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Original watercolour painting A ROAD IN THE FENS by carriage print and poster artist, Frank Sherwin R.I. for the Eastern Region Publicity Dept. 1950s. Signed and mounted in very good condition. Artwork measures 15in x 11.5in.

Original watercolour painting EXMOOR, SOMERSET by poster & carriage print artist, Jack Merriott R.I. for the Western Region Publicity Dept. 1950s. In very good condition, signed, mounted, framed & glazed. Artwork measures 6.5in x 6in.

Original watercolour painting LINCOLN FROM THE SOUTH by carriage print artist, James Fletcher Watson R.I. for the Eastern Region Publicity Dept. c1960. In very good condition, signed, mounted, framed & glazed. Artwork measures 18.25in x 12in.

Herbert Moxon Cook (British 1844-1928) Lake scene Signed, watercolour.46cm x 69cm (18.25in x 27.25in)The painting is in good, original condition. The paper has browned across the sheet and there are one or two minor spots of foxing. There is foxing and browning with other minor surface marks across the mount board. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Edward Horace Thompson (British 1879-1949) "Gently falls the Eventide - The Borrowdale Fells from Church Bay, Bassenthwaite Lake" Signed, titled on artist's label verso, watercolour.29.5 x 49.5cm (framed 54 x 74cm)The painting is in very good, original condition with strong colours. There are one or two minor spots of foxing across the paper. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Edward Horace Thompson (British 1879-1949) "Eventide - Coniston Water, Looking South" Signed, titled on label verso, watercolour.23.5 x 35cm (framed 49 x 59cm)The painting is in good, original condition with strong colours. There are some minor spots of foxing and areas of browning across the paper. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Francesco Bergamini (Italian 1851-1900) "The Rehearsal" Signed, titled on the mount, watercolour.37 x 53cm (framed 60.5 x 77.5cm)The painting is in good, original condition. The colours have faded slightly across the painting and there are some areas of browning and time staining across the paper together with some minor spots of foxing. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Albert Moulton Foweraker (British 1873-1942) "The Afterglow, Palace of the Popes, Avignon" Signed, titled on the mount, watercolour.25 x 35.5cm (framed 45 x 54.5cm)The painting is in good, original condition with strong colours. There are some minor spots of foxing and areas of browning across the sheet. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

William Francis Longstaff (British 1879-1953) "The Cenotaph" and "Westminster Abbey" Both signed, a pair, watercolour and ink (2).each 16.5cm x 16.5cm (6.5in x 6.5in)Qty: 2The paintings are both in good, original condition. There is some very light time staining and browning around the edges of the paper near the mount boards. There is some water staining and mould across the mountboards and this has crept onto the upper left-hand corner of the cenotaph painting and a very small area in the centre right-hand edge of the Westminster Abbey painting. The paper has browned slightly across both paintings. The paintings are both framed and glazed. The frames have some minor scuffs and knocks commensurate with age.

English School (19th century) River scene with sailing boat Initialled L.J.C.C., watercolour.34.5 x 50.5cm (framed 59 x 75cm)The painting is in good, original condition. The paper has browned universally across the sheet and there are one or two minor spots of foxing. The painting is ornately framed and glazed. The frame has some knocks and losses.

Henry Clark Pidgeon (British 1807-1880) "Belle Isle, Windermere" Signed and dated 'Aug 1864', titled on gallery label verso, watercolour.47cm x 71.5cm (18.5in x 28.25in)The painting is in very good, original condition. There is some very light time staining and browning across the sheet and one or two minor spots of foxing. The painting is ornately framed and glazed. The original frame has some knocks and losses.

Edward Horace Thompson (British 1879-1949) Lake scene Signed 'Donald A. Paton', watercolour.24 x 34.5cm (framed 49 x 58.5cm)The painting is in very good, restored condition with strong colours. There are some small areas of overpainting across the painting. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

WILLIAM WALLS (1860-1942) 'Angelo Rembrandt Velasquez, A.D. 1926' A pastiche study of children and a dog in an interior, the young boy with Velasquez's signature upturned moustache, monogrammed, dated and titled lower right, oil on canvas laid on board, 28cm x 38.75cm; together with a study of a farm in a landscape, signed and dated 1911 lower right, oil on canvas, 22.5cm x 30.25cm (both unframed) (2)William Walls was a landscape and animal painter born in Dunfermline and based in Edinburgh. He studied at the Royal Scottish Academy and at the Antwerp Academie Royale des Beaux Arts, where his peers included E. A. Hornel and William Stewart MacGeorge. It was in Antwerp that he began making drawings and paintings of animals in the zoos there and in London at a time when animal painting was becoming popular in England. In 1892, Andrew Carnegie commissioned animal portraits from him. Walls later became a founder member of Edinburgh Zoo. Walls was elected a member of the Royal Scottish Academy, 1914 and the Royal Scottish Society of Painters in Watercolour, 1906 and became a well-known teacher at Edinburgh College of Art. Walls also served twice as judge for the Edinburgh Photographic Society Open Exhibition, in 1924 and 1937. A prolific artist, Walls showed over 200 works at the RSA, almost 100 at the Glasgow Institute of Fine Arts and 18 at the Royal Academy, London, as well as showing at the RHA, AAS and with Connell & Sons.

