We found 11510 price guide item(s) matching your search

H RANSON: Figures harvesting beside a cottage, watercolour, and a companion painting of a cottage (2)

WARREN WILLIAMS ARCA watercolour painting incomplete, landscape scene with cottage awaiting colouring, 21 x 34 cms and another watercolour sketch - coastal scene with cottages and figure on a path, irregular shape, each mounted but unframed

MOSS WILLIAMS watercolour, unframed - lady seated on a deckchair in the grounds of Plas Glynllifon (a photograph of this painting appears in the Lot of memorabilia relating to the artist), 30 x 40 cms

Natural History - A framed and glazed 18th century watercolour painting on paper of a Tarantula.The spider in an threatening pose within in a natural habitat. Hand written notation reading " mygale strindulaus in a undulating attitude Shillong Assam " 24th August 80. Signed to the corner. Measures 29cms x 34cms frame 

Sam Chadwick, a framed rural landscape watercolour, 33cm x 43cm.Condition report intended as a guide only.Painting in good condition. Frame two chips out of both top corners.

A large Chinese painting of phoenix in a landscape, 19th century, watercolour on paper , three red seal marks, 93cm. by 162cm., framed and glazed

W.G. SMITH "Trinity Square, Llandudno", Watercolour painting, signed and dated, 32cm x 44cm, framed, mounted and glazed

An early 20th century watercolour painting 'The Mill at Faversham' indistinctly signed Stewart, framed and glazed, image size 12" x 20"

Reg Wootton (1908-1995). Still lives with flowers, vases etc., watercolour, signed and dated lower right, 11cm x 10cm, and an oil painting of cattle beside a stream, river or loch, initialled M.H.C, 15cm x 27.5cm.

A Chinese watercolour scroll painting, width 16.5"

Herbert Cole, ink / watercolour, symbolist painting, Classical composition, 1908, signed, 7.5" x 6", framed

A quantity of pictures including signed Peter Scott print, an oil painting and a watercolour of tree sparrows

Botanical watercolour of pink blooms by Mary Barnard. Signed bottom right. Painting measures approx. 30 cm x 22.5cm

Stanley Orchart (1920 - 2005) 'Hambleden Mill' 1976 Watercolour. Signed, dated and in original frame Painting measures approx 47 x 35 cms

Original watercolour by Peter Gilman (1972) depicting old harbour at Walberswick, Suffolk. Signed. Painting measures approx 31.5 x 24.5 cms. Missing glass

Stanley Orchart (1920 - 2005) 'Swineshead Bedfordshire' 1975' Watercolour. Signed, dated and in original frame Painting measures approx 47 x 35 cms

SUSAN KANE (TWENTIETH/ TWENTY FIRST CENTURY) THREE WORKS OIL PAINTING 4 ¾" x 8" (12.1cm x 20.3cm) Four vases TWO WATERCOLOUR DRAWINGS Floral studies 5 ¼" X 4 ½" (13.3cm x 11.5cm) 5 ¾" x 3" (14.6cm x 7.6cm) All signed and dated (20)01 HEATHER DAWE SET OF THREE ARTIST SIGNED COLOUR PRINTS 'A Bicycle Ride in Yorkshire' 'Stoodley Pike' 'Piece Hall, Halifax' 'Up the Buttress, Hebden Bridge' 2 ¼" x 3 ¼" (5.7cm x 8.3cm) approx. UNATTRIBUTED PAIR OF ARTIST SIGNED PHOTOGRAPHIC PRINTS 'Hydrangea' 'Fern', both dated 2002 6 ¾" x 4 ¾" (17.2cm x 12.1cm), (8)

Jonaphan Poole Watercolour and Gouache Painting American Footballer, signed

Samuel John Lamorna Birch R.A., R.W.S. (1869-1955), "Penberth Cove, Cornwall", signed, titled on verso, watercolour, 29.5 x 44.5cm, 11.75 x 17.5in. * The painting was given by the artist to a family friend of the vendor. Artists’ Resale Right (“droit de suite”) may apply to this lot. For condition reports go to www.peterwilson.co.uk

