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Sara Willett Beijing Sun ii, 2021 Ink and Watercolour on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Painting, for me, is a way of balancing stillness with energy and movement. One of the things I find most fascinating about painting is the slowing down of time, and how the temporal register effects the work. The process I have developed consists of both systematic repetition and conscious intuition, creating detailed, multi-layered surfaces - the curvilinear shapes that emerge are never entirely predicted. Repetition of form, as in the natural environment, creates complex growth patterns and rhythms, allowing the pictorial space to act as a platform for transformation and evolution. The layers create visual tensions and a dialogue emerges between what is hidden and what is revealed. The results play with the stability of the viewing experience, creating complex illusions of depth that confuse the eye and trick the brain. Education BA Honours Painting - Camberwell College of Art 1999 - 2001 MA Fine Art - Camberwell College of Art 2009 - 2011 Exhibitions Further from Home, Hatcham House Gallery, London 2020 Hold Your Breath, Project Space, Lewisham Arthouse 2020 New Work, 12 Hay Hill, Curated by 20:20 Art Vision, Mayfair, London, 2019 In the Space of Elsewhere, with Lu Mei, Project Space, LAH London, 2018 Kunstformen der Yuanland, with John Lunn, Being 3 Gallery, Beijing 2016 City Kaleidoscope, Being3 Gallery, Beijing, 2016 Spectre, Curious Projects Space, Eastbourne, 2015 China Web, Da Wang Culture Highland, Shenshen, China 2013 Shape Shift, Cinnamon Kitchen, London 2013 Kunstforment der Poundland, Deptford X London 2012 Ligeia, Deptford X, main programme, London 2011 Psychidea, Tinpitch Art at Ganapati, London 2010 Arabesque, Arthouse Gallery, London 2010 One Fine Day, Beverley Knowles Fine Art 2008 Awards Shortlisted - The Sunny International Art Prize, 2017 Shortlisted - The Creekside Open - Richard Deacon selection, 2017 Shortlisted - Deptford X Fringe Award, 2013 Fully supported residency - Being 3 Gallery, Beijing, 2016 Fully supported residency - Da Wang Culture Highland, Shenzhen, 2015 Fully supported residency - Da Wang Culture Highland, Shenzhen, 2013 Gallery Representation New Blood Art, UK 20:20 Iconic Art. Vision The House of the Nobleman Being 3 Gallery - Beijing, China Artsy Singulart - France, Germany About the postcard artworks These little paintings are inspired by the time I have spent making work in China, twice in a rural mountain area (Wutong) and once in an industrial area in North East Beijing. The weeks I spent in the old industrial area of Beijing presented me with days of blue-skied autumnal beauty, but also days of heavy pollution when the city was bathed in crepuscular gloom. I became interested in the quality of light on these days; especially when the sun's rays struggled to break through the mists and at night when the air became a neon infused haze. The work began to respond to this visual phenomenon.  

Sara Willett Beijing Sun iii, 2021 Ink and Watercolour on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Painting, for me, is a way of balancing stillness with energy and movement. One of the things I find most fascinating about painting is the slowing down of time, and how the temporal register effects the work. The process I have developed consists of both systematic repetition and conscious intuition, creating detailed, multi-layered surfaces - the curvilinear shapes that emerge are never entirely predicted. Repetition of form, as in the natural environment, creates complex growth patterns and rhythms, allowing the pictorial space to act as a platform for transformation and evolution. The layers create visual tensions and a dialogue emerges between what is hidden and what is revealed. The results play with the stability of the viewing experience, creating complex illusions of depth that confuse the eye and trick the brain. Education BA Honours Painting - Camberwell College of Art 1999 - 2001 MA Fine Art - Camberwell College of Art 2009 - 2011 Exhibitions Further from Home, Hatcham House Gallery, London 2020 Hold Your Breath, Project Space, Lewisham Arthouse 2020 New Work, 12 Hay Hill, Curated by 20:20 Art Vision, Mayfair, London, 2019 In the Space of Elsewhere, with Lu Mei, Project Space, LAH London, 2018 Kunstformen der Yuanland, with John Lunn, Being 3 Gallery, Beijing 2016 City Kaleidoscope, Being3 Gallery, Beijing, 2016 Spectre, Curious Projects Space, Eastbourne, 2015 China Web, Da Wang Culture Highland, Shenshen, China 2013 Shape Shift, Cinnamon Kitchen, London 2013 Kunstforment der Poundland, Deptford X London 2012 Ligeia, Deptford X, main programme, London 2011 Psychidea, Tinpitch Art at Ganapati, London 2010 Arabesque, Arthouse Gallery, London 2010 One Fine Day, Beverley Knowles Fine Art 2008 Awards Shortlisted - The Sunny International Art Prize, 2017 Shortlisted - The Creekside Open - Richard Deacon selection, 2017 Shortlisted - Deptford X Fringe Award, 2013 Fully supported residency - Being 3 Gallery, Beijing, 2016 Fully supported residency - Da Wang Culture Highland, Shenzhen, 2015 Fully supported residency - Da Wang Culture Highland, Shenzhen, 2013 Gallery Representation New Blood Art, UK 20:20 Iconic Art. Vision The House of the Nobleman Being 3 Gallery - Beijing, China Artsy Singulart - France, Germany About the postcard artworks These little paintings are inspired by the time I have spent making work in China, twice in a rural mountain area (Wutong) and once in an industrial area in North East Beijing. The weeks I spent in the old industrial area of Beijing presented me with days of blue-skied autumnal beauty, but also days of heavy pollution when the city was bathed in crepuscular gloom. I became interested in the quality of light on these days; especially when the sun's rays struggled to break through the mists and at night when the air became a neon infused haze. The work began to respond to this visual phenomenon.  

Peter Burns Nemesis, 2021 Watercolour on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Peter will participate in Lovers Lane, a group exhibition at Oceans Apart Gallery, Salford, Greater Manchester opening 30th April 2021. Past solo exhibitions include Wayfarer, Claremorris Gallery (2018) and new work, Fenderesky Gallery (2018). Education He was awarded a BA in Sculpture and MFA in Painting from The National College of Art & Design, Dublin. Exhibitions He has shown extensively at international Art Fairs with Gibbons & Nicholas Gallery including a solo presentation of new paintings and sculptures at London Art Fair (2018). Other Art Fair presentations include Context NY & Miami (2017) and VUE, RHA, Dublin (2018). Recent group exhibitions include: Legacy, 30th Anniversary, Boyle Arts Festival, 2019, Embodiment with G & N at Bo Lee Gallery, London (2018), Zoologia Fantastica, Solstice, Navan (2018), Fables of the Reconstruction, David & Schweitzer Contemporary, NY (2017), Self Portraits at Bravin Lee Programs, NY (2016) and Futures Anthology at The Royal Hibernian Academy, Dublin (2015). Burns has been featured in Wall Street International Magazine, The Sunday Times and ArtForum. He is a recipient of the Pollock Krasner Foundation Grant. Gallery Representation Represented by Gibbons and Nicholas Gallery in Ireland and at Art Fairs internationally. Recently started working with Arusha Gallery in Edinburgh. About the postcard artworks These paintings represent themes in my wider practice in miniature. Including Biblical subjects, mythology and science fiction.    

Peter Burns Sea Creature, 2021 Watercolour on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Peter will participate in Lovers Lane, a group exhibition at Oceans Apart Gallery, Salford, Greater Manchester opening 30th April 2021. Past solo exhibitions include Wayfarer, Claremorris Gallery (2018) and new work, Fenderesky Gallery (2018). Education He was awarded a BA in Sculpture and MFA in Painting from The National College of Art & Design, Dublin. Exhibitions He has shown extensively at international Art Fairs with Gibbons & Nicholas Gallery including a solo presentation of new paintings and sculptures at London Art Fair (2018). Other Art Fair presentations include Context NY & Miami (2017) and VUE, RHA, Dublin (2018). Recent group exhibitions include: Legacy, 30th Anniversary, Boyle Arts Festival, 2019, Embodiment with G & N at Bo Lee Gallery, London (2018), Zoologia Fantastica, Solstice, Navan (2018), Fables of the Reconstruction, David & Schweitzer Contemporary, NY (2017), Self Portraits at Bravin Lee Programs, NY (2016) and Futures Anthology at The Royal Hibernian Academy, Dublin (2015). Burns has been featured in Wall Street International Magazine, The Sunday Times and ArtForum. He is a recipient of the Pollock Krasner Foundation Grant. Gallery Representation Represented by Gibbons and Nicholas Gallery in Ireland and at Art Fairs internationally. Recently started working with Arusha Gallery in Edinburgh. About the postcard artworks These paintings represent themes in my wider practice in miniature. Including Biblical subjects, mythology and science fiction.

Peter Burns Apotheosis of Clara, 2021 Watercolour on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Peter will participate in Lovers Lane, a group exhibition at Oceans Apart Gallery, Salford, Greater Manchester opening 30th April 2021. Past solo exhibitions include Wayfarer, Claremorris Gallery (2018) and new work, Fenderesky Gallery (2018). Education He was awarded a BA in Sculpture and MFA in Painting from The National College of Art & Design, Dublin. Exhibitions He has shown extensively at international Art Fairs with Gibbons & Nicholas Gallery including a solo presentation of new paintings and sculptures at London Art Fair (2018). Other Art Fair presentations include Context NY & Miami (2017) and VUE, RHA, Dublin (2018). Recent group exhibitions include: Legacy, 30th Anniversary, Boyle Arts Festival, 2019, Embodiment with G & N at Bo Lee Gallery, London (2018), Zoologia Fantastica, Solstice, Navan (2018), Fables of the Reconstruction, David & Schweitzer Contemporary, NY (2017), Self Portraits at Bravin Lee Programs, NY (2016) and Futures Anthology at The Royal Hibernian Academy, Dublin (2015). Burns has been featured in Wall Street International Magazine, The Sunday Times and ArtForum. He is a recipient of the Pollock Krasner Foundation Grant. Gallery Representation Represented by Gibbons and Nicholas Gallery in Ireland and at Art Fairs internationally. Recently started working with Arusha Gallery in Edinburgh. About the postcard artworks These paintings represent themes in my wider practice in miniature. Including Biblical subjects, mythology and science fiction.    