WILLIAM WALLS (1860-1942) A study of a cheetah signed and dated "W. Walls, London 22 July 1912" lower right, watercolour and pencil, 21.5cm x 29cm; together with a similar studies depicting a leopard, two kangaroos and two dogs (all unframed) (4)William Walls was a landscape and animal painter born in Dunfermline and based in Edinburgh. He studied at the Royal Scottish Academy and at the Antwerp Academie Royale des Beaux Arts, where his peers included E. A. Hornel and William Stewart MacGeorge. It was in Antwerp that he began making drawings and paintings of animals in the zoos there and in London at a time when animal painting was becoming popular in England. In 1892, Andrew Carnegie commissioned animal portraits from him. Walls later became a founder member of Edinburgh Zoo. Walls was elected a member of the Royal Scottish Academy, 1914 and the Royal Scottish Society of Painters in Watercolour, 1906 and became a well-known teacher at Edinburgh College of Art. Walls also served twice as judge for the Edinburgh Photographic Society Open Exhibition, in 1924 and 1937. A prolific artist, Walls showed over 200 works at the RSA, almost 100 at the Glasgow Institute of Fine Arts and 18 at the Royal Academy, London, as well as showing at the RHA, AAS and with Connell & Sons.

WILLIAM WALLS (1860-1942) 'Kintail, 29 Aug 1933' Scottish Highland landscape, titled and dated in pencil to the margin lower left, watercolour and crayon, 29cm x 43cm; together with four similar views of Kintail by the same artist (all unframed) (5)William Walls was a landscape and animal painter born in Dunfermline and based in Edinburgh. He studied at the Royal Scottish Academy and at the Antwerp Academie Royale des Beaux Arts, where his peers included E. A. Hornel and William Stewart MacGeorge. It was in Antwerp that he began making drawings and paintings of animals in the zoos there and in London at a time when animal painting was becoming popular in England. In 1892, Andrew Carnegie commissioned animal portraits from him. Walls later became a founder member of Edinburgh Zoo. Walls was elected a member of the Royal Scottish Academy, 1914 and the Royal Scottish Society of Painters in Watercolour, 1906 and became a well-known teacher at Edinburgh College of Art. Walls also served twice as judge for the Edinburgh Photographic Society Open Exhibition, in 1924 and 1937. A prolific artist, Walls showed over 200 works at the RSA, almost 100 at the Glasgow Institute of Fine Arts and 18 at the Royal Academy, London, as well as showing at the RHA, AAS and with Connell & Sons.

WILLIAM WALLS (1860-1942) 'Lossiemouth, 25 July 1929' signed and dated in pencil lower left, titled in pencil to the margin, watercolour and crayon, 29cm x 43.25; together with a further nine Scottish landscape scenes by Walls, including views of Dalmally, Laggan and Arran (all unframed) (10)William Walls was a landscape and animal painter born in Dunfermline and based in Edinburgh. He studied at the Royal Scottish Academy and at the Antwerp Academie Royale des Beaux Arts, where his peers included E. A. Hornel and William Stewart MacGeorge. It was in Antwerp that he began making drawings and paintings of animals in the zoos there and in London at a time when animal painting was becoming popular in England. In 1892, Andrew Carnegie commissioned animal portraits from him. Walls later became a founder member of Edinburgh Zoo. Walls was elected a member of the Royal Scottish Academy, 1914 and the Royal Scottish Society of Painters in Watercolour, 1906 and became a well-known teacher at Edinburgh College of Art. Walls also served twice as judge for the Edinburgh Photographic Society Open Exhibition, in 1924 and 1937. A prolific artist, Walls showed over 200 works at the RSA, almost 100 at the Glasgow Institute of Fine Arts and 18 at the Royal Academy, London, as well as showing at the RHA, AAS and with Connell & Sons.

