts at the Academy of Fine Arts, Budapest and won a scholarship to study Experimental Printmaking, with a focus on etching and aquatint, at the Royal Academy of Fine Arts in The Hague, the Netherlands. Select Exhibitions/Awards Edit's work has been selected for group exhibitions including: Summer Exhibition, The Royal Academy of Arts London, UK. Wales Contemporary, Milford Haven, Green & Stone, Chelsea, UK & NY International Print Show, Manhattan Graphics Center, USA; International Miniprint Biennale, Rosario, Argentina; Première Vision, Paris, France. She had a solo presentation, Flow, at Platform 39 Gallery, London, UK. She also won third prize at Wales Contemporary and has been longlisted for the Contemporary British Painting Prize. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Tyga Helme After Turner Watercolour and chalk pastel on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Millie Foster About Born in 1990, Tyga lives and works in the UK. She is a painter and printmaker with drawing lying at the heart of her practice. She uses the directness and urgency of drawing from life as a springboard for all her work, finding her subjects in nature's edgelands; where trees and mountains meet the sky, where sea meets rock or tangled in undergrowth. In working from life, she celebrates the spontaneity of the moment whilst also building on memory and feeling by returning to places over and over again. Education Edinburgh College of Art, Royal Drawing School Select Exhibitions/Awards In the Wings' Messums London 2023 'Ground' Messums Wiltshire 2022 'Forces of Nature' Glyndbourne 2021 'Urgent is the Rhythm' Messums London 2021 'Sky so Close' Blueshop Cottage' 2020 Gallery Representation MESSUMS LONDON Statement about AOAP Submitted Artwork This drawing was made looking Turner's painting 'Sunrise, a Castle on a Bay: 'Solitude'' in Tate Britain. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Hurvin Anderson The Avenue Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About Born in 1965, Birmingham, United Kingdom, Hurvin Anderson lives and works between London and Cambridgeshire. Hurvin Anderson's paintings explore spaces occupied by Caribbean immigrants, such as public parks, gardens, barbershops and domestic interiors, which function as sites for both social gathering and economic enterprise. These settings represent the artist's personal and cultural memories of functional spaces and shared experiences of the Caribbean. Born to parents of Jamaican descent, Hurvin studied at the Wimbledon School of Art followed by the Royal College of Art, where he explored the relevance of figuration in a world dominated by abstraction and Conceptual art. Since then, he has pursued both landscape and abstract painting, exploring his own relationships to place by recalling social history and memory. Education Wimbledon School of Art (1991-1994), Royal College of Art (1996-1998) Select Exhibitions/Awards Solo Exhibitions: 2023 Salon Paintings: Hurvin Anderson, Hepworth Wakefield, Wakefield 2021 Reverb: Thomas Dane Gallery, London, England Hurvin Anderson: Anywhere but Nowhere, The Arts Club of Chicago, Chicago IL 2019 Hurvin Anderson, They have a mind of their own, Rat Hole Gallery, Tokyo, Japan 2016 Hurvin Anderson: Dub Versions, New Art Exchange, Nottingham, England Hurvin Anderson: Backdrop, Art Gallery of Ontario, Toronto, Canada 2015 Hurvin Anderson: Backdrop, Contemporary Art Museum St. Louis, St. Louis MO 2013 Hurvin Anderson: reporting back, Ikon Gallery, Birmingham, England Group Exhibitions: 2024 Forthcoming: The Time is Always Now: Artists Reframe the Black Figure, National Portrait Gallery, London, England 2022 Radical Landscapes, Tate Liverpool, Liverpool, England [travelling to Mead Gallery, Coventry, England; William Morris Gallery, London, England] 2021 Life Between Islands: Caribbean-British Art 1950s - Now, Tate Britain, London, England [travelling to: Art Gallery of Ontario, Toronto, Canada] Mixing It Up: Painting Today, Hayward Gallery, London, England British Art Show 9, Hayward Gallery, London, England [travelling to Aberdeen Art Gallery, Aberdeen, Scotland; Wolverhampton Art Gallery, Wolverhampton, England; University of Wolverhampton School of Art, Wolverhampton, England; Castlefield Gallery, Manchester, England; Centre