Simon Andrew Melting Snow 1, 2021 Watercolour on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Since completing his MFA from Newcastle University in northeast England, painter Simon Andrew has exhibited his richly textured and emotive landscapes in 27 solo shows in the UK and Canada. He has received two Ontario Arts Council awards and has won landscape competitions including the Laing National Landscape Competition and the Lawrence Atwell Award both in the UK. He received first prize in Exposures, an exhibition judged by public museum curators in Canada. Andrew's work is held in corporate and private collections including that of actor Mel Gibson, Fidelity Investment, Glaxo Wellcome and Her Majesty The Queen in Right. His work was featured on the album cover of Day for Night by the Juno award winning and much loved Canadian band The Tragically Hip. "When painting, I concern myself with colour relationships, compositional structures and the physicality of the paint. I consider 'subject' the framework on which I hang the paint. My work is as much about the medium as the message... My paintings are a distilling process. They are often primed with an emotional charge, triggered by an event or a place. The intention is that they should conclude as authentic reconstructed experience."     Education 1987 Newcastle University .U.K. B.A. (Hons.) Fine Art. 1987 1989 M.F.A. Newcastle University, U.K.   Selected Solo Exhibitions 2017 Formulating Landscape, The Wallace Gallery, Calgary, AB 2016 Interior and Exterior Domains, The Mira Godard Gallery, Toronto, ON 2014 Mini Show, The Wallace Gallery, Calgary AB 2013 Studio 21, Halifax, NS 2012 The Mira Godard Gallery, Toronto, ON The Wallace Gallery, Calgary AB 2011 Great Atlantic Art Galleries, Cornwall, U.K. 2010 The Seascape Gallery, Godalming, U.K. 2008 Goldie Gallery, Montreal, QC The Art Gallery of Windsor, Windsor, ON 2001 The Edward Day Gallery, Kingston, ON 2000 Nancy Poole Gallery, Toronto, ON  

Simon Andrew Melting Snow 2, 2021 Watercolour on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Since completing his MFA from Newcastle University in northeast England, painter Simon Andrew has exhibited his richly textured and emotive landscapes in 27 solo shows in the UK and Canada. He has received two Ontario Arts Council awards and has won landscape competitions including the Laing National Landscape Competition and the Lawrence Atwell Award both in the UK. He received first prize in Exposures, an exhibition judged by public museum curators in Canada. Andrew's work is held in corporate and private collections including that of actor Mel Gibson, Fidelity Investment, Glaxo Wellcome and Her Majesty The Queen in Right. His work was featured on the album cover of Day for Night by the Juno award winning and much loved Canadian band The Tragically Hip. "When painting, I concern myself with colour relationships, compositional structures and the physicality of the paint. I consider 'subject' the framework on which I hang the paint. My work is as much about the medium as the message... My paintings are a distilling process. They are often primed with an emotional charge, triggered by an event or a place. The intention is that they should conclude as authentic reconstructed experience."     Education 1987 Newcastle University .U.K. B.A. (Hons.) Fine Art. 1987 1989 M.F.A. Newcastle University, U.K.   Selected Solo Exhibitions 2017 Formulating Landscape, The Wallace Gallery, Calgary, AB 2016 Interior and Exterior Domains, The Mira Godard Gallery, Toronto, ON 2014 Mini Show, The Wallace Gallery, Calgary AB 2013 Studio 21, Halifax, NS 2012 The Mira Godard Gallery, Toronto, ON The Wallace Gallery, Calgary AB 2011 Great Atlantic Art Galleries, Cornwall, U.K. 2010 The Seascape Gallery, Godalming, U.K. 2008 Goldie Gallery, Montreal, QC The Art Gallery of Windsor, Windsor, ON 2001 The Edward Day Gallery, Kingston, ON 2000 Nancy Poole Gallery, Toronto, ON  

Simon Keenleyside Wood and Water (Pink), 2021 Spraypaint and Watercolour on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Simon Keenleyside graduated from the Royal College of Art in 2002 with an MA in Painting having achieved a First Class BA (Hons) in Fine Art Painting at Brighton University in 2000. He won The BOC Emerging Artist Award in 2002 and was the UK winner of the Lexmark European Art Prize in 2004. Keenleyside has exhibited extensively throughout the UK and internationally in Italy, Tokyo, America and Denmark. His work is in prominent private and corporate collections globally. Working within the tradition of British landscape painting Keenleyside explores the familiar surroundings of Essex, where he grew up and where he continues to live to this day. Depicting these spaces with an ability that discloses the mystery and ambiguity surrounding them, he not only evokes physical places, but also mental states and the desires and anxieties that accompany him during repeated trips. Nature is often depicted as otherworldly, suffused in ultraviolet hues and presented without perspectival recession or with an exaggerated frame of reference that imply an overwhelming experience for both Keenleyside and viewer. They inevitably produce a sense of unease and tension but are at the same time mystical and bewildering landscapes

Simon Keenleyside Woods and Water (Green), 2021 Spraypaint and Watercolour on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Simon Keenleyside graduated from the Royal College of Art in 2002 with an MA in Painting having achieved a First Class BA (Hons) in Fine Art Painting at Brighton University in 2000. He won The BOC Emerging Artist Award in 2002 and was the UK winner of the Lexmark European Art Prize in 2004. Keenleyside has exhibited extensively throughout the UK and internationally in Italy, Tokyo, America and Denmark. His work is in prominent private and corporate collections globally. Working within the tradition of British landscape painting Keenleyside explores the familiar surroundings of Essex, where he grew up and where he continues to live to this day. Depicting these spaces with an ability that discloses the mystery and ambiguity surrounding them, he not only evokes physical places, but also mental states and the desires and anxieties that accompany him during repeated trips. Nature is often depicted as otherworldly, suffused in ultraviolet hues and presented without perspectival recession or with an exaggerated frame of reference that imply an overwhelming experience for both Keenleyside and viewer. They inevitably produce a sense of unease and tension but are at the same time mystical and bewildering landscapes

Mary Burtenshaw Windswept Skies, 2021 Acrylic on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) I paint dramatic impressionist and abstract landscapes which are inspired by my love of the countryside and the many and varied places I have visited, creating the atmosphere and feeling of a place with the use of texture and light. My love of the countryside and how it varies in form at different times of the day depending on the light, and how the contours and colours change continuously is an inspiration to me. I see a landscape as evocative, a place that can provide memories but where we can all interpret something different even looking at the same scene. I try to depict the sense of space and mood in something so vast. My pastel landscapes are painted on watercolour paper which gives an intensity of colour and a strong texture but also a soft contour. The technique uses layers of pastel to recreate the form and depth. My acrylics are painted on paper, canvas or wood panel which all give their own different textures and I use various sizes of brushes to create a more abstract and spontaneous finish. Much like the pastels there are many layers involved especially when painting the more impressionist style. All my paintings convey an emotion that each landscape is unique and locked into an interpretive 'one moment in time'. Each one is intended to be viewed as if you are there and is something we can identify with, or perhaps as if we have all been there before. I studied Fine Art at Norwich School of Art graduating with a Fine Art B.A. (Hons). FRESH ARTFAIR Cheltenham, Gloucestershire LIME TREE GALLERY Long Melford, Suffolk FRESH ARTFAIR Ascot, Berkshire AFFORDABLE ARTFAIR Battersea, London SLATE GALLERY Leamington Spa, Warwickshire STOUR GALLERY Shipston on Stour, Warwickshire IONA HOUSE GALLERY Woodstock, Oxfordshire GALLERY AT ICE Windsor, Berkshire PARK GALLERY Cheltenham, Gloucestershire OPEN STUDIO (LEIGH GALLERY) Hampton, Middlesex SAINT HILL East Grinstead, West Sussex BISHOP'S PALACE Wells, Somerset GUILDFORD CATHEDRAL (Group Exhibtion) Guildford, Surrey     About the Postcards I am currently exhibiting at the Wren Gallery in Burford. I usually paint on large stretch canvas or on medium size board, paper or canvas sheets so painting on a smaller scale presented a real challenge as I was worried that the spontaneity and fluidity of movement required for blending and texture would be diminished. However, I was really pleased that the fluidity was still possible to achieve the colour, depth and tone and I could still be inspired by my love of the countryside to paint at this much smaller size.    