WILLIAM WALLS (1860-1942) 'Arran, 22 Sep 1928' A view of the Machrie Moor standing stones with Goatfell to the distance, titled in pencil to the margin lower left, watercolour and pencil, 23cm x 29cm; together with seven further vies of Arran by Walls (all unframed) (8)William Walls was a landscape and animal painter born in Dunfermline and based in Edinburgh. He studied at the Royal Scottish Academy and at the Antwerp Academie Royale des Beaux Arts, where his peers included E. A. Hornel and William Stewart MacGeorge. It was in Antwerp that he began making drawings and paintings of animals in the zoos there and in London at a time when animal painting was becoming popular in England. In 1892, Andrew Carnegie commissioned animal portraits from him. Walls later became a founder member of Edinburgh Zoo. Walls was elected a member of the Royal Scottish Academy, 1914 and the Royal Scottish Society of Painters in Watercolour, 1906 and became a well-known teacher at Edinburgh College of Art. Walls also served twice as judge for the Edinburgh Photographic Society Open Exhibition, in 1924 and 1937. A prolific artist, Walls showed over 200 works at the RSA, almost 100 at the Glasgow Institute of Fine Arts and 18 at the Royal Academy, London, as well as showing at the RHA, AAS and with Connell & Sons.

WILLIAM WALLS (1860-1942) 'Islay, 12 Sep 1925' Hebridean beach scene, signed and titled lower right, watercolour and pencil, 21.5cm x 29cm; together with four further views of Islay by Walls (all unframed) (5)William Walls was a landscape and animal painter born in Dunfermline and based in Edinburgh. He studied at the Royal Scottish Academy and at the Antwerp Academie Royale des Beaux Arts, where his peers included E. A. Hornel and William Stewart MacGeorge. It was in Antwerp that he began making drawings and paintings of animals in the zoos there and in London at a time when animal painting was becoming popular in England. In 1892, Andrew Carnegie commissioned animal portraits from him. Walls later became a founder member of Edinburgh Zoo. Walls was elected a member of the Royal Scottish Academy, 1914 and the Royal Scottish Society of Painters in Watercolour, 1906 and became a well-known teacher at Edinburgh College of Art. Walls also served twice as judge for the Edinburgh Photographic Society Open Exhibition, in 1924 and 1937. A prolific artist, Walls showed over 200 works at the RSA, almost 100 at the Glasgow Institute of Fine Arts and 18 at the Royal Academy, London, as well as showing at the RHA, AAS and with Connell & Sons.

WILLIAM WALLS (1860-1942) A folio of small scale watercolours of Scottish landscapes each approximately 12cm x 16.5cm (64)William Walls was a landscape and animal painter born in Dunfermline and based in Edinburgh. He studied at the Royal Scottish Academy and at the Antwerp Academie Royale des Beaux Arts, where his peers included E. A. Hornel and William Stewart MacGeorge. It was in Antwerp that he began making drawings and paintings of animals in the zoos there and in London at a time when animal painting was becoming popular in England. In 1892, Andrew Carnegie commissioned animal portraits from him. Walls later became a founder member of Edinburgh Zoo. Walls was elected a member of the Royal Scottish Academy, 1914 and the Royal Scottish Society of Painters in Watercolour, 1906 and became a well-known teacher at Edinburgh College of Art. Walls also served twice as judge for the Edinburgh Photographic Society Open Exhibition, in 1924 and 1937. A prolific artist, Walls showed over 200 works at the RSA, almost 100 at the Glasgow Institute of Fine Arts and 18 at the Royal Academy, London, as well as showing at the RHA, AAS and with Connell & Sons.

After William Hamilton, RA Lady with a pilgrim's staff and scallop shells, resting in a landscape with her little dog beside herwatercolour on paper45.5 x 33.5cmThe present composition is a copy in watercolour after William Hamilton's oil painting of this subject in Birmingham Museums Trust.

Alan Davie C.B.E., H.R.S.W., R.A. (British, 1920-2014)Soft Zen Painting No.16 signed, titled, dated and numbered 'Alan Davie 1178/SOFT ZEN PAINTING NO 16' (upper left)watercolour on paper28.5 x 40cm (11 1/4 x 15 3/4in).Footnotes:ProvenanceWith Florence Bell Gallery, London, where acquired by the present owner, circa 2001Private Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