for Chinese Contemporary Art (CFCCA), Manchester, England; HOME, Manchester, England; Manchester Art Gallery, Manchester, England; The Whitworth, Manchester, England; KARST, Plymouth, England; The Levinsky Gallery, Plymouth, England; The Box, Plymouth, England; Plymouth College of Art, Plymouth, England] Hurvin Anderson was shortlisted for the Turner Prize in 2019. Gallery Representation Thomas Dane Gallery, London and Michael Werner Gallery, New York You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Eva Dixon Loose Ends, 2023 Watercolour, pencil and crayons on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Eva Dixon (b. 2000 Waratah, Australia) lives and works in London, United Kingdom. Education Foundation: Central Saint Martins (2018-19), BA: Central Saint Martins (2019-23) Select Exhibitions/Awards Awards: LVMH Maison: 'This Earth' Award (2023), short listed for the Barry Martin Painting Prize (2023), short listed for the Cass Art Award (2023), grant recipient: Kew Gardens (2021) and Richard Coward Foundation (2021). Exhibitions: Christies, group show: Next (2023). Xhibit, group show at Kufer Projects, London (2023), Good Eye Projects end of residency show, London (2022), Group show at Arc Stays, Cottswalds (2022), La SIRA 12-year show, Paris, France (2022), Eve Liebe Summer Show, London (2022). Statement about AOAP Submitted Artwork My practice primarily takes the form of utilitarian textile paintings; however, I do use drawings as a tool to generate new work. The two postcards I produced from AOAP were made in reference to temporary sites of labour, such as the scaffolding that skirts around a building and the once bright yellow colour of road markings. I made these drawings intuitively, working between them (and several others)- adding bits here and there until the drawings felt balanced. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Rebecca Hardaker Appreciate me no.1, 2023 Watercolour pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Rebecca Hardaker's practice is an intersection between painting and drawing. Executed with an unabashed fondness for innocence, each canvas is an ensemble of abstract mark making and figures. Rebecca often never has a plan when she starts a new painting. One mark provokes another and so gives birth to a landscape of abstraction. She moves around the canvas, filling it with painterly strokes and line. The process is fast and intuitive, unencumbered by rules. Her palette is bright and dreamy. Just as she never sets out a plan, Rebecca doesn't cancel out mistakes. These are part of the composition, which is the artist's immediate translation of her cerebral vision giving way for to whimsical uncertainty. Education BA Classical Studies, University of Manchester MA Heritage Management, University of Birmingham Buying and Selling Art at Auction at Sotheby's Institute of Art Art Handling and Installation at University of the Arts London Select Exhibitions/Awards Upcoming 2023 Act One open call winner, show details TBC, 2023 2023 Radio Hair Salon, 'Find Me', 5th September - December 2023 The Nomad Salon, ' The Art Collector's Home', 19th August - 16th September 2023 Intuition Goes Before You, Vittoria Beltrame x BWG, 13 Soho Square W1D 3QF, 11th-20th August 2023 Interrupted art at Somerset House, 8th June 2023 All that matters to me now, Greatorex street gallery, 1st-6th June 2023 Conart Global Group Show, Battersea, 25th April 2023 Selected by Zimmer Stewart Gallery for the New Medical Centre, King Edward VII Call for Artists, January 2023 Old Parcels Office Open Art Space Exhibition, 11th February to 12th March 2023 2022 Girl & Gallery podcast, episode one, December 2022 Fitzrovia Gallery, She Came, She Saw, She Conquered, 18th -23rd October 2022 Interrupted Art live painting and exhibition, 29th September 2022 Palette presents 'Pie in the Sky', 13th-14th September 2022 Phoebe Minson's, Conservations with Creatives, September 2022 The Koppel Project Hive Open Studios Summer Edition, 31st August - 2nd September 2022 The Summer Exhibition at Heal's, 20th June - 11th September 2022 Bright Young Things at Alex Eagle, July - 11th September 2022 The Other Art Fair, 30th June - 3rd July 2022 KCAW X Chelsea Windows, 18th June - 2nd July 2022 