Mary Burtenshaw Summer Clouds, 2021 Acrylic on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) I paint dramatic impressionist and abstract landscapes which are inspired by my love of the countryside and the many and varied places I have visited, creating the atmosphere and feeling of a place with the use of texture and light. My love of the countryside and how it varies in form at different times of the day depending on the light, and how the contours and colours change continuously is an inspiration to me. I see a landscape as evocative, a place that can provide memories but where we can all interpret something different even looking at the same scene. I try to depict the sense of space and mood in something so vast. My pastel landscapes are painted on watercolour paper which gives an intensity of colour and a strong texture but also a soft contour. The technique uses layers of pastel to recreate the form and depth. My acrylics are painted on paper, canvas or wood panel which all give their own different textures and I use various sizes of brushes to create a more abstract and spontaneous finish. Much like the pastels there are many layers involved especially when painting the more impressionist style. All my paintings convey an emotion that each landscape is unique and locked into an interpretive 'one moment in time'. Each one is intended to be viewed as if you are there and is something we can identify with, or perhaps as if we have all been there before. I studied Fine Art at Norwich School of Art graduating with a Fine Art B.A. (Hons). FRESH ARTFAIR Cheltenham, Gloucestershire LIME TREE GALLERY Long Melford, Suffolk FRESH ARTFAIR Ascot, Berkshire AFFORDABLE ARTFAIR Battersea, London SLATE GALLERY Leamington Spa, Warwickshire STOUR GALLERY Shipston on Stour, Warwickshire IONA HOUSE GALLERY Woodstock, Oxfordshire GALLERY AT ICE Windsor, Berkshire PARK GALLERY Cheltenham, Gloucestershire OPEN STUDIO (LEIGH GALLERY) Hampton, Middlesex SAINT HILL East Grinstead, West Sussex BISHOP'S PALACE Wells, Somerset GUILDFORD CATHEDRAL (Group Exhibtion) Guildford, Surrey     About the Postcards I am currently exhibiting at the Wren Gallery in Burford. I usually paint on large stretch canvas or on medium size board, paper or canvas sheets so painting on a smaller scale presented a real challenge as I was worried that the spontaneity and fluidity of movement required for blending and texture would be diminished. However, I was really pleased that the fluidity was still possible to achieve the colour, depth and tone and I could still be inspired by my love of the countryside to paint at this much smaller size.  

Mary Burtenshaw Morning Mist, 2021 Acrylic on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) I paint dramatic impressionist and abstract landscapes which are inspired by my love of the countryside and the many and varied places I have visited, creating the atmosphere and feeling of a place with the use of texture and light. My love of the countryside and how it varies in form at different times of the day depending on the light, and how the contours and colours change continuously is an inspiration to me. I see a landscape as evocative, a place that can provide memories but where we can all interpret something different even looking at the same scene. I try to depict the sense of space and mood in something so vast. My pastel landscapes are painted on watercolour paper which gives an intensity of colour and a strong texture but also a soft contour. The technique uses layers of pastel to recreate the form and depth. My acrylics are painted on paper, canvas or wood panel which all give their own different textures and I use various sizes of brushes to create a more abstract and spontaneous finish. Much like the pastels there are many layers involved especially when painting the more impressionist style. All my paintings convey an emotion that each landscape is unique and locked into an interpretive 'one moment in time'. Each one is intended to be viewed as if you are there and is something we can identify with, or perhaps as if we have all been there before. I studied Fine Art at Norwich School of Art graduating with a Fine Art B.A. (Hons). FRESH ARTFAIR Cheltenham, Gloucestershire LIME TREE GALLERY Long Melford, Suffolk FRESH ARTFAIR Ascot, Berkshire AFFORDABLE ARTFAIR Battersea, London SLATE GALLERY Leamington Spa, Warwickshire STOUR GALLERY Shipston on Stour, Warwickshire IONA HOUSE GALLERY Woodstock, Oxfordshire GALLERY AT ICE Windsor, Berkshire PARK GALLERY Cheltenham, Gloucestershire OPEN STUDIO (LEIGH GALLERY) Hampton, Middlesex SAINT HILL East Grinstead, West Sussex BISHOP'S PALACE Wells, Somerset GUILDFORD CATHEDRAL (Group Exhibtion) Guildford, Surrey     About the Postcards I am currently exhibiting at the Wren Gallery in Burford. I usually paint on large stretch canvas or on medium size board, paper or canvas sheets so painting on a smaller scale presented a real challenge as I was worried that the spontaneity and fluidity of movement required for blending and texture would be diminished. However, I was really pleased that the fluidity was still possible to achieve the colour, depth and tone and I could still be inspired by my love of the countryside to paint at this much smaller size.  

Mary Burtenshaw Sunset Wave, 2021 Acrylic on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) I paint dramatic impressionist and abstract landscapes which are inspired by my love of the countryside and the many and varied places I have visited, creating the atmosphere and feeling of a place with the use of texture and light. My love of the countryside and how it varies in form at different times of the day depending on the light, and how the contours and colours change continuously is an inspiration to me. I see a landscape as evocative, a place that can provide memories but where we can all interpret something different even looking at the same scene. I try to depict the sense of space and mood in something so vast. My pastel landscapes are painted on watercolour paper which gives an intensity of colour and a strong texture but also a soft contour. The technique uses layers of pastel to recreate the form and depth. My acrylics are painted on paper, canvas or wood panel which all give their own different textures and I use various sizes of brushes to create a more abstract and spontaneous finish. Much like the pastels there are many layers involved especially when painting the more impressionist style. All my paintings convey an emotion that each landscape is unique and locked into an interpretive 'one moment in time'. Each one is intended to be viewed as if you are there and is something we can identify with, or perhaps as if we have all been there before. I studied Fine Art at Norwich School of Art graduating with a Fine Art B.A. (Hons). FRESH ARTFAIR Cheltenham, Gloucestershire LIME TREE GALLERY Long Melford, Suffolk FRESH ARTFAIR Ascot, Berkshire AFFORDABLE ARTFAIR Battersea, London SLATE GALLERY Leamington Spa, Warwickshire STOUR GALLERY Shipston on Stour, Warwickshire IONA HOUSE GALLERY Woodstock, Oxfordshire GALLERY AT ICE Windsor, Berkshire PARK GALLERY Cheltenham, Gloucestershire OPEN STUDIO (LEIGH GALLERY) Hampton, Middlesex SAINT HILL East Grinstead, West Sussex BISHOP'S PALACE Wells, Somerset GUILDFORD CATHEDRAL (Group Exhibtion) Guildford, Surrey     About the Postcards I am currently exhibiting at the Wren Gallery in Burford. I usually paint on large stretch canvas or on medium size board, paper or canvas sheets so painting on a smaller scale presented a real challenge as I was worried that the spontaneity and fluidity of movement required for blending and texture would be diminished. However, I was really pleased that the fluidity was still possible to achieve the colour, depth and tone and I could still be inspired by my love of the countryside to paint at this much smaller size.  

James Owens Empty Stage, 2021 Watercolour on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) James Owens' (B. 1995) work depicts imagined folk-like scenes, largely inspired by his upbringing spent between the countryside and a Yorkshire fisherman's village. His work gathers past, present and imagined scenes to form new narratives, blurring the boundaries between memory and contemplation. The works offer moments of liminality which draw from external visual references such as 1920/30's Disney animation. Nature and its mysteries also come to play, revealed through flowers which sway sinisterly and knowing eyes which seem to have it all sussed out. Meanwhile, curling blades of grass peer curiously across the canvas, weighed down by water droplets, drooping as though upset. Though inherently figurative, it isn't hard to feel like nature has the upper hand in Owens' works.   2016 - 2018
 BA Illustration
Camberwell College of Arts (UAL) 2015 - 2016 
BA Illustration and Visual Media
London College of Communication (UAL) 2014 - 2015 
Foundation Diploma in Art and Design London College of Communication (UAL) 2021 Bloodroot, Arusha Gallery, Edinburgh Spring Fling, All Mouth Gallery, London What I See I Will Never Tell, Wilder Gallery, London Safe As Milk, Arusha Gallery, Edinburgh '07', PM/AM Gallery, online exhibition When Shit Hits the Fan Again, Guts Gallery, virtual exhibition via Instagram 2020 Curated for Christmas, All Mouth & Bowes Parris Gallery, London Delphian Open Call 2020, virtual exhibition Cellar Door, APT Gallery, London [postponed] Tender Kith, 155a Gallery, London Hung Up, All Mouth Gallery, The Hackney Tub, London In Response, The Viewing Room Gallery, Blue Shop Cottage, London Anti Freeze, The Viewing Room Gallery, virtual exhibition Curated for Covid, online exhibition When Shit Hits the Fan, Guts Gallery, virtual exhibition via Instagram 2019 Winter Fair, 155a Gallery, London Pop-up Exhibition, Partnership Editions, Islington Square, London 2018 Evening Standard Art Prize (shortlisted), National Gallery, London Modernist Miniaturists, Benk + Bo, London Affordable Art Fair (Battersea) recent graduates show, London Oh, What a Tangled Web we Weave, Take Courage Gallery, London   About the Postcards These works are imagined scenes inspired by films, life and memory. Watercolour on paper works act as a preparatory method used to conjure up ideas for larger works on canvas. So these become the most raw form of a new work; experimenting with dry brushstrokes and pools of colour to create a semi abstracted flow to the painting.  