ENGLISH ARTISTS: Copley Fielding (1787-1855) English artist, known for his watercolour landscapes. A.L.S., Copley Fielding, one page, 8vo, Newman Street, 5th June n.y., to a gentleman, politely declining an invitation owing to a prior engagement. With blank integral leaf; George Cattermole (1800-1868) English watercolour painter and illustrator, a friend of Charles Dickens. A.L.S., Mr. G. Cattermole, in the third person, two pages, 8vo, Brixton Hill, 14th June n.y., to Mrs. Allnut, recalling that on a recent visit 'some of her friends mentioned Haddon Hall in Derbyshire as connected with some pleasing recollections' and that he 'therefore ventures upon the possibility that the enclosed (no longer present) slight sketches of that interesting mansion together with a few others made in its immediate vicinity in the autumn of last year may afford to Mrs. Allnut & her friends half an hours amusement'. With blank integral leaf (tear to the upper edge); Samuel Prout (1783-1852) English artist, one of the masters of watercolour architectural painting. A.L.S., Mr. Prout, in the third person, one page, Brixton Place, n.d. ('Friday Morn'g'), to Mr and Mrs Allnutt, accepting their invitation to dinner. With blank integral leaf; Thomas Lawrence (1769-1830) English portrait painter. Autograph Free Front panel, unsigned, addressed in his hand to Mrs. J. Allnutt at Clapham Common. G to generally VG, 4

Helen Bradley - A 20th century Helen Bradley watercolour painting print to depict a group in British forest setting in leisure dress. Framed and glazed. 

Maureen Glynn ( British 20th century - ) A contemporary watercolour still life painting of a vase of flowers. Signed and dated 2008 by the artist to the lower corner being professionally mounted and framed. Measures 44cm x 58cm

Frederick James Aldridge (1850–1933) - A late 19th / early 20th century watercolour painting on paper entitled depicting steam tramper cargo ship amongst sailing boats on tugs the river Thames, factory's and London visible in the distance. Signed F. L. Aldridge to lower right corner. Framed and glazed. 

Arthur Penn ( British 20th century ) Watercolour painting entitled Sunflowers  - December 1975. Framed and glazed being signed to the corner. Measures approx. 89cm x 75cm.

A 20thC mahogany Campaign type chest, containing various artist materials, paint brushes, Rowney Georgian oil painting set, various watercolour tubes, pallets, watercolour pad, etc.

A 19th century watercolour, study of three dogs hunting mice' label on reverse 'to 'Francis M. Fry, From his Uncle Conrad P. Fry,  1893', Clifton,  indistinctly signed, 31.5cm x 24.5cm, framed and glazed. This painting has been handed down through generations of the Fry's chocolate family.

Seven various pictures including vintage watercolours, small marine painting H K Tapson, Joel Palmer St Aubyn's watercolour and two other by the same artist.

An antique watercolour, Welsh lake, in gilt frame, four further colour sailing prints, painting of a stable in gilt frame

Anthony Butler (British, 1927-2010) An original 20th century mixed media (watercolour, ink & pastel painting on paper by the British artist, Anthony Butler. Titled 'Cab Wheels'. Signed to bottom right. Framed & glazed. Measures approx. 46cm x 31cm. 

CIRCLE OF RAMSEY RICHARD REINAGLE (1775-1862) MOTHER AND CHILDREN, a mother and two young children are portrayed in a landscape setting, unsigned, watercolour on paper, approximate size 13cm x 10.5cm, there are two notes written on the mount, the first states that the painting was formerly in the collection of William Brockedon, the second note gives an attribution to Paul Sandby, Condition Report: the top layer of paper is loose near the top edge,

A SMALL QUANTITY OF PAINTINGS AND PRINTS ETC, to include an unsigned painting of a female figure wearing a white dress, oil on canvas, approximate size 80cm x 60cm, a gouache painting of a tiger with Hans Paul Luctcke artist label verso, an indistinctly signed still life watercolour study, three watercolour winter landscapes signed S.F Pardoe, assorted prints etc

A small framed watercolour by E. Thomas titled ''Tea for Two'', along with an Oil painting by Brian Wheeler titled ''Winter Sunset''.

Attributed to Miss Gertrude Demain-Hammond (1862-1953), "The Three Graces" portrait of three girls in late 19th century costume, in a Summer landscape with flowers, an oval watercolour painting, gilt framed mounted and glazed, 52cm x 42cm 

Hugh Brandon-cox, "The Norfolk Lane" watercolour painting, signed, 17cm x 19cm, framed, mounted and glazed

Thomas Rowlandson (1756-1827) -The River Thames at Richmond with a Bridge in the Distance and People on the Banks of the Thames - watercolour, signed lower left, 27cm by 19cm, framed and glazed.Condition ReportThe painting is just signed, it is not titled.

Nora Drummond ( 1862-1949) - Fox Hunting Scene with Riders and Hounds Crossing a River - signed lower left, watercolour, framed and glazed, 70cm by 41cm.Condition ReportThe painting is a little faded and there are a few fox marks, otherwise in good condition.