https://fadmagazine.com/2022/06/20/artwork-by-london-based-emerging-artists-to-take-over-kings-road-shopfront-windows/ Featured in FAD Magazine, June 2022 Other Art Fair Director's Pick, June 2022 Queen Elizabeth II Platinum Jubilee Corgi Trail, Whitehall Gardens, May - June 2022 Fitzrovia Gallery, 'Post the Surrealist Manifesto', 16th - 22nd May 2022 The Back Room at Holdrons Arcade, 'FLOWERS', 5th - 10th April 2022 The Other Art Fair, 17th - 20th March 2022 Avenue Restaurant, 'Woman's Art for Women's Aid, Artist Talk', 15th March 2022 2021 The Koppel Project, 54 Oxford Circus, End of Year Showcase, 14th - 18th Dec 2021 Peggy Jay Gallery, 'Come hither, Come hither, Come hither', 1st - 19th Dec 2021 https://www.thefrankmagazine.com/rebecca-hardaker-freedom-of-thought/ Featured in The Frank Magazine The Koppel Project, 54 Oxford Circus, Window Showcase, 18th - 20th October The Koppel Project, 193 Piccadilly 'Gardens / Garages' 4th - 8th August 2021 The Gallery Holt 'Fusion' 23rd July - 31st August 2021 Mall Galleries 'The Pastel Society Annual Exhibition 2021' 14th - 24th July 2021 Every Women Biennial, Copeland Gallery 2nd - 9th July 2021 The Holy Art 'Momentum' virtual exhibition 13th - 21st February 2021 Received the Frank Herring & Sons Award by the Pastel Society for 'an analogue state of joy' Linden Hall Studio 'Winter Group Show' 2nd December 2020 - 30th January 2021 2020 Solo Show 'Landscape of an Inner Child' 15th - 18th October 2020 2nd Edition at Highgate Contemporary Gallery 1st October - 30th November 2020 The Koppel Project Showcase 7th -14th October 2020 Featured in Saatchi Art 'New This Week' - May 2020 'Unframed' by Highgate Contemporary Art The 'Feed NHS' charity postcard exhibition by Highgate Contemporary Art Statement about AOAP Submitted Artwork These artworks are directly a response to her large-scale paintings, where she paints with her hands. Through Watercolour pencils she wanted to create the same energy and tactile experience of expression. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Rebecca Hardaker Appreciate me no.2, 2023 Watercolour pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Rebecca Hardaker's practice is an intersection between painting and drawing. Executed with an unabashed fondness for innocence, each canvas is an ensemble of abstract mark making and figures. Rebecca often never has a plan when she starts a new painting. One mark provokes another and so gives birth to a landscape of abstraction. She moves around the canvas, filling it with painterly strokes and line. The process is fast and intuitive, unencumbered by rules. Her palette is bright and dreamy. Just as she never sets out a plan, Rebecca doesn't cancel out mistakes. These are part of the composition, which is the artist's immediate translation of her cerebral vision giving way for to whimsical uncertainty. Education BA Classical Studies, University of Manchester MA Heritage Management, University of Birmingham Buying and Selling Art at Auction at Sotheby's Institute of Art Art Handling and Installation at University of the Arts London Select Exhibitions/Awards Upcoming 2023 Act One open call winner, show details TBC, 2023 2023 Radio Hair Salon, 'Find Me', 5th September - December 2023 The Nomad Salon, ' The Art Collector's Home', 19th August - 16th September 2023 Intuition Goes Before You, Vittoria Beltrame x BWG, 13 Soho Square W1D 3QF, 11th-20th August 2023 Interrupted art at Somerset House, 8th June 2023 All that matters to me now, Greatorex street gallery, 1st-6th June 2023 Conart Global Group Show, Battersea, 25th April 2023 Selected by Zimmer Stewart Gallery for the New Medical Centre, King Edward VII Call for Artists, January 2023 Old Parcels Office Open Art Space Exhibition, 11th February to 12th March 2023 2022 Girl & Gallery podcast, episode one, December 2022 Fitzrovia Gallery, She Came, She Saw, She Conquered, 18th -23rd October 2022 Interrupted Art live painting and exhibition, 29th September 2022 Palette presents 'Pie in the Sky', 13th-14th September 2022 Phoebe Minson's, Conservations with Creatives, September 2022 The Koppel Project Hive Open Studios Summer Edition, 31st August - 2nd September 2022 The Summer Exhibition at Heal's, 20th June - 11th September 2022 Bright Young Things at Alex Eagle, July - 11th September 