James Owens Dawn by the Riverside, 2021 Watercolour on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) James Owens' (B. 1995) work depicts imagined folk-like scenes, largely inspired by his upbringing spent between the countryside and a Yorkshire fisherman's village. His work gathers past, present and imagined scenes to form new narratives, blurring the boundaries between memory and contemplation. The works offer moments of liminality which draw from external visual references such as 1920/30's Disney animation. Nature and its mysteries also come to play, revealed through flowers which sway sinisterly and knowing eyes which seem to have it all sussed out. Meanwhile, curling blades of grass peer curiously across the canvas, weighed down by water droplets, drooping as though upset. Though inherently figurative, it isn't hard to feel like nature has the upper hand in Owens' works.   2016 - 2018
 BA Illustration
Camberwell College of Arts (UAL) 2015 - 2016 
BA Illustration and Visual Media
London College of Communication (UAL) 2014 - 2015 
Foundation Diploma in Art and Design London College of Communication (UAL) 2021 Bloodroot, Arusha Gallery, Edinburgh Spring Fling, All Mouth Gallery, London What I See I Will Never Tell, Wilder Gallery, London Safe As Milk, Arusha Gallery, Edinburgh '07', PM/AM Gallery, online exhibition When Shit Hits the Fan Again, Guts Gallery, virtual exhibition via Instagram 2020 Curated for Christmas, All Mouth & Bowes Parris Gallery, London Delphian Open Call 2020, virtual exhibition Cellar Door, APT Gallery, London [postponed] Tender Kith, 155a Gallery, London Hung Up, All Mouth Gallery, The Hackney Tub, London In Response, The Viewing Room Gallery, Blue Shop Cottage, London Anti Freeze, The Viewing Room Gallery, virtual exhibition Curated for Covid, online exhibition When Shit Hits the Fan, Guts Gallery, virtual exhibition via Instagram 2019 Winter Fair, 155a Gallery, London Pop-up Exhibition, Partnership Editions, Islington Square, London 2018 Evening Standard Art Prize (shortlisted), National Gallery, London Modernist Miniaturists, Benk + Bo, London Affordable Art Fair (Battersea) recent graduates show, London Oh, What a Tangled Web we Weave, Take Courage Gallery, London   About the Postcards These works are imagined scenes inspired by films, life and memory. Watercolour on paper works act as a preparatory method used to conjure up ideas for larger works on canvas. So these become the most raw form of a new work; experimenting with dry brushstrokes and pools of colour to create a semi abstracted flow to the painting.  

James Owens Walk in Peckham Rye Park, 2021 Watercolour on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) James Owens' (B. 1995) work depicts imagined folk-like scenes, largely inspired by his upbringing spent between the countryside and a Yorkshire fisherman's village. His work gathers past, present and imagined scenes to form new narratives, blurring the boundaries between memory and contemplation. The works offer moments of liminality which draw from external visual references such as 1920/30's Disney animation. Nature and its mysteries also come to play, revealed through flowers which sway sinisterly and knowing eyes which seem to have it all sussed out. Meanwhile, curling blades of grass peer curiously across the canvas, weighed down by water droplets, drooping as though upset. Though inherently figurative, it isn't hard to feel like nature has the upper hand in Owens' works.   2016 - 2018
 BA Illustration
Camberwell College of Arts (UAL) 2015 - 2016 
BA Illustration and Visual Media
London College of Communication (UAL) 2014 - 2015 
Foundation Diploma in Art and Design London College of Communication (UAL) 2021 Bloodroot, Arusha Gallery, Edinburgh Spring Fling, All Mouth Gallery, London What I See I Will Never Tell, Wilder Gallery, London Safe As Milk, Arusha Gallery, Edinburgh '07', PM/AM Gallery, online exhibition When Shit Hits the Fan Again, Guts Gallery, virtual exhibition via Instagram 2020 Curated for Christmas, All Mouth & Bowes Parris Gallery, London Delphian Open Call 2020, virtual exhibition Cellar Door, APT Gallery, London [postponed] Tender Kith, 155a Gallery, London Hung Up, All Mouth Gallery, The Hackney Tub, London In Response, The Viewing Room Gallery, Blue Shop Cottage, London Anti Freeze, The Viewing Room Gallery, virtual exhibition Curated for Covid, online exhibition When Shit Hits the Fan, Guts Gallery, virtual exhibition via Instagram 2019 Winter Fair, 155a Gallery, London Pop-up Exhibition, Partnership Editions, Islington Square, London 2018 Evening Standard Art Prize (shortlisted), National Gallery, London Modernist Miniaturists, Benk + Bo, London Affordable Art Fair (Battersea) recent graduates show, London Oh, What a Tangled Web we Weave, Take Courage Gallery, London   About the Postcards These works are imagined scenes inspired by films, life and memory. Watercolour on paper works act as a preparatory method used to conjure up ideas for larger works on canvas. So these become the most raw form of a new work; experimenting with dry brushstrokes and pools of colour to create a semi abstracted flow to the painting.  

James Owens Holding onto her love in the soil, 2021 Watercolour on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) James Owens' (B. 1995) work depicts imagined folk-like scenes, largely inspired by his upbringing spent between the countryside and a Yorkshire fisherman's village. His work gathers past, present and imagined scenes to form new narratives, blurring the boundaries between memory and contemplation. The works offer moments of liminality which draw from external visual references such as 1920/30's Disney animation. Nature and its mysteries also come to play, revealed through flowers which sway sinisterly and knowing eyes which seem to have it all sussed out. Meanwhile, curling blades of grass peer curiously across the canvas, weighed down by water droplets, drooping as though upset. Though inherently figurative, it isn't hard to feel like nature has the upper hand in Owens' works.   2016 - 2018
 BA Illustration
Camberwell College of Arts (UAL) 2015 - 2016 
BA Illustration and Visual Media
London College of Communication (UAL) 2014 - 2015 
Foundation Diploma in Art and Design London College of Communication (UAL) 2021 Bloodroot, Arusha Gallery, Edinburgh Spring Fling, All Mouth Gallery, London What I See I Will Never Tell, Wilder Gallery, London Safe As Milk, Arusha Gallery, Edinburgh '07', PM/AM Gallery, online exhibition When Shit Hits the Fan Again, Guts Gallery, virtual exhibition via Instagram 2020 Curated for Christmas, All Mouth & Bowes Parris Gallery, London Delphian Open Call 2020, virtual exhibition Cellar Door, APT Gallery, London [postponed] Tender Kith, 155a Gallery, London Hung Up, All Mouth Gallery, The Hackney Tub, London In Response, The Viewing Room Gallery, Blue Shop Cottage, London Anti Freeze, The Viewing Room Gallery, virtual exhibition Curated for Covid, online exhibition When Shit Hits the Fan, Guts Gallery, virtual exhibition via Instagram 2019 Winter Fair, 155a Gallery, London Pop-up Exhibition, Partnership Editions, Islington Square, London 2018 Evening Standard Art Prize (shortlisted), National Gallery, London Modernist Miniaturists, Benk + Bo, London Affordable Art Fair (Battersea) recent graduates show, London Oh, What a Tangled Web we Weave, Take Courage Gallery, London   About the Postcards These works are imagined scenes inspired by films, life and memory. Watercolour on paper works act as a preparatory method used to conjure up ideas for larger works on canvas. So these become the most raw form of a new work; experimenting with dry brushstrokes and pools of colour to create a semi abstracted flow to the painting.  

Dave White Apex, 2021 Watercolour on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Dave White is a contemporary British Artist who dedicates his work to celebrating popular culture and interpreting emotive issues. White graduated with a BA (Hons) Fine Art (Painting) at Liverpool John Moores University and has enjoyed success from the inception of his career, with selection for the Northern Graduates exhibition at the Royal College of Art in 1994, whilst also debuting at Sotheby's London and international art fairs. White pioneered the 'Sneaker Art' movement in 2002, with the execution of pop art inspired sneaker oil portraits, leading to long term collaborations with Nike and Brand Jordan which continue to this day. White is one of a handful of artists to have his own signature Jordan releases. In 2016 White collaborated on an international signature sneaker project with Size? x Nike for the AM95 DW, depicting both the Rabbit and Fox artworks from the Albion Collection. Whilst White has pursued many subject matters over the last twenty years, for the last decade he has been focussed on environmental issues by promoting endangered species with his signature expressive portraits. With charitable colaborations and donations of work, he has supported Virunga National Park, Tusk, Rainforest Foundation UK and Wild Aid, and Project Zero. Liverpool John Moores BA Fine Art Painting, Masters in Fine Art Painting Awards: 1997 "Best Young Artist", Animals in Art, Blue Cross Centenary at Sotheby's, London (presented by Lord Hartington) 1993 Painting Residency, Walker Art Gallery, Liverpool 1992 "Best Newcomer in Visual Arts", Daily Post, (cat. foreword by Lord Palumbo, Arts council of Great Britain) 1991 Natwest Prize for Art (shortlisted) 1991 Royal Overseas League (shortlisted)Hang up Gallery Loughran Gallery Dope Gallery Drang Gallery Nelly Duff Enter Gallery Visions West   About the Postcards 'Extinct' visualises subjects have never been seen by the human eye, the viewer is at the mercy of the artist's interpretation. White has had an association with this subject matter since childhood, like most youngsters, Dinosaurs had a proud impact on him as a child and he has never lost this sense of wonder. This is what the collection translates, the legacy of over 30 years as a painter, expanding the narrative of his visionary foresight and presenting a unique collection which transcends artistic boundaries. Extinct cements the importance of Whites previous collections based on critically endangered wildlife which are heading for the same fate as Dinosaurs.  