Nora Drummond (1862-1949) - Otter Hunting Scene with Hounds at the Kill - signed lower left, watercolour, framed and glazed, 76cm by 50cm. Condition ReportThe painting is a little faded and there are a few fox marks, otherwise in good condition.

Pat Harris Stag at Rinn Roe Beach II, 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Pat Harris was born in Dublin in 1953 and studied at the National College of Art and Design, Dublin and at The Higher Institute of Fine Art Antwerp. He was professor of painting at The Royal Academy of Fine Art Antwerp from 1986 till 2015. He now shares his time between his studio in Belgium and that of North Mayo. His work is primarily concerned with the vastness and transience of this wonderful landscape. Education NCAD Dublin Painting & Royal Academy of Fine Art Antwerp Select Exhibitions/Awards He has exhibited widely in Europe with solo shows at Taylor Galleries Dublin, De Zwarte Panter, Antwerp and Gallery S65 Aalst, Belgium. His work has also been included in several major exhibitions of Irish art, including In the Time of Shaking at the Irish Museum of Modern Art. His work is represented in many collections including: The Arts Council of Ireland, Irish Museum of Modern Art, and Hugh Lane Gallery of Modern Art. He is a member of Aosdána and of The Royal Hibernian Academy Ireland where he is Professor of Painting. Gallery Representation Taylor Galleries Dublin, Purdy Hicks Gallery London Statement about AOAP Submitted Artwork These three small watercolours are of a Stag on Rinn Roe Beach North Mayo. I have over the years drawn and painted this Stag many times. It sits defiant at the beach edge and drawing or painting it is a way of somehow situating myself in relation to this marvellous rock. These watercolour sketches are often used later in my studio, to jog my memory, while working on larger pieces of the same subject.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Adelaide Damoah Betwixt and Between Worlds. Detritus I, 2023 Cyanotype, ink, skin paint and gold on watercolour paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I am a multidisciplinary artist with an 18 year practice spanning painting, performance and installations. Particular areas of interest for interrogation include colonialism, cultural hybridity, natural cultural hybridity, feminism and joy. Education Upper second class honours degree in Applied Biology from Kingston university, Surrey, 1999 Select Exhibitions/Awards SELECTED SOLO EXHIBITIONS 2022 || „Mysteries of Desire", Foundation H, Paris, France 2021 || „Radical Joy", Sakhile&Me, Frankfurt, Germany 2020 || "Reembodying the Real", Boogie Wall Gallery, London, UK 2020 || "Reembodying the Real", Royal West of England Academy, London SELECTED GROUP EXHIBITIONS 2023|| Rites of Passage. Gagosian, London 2022|| Small is Beautiful. Flowers Gallery, London 2022|| Bodies in Trouble. Berlin 2022|| Royal Academy Summer exhibition. London 2022|| 5 Needle 5 Wire. The Gallery. London 2022|| New Anatomies", FELDBUSCHWIESNERRUDOLPH, Berlin, Germany 2019 || "Under the Skin", Royal College of Physicians Museum, London, UK 2018 || Bonhams. "We Face Forward!" London COLLECTIONS Works in public and private collections nationally and internationally. Including UK Government Art Collection and Foundation H Paris/Madagascar COLLECTIVES: Founding member BBFA Collective 2015- present. Co-founder: INFEMS Art Collective. 2020- 2022 ACADEMICIAN: Royal West of England Academy, Bristol, England. 2019 Gallery Representation Sakhile & Me Gallery, Frankfurt, Germany Statement about AOAP Submitted Artwork Betwixt and Between Worlds 2023 I made a number of works especially for a special exhibition at Gagosian gallery called Rites of Passage. During the process of making the series, 13 were selected for the exhibition. I continued to work on the remaining artworks once the selected 13 were sent to Gagosian and the works donated belong to that group. The entire series is called Betwixt and Between Worlds with each artwork/group of artworks outside of the Gagosian group having a unique subtitle. Each work was composed of some combination of various images of my great grandmother and grandmother (Ama and Adelaide respectively, 1920) Ama's parents (using a photo from the late 1800s), my mother (using photos from the 1960s), my adult eyes, colonial maps, a 'Times' newspaper cutting titled "The Scramble for Africa" September 1884 (published months before the Berlin conference, which opened in November of that year), and colonial texts from the performances of 'Into the Mind of the Coloniser'. The works are embellished with 24 carat gold leaf (referencing the exploitation of Gold Coast minerals), ink mixed with watercolour skin paint made from the discarded skin of a caucasian male art professor called Paul Haywood, and pigment made from discarded guns (both materials made at Col Arts lab in collaboration with Mr Haywood) to hint at the violence of colonialism. The images appear ghostly, like spectres from the past and the colours are bright. I wanted to alchemic(ally) use colourful and beautiful mixtures of elements which hinted at violence and destruction in order to allude to the complexities of our colonial past. I have used gold leaf and overlapping of images to make geometric patterns and shapes using lines and triangles in these works. The symbolism of triangles, power, stability and femininity are self evident in my opinion. I am much more interested in what those experiencing the artworks see and feel.