2022 The Other Art Fair, 30th June - 3rd July 2022 KCAW X Chelsea Windows, 18th June - 2nd July 2022 https://fadmagazine.com/2022/06/20/artwork-by-london-based-emerging-artists-to-take-over-kings-road-shopfront-windows/ Featured in FAD Magazine, June 2022 Other Art Fair Director's Pick, June 2022 Queen Elizabeth II Platinum Jubilee Corgi Trail, Whitehall Gardens, May - June 2022 Fitzrovia Gallery, 'Post the Surrealist Manifesto', 16th - 22nd May 2022 The Back Room at Holdrons Arcade, 'FLOWERS', 5th - 10th April 2022 The Other Art Fair, 17th - 20th March 2022 Avenue Restaurant, 'Woman's Art for Women's Aid, Artist Talk', 15th March 2022 2021 The Koppel Project, 54 Oxford Circus, End of Year Showcase, 14th - 18th Dec 2021 Peggy Jay Gallery, 'Come hither, Come hither, Come hither', 1st - 19th Dec 2021 https://www.thefrankmagazine.com/rebecca-hardaker-freedom-of-thought/ Featured in The Frank Magazine The Koppel Project, 54 Oxford Circus, Window Showcase, 18th - 20th October The Koppel Project, 193 Piccadilly 'Gardens / Garages' 4th - 8th August 2021 The Gallery Holt 'Fusion' 23rd July - 31st August 2021 Mall Galleries 'The Pastel Society Annual Exhibition 2021' 14th - 24th July 2021 Every Women Biennial, Copeland Gallery 2nd - 9th July 2021 The Holy Art 'Momentum' virtual exhibition 13th - 21st February 2021 Received the Frank Herring & Sons Award by the Pastel Society for 'an analogue state of joy' Linden Hall Studio 'Winter Group Show' 2nd December 2020 - 30th January 2021 2020 Solo Show 'Landscape of an Inner Child' 15th - 18th October 2020 2nd Edition at Highgate Contemporary Gallery 1st October - 30th November 2020 The Koppel Project Showcase 7th -14th October 2020 Featured in Saatchi Art 'New This Week' - May 2020 'Unframed' by Highgate Contemporary Art The 'Feed NHS' charity postcard exhibition by Highgate Contemporary Art Statement about AOAP Submitted Artwork These artworks are directly a response to her large-scale paintings, where she paints with her hands. Through Watercolour pencils she wanted to create the same energy and tactile experience of expression. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Rebecca Hardaker Appreciate me no.3, 2023 Watercolour pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Rebecca Hardaker's practice is an intersection between painting and drawing. Executed with an unabashed fondness for innocence, each canvas is an ensemble of abstract mark making and figures. Rebecca often never has a plan when she starts a new painting. One mark provokes another and so gives birth to a landscape of abstraction. She moves around the canvas, filling it with painterly strokes and line. The process is fast and intuitive, unencumbered by rules. Her palette is bright and dreamy. Just as she never sets out a plan, Rebecca doesn't cancel out mistakes. These are part of the composition, which is the artist's immediate translation of her cerebral vision giving way for to whimsical uncertainty. Education BA Classical Studies, University of Manchester MA Heritage Management, University of Birmingham Buying and Selling Art at Auction at Sotheby's Institute of Art Art Handling and Installation at University of the Arts London Select Exhibitions/Awards Upcoming 2023 Act One open call winner, show details TBC, 2023 2023 Radio Hair Salon, 'Find Me', 5th September - December 2023 The Nomad Salon, ' The Art Collector's Home', 19th August - 16th September 2023 Intuition Goes Before You, Vittoria Beltrame x BWG, 13 Soho Square W1D 3QF, 11th-20th August 2023 Interrupted art at Somerset House, 8th June 2023 All that matters to me now, Greatorex street gallery, 1st-6th June 2023 Conart Global Group Show, Battersea, 25th April 2023 Selected by Zimmer Stewart Gallery for the New Medical Centre, King Edward VII Call for Artists, January 2023 Old Parcels Office Open Art Space Exhibition, 11th February to 12th March 2023 2022 Girl & Gallery podcast, episode one, December 2022 Fitzrovia Gallery, She Came, She Saw, She Conquered, 18th -23rd October 2022 Interrupted Art live painting and exhibition, 29th September 2022 Palette presents 'Pie in the Sky', 13th-14th September 2022 Phoebe Minson's, Conservations with Creatives, September 2022 The Koppel Project Hive Open Studios Summer Edition, 31st August - 2nd September 