Davina Jackson On Our Way Home, 2021 Ink and Goucahe on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Davina Jackson is a British , figurative artist and currently works from her studio at Kingsgate Workshops in london . She studied at Central St Martin's , The Byam Shaw and completed her post graduate masters at The Royal Academy Schools where she was awarded the Gold Medal prize for painting . She is a regular exhibitor at The Royal Academy Summer Exhibition and The Discerning Eye and has had 4 solo exhibitions in the last 5 years , one in Trieste , Italy that was curated by Edward -Lucie Smith . Her recent solo show at The Pontone Gallery in London was an exhibition of works exploring the fate of humanity through different interpretations of allegorical Greek Myths. Davina's work centres around the figure, portraying intimate moments and fragments of memory. She likes to sculpt and simplify the bodies, preferring to explore the essence of a pose or mood and her inspiration lies in storytelling , poetry and the theatre as well as her own personal experiences , especially as a mother and woman . Davina has been the recipient of numerous awards throughout her artistic career in painting and drawing . 1989-1990 Foundation in Art and Design, Central/St Martins 1991-1994 BA. (Hons) Fine Art - Painting, The Byam Shaw School of Art 1994 -1997 Masters Fine Art, The Royal Academy Schools 2020 The Sunday Times Watercolour competition The Royal Academy Summer/Winter show 2019 Solo Exhibition , Close To The Sun, The Pontone Gallery , London The Discerning Eye The Mall Galleries, London Solo show , Moor House, Moorgate,London 2018 Group Exhibition, British Painters - Imagined Worlds, Pontone Gallery, London The Discerning Eye, Drawing Bursary , The Mall Galleries British Art Fair Saatchi Gallery, showing with the Boundary Gallery 2017 Solo Exhibition - The Woland Club Art Gallery, Porto Piccollo, Italy (curated by Edward Lucie-Smith in collaboration with the Pontone Gallery) Group Exhibition - Winter Show Part 2, The Albermarle Gallery Art London - Business Design Centre
 2016 Solo Exhibition - A Sculptor in Paint, The Albermarle Gallery
 Group Exhibition - Highgate Contemporary Art Gallery summer show
 The Boundary Gallery and Fine Art Consultancy, Highgate Contemporary Art Gallery 2015 The Royal Academy Summer Exhibition , The Royal Academy of Arts
 2014 Microtopia - Group Show, Kingsgate Gallery The Discerning Eye, Drawing Bursary - The Mall Galleries 2012 The Royal Academy Summer Show ,The Royal Academy of Arts 2006 Group Exhibition, The Boundary Gallery 2004 Solo Show, Ars Vivendi - Geneva, Switzerland 20th Century Perspectives - Burlington Fine Art The Hunting Prize - Royal College of Art (Also showed in 2003, 2002, and 2001) The Modern and the New - Ben Uri Gallery   Representation The Albemarle Gallery and The Boundary Gallery   About the Postcards I have submitted 3 works for Art on a Postcard that touch on different subject matter that I explore in my work, but all of which are essentially about the inner world.  

Davina Jackson Resting Figure, 2021 Pigment, Ink and Gouache on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Davina Jackson is a British , figurative artist and currently works from her studio at Kingsgate Workshops in london . She studied at Central St Martin's , The Byam Shaw and completed her post graduate masters at The Royal Academy Schools where she was awarded the Gold Medal prize for painting . She is a regular exhibitor at The Royal Academy Summer Exhibition and The Discerning Eye and has had 4 solo exhibitions in the last 5 years , one in Trieste , Italy that was curated by Edward -Lucie Smith . Her recent solo show at The Pontone Gallery in London was an exhibition of works exploring the fate of humanity through different interpretations of allegorical Greek Myths. Davina's work centres around the figure, portraying intimate moments and fragments of memory. She likes to sculpt and simplify the bodies, preferring to explore the essence of a pose or mood and her inspiration lies in storytelling , poetry and the theatre as well as her own personal experiences , especially as a mother and woman . Davina has been the recipient of numerous awards throughout her artistic career in painting and drawing . 1989-1990 Foundation in Art and Design, Central/St Martins 1991-1994 BA. (Hons) Fine Art - Painting, The Byam Shaw School of Art 1994 -1997 Masters Fine Art, The Royal Academy Schools 2020 The Sunday Times Watercolour competition The Royal Academy Summer/Winter show 2019 Solo Exhibition , Close To The Sun, The Pontone Gallery , London The Discerning Eye The Mall Galleries, London Solo show , Moor House, Moorgate,London 2018 Group Exhibition, British Painters - Imagined Worlds, Pontone Gallery, London The Discerning Eye, Drawing Bursary , The Mall Galleries British Art Fair Saatchi Gallery, showing with the Boundary Gallery 2017 Solo Exhibition - The Woland Club Art Gallery, Porto Piccollo, Italy (curated by Edward Lucie-Smith in collaboration with the Pontone Gallery) Group Exhibition - Winter Show Part 2, The Albermarle Gallery Art London - Business Design Centre
 2016 Solo Exhibition - A Sculptor in Paint, The Albermarle Gallery
 Group Exhibition - Highgate Contemporary Art Gallery summer show
 The Boundary Gallery and Fine Art Consultancy, Highgate Contemporary Art Gallery 2015 The Royal Academy Summer Exhibition , The Royal Academy of Arts
 2014 Microtopia - Group Show, Kingsgate Gallery The Discerning Eye, Drawing Bursary - The Mall Galleries 2012 The Royal Academy Summer Show ,The Royal Academy of Arts 2006 Group Exhibition, The Boundary Gallery 2004 Solo Show, Ars Vivendi - Geneva, Switzerland 20th Century Perspectives - Burlington Fine Art The Hunting Prize - Royal College of Art (Also showed in 2003, 2002, and 2001) The Modern and the New - Ben Uri Gallery   Representation The Albemarle Gallery and The Boundary Gallery   About the Postcards I have submitted 3 works for Art on a Postcard that touch on different subject matter that I explore in my work, but all of which are essentially about the inner world.  

Davina Jackson Icarus Dreams, 2021 Ink, Watercolour and Gouache on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Davina Jackson is a British , figurative artist and currently works from her studio at Kingsgate Workshops in london . She studied at Central St Martin's , The Byam Shaw and completed her post graduate masters at The Royal Academy Schools where she was awarded the Gold Medal prize for painting . She is a regular exhibitor at The Royal Academy Summer Exhibition and The Discerning Eye and has had 4 solo exhibitions in the last 5 years , one in Trieste , Italy that was curated by Edward -Lucie Smith . Her recent solo show at The Pontone Gallery in London was an exhibition of works exploring the fate of humanity through different interpretations of allegorical Greek Myths. Davina's work centres around the figure, portraying intimate moments and fragments of memory. She likes to sculpt and simplify the bodies, preferring to explore the essence of a pose or mood and her inspiration lies in storytelling , poetry and the theatre as well as her own personal experiences , especially as a mother and woman . Davina has been the recipient of numerous awards throughout her artistic career in painting and drawing . 1989-1990 Foundation in Art and Design, Central/St Martins 1991-1994 BA. (Hons) Fine Art - Painting, The Byam Shaw School of Art 1994 -1997 Masters Fine Art, The Royal Academy Schools 2020 The Sunday Times Watercolour competition The Royal Academy Summer/Winter show 2019 Solo Exhibition , Close To The Sun, The Pontone Gallery , London The Discerning Eye The Mall Galleries, London Solo show , Moor House, Moorgate,London 2018 Group Exhibition, British Painters - Imagined Worlds, Pontone Gallery, London The Discerning Eye, Drawing Bursary , The Mall Galleries British Art Fair Saatchi Gallery, showing with the Boundary Gallery 2017 Solo Exhibition - The Woland Club Art Gallery, Porto Piccollo, Italy (curated by Edward Lucie-Smith in collaboration with the Pontone Gallery) Group Exhibition - Winter Show Part 2, The Albermarle Gallery Art London - Business Design Centre
 2016 Solo Exhibition - A Sculptor in Paint, The Albermarle Gallery
 Group Exhibition - Highgate Contemporary Art Gallery summer show
 The Boundary Gallery and Fine Art Consultancy, Highgate Contemporary Art Gallery 2015 The Royal Academy Summer Exhibition , The Royal Academy of Arts
 2014 Microtopia - Group Show, Kingsgate Gallery The Discerning Eye, Drawing Bursary - The Mall Galleries 2012 The Royal Academy Summer Show ,The Royal Academy of Arts 2006 Group Exhibition, The Boundary Gallery 2004 Solo Show, Ars Vivendi - Geneva, Switzerland 20th Century Perspectives - Burlington Fine Art The Hunting Prize - Royal College of Art (Also showed in 2003, 2002, and 2001) The Modern and the New - Ben Uri Gallery   Representation The Albemarle Gallery and The Boundary Gallery   About the Postcards I have submitted 3 works for Art on a Postcard that touch on different subject matter that I explore in my work, but all of which are essentially about the inner world.  