Charles Frederick Tunnicliffe (1901-1979), "Yellow Fantail", titled in pencil in the margin, with studio stamp on verso, pencil and watercolour wash, 20.5 x 27cm, 8 x 10.5in. * This painting was purchased at the studio sale of the artist at Morgan Evans, Anglesey on 3rd May 1986. Artists’ Resale Right (“droit de suite”) may apply to this lot. For condition reports go to www.peterwilson.co.uk

WILLIAM STEPHEN COLEMAN (1829–1904)PREPARING TO BATHE watercolour and bodycolour, signed with inscription to slip W.S. COLEMAN, within Aesthetic Movement ebonised and gilt-incised frame in the manner of Christopher Dresser, bears auctioneer's catalogue title page and entry versoimage 44.5cm diameter, with frame 72cm squareLiterature: Bergensen, V. 'The Encyclopaedia of Art Pottery', Barrie & Jenkins 1991 which shows a charger by Coleman within a similar frame to the current lot.Provenance: Collection of A. J. Shwabe, sold Christies Manson & Woods, 2nd December 1905, Lot 95 Note: W. S. Coleman joined Minton's in 1869 and was Art Director of the Minton's Art Pottery Studio from 1871 to 1873. The painting on offer here is characteristic of the work he produced for the firm, its circular format indicating that it was possibly a design for a charger.

MID 19th CENTURY EQUESTRIAN PAINTING, oval pencil and watercolour "Figure with Horse before a Stable", 5" x 9"

RONALD RUTHERFORD (B.1913) 'FISCARDO BAY, CEPHALONIA, GREECE', a watercolour painting of fishing boats tied up at a quayside with figures looking on, signed bottom left, title label and artist label verso, mounted and framed, approximate size 20cm x 27.5cm

JOHN HOGARTH A.R.C.A. (BRITISH 1935), 'Thomas Squire', a watercolour and pen drawing of a gentleman who lived from 1720 to 1795, signed and dated (19)76 with attribution labels verso, approximate size 43cm x 30cm, together with a study drawing for a theatrical costume by the same hand, signed and dated (19)77, attribution labels verso, approximate size 45cm x 33cm, both framed, along with a still life study of a bowl of fruit, unsigned oil on canvas, framed, approximate size 43cm x 64cm, some damage to the bottom edge of the painting (3)

A watercolour painting of Rifle Volunteers, c 1865, by Henry Martens, showing riflemen in full dress with shakos, firing percussion rifles, in a landscape with a few trees, signed lower right “HM”, well mounted and framed 18”x22” overall. VGC Plate 9

A watercolour painting of an RAF Avro Shackleton by Wilf Hardy. A reconnaissance aircraft B-228 flying low over the artic ice pack with the sun low on the horizon. Signed and dated 1997. Dimensions in frame; 680mm x 565mm. Together with a framed print entitled 'Godsend' by Keith Woodcock. 'The Proof Print' of 1000 produced. 'A United States Navy F/A - 18A from VFA-97 "Warhawks" and a pair of F-14D Tomcats from VF-213 "Fighting Blacklions" conduct refuelling operations with a Royal Airforce VC10 K3 of 101 Squadron over Afghanistan during Operation Oracle/Enduring Freedom'. Dimensions in frame; 755mm x 610mm. Both VGC. £60-80

A watercolour painting of RAF aircraft by Wilf Hardy. The scene depicts 2 De Havilland Mosquitos at an RAF air station with a ground crew and pilots in conversation in the foreground, with a Lancaster bomber taking off overhead. Signed in lower right corner. Dimensions in frame; 670mm x 520mm. VGC £40-60

A watercolour painting “Royal Welsh Fusiliers” by Reginald Wymer, comprising 8 vignettes of officer’s and OR’s in uniform, 1742-1884, signed lower left “RW 1884”, well mounted and framed with title, 22” x 18” overall, VGC. Plate 8

E. FLETCHER ( EARLY 20TH CENTURY ENGLISH SCHOOL) A view of the Houses of Parliament and Waterloo Bridge watercolour, signed lower right 36cm x 51.5cm together with a further view of the Thames by the same artist and an oil painting of a coastal view signed Francis 39cm x 79cm (3)