2022 The Summer Exhibition at Heal's, 20th June - 11th September 2022 Bright Young Things at Alex Eagle, July - 11th September 2022 The Other Art Fair, 30th June - 3rd July 2022 KCAW X Chelsea Windows, 18th June - 2nd July 2022 https://fadmagazine.com/2022/06/20/artwork-by-london-based-emerging-artists-to-take-over-kings-road-shopfront-windows/ Featured in FAD Magazine, June 2022 Other Art Fair Director's Pick, June 2022 Queen Elizabeth II Platinum Jubilee Corgi Trail, Whitehall Gardens, May - June 2022 Fitzrovia Gallery, 'Post the Surrealist Manifesto', 16th - 22nd May 2022 The Back Room at Holdrons Arcade, 'FLOWERS', 5th - 10th April 2022 The Other Art Fair, 17th - 20th March 2022 Avenue Restaurant, 'Woman's Art for Women's Aid, Artist Talk', 15th March 2022 2021 The Koppel Project, 54 Oxford Circus, End of Year Showcase, 14th - 18th Dec 2021 Peggy Jay Gallery, 'Come hither, Come hither, Come hither', 1st - 19th Dec 2021 https://www.thefrankmagazine.com/rebecca-hardaker-freedom-of-thought/ Featured in The Frank Magazine The Koppel Project, 54 Oxford Circus, Window Showcase, 18th - 20th October The Koppel Project, 193 Piccadilly 'Gardens / Garages' 4th - 8th August 2021 The Gallery Holt 'Fusion' 23rd July - 31st August 2021 Mall Galleries 'The Pastel Society Annual Exhibition 2021' 14th - 24th July 2021 Every Women Biennial, Copeland Gallery 2nd - 9th July 2021 The Holy Art 'Momentum' virtual exhibition 13th - 21st February 2021 Received the Frank Herring & Sons Award by the Pastel Society for 'an analogue state of joy' Linden Hall Studio 'Winter Group Show' 2nd December 2020 - 30th January 2021 2020 Solo Show 'Landscape of an Inner Child' 15th - 18th October 2020 2nd Edition at Highgate Contemporary Gallery 1st October - 30th November 2020 The Koppel Project Showcase 7th -14th October 2020 Featured in Saatchi Art 'New This Week' - May 2020 'Unframed' by Highgate Contemporary Art The 'Feed NHS' charity postcard exhibition by Highgate Contemporary Art Statement about AOAP Submitted Artwork These artworks are directly a response to her large-scale paintings, where she paints with her hands. Through Watercolour pencils she wanted to create the same energy and tactile experience of expression. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Rebecca Hardaker Appreciate me no.4, 2023 Watercolour pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Rebecca Hardaker's practice is an intersection between painting and drawing. Executed with an unabashed fondness for innocence, each canvas is an ensemble of abstract mark making and figures. Rebecca often never has a plan when she starts a new painting. One mark provokes another and so gives birth to a landscape of abstraction. She moves around the canvas, filling it with painterly strokes and line. The process is fast and intuitive, unencumbered by rules. Her palette is bright and dreamy. Just as she never sets out a plan, Rebecca doesn't cancel out mistakes. These are part of the composition, which is the artist's immediate translation of her cerebral vision giving way for to whimsical uncertainty. Education BA Classical Studies, University of Manchester MA Heritage Management, University of Birmingham Buying and Selling Art at Auction at Sotheby's Institute of Art Art Handling and Installation at University of the Arts London Select Exhibitions/Awards Upcoming 2023 Act One open call winner, show details TBC, 2023 2023 Radio Hair Salon, 'Find Me', 5th September - December 2023 The Nomad Salon, ' The Art Collector's Home', 19th August - 16th September 2023 Intuition Goes Before You, Vittoria Beltrame x BWG, 13 Soho Square W1D 3QF, 11th-20th August 2023 Interrupted art at Somerset House, 8th June 2023 All that matters to me now, Greatorex street gallery, 1st-6th June 2023 Conart Global Group Show, Battersea, 25th April 2023 Selected by Zimmer Stewart Gallery for the New Medical Centre, King Edward VII Call for Artists, January 2023 Old Parcels Office Open Art Space Exhibition, 11th February to 12th March 2023 2022 Girl & Gallery podcast, episode one, December 2022 Fitzrovia Gallery, She Came, She Saw, She Conquered, 18th -23rd October 2022 Interrupted Art live painting and exhibition, 29th September 2022 Palette presents 'Pie in the Sky', 13th-14th September 2022 Phoebe