Josie Clouting Collecting Colours II, 2021 Acrylic on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Josie immerses herself in the landscape, from man made cultivated botanic gardens to wild stormy beaches and the rolling hills where she lives. Her paintings are intuitive, emotional responses to her natural environment, inspired by the vastness and wonder of the natural world. Josie's works are saturated with colour, vitality and energy, reflecting her response to light, atmosphere and topography. Painting and sketching en plein air is a vital part of her practice, enabling her to react to the landscape and play with loose, immediate brush marks. Experimenting with acrylics on a variety of surfaces and scales, with many large scale paintings as a result are part of the enjoyment of the creative process. Josie's physical movements creating large expansive works are an expression of the energy she feels within the landscape. Josie graduated with a degree in Fine Art from Norwich University of the Arts in 2012. Her studio is now based in Maidenhead, Berkshire, UK. Recent shows include the Royal Academy Summer Exhibition 2020, Holly Bush Emerging Woman Painter Prize 2020 and the Sunday Times Watercolour Competition 2019.   Exhibitions   2021 Art on a Postcard International Women's Day (March) 2020 Holly Bush Emerging Woman Painter Prize (Oct-Feb) 2020 Royal Academy Summer Exhibition (Oct-Jan) 2020 Wales Contemporary Waterfront Gallery (Nov-Dec) 2020 The Great Ground Hornbill Art Show (Oct-Nov) Online Auction 2020 Queer Frontiers, Online exhibition curated by Artiq (July) 2020 Biomes Emerald Frames, Chalfont St Peter (July) 2020 You don't have to be rich to be an art collector Norden Farm Arts Centre (March) 2019 Lost Land The Old Court Windsor (Dec - Jan) 2019 Macro Landscapes A Little Bird Told Me Gallery Wendover (Sep-Nov) 2019 Wales Contemporary Waterfront Gallery, Milford Haven, Wales (Oct) Mall Galleries, London (Nov) 2019 The People's Landscape Claydon House (Sep - Oct ) 2019 Sunday Times Watercolour Competition Mall Galleries London (Sep) 2019 Lost Land Emerald Frames Chalfont St Peter (June) 2019 Of Mice And Men Norden Farm Arts Centre (May)  

Nell Brookfield Diving for a Frog, 2021 Acrylic on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Nell Brookfield is a London-based artist who, through painting and drawing, responds to the human and natural world around her. Brookfield's work often weaves together sight, imagination and memory. She graduated from the Royal Drawing School in 2018, after studying Anthropology at UCL. Brookfield has recently spent a year studying Painting at the Pratt Institute in New York City. She has exhibited in group shows in London at Christies, The Royal Drawing School, Protein Studios, September Gallery, The Willis Museum, Bowes Parris, Matchett & Page Gallery, and RISD.   2019-2021 MFA Painting, Pratt Institute, New York City 2017-2018 Postgraduate MA-Level, Royal Drawing School, London 2014-2017 BSc, Anthropology, University College London 2021, Eve Leibe Gallery, 'Cave Canem', March 2021, Sunday Times Watercolour Competition Exhibition, Willis Museum, Basingstoke 2020, 'Buildings', Group Exhibition with Matchett and Page Gallery, Somerset 2020, 'Curated For Christmas', All Mouth and Bowes Parris, London 2020, 'A Show of Hands', Group Exhibition with September Gallery, Hudson, NY 2020. 'A Crowded Room', Group Exhibition with Matchett & Page, Somerset 2020, Royal Drawing School Alumni Summer Show 2019, 'Saturnalia', Group Show, 124 Columbia Road 2019, 'Man-Made Disater' curated by 'Do the Green Thing', at Protein Stuios, London 2019, The RISD Drawing Marathon Exhibition, RISD Nature Lab, Providence, USA 2018, Group Exhibition at Christies London 2018-2019, The Drawing Year End of Year Exhibition, Royal Drawing School Residencies/Awards Winter Session Residency/ Drawing Marathon at Rhode Island School of Design, January-February 2019, Providence, USA Borgo Pignano Painting Residency, July 2018, with the Royal Drawing School, Italy The Drawing Year, Royal Drawing School   About the Postcards Painting with raw pigments on paper, intense colours and patterning accentuate the charged moments that I have drawn from memory and imagination. The houses and animals reflect emotional states of the experiences remembered.    

Nell Brookfield Moving Day, 2021 Acrylic on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Nell Brookfield is a London-based artist who, through painting and drawing, responds to the human and natural world around her. Brookfield's work often weaves together sight, imagination and memory. She graduated from the Royal Drawing School in 2018, after studying Anthropology at UCL. Brookfield has recently spent a year studying Painting at the Pratt Institute in New York City. She has exhibited in group shows in London at Christies, The Royal Drawing School, Protein Studios, September Gallery, The Willis Museum, Bowes Parris, Matchett & Page Gallery, and RISD.   2019-2021 MFA Painting, Pratt Institute, New York City 2017-2018 Postgraduate MA-Level, Royal Drawing School, London 2014-2017 BSc, Anthropology, University College London 2021, Eve Leibe Gallery, 'Cave Canem', March 2021, Sunday Times Watercolour Competition Exhibition, Willis Museum, Basingstoke 2020, 'Buildings', Group Exhibition with Matchett and Page Gallery, Somerset 2020, 'Curated For Christmas', All Mouth and Bowes Parris, London 2020, 'A Show of Hands', Group Exhibition with September Gallery, Hudson, NY 2020. 'A Crowded Room', Group Exhibition with Matchett & Page, Somerset 2020, Royal Drawing School Alumni Summer Show 2019, 'Saturnalia', Group Show, 124 Columbia Road 2019, 'Man-Made Disater' curated by 'Do the Green Thing', at Protein Stuios, London 2019, The RISD Drawing Marathon Exhibition, RISD Nature Lab, Providence, USA 2018, Group Exhibition at Christies London 2018-2019, The Drawing Year End of Year Exhibition, Royal Drawing School Residencies/Awards Winter Session Residency/ Drawing Marathon at Rhode Island School of Design, January-February 2019, Providence, USA Borgo Pignano Painting Residency, July 2018, with the Royal Drawing School, Italy The Drawing Year, Royal Drawing School   About the Postcards Painting with raw pigments on paper, intense colours and patterning accentuate the charged moments that I have drawn from memory and imagination. The houses and animals reflect emotional states of the experiences remembered.    

Nell Brookfield Cavity, 2021 Acrylic on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Nell Brookfield is a London-based artist who, through painting and drawing, responds to the human and natural world around her. Brookfield's work often weaves together sight, imagination and memory. She graduated from the Royal Drawing School in 2018, after studying Anthropology at UCL. Brookfield has recently spent a year studying Painting at the Pratt Institute in New York City. She has exhibited in group shows in London at Christies, The Royal Drawing School, Protein Studios, September Gallery, The Willis Museum, Bowes Parris, Matchett & Page Gallery, and RISD.   2019-2021 MFA Painting, Pratt Institute, New York City 2017-2018 Postgraduate MA-Level, Royal Drawing School, London 2014-2017 BSc, Anthropology, University College London 2021, Eve Leibe Gallery, 'Cave Canem', March 2021, Sunday Times Watercolour Competition Exhibition, Willis Museum, Basingstoke 2020, 'Buildings', Group Exhibition with Matchett and Page Gallery, Somerset 2020, 'Curated For Christmas', All Mouth and Bowes Parris, London 2020, 'A Show of Hands', Group Exhibition with September Gallery, Hudson, NY 2020. 'A Crowded Room', Group Exhibition with Matchett & Page, Somerset 2020, Royal Drawing School Alumni Summer Show 2019, 'Saturnalia', Group Show, 124 Columbia Road 2019, 'Man-Made Disater' curated by 'Do the Green Thing', at Protein Stuios, London 2019, The RISD Drawing Marathon Exhibition, RISD Nature Lab, Providence, USA 2018, Group Exhibition at Christies London 2018-2019, The Drawing Year End of Year Exhibition, Royal Drawing School Residencies/Awards Winter Session Residency/ Drawing Marathon at Rhode Island School of Design, January-February 2019, Providence, USA Borgo Pignano Painting Residency, July 2018, with the Royal Drawing School, Italy The Drawing Year, Royal Drawing School   About the Postcards Painting with raw pigments on paper, intense colours and patterning accentuate the charged moments that I have drawn from memory and imagination. The houses and animals reflect emotional states of the experiences remembered.    

Nell Brookfield Squid Fishing, 2021 Acrylic on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.)   Nell Brookfield is a London-based artist who, through painting and drawing, responds to the human and natural world around her. Brookfield's work often weaves together sight, imagination and memory. She graduated from the Royal Drawing School in 2018, after studying Anthropology at UCL. Brookfield has recently spent a year studying Painting at the Pratt Institute in New York City. She has exhibited in group shows in London at Christies, The Royal Drawing School, Protein Studios, September Gallery, The Willis Museum, Bowes Parris, Matchett & Page Gallery, and RISD.   2019-2021 MFA Painting, Pratt Institute, New York City 2017-2018 Postgraduate MA-Level, Royal Drawing School, London 2014-2017 BSc, Anthropology, University College London 2021, Eve Leibe Gallery, 'Cave Canem', March 2021, Sunday Times Watercolour Competition Exhibition, Willis Museum, Basingstoke 2020, 'Buildings', Group Exhibition with Matchett and Page Gallery, Somerset 2020, 'Curated For Christmas', All Mouth and Bowes Parris, London 2020, 'A Show of Hands', Group Exhibition with September Gallery, Hudson, NY 2020. 'A Crowded Room', Group Exhibition with Matchett & Page, Somerset 2020, Royal Drawing School Alumni Summer Show 2019, 'Saturnalia', Group Show, 124 Columbia Road 2019, 'Man-Made Disater' curated by 'Do the Green Thing', at Protein Stuios, London 2019, The RISD Drawing Marathon Exhibition, RISD Nature Lab, Providence, USA 2018, Group Exhibition at Christies London 2018-2019, The Drawing Year End of Year Exhibition, Royal Drawing School Residencies/Awards Winter Session Residency/ Drawing Marathon at Rhode Island School of Design, January-February 2019, Providence, USA Borgo Pignano Painting Residency, July 2018, with the Royal Drawing School, Italy The Drawing Year, Royal Drawing School   About the Postcards Painting with raw pigments on paper, intense colours and patterning accentuate the charged moments that I have drawn from memory and imagination. The houses and animals reflect emotional states of the experiences remembered.    