F S Robinson, a river landscape scene depicting ruins in the distance, watercolour, signed and dated 1913 lower right, dimensions approximately 20cm x 32cm, framed and glazed together with another F S Robinson painting depicting a sloping woodland scene, watercolour, signed and dated 1921 lower right, dimensions approximately 18cm x 25cm, framed and glazed (2)

IRIS JACKMAN "June Roses" Still life of flowers in a vase, pastel, signed lower right, bears 'Federation of British Artists Gallery' label verso, IRIS JACKMAN "Albertine with harebells" watercolour, signed lower right, bears 'Chelsea arts society' label verso, T. PEARSON "Study of Birds" painting on fabric, signed and dated '84 lower right together with a further study of birds in the same hand and a box of assorted paintings.

FRANK PATON "Gone Away", study of Jack Russells chasing a kitten, watercolour pen and ink, signed in pencil lower left CONDITION REPORTS Areas of foxing to the illustrated mount board. Areas of discolouration and fading to the mount. The painting itself is in good condition, the frame has evidence of old woodworm. General wear and tear commensurate with age and use. See photos for details. 15cm x 9.5cm approx. including frame is 36.5cm x 31cm approx.

ARCHIBALD THORBURN "The Raven", watercolour signed with initials and dated February 5th 1918 lower right, inscribed on Martin Gregory Galley label verso, together with label inscribed The Raven by Archibald Thorburn reproduced in "A Naturalist's Sketchbook" by Archibald Thorburn, plate 17, published by Longmans Green & Co 1919 CONDITION REPORTS Please see images for further details. Painting is in overall good condition, possibly some slight fading and discolouration in areas. General wear and tear commensurate with age and use, see images for further details.

§ Graham Rust (British, b.1942) The Saint-Tropez Frieze signed lower right "Graham Rust" watercolour and ink 14.50 x 50cm (6 x 20in) Exhibited: The Roger Ramsay Gallery, 212 West Superior Street, Suite 503, Chicago, Illinois 60610, USA. Literature: Graham Rust, The Painted House, London: Cassell, 1991, illus. pp. 32-33 Other Notes: Graham Rust studied at the Central School of Arts in London, and the National Academy of Art, New York. He first exhibited at the Royal Academy in 1965 and since then has worked throughout the world. Renowned for his murals and ceiling paintings, he has also illustrated several books. His most important work is the mural "The Temptation" in the entrance hall of Ragley Hall, Warwickshire, which took over a decade to complete. The present painting was a design for a long window frieze at a medieval house in Cogolin, near Saint Tropez., telling the legend of St Tropez, a Roman centurion beheaded at Pisa - St Tropez's body was put to sea accompanied by a cockerel and a dog, and was found untouched when the boat washed ashore in France. The town of Cogolin was named for the cockerel of the legend. Condition is fine.

A selection of 20th Century framed watercolour paintings to include three paintings by Renee Thornton including a painting of peonies, a painting of Bristol Suspension Bridge, a painting of a sunflower field with hills to the background, a painting by R. Kendal of boats on lake Windermere, a pastel drawing by John. F Collins of the Savages club depicting a harbour scene. Measures: 26cm high x 36cm deep.

An early 20th Century watercolour painting depicting a North African scene of two nomadic men with camels at an oasis watering hole, framed and glazed. Measure:  28cm high x 17cm wide.

Alfred O Townsend (1846 - 1917). A large framed and glazed watercolour painting ' Sunset at Dunster Castle ' with street scene from the town looking up.  Measures 100cms x 80cms

Dick Boulton - (Artist and Sculptor) a large contemporary watercolour painting of an abstracted water fall form with earthy green and blue hues set within a gilt frame. Signed by artist to the corner. Measures 74cm by 54cm.