Minson's, Conservations with Creatives, September 2022 The Koppel Project Hive Open Studios Summer Edition, 31st August - 2nd September 2022 The Summer Exhibition at Heal's, 20th June - 11th September 2022 Bright Young Things at Alex Eagle, July - 11th September 2022 The Other Art Fair, 30th June - 3rd July 2022 KCAW X Chelsea Windows, 18th June - 2nd July 2022 https://fadmagazine.com/2022/06/20/artwork-by-london-based-emerging-artists-to-take-over-kings-road-shopfront-windows/ Featured in FAD Magazine, June 2022 Other Art Fair Director's Pick, June 2022 Queen Elizabeth II Platinum Jubilee Corgi Trail, Whitehall Gardens, May - June 2022 Fitzrovia Gallery, 'Post the Surrealist Manifesto', 16th - 22nd May 2022 The Back Room at Holdrons Arcade, 'FLOWERS', 5th - 10th April 2022 The Other Art Fair, 17th - 20th March 2022 Avenue Restaurant, 'Woman's Art for Women's Aid, Artist Talk', 15th March 2022 2021 The Koppel Project, 54 Oxford Circus, End of Year Showcase, 14th - 18th Dec 2021 Peggy Jay Gallery, 'Come hither, Come hither, Come hither', 1st - 19th Dec 2021 https://www.thefrankmagazine.com/rebecca-hardaker-freedom-of-thought/ Featured in The Frank Magazine The Koppel Project, 54 Oxford Circus, Window Showcase, 18th - 20th October The Koppel Project, 193 Piccadilly 'Gardens / Garages' 4th - 8th August 2021 The Gallery Holt 'Fusion' 23rd July - 31st August 2021 Mall Galleries 'The Pastel Society Annual Exhibition 2021' 14th - 24th July 2021 Every Women Biennial, Copeland Gallery 2nd - 9th July 2021 The Holy Art 'Momentum' virtual exhibition 13th - 21st February 2021 Received the Frank Herring & Sons Award by the Pastel Society for 'an analogue state of joy' Linden Hall Studio 'Winter Group Show' 2nd December 2020 - 30th January 2021 2020 Solo Show 'Landscape of an Inner Child' 15th - 18th October 2020 2nd Edition at Highgate Contemporary Gallery 1st October - 30th November 2020 The Koppel Project Showcase 7th -14th October 2020 Featured in Saatchi Art 'New This Week' - May 2020 'Unframed' by Highgate Contemporary Art The 'Feed NHS' charity postcard exhibition by Highgate Contemporary Art Statement about AOAP Submitted Artwork These artworks are directly a response to her large-scale paintings, where she paints with her hands. Through Watercolour pencils she wanted to create the same energy and tactile experience of expression. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Chica Seal Beach bums, 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Chica Seal (b. 1991, Lisbon) is a British artist whose practice explores the female perspective through looking at historic references including mythology, medieval folklore, storytelling and popular culture to create her paintings. She completed her BA Fine art Painting at Brighton University in 2015 after completing an art foundation at Falmouth University 2011. Chica lives and works in Somerset. Select Exhibitions/Awards 2023 Summer exhibition 8 holland street, London & bath 2022 The Space curated by Laura Long Contemporary, Bruton, Somerset 2021 I Dream in Colour, Brick Lane, November 2021 Huxley Parlour, NOW | Futures Programme, June You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Chica Seal Thinking in a field, 2023 Collage watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Chica Seal (b. 1991, Lisbon) is a British artist whose practice explores the female perspective through looking at historic references including mythology, medieval folklore, storytelling and popular culture to create her paintings. She completed her BA Fine art Painting at Brighton University in 2015 after completing an art foundation at Falmouth University 2011. Chica lives and works in Somerset. Select Exhibitions/Awards 2023 Summer exhibition 8 holland street, London & bath 2022 The Space curated by Laura Long Contemporary, Bruton, Somerset 2021 I Dream in Colour, Brick Lane, November 2021 Huxley Parlour, NOW | Futures Programme, June You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Vladimir Logutov From the 'meeting' series (1), 2023 Cotton paper, watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Ed Cross About Vladimir Logutov was born in Russia in 1980. Lives and works in London. UK. Artist, curator. Author of about two dozen solo exhibitions in Russia and Europe. The artist's