Sarah Louise Hawkins Arcase, 2021 Acrylic on Watercolour Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) My practice is predominantly focused on exploring the spatial and optical capacities of colour, form, pattern and surface through painting, drawing and sculpture. The work is non-representational and often self-referential - shapes and patterns from one work will inform and inspire the composition of the next. This symbiotic relationship sees patterns, colours and forms appearing and transforming in a multitude of ways across all media. Education 2017 - 2018 - MA Fine Art - Manchester School of Art 2011 - 2014 - First Class (Hons) Fine Art - Leeds College of Art Exhibitions 2020 - DANCE FIRST THINK LATER - General Practice, Lincoln, UK 2020 - Lucky Dip - AIR Gallery, Manchester, UK 2019 - Bankley Open (finalist) - Bankley Gallery, Manchester, UK 2019 - Left Bank Leeds Art Prize (finalist) - Left Bank Leeds, Leeds, UK 2019 - Training Montage - Pineapple Black Gallery - Middlesbrough, UK 2019 - Joyride - Abingdon Studios - Blackpool, UK 2018 - The Dream Committee - Manchester School of Art - Manchester , UK 2017 - Play - Bankley Gallery & Studios - Manchester, UK 2016 - Manchester Contemporary - (Birley Project Space) - Manchester, UK 2014 - Tacit Knowledge - Syracuse University, New York, USA 2013 - Sculpture, Photography & the Index - Cooper Union School of Art, New York, USA Gallery Representation Self-representation

Shezad Dawood Overcast but Beautiful Watercolour on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Shezad Dawood Shezad Dawood works across the disciplines of painting, film, neon, sculpture, performance, virtual reality and other digital media to ask key questions of narrative, history and embodiment. Using the editing process as a method to explore both meanings and forms, his practice often involves collaboration and knowledge exchange, mapping across multiple audiences and communities. Through a fascination with the esoteric, otherness, the environment and architectures both material and virtual, Dawood interweaves stories, realities and symbolism to create richly layered artworks.Shezad Dawood was born in London in 1974 and trained at Central St Martin's and the Royal College of Art before completing his PhD at Leeds Metropolitan University. Dawood is a Senior Research Fellow in Experimental Media at the University of Westminster. He lives and works in London. 2004 - 2008 Leeds Metropolitan University PhD (Fine Art) 2000 - 2003 Royal College of Art, London MPhil Fine Art (Photography) 1998 - 2000 Royal College of Art, London MA Fine Art (Photography) Unit B1, Ink Court 419 Wick Lane London E3 2PW Phone: 0208 880 7690 studio@shezaddawood.com www.shezaddawood.com 1994 - 1997 Central St Martin's College of Art & Design, London BA (Hons) Critical Fine Art Practice (First Class)Recent solo exhibitions include: Timothy Taylor, London (2020-21), Kai Art Center, Tallinn (2020), New Art Exchange, Nottingham (2020), The Bluecoat Liverpool (2019); MOCA Toronto (2019); FriezeLIVE, London (2019); Kunstverein, Munich (2019); A Lost Future: Rubin Museum of Art, New York (2018); Fondazione Querini Stampalia, Venice (2017); Timothy Taylor, London (2016); Galerist, Istanbul (2016); Pioneer Works, Brooklyn (2015); Fig.2 at the ICA studio, London (2015); Parasol Unit, London (2014); Leeds Art Gallery and OCAT Xi'an, China (both 2014), Modern Art Oxford (2012). Group exhibitions include: Guggenheim, New York (2021), Southbank Centre, London (2020-21) Boghossian Foundation - Villa Empain (2020), WIELS Bruxelles (2020), Manifesta 13 (2020), Lahore Biennial (2020), Dhaka Art Summit (2020), Sharjah Biennial 14, UAE (2019) - Jury Prize for Encroachments; Gwangju Biennale, Gwangju, South Korea (2018); Mori Art Museum, Tokyo (2016); Taipei Biennial (2014), Marrakech Biennial (2014), MACBA Barcelona (2014), Witte de With (2013), Busan Biennale (2010), Tate Triennial: Altermodern (2009), and the Venice Biennale (2009). Selected collections include Tate; UBS; LACMA, Los Angeles; National Gallery of Canada; Government Art Collection, UK; US Government Art Collection; The British Museum, London; Sharjah Art Foundation; Kiran Nadar, Delhi; Rubin Museum of Art, New York; and Mathaf, Doha. His film works have been screened internationally, including at the ICA, London; MoMA, New York and at various film festivals including CPH:DOX, Oberhausen, Aesthetica (winner of Artist's Film Prize 2015); his 2013 Feature Film, Piercing Brightness, was released theatrically and on Blu-Ray/DVD by Soda Pictures.Timothy Taylor, London; Jhaveri Contemporary, Mumbai; Barakat Contemporary, Seoul; The RYDER, Madrid. Continuing a series of pencil and watercolour studies drawing on my time spent on Fogo Island in Newfoundland in 2018 and 2019, exploring a convergence of textile traditions, esoterica and the sea.  

Shezad Dawood On a Clear Day, 2021 Watercolour on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Shezad Dawood Shezad Dawood works across the disciplines of painting, film, neon, sculpture, performance, virtual reality and other digital media to ask key questions of narrative, history and embodiment. Using the editing process as a method to explore both meanings and forms, his practice often involves collaboration and knowledge exchange, mapping across multiple audiences and communities. Through a fascination with the esoteric, otherness, the environment and architectures both material and virtual, Dawood interweaves stories, realities and symbolism to create richly layered artworks.Shezad Dawood was born in London in 1974 and trained at Central St Martin's and the Royal College of Art before completing his PhD at Leeds Metropolitan University. Dawood is a Senior Research Fellow in Experimental Media at the University of Westminster. He lives and works in London. 2004 - 2008 Leeds Metropolitan University PhD (Fine Art) 2000 - 2003 Royal College of Art, London MPhil Fine Art (Photography) 1998 - 2000 Royal College of Art, London MA Fine Art (Photography) Unit B1, Ink Court 419 Wick Lane London E3 2PW Phone: 0208 880 7690 studio@shezaddawood.com www.shezaddawood.com 1994 - 1997 Central St Martin's College of Art & Design, London BA (Hons) Critical Fine Art Practice (First Class)Recent solo exhibitions include: Timothy Taylor, London (2020-21), Kai Art Center, Tallinn (2020), New Art Exchange, Nottingham (2020), The Bluecoat Liverpool (2019); MOCA Toronto (2019); FriezeLIVE, London (2019); Kunstverein, Munich (2019); A Lost Future: Rubin Museum of Art, New York (2018); Fondazione Querini Stampalia, Venice (2017); Timothy Taylor, London (2016); Galerist, Istanbul (2016); Pioneer Works, Brooklyn (2015); Fig.2 at the ICA studio, London (2015); Parasol Unit, London (2014); Leeds Art Gallery and OCAT Xi'an, China (both 2014), Modern Art Oxford (2012). Group exhibitions include: Guggenheim, New York (2021), Southbank Centre, London (2020-21) Boghossian Foundation - Villa Empain (2020), WIELS Bruxelles (2020), Manifesta 13 (2020), Lahore Biennial (2020), Dhaka Art Summit (2020), Sharjah Biennial 14, UAE (2019) - Jury Prize for Encroachments; Gwangju Biennale, Gwangju, South Korea (2018); Mori Art Museum, Tokyo (2016); Taipei Biennial (2014), Marrakech Biennial (2014), MACBA Barcelona (2014), Witte de With (2013), Busan Biennale (2010), Tate Triennial: Altermodern (2009), and the Venice Biennale (2009). Selected collections include Tate; UBS; LACMA, Los Angeles; National Gallery of Canada; Government Art Collection, UK; US Government Art Collection; The British Museum, London; Sharjah Art Foundation; Kiran Nadar, Delhi; Rubin Museum of Art, New York; and Mathaf, Doha. His film works have been screened internationally, including at the ICA, London; MoMA, New York and at various film festivals including CPH:DOX, Oberhausen, Aesthetica (winner of Artist's Film Prize 2015); his 2013 Feature Film, Piercing Brightness, was released theatrically and on Blu-Ray/DVD by Soda Pictures.Timothy Taylor, London; Jhaveri Contemporary, Mumbai; Barakat Contemporary, Seoul; The RYDER, Madrid. Continuing a series of pencil and watercolour studies drawing on my time spent on Fogo Island in Newfoundland in 2018 and 2019, exploring a convergence of textile traditions, esoterica and the sea.  

Tom Scott R.S.A., R.S.W. (Scottish 1854-1927) Horse study, signed and dated 1907, watercolour.25.5cm x 15.5cm (10in x 6in)Condition report:The painting is in very good, original condition with no obvious faults to report. There are some minor spots of foxing on the underside of the glass. The painting is ornately framed and glazed.

Henry Wright Kerr R.S.A., R.S.W. (Scottish 1857-1936) Portrait of a gentleman, signed, watercolour.70cm x 53cm (27.5in x 20.75in)Condition report:The painting is in very good, original condition with strong colours. The painting is ornately framed and glazed. The frame has some minor knocks and losses commensurate with age.

Signed and titled, with gallery label - 'Mangate Gallery, London' on verso, watercolour.18cm x 27cm (7.25in x 10.5in)Condition report: The painting is in very good, original condition with no obvious faults to report. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

William Whitby (19th century) A female figure on a rocky riverbank, signed and dated '87, watercolour.32.5cm x 51cm (12.75in x 20in)Condition report:The painting is in good, original condition with strong colours. There is some foxing across the painting. The painting is ornately framed and glazed. The frame has some knocks and losses.

A. Montgomerie (British 19th/20th century) Rural view with setting sun, signed, watercolour.37cm x 55cm (14.5in x 21.75in)Condition report:The painting is in very good, original condition with no obvious faults to report. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Frederick James Knowles (British 1874-1931) "Chorley Old Hall, Cheshire", Initialled, watercolour.7cm x 10cm (2.75in x 4in)Condition report:The painting is in very good, original condition. The paper has browned slightly and there are some minor spots of foxing across the mount. The painting is framed and glazed. The frame has some minor knocks and losses commensurate with age.