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Richard J. Butler Island, 2023 Acrylic, Gouache and Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Drawing inspiration from ancient art and mythology, Richard J. Butler's alluring paintings skirt the boundary between figuration and abstraction. Constructed of intricate surfaces built up in layers of grated pastel, acrylic gel and paint, his work often depicts figures and silhouettes that seem to dissolve within vast colour fields. Over the past seven years, the artist has developed a unique technique which consists of pressing large packing blankets onto the still wet painting, a method similar to that of decalcomania. The blankets' vertical lines are transferred to the painted surface, leaving a systematic imprint on the canvas whilst distorting the image. When viewed from a distance, recognisable forms appear while up-close, miniature abstract landscapes abound, creating sensual and hallucinatory surfaces that explore painting's illusionistic potential. Butler's work is held in private collections in the UK, USA, France and Belgium. He has exhibited with Bowman Sculpture, London; Masterpiece Art Fair, London; Modernity Stockholm, London; Hannah Barry Gallery, London; Canopy Collections, London; J. Hammond Projects, London; Kreuzberg Pavilion, Berlin; KARST, Plymouth. Education Chelsea College of Art and Design, London (BA Fine Art), 2005-2008 Leeds College of Art & Design, Leeds (Foundation Diploma in Art and Design), 2004-2005 Select Exhibitions/Awards When Matter Becomes Form, Bowman Sculpture x Canopy Collections, London, 2022 Spring Syllabus, J Hammond Projects, London (curated by Lisa Slominski), 2018 The Unlimited Dream Company, Hannah Barry Gallery, London, 2017 The Brightness is the Color, NAM project, Milan, 2016 Richard J. Butler, ATTIC, Brussels (solo), 2016 A Journey to Avebury, KARST, Plymouth, 2014 Gallery Representation Canopy Collections   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Pat Harris Headland, 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Pat Harris was born in Dublin in 1953 and studied at the National College of Art and Design, Dublin and at The Higher Institute of Fine Art Antwerp. He was professor of painting at The Royal Academy of Fine Art Antwerp from 1986 till 2015. He now shares his time between his studio in Belgium and that of North Mayo. His work is primarily concerned with the vastness and transience of this wonderful landscape. Education NCAD Dublin Painting & Royal Academy of Fine Art Antwerp Select Exhibitions/Awards He has exhibited widely in Europe with solo shows at Taylor Galleries Dublin, De Zwarte Panter, Antwerp and Gallery S65 Aalst, Belgium. His work has also been included in several major exhibitions of Irish art, including In the Time of Shaking at the Irish Museum of Modern Art. His work is represented in many collections including: The Arts Council of Ireland, Irish Museum of Modern Art, and Hugh Lane Gallery of Modern Art. He is a member of Aosdána and of The Royal Hibernian Academy Ireland where he is Professor of Painting. Gallery Representation Taylor Galleries Dublin, Purdy Hicks Gallery London Statement about AOAP Submitted Artwork These three small watercolours are of a Stag on Rinn Roe Beach North Mayo. I have over the years drawn and painted this Stag many times. It sits defiant at the beach edge and drawing or painting it is a way of somehow situating myself in relation to this marvellous rock. These watercolour sketches are often used later in my studio, to jog my memory, while working on larger pieces of the same subject.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Zafiro Storm Atomic, 2023 Oil pastels, tempera, acrylic, oil, watercolour and pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About My relationship with art is given by the education and passion that I received from my mother's side. It was, has been and always will be the engine of my life. My childhood and adolescence were spent in a very complicated environment. After a major depression, at the age of 17, I decided to enter The School of Art. I graduated in 2001 with honors from the EADT of Catalonia in the specialty of Jewelry Design (1996-2001) Obtaining Honors in the Final Degree Project for "La Escuela Llotja de Barcelona" (School that evaluates all artistic careers in Catalonia, Spain). The same year, 2001, I was the winner of the Illustrious "FAD JEWELRY AWARD" in Barcelona. After obtaining the FAD award, I was selected by BARNAJOYA and the FAD Awards to exhibit at "The