works are both in private and museum collections, including collections of The State Tretyakov Gallery, Moscow Museum of Modern Art, FRAC Bretagne Museum and others. Education 2005 Stuttgarter Kunstverein e.v Grant for Training 2002-06 Pedagogics, Fine Art, Samara Pedagogical University 1996-01 Painting, Samara Art College Select Exhibitions/Awards Vladimir Logutov is participant of the major international projects in the field of contemporary art. In 2012, Vladimir was a participant in the main project The Unseen at the Fourth Guangzhou Triennial, China. In 2014 he participated in the main project of the 4th Moscow International Biennale for Young Art. In 2010, the artist's works were presented at the exhibition Modernikon by Fondazione Sandretto Re Rebaudengo in Turin, Italy, and next year, as part of the presentation of the Modernikon project at the 54th Venice Biennale. At the next, 55th Venice Biennale, the artist was presented as part of the Lost in Translation project and in the exhibition The Way of Enthusiasts within the 13th Architectural Biennale in Venice. In 2020, he was a participant in the 2nd Triennial of Russian Contemporary Art at the Garage Museum, Moscow. Vladimir is the winner of the Innovation Prize 2018, Artist of the Year; the winner of the Joseph Brodsky Prize 2018 in the visual arts. Fellow of the American Academy in Rome in 2019. Gallery Representation Ovcharenko; Stanislas Bourgain; PlinthUK Statement about AOAP Submitted Artwork At first glance, the works in this series may appear as geometric abstractions comprised of colour fields. However, upon closer examination, one can discern that the individual elements coalesce into a figurative image, portraying the various facets of an artwork's existence within a space. This could be represented as a white canvas hanging on a wall, an empty video screen, or even as an installation within a contemporary gallery exhibition. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Vladimir Logutov From the 'meeting' series (2), 2023 Cotton paper, watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Ed Cross About Vladimir Logutov was born in Russia in 1980. Lives and works in London. UK. Artist, curator. Author of about two dozen solo exhibitions in Russia and Europe. The artist's works are both in private and museum collections, including collections of The State Tretyakov Gallery, Moscow Museum of Modern Art, FRAC Bretagne Museum and others. Education 2005 Stuttgarter Kunstverein e.v Grant for Training 2002-06 Pedagogics, Fine Art, Samara Pedagogical University 1996-01 Painting, Samara Art College Select Exhibitions/Awards Vladimir Logutov is participant of the major international projects in the field of contemporary art. In 2012, Vladimir was a participant in the main project The Unseen at the Fourth Guangzhou Triennial, China. In 2014 he participated in the main project of the 4th Moscow International Biennale for Young Art. In 2010, the artist's works were presented at the exhibition Modernikon by Fondazione Sandretto Re Rebaudengo in Turin, Italy, and next year, as part of the presentation of the Modernikon project at the 54th Venice Biennale. At the next, 55th Venice Biennale, the artist was presented as part of the Lost in Translation project and in the exhibition The Way of Enthusiasts within the 13th Architectural Biennale in Venice. In 2020, he was a participant in the 2nd Triennial of Russian Contemporary Art at the Garage Museum, Moscow. Vladimir is the winner of the Innovation Prize 2018, Artist of the Year; the winner of the Joseph Brodsky Prize 2018 in the visual arts. Fellow of the American Academy in Rome in 2019. Gallery Representation Ovcharenko; Stanislas Bourgain; PlinthUK Statement about AOAP Submitted Artwork At first glance, the works in this series may appear as geometric abstractions comprised of colour fields. However, upon closer examination, one can discern that the individual elements coalesce into a figurative image, portraying the various facets of an artwork's existence within a space. This could be represented as a white canvas hanging on a wall, an empty video screen, or even as an installation within a contemporary gallery exhibition. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Loading...-
11513 item(s)/page