John Carlisle (British fl.1866-1916) "Glen Cloy, Isle of Arran", signed and dated 1888, titled on artist's label verso, watercolour.29cm x 49cm (11.5in x 19.25in)Condition report:The painting is in good, original condition with strong colours. There is some foxing across the painting. The painting is ornately framed and glazed. The frame has some knocks and losses.

Tom Scott R.S.A., R.S.W. (Scottish 1854-1927) "Newcastleton", signed and dated 1923, titled on artist's label verso, watercolour.24.5cm x 34.5cm (9.5in x 13.5in)Condition report:The painting is in good, original condition with strong colours. There is some foxing across the painting. The painting is ornately framed and glazed. The frame has the odd minor knock and loss commensurate with age.

Signed, watercolour.24.5cm x 30.5cm (9.75in x 12in)Condition report: The painting is in very good, original condition with strong colours. The paper has browned slightly across the sheet and there are one or two minor spots of foxing. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

George Lawrence BULLEID (1858-1933), watercolour painting of young woman holding flowers, 17 x 24cm.

A French silver miniature portrait pillbox, circular form with allover engine turned decoration and miniature watercolour painting on ivory inset lid, signed Tever, with gilt interior, diameter 5.5cmNo damage or repair, only very light abrasions, gilding still bright, lid fits perfectly, French marks on lip

A miniature watercolour on ivory, circa 1800, portrait of Lt John Wolfe, 5th of Foot (the Northumberland Fusiliers), unsigned, in gilt-metal case, and mounted on an ebonised stand, painting measures 6cm x 4.5cm (ivory is cracked)

Leslie Worth (1923-2009) Riders in the Snow, signed bottom right and dated 1960, watercolour, measurements 30 x 56 cm, frame 52 x 77 cmThomas Agnew and Sons label verso. Sold together with framed information regarding the painting. Condition report: The watercolour is a work on paper, framed under glazing, not examined external to the frame. The paper appears in good condition- no obvious signs of any rips, creasing or folds. The paint condition appears good, minimal fading. General wear and tear to the frame.

J.H. Gillespie (British 1793-c.1838) Miniature Silhouette of a Gentleman, watercolour, label verso for J.H. Gillespie, measurements 7.5 x 6 cm (i) frame 13.5 x 11Condition report: The miniature is framed under glazing, not examined external to the frame. There is some white mould in the lower region of the painting and evidence of ageing to the paper and there are some visible dark spots to the upper edge of the paper. General wear and tear to the frame. The nails are coming through the label at the back.

British School (late 19th Century) Folio of watercolours of India and Southern England, various hands, Indian landscapes including Dumka, Southern English landscapes including Salcombe and Lyme Regis, Killarney Ireland, Switzerland, dates ranging 1880s-1890s, various sizes, 39 sheets in a folio Condition report: There are 38 works in total with 9 of these I believe to be of Indian landscapes and figures. The larger Indian papers are 26 x 35 cm (SH) with a number of smaller works in various sizes. The folio has been consigned from a private, local family collection and there is a printed family tree within the folio showing the family line of Fulwar Crave Fowle, many of the individuals listed are recorded as having been born and/or lived in India during the 19th-20th Centuries. A number of the watercolours have pencil inscriptions on the verso describing their location. The watercolour of Doomka lake has foxing and staining to the edges and some creasing to the corners. The watercolour showing the house with inscription beneath has foxing and holes to the sheet- which does not appear to have extended into the painting itself. The larger landscapes with figures both have foxing, some edge tears and minor fading- the example with figures and houses by a lakeside has some paint loss caused by abrasion in the lower water area as well as a hole to the centre-right edge. The watercolours are in varying condition, the majority have some minor foxing, general wear and tear and edge creases. The folio folder is torn down the spine and has scuffs to the corners as well as some dents and surface losses.

A colour lithograph of a Chinese junk, framed and glazed, a Chinese watercolour on silk painting of a dragon within clouds, signed and a pair of Thai screen prints depicting deities within garden landscapes, all framed and glazed.

19TH CENTURY INDIAN SCHOOL; watercolour on bone, an oval painting of the Taj Mahal above a pair of portraits, the Maharajah and his Maharani, each within oval and in scrolling borders, framed together, the portraits each 6 x 9cm, the Taj Mahal above is 3 x 4cm.

Alois de Laet (1869-1949) - Ploughing the Field, signed and dated 1915, watercolour, 24 x 34cm, a Chinese painting of a bird on bamboo, on silk and another (3)

A FOLK ART NAIVE WATERCOLOUR PAINTING OF BIRDS MID-19TH CENTURY depicted perched on trees, in a glazed burr veneered frame 20 x 32cm

A group of seven paintings and prints, including a nice Georgian style watercolour landscape with inn and figures, a 1960s watercoour with Arabic figures on horseback in landscape, a painting of Bramall Hall by Valerie Tomey, a watercolour with tree and barn, two floral prints, and a a prnit of Dean's Cloister Windsor (7)

HUGO DAGGER (20TH CENTURY), a three masted square rigged ship under full sail off a headland, yachts to the distance, signed bottom left, watercolour on paper, mounted, framed and glazed, size approximately 44cm x 65cm (Condition report:- painting is in good condition, small stain to mount)

PAINTINGS AND PRINTS, ETC, to include a George Deakins painting of boats, possibly in Venice, signed and dated 1974, two impressionist oils on board, signed Frank Mills with a watercolour by the same hand, amateur watercolours signed John Allen, Anton Pieck print, other prints, etc

A watercolour on silk scroll painting and three unframed woodblock prints

Shirley Keeble 'Wain Wood, Bluebell Glade 2' signed l.r., watercolour and gouache image 28 x 34.5cm framed 45 x 51.5cm Shirley Keeble is a member of the Society of Botanical Artists and of the United Society of Artists, she specialises in watercolour, mixed media and acrylics. Her motivation for painting is colour and light – particularly in woodland landscapes, seascapes and flowers. Her works are included in collections around the world, including the UK, France, USA, Cyprus, Brunei & Saudi Arabia. She has had exhibitions at the Mall Galleries, the Grosvenor Art Gallery, Hatfield House, the British Water Colour Society, and the Hay Hill Gallery. Some of her flower paintings have been exhibited in New York.

A watercolour painting by John Hoar of the winner’s house, John Hoar is a well-known watercolourist and painter of landscapes and townscapes. He has exhibited in London and has taught in, and had commissions from, both China and the USA, in addition to the UK and Ireland. He will produce a fine painting of the winner’s house. He will do this by photographs submitted by the winner, a process he often uses. The winning bidder should make arrangements directly with the artist. (IMAGE SHOWN NOT INCLUDED)

James Willis A montage of the North Hertfordshire churches of Therfield, Kelshall, Hitchin, Ashwell and Baldock – with added gargoyles signed l.r., watercolour image 52 x 37.2cm framed 66.5 x 49.5cm James Willis is an established artist, scholar and tutor who specializes in painting buildings. He has exhibited widely including recent solo shows at the Coin Street Gallery in the OXO Tower; The Old Royal Naval College, Greenwich; and has been included in the Royal Society of Marine Artists at the Mall Galleries, London. He is currently working on a collection to exhibit with the celebrated architecture painter Carl Laubin in 2022.

AN ANTIQUE THAI BUDDHIST ILLUSTRATION Rattanakosin Period 1782-1932 Watercolour and ink, depicting a scene of Buddha's life with baby Sidartha on the head of the ascetic 63cm x 45cm; 81cm x 63cm with frame Condition: Some wear and thin cracks in the painting, folding visible along the middle of the manuscript - See additional images

George Whittaker: (20th century) a group of four golfing watercolours, likely of Rutland County Golf Course, comprising a pair of watercolours, one signed and dated 1996, bottom right, 30 by 48cm, framed and glazed, 55 by 71cm, a slightly smaller painting with pheasants in the foreground, signed bottom left, 31 by 48.5cm, framed and glazed 52 by 65.5cm, and a further watercolour, signed and dated 1996 bottom left, 31.5 by 49cm, 48.5 by 65.5cm, together with three golfing prints, comprising The First Tee, after Kevin Walsh, 39 by 29.5cm, framed and glazed 55 by 45cm, The Long Chip, after Douglas E. West, 37.5 by 55cm, framed and glazed, 58 by 74cm, and Safely On, after A WEaver, 45.5 by 64cm, framed and glazed, 73 by 91cm. (7)

Alfred Bennett Bamford 1857 -1939 a gilt framed watercolour painting of the interior of Westminster Abbey signed and titled,40 x 26 cm.

CHINESE SCHOOL (20TH CENTURY), MOUNTAINOUS LANDSCAPE watercolour on paper, signed with character script 90cm x 212cm, mounted on a boardProvenance: The painting was gifted to the merchant ship Burmah Endeavour in 1977 by its builders, the China Shipbuilding Corporation of Taiwan.  It hung in the officers' dining saloon.  When it came to scrap the ship, the painting passed to the current owner, who was Superintendent of the then-named Stena Queen. 

Jim Gilbert (1933- 1995) – Nicknamed "the Prison artist and the London Lowry" - A mid Century watercolour painting on paper depicting a nursing mother seated in a door way. Signed to the back ‘James B. Gilbert’ Sent to me in a letter from Wakefield Prison, dated 1973. Measures approx; 23cm x 19cm.