An early 20th century watercolour painting of Salisbury Cathedral being signed illegibly to the corner by the artist, possibly Elliah Itchen 1921. Mounted, framed and glazed. Frame measures 56cms x 41cms

A selection of 19th Century and early 20th Century watercolour paintings to include two landscape paintings signed ST to the corner, both depicting a natural pond in winter, two unsigned  paintings on paper one depicting a village bridge with horses entering a river along with another similar painting possibly of the same bridge from another angle, a watercolour of a british countryside landscape scene on watercolour paper, a seascape with a sailing boat in the distance and a selection of pen and ink drawings. Measures 31cm high by 24cm width.

A 19th Century Victorian watercolour portrait painting depicting a woman in mourning holding an urn with floral cape. Set to an ornate gilt wooden frame. Measures 12cm high x 10cm wide. Frame measures 24 cm high and 22 cm wide.

An early 20th Century watercolour painting on paper depicting two birds perched on a branch with berries. Set to and ornate gilt rococo frame. Twin red character mark stamps to margin. Measures 20cm by 27cm.

A 19th century English School watercolour painting of a maritime / coastal scene with tall sailing ship to the background, possibly Cornish. Unsigned. Later framed and glazed. Measures 25cms x 20cm ( picture ).

A pair of 19th century English school miniature watercolour painting studies of country scenes with trees and landscapes. Unsigned, both mounted framed and glazed. Frames measure 27cms x 28cms

ENGLISH SCHOOL, 19TH C A ROSE BOUQUET watercolour, 20 x 17.5, rosewood frame, a 19th c Chinese rice paper botanical painting and a Victorian lithograph of fruit, printed in colour (3)++Chinese watercolour typically stained

Percy Lancaster (1878-1951). East Anglian landscape with windmill, watercolour, signed, 24cm x 32cm. Born in Manchester in 1878, Percy Lancaster studied architecture before taking up painting, studying at the Southport and Manchester Schools of Art. A fine landscape painter in both oils and watercolours, he was also a fine etcher, being elected an Associate of the Royal Society of Painter-Etchers and Engravers in 1910. Four years later he was made a full Member of the Royal Society of British Artists and, in 1921, member of the Royal Institute of Painters in Watercolours. He was shown in many of the major institutions and galleries in the UK, including 20 works at the Royal Academy, 60 at the Royal Society of Painters, Etchers and Engravers, 12 at the Fine Arts Society, 123 at Liverpool's Walker Gallery, 68 at the Royal Cambrian Academy, 104 at the Royal Society of British Artists and others.

An Oriental scroll painting, an Indian watercolour procession scene and various other Oriental pictures and embroideries (7)

MARGARET McCARTNEY OIL PAINTING ON BOARD Upland landscape with cottage Signed and dated (19)74 lower right 22" x 29 1/2" (55.8 x 74.9cm) together with SMALL WATERCOLOUR BY SAME ARTIST (2)

S HAMILTON: "North Devon", watercolour, another similar and an oil on board painting of Bantham, South Devon

Max Uhlig (German 1937-) GROßER KOPF signed and dated 84 chalk and watercolour on paper 76 by 51cm Neo-Expressionism is a style of painting and sculpture that developed between late Modernism and early Postmodernism. Some scholars, in fact, believe Neo-Expressionism played a vital role in the transition between Modernism and Postmodernism in that Neo-Expressionism accepted and rejuvenated historical and mythological imagery, as opposed to late modernism’s tendency to reject storytelling completely. Though many artists have practiced and revived aspects of the original Expressionism movement, it would appear that only the Neo-Expressionists have had far-reaching success. Georg Baselitz was a leading component, instigating a revival that dominated German art in the 1970s. By the 1980s this resurgence had become part of an international return to the sensuousness of painting, and a broad step away from the stylistically cool, distant sparseness of Minimalism and Conceptualism. All over the world artists began turning towards expressive directions, creating works that affirmed the redemptive power of art in general and painting in particular, drawing upon a variety of themes including the mythological, cultural, historical, nationalist and erotic. A. R. Penck is one of many pseudonyms of Ralph Winkler, a German Neo-Expressionist fine artist and jazz drummer. Penck is best known for his paintings and sculptures characterized by simplified figures and forms, and neo-primitive symbols and patterns. These lend his work a graffiti like quality, as is evidenced in Colosseum, 1990. Living in communist East Berlin, Penck was unable to exhibit his works. This led him to smuggle his works out to West Berlin and Switzerland, where he received enough acclaim to provide him with some protection from the East German authorities, until he was able to escape and settle in London. This background explains why Penck’s style fuses spontaneous self-expression with restraint, and pop culture and art historical influences with political and social concerns. Of the key tenets of Neo-Expressionism was the depiction of subject matter in a brutish manner. The frequently large-scale works, typical of the movement, exhibited highly textural and expressive brushwork and intense colours that had been rejected by the immediately preceding art movements. We see these ideas developed in the following lots by Penck, Jüchser, Morgner, Uhlig, König and Gallasch, all proponents of the Neo-Expressionist movement. Artsy. “A. R. Penck.” Accessed: 17 December 2018. https://www.artsy.net/artist/ar-penck The Art Story. “Neo-Expressionism.” Accessed: 17 December 2018. https://www.theartstory.org/movement-neo-expressionism.htm