BARNAJOYA International Jewelry Fair" 2001. Two years later, in 2003, the DDI (Department of Design and Innovation of the Ministry of Science and Technology of Spain) selected me among the best designers, including me in their guide. My collaborations with artists took place years before, as was the case with the international sculptor Rufino Mesa, with whom I collaborated years before. In 2006 I was part of "NECRO-LITOS" of the como visual artist. For personal reasons. I spent a few years away from art in general, and from my career as a jewelry designer. It was in 2010 when I returned, internationally with my first painting exhibition "The PRINTED FOOTPRINT" at "Art House Gallery and Studios", Brooklyn, NY. I resumed my collaborations as a visual artist in 2015, this time, a participant in "El Milagro" of the international artist Abel Azcona at "The Gray Square Gallery", Spain. And, once again, I was summoned to participate in "DES-ENTERRADOS" by Abel Azcona, curated by Marisol Salanova in the Art Gallery "Conde de Rodezno" Spain in the same year 2015. That same year, I participated in "The 30th Anniversary of the BMW Painting Awards" in Madrid, with the portrait exhibition "FOUR ROOMS" I was interviewed for the Cultural Magazine "ACENTO CULTURAL" in Madrid that same year, 2015, for my artistic career as an internationally renowned artist. interview from which echoed Fahrenheit Magazine, Mexico D.F, publishing my Painting Series in the press "Anthropomorphous". In 2018 I was selected to exhibit the artistic installation FEC (these are the initials of the chemotherapy I received) in the "REG-ARTE" Contest, with the collaboration and within the Malaga Film Festival -MAF-Málaga. Two years later, Saatchi Gallery selected me as a featured artist in the "Saatchi Take Over" competition, London, UK in 2020. In 2021, I became part of the art gallery "Maison Contemporain Gallery" in Paris with my artworks "War Diary". In 2022 I became part of the Perdomo Gallery art gallery in Miami with my artworks "La Triada Combustible". Currently, I am part of the group show CON Spring Edition'23 at the Circle of None art gallery, London and to my delight, I have been selected by Gemma Peppe to be part of the group exhibition of Art on a Postcard Summer Auction 2023, London Exhibition in which I feel honored to participate, for its vital significance, and the great help to the community that is dealing with Hepatitis C. Education Graduated with Honors in Arts and Design specializing in Artistic Jewelry Design from EADT, Catalonia, Spain. (1996-2001) Honors in the Revalidation and Final Degree Project by the "Escuela Llotja" Barcelona, Spain. (2001) Select Exhibitions/Awards Exhibition with "La HUELLA IMPRESA" in the Art House Gallery and Studios, Brooklyn, NY. 2010 Participation in "El Miracle" by the International artist Abel Azcona at The Grey Square Gallery, Catalonia, Spain. 2015 Participation as "DES-ENTERRADOS" by Abel Azcona and Curated by Marisol Salanova at The Art Gallery Conde de Rodezno, Pamplona, Spain. 2015 Participation in The 30th Anniversary BMW Painting Awards, Madrid, Spain. 2015 Interview for the Cultural Magazine "ACENTO CULTURAL" Madrid, Spain. 2015 Press publication in "Fahrenheit Magazine" of the ANTHROPOMORPHE Series Mexico D.F. 2015 Exhibition of the Painting Series, "LA QUE NO TIENE NOMBRE II" (The One with no name II") at The Gallery PÓPULO CADIZ, Spain. FEBRUARY-APRIL, 2017 Exhibition with the artistic installation "FEC" in the ´ REG-ARTE´ Contest, with the collaboration of the Malaga Film Festival -MAF- MALAGA, Spain. APRIL, 2018 Exhibition with the Artistic Exclusive Series Painting "War Diary ·War Portraits/Ukrainian Cities Invaded" at Maison Contemporain Gallery PARIS, France. 2021-2023 Exhibition with the Artistic Exclusive Series Painting "War Diary ·War Portraits/Ukrainian Cities Invaded" at Perdomo Gallery MIAMI. 2022-2023 Exhibition with the CIRCLE OF NONE art gallery in London in the show group CON Spring Edition 2023 Gallery Representation MAISON CONTEMPORAIN / PERDOMO GALLERY / CIRCLE OF NONE Statement about AOAP Submitted Artwork My work deals with various political issues such as the energy crisis, climate change, the current Central European war and its derivatives. For the series created, especially for AOAP, I have highlighted the most activist part of the speech. I have shown more clearly the dimension of the female character, the girl. With traits that illuminate the discourse of abuse, protection and the empowerment of reason, but since creation. From the female drive. The one that lies in the exact balance between the rational and the creative. The one that is established whole and without fissures. A character who up to now has lived in harmony with the rest of the work, but who is now shown on the scene and points to the viewer. There are four titles: MY LIMITS, a work that makes use of nature as a protective and defensive barrier. Beauty and strength go together without questioning their symbiosis. I show myself, I am. Full. But I