Manner of Kawanabe Kyosaio (1831-1889) Woman seated astride crane with attendants, signature and seal mark, pen ink and watercolour on silk, 20cm x 23cm (unframed) - Soame Jenyns Collection Condition Report & Further Details This lot comes from the collection of Soame Jenyns (1904- 1976) and is being sold by order of the executors of his younger son, the late John Jenyns. Soame Jenyns was Assistant Keeper of Oriental Antiquities at The British Museum from 1931-1967. He published several books including: "A Background to Chinese Painting" published 1935, "Chinese Archaic Jades in the British Museum" 1951, "Ming Pottery & Porcelain" 1953 etc.Some spotting to the left hand side beneath crane and along bottom.Some staining particularly to the edge.

Gilt framed painting signed Isabel Naftel 1881 (Isabel Oakley Naftel). Approx. measurements of frame W52cm x H43cm. Label on reverse, picture entitled "Autumn Days". Isabel Naftel (nee Oakley - 1832-1912), was a well known watercolour artist in her own right and exhibited in London from 1862 to 1889. She was the daughter of the well known watercolourist, Octavius Oakley (1800-1867) and the second wife of successful Guernsey artist, Paul Jacob Naftel (1817-1891) Isobel and Paul Naftel lived in Guernsey, until 1870, when they moved to London (4 St Stephen's Square, Westbourne Park.) . . Label at back of picture "No 2 "Autumn days" painted by Mrs Paul Naftel 4 St Stephens Square, W. ..." Potential Buyers maybe subject to the Droit de Suite (Artist Resale Right) which will be in addition to the buyers premium.

ARCHIE WILLIAMS watercolour painting of a church at night, signed & dated 1980, 40 x 55cms Condition reports provided on request by email for this auction otherwise items purchased `as seen`

Equestrian - Fred Archer 'The Favourite' Watercolour a watercolour depicting the famous Jockey Fred Archer, Champion jockey for 13 consecutive years until 1886, appears unsigned and simply inscribed 'The Favourite', to the bottom of the painting, appears produced after Spy, framed measures 30x46cm approx.

D.G. Chatfield, 20th Century Watercolour. The Painting entitled 'B17 Departure', approx 42 x 31 cms (io), signed lower right D.G. Chatfield 1976, glazed and framed. 

WATERCOLOUR PAINTING OF SOLDIERS SIGNED WILLY TIRR W 36CM X H 25CM

Christopher Whitford (20th century British) - oil painting on card of a large dog, a cat and poultry, signed bottom right and with label verso, 9 x 10cm, together with an early 20th century British school watercolour of a morning scene at sunset with grazing sheep, 26 x 38cm, both framed

J.E. Dean, watercolour, study of fish, 14ins x 20ins, framed costume design, signed in pencil Pruton Goddard and a 19th Century reverse painting on glass in maple frame

18th Century style walnut and parcel gilt wall mirror (at fault) together with an oriental watercolour painting on silk, study of prunus blossom (at fault) and an oval gilt framed mirror (at fault)

Roland Green (British 1896-1972)/Mallards in Flight over Marshland/signed lower right/watercolour, 36cm x 48cm Condition Report: The painting is in very good condition