know my true beauty. And that beauty is my limits BIZUM, a work that talks about the immediacy of the use and consequently the abuse of everything that is within our reach. The characters in the play laugh mischievously, in a relaxed but expectant attitude. You could say they are ready. ATOMIC, a work that speaks of the potential and high management capacities in complex situations Change our anatomy and adapt to the environment. Turn our ballast (decayed flower) into a soccer ball with which to strengthen our drive towards better results. PLAY HIDE with THE ELEPHANT in the ROOM talks about the fact of playing hide and seek before such an important issue as evidence. The climate crisis. And playing hide and seek with the elephant in the room is not wanting to see the evidence. If we summarize the language, we find ourselves again, before a type of mistreatment, disaffection and ignorance.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Robin Dixon Figures and Wheels, 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Robin Dixon lives & works in Gravesend & London Education Studied at Maidstone College of Art (KIAD), Fine Art - Painting BA (Hons) Degree Select Exhibitions/Awards He has exhibited in group shows in the U.K and internationally, being selected for the John Moores Painting Prize exhibition (2014) & the Jerwood Painting Prize (2007). Recent exhibitions include An Exhibition of Small Things with Big Ideas, White Conduit Projects (2023), The Wild Thought, Sugar Cube II & Lido Stores Open (2022), the Wells Art Contemporary Open (2022) The Turner Contemporary Open (2022) The Immaculate Dream, Collyer Bristow Gallery, London (2019) Solitudes and Seasons, Alison Richard Building, Cambridge (2019). Gallery Representation Currently showing work at Lido Stores Gallery, Margate Statement about AOAP Submitted Artwork I often work on a series of paintings. These paintings form part of a series I have been working on using found images of figures from old photographs. I particularly enjoy focusing on those combinations which have a rhythm, movement and interaction between them. I might piece these together as a means of describing space and depth in a scene.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Brita Granström Bits of Blue, 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Painter and Illustrator Education Konstfack 1989-1994 Select Exhibitions/Awards Inscape, Thompson's Gallery, London 2022. The Leaves of Lockdown, Thompson's Gallery, Aldeburgh 2020 Sea Salt & Sourdough, Open Eye Gallery, Edinburgh 2015 Life in Landscape, Kings Place Gallery, London 2011 Ruth Borchard Self-Portrait Award: 'Mother of Four.' Purchased by the Ruth Borchard Collection 2011 Gallery Representation Thompson's Galleries London & Aldeburgh. Statement about AOAP Submitted Artwork Two small still-life paintings that reflect just one of the directions my painting has taken post-lockdown.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Tamsin Morse Fat Cat, 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.)   About I focus on social and moral complexities facing the modern world - lived hypocrisies, conflict and crises alongside the strength of human compassion. This is all from my perspective as a modern woman still scrambling for equality. I use symbolism and animism to build narratives around particular themes and retain the movement and playfulness of drawing in the paintings as well. The two paintings for Art on a Postcard look at people and their pets. Education Chelsea Ma, Slade BA fine art (painting) Select Exhibitions/Awards Studio 1.1 London (This Years Model), New Art Gallery Walsall, A Generous Space 2 (Selected by Stephen Snoddy), and recently WomXn with Fair art Fair at Unit 1 Gallery Workshop, London curated by Jo Baring and Beth Greenacre. I have been working with Marcel for art with a serious of accessible and affordable ways of purchasing art through DACS prints and NFTs, other more recent exhibitions have been with the Mall Galleries and the Trinity Buoy Wharf Drawing Prize. Collections owning my work include, The New Art Gallery Walsall (purchased through a Generous Space 2), The Zabludowicz Collection, Timothy Taylor, The Open University and The University of the Arts, London, as well as many other private collections. Gallery Representation One in the Other, 2006-2010 Statement about AOAP Submitted Artwork The paintings look at people and their pets and are a start of a new series looking at how we anthropomorphise our pets. The drawings are fluid studies which feed all levels of work and provide the basis of everything I make   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Robin Dixon Figures on the Balcony, 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Robin Dixon lives & works in Gravesend & London Education Studied at Maidstone College of Art (KIAD), Fine Art - Painting BA (Hons) Degree Select Exhibitions/Awards He has exhibited in group shows in the U.K and internationally, being selected for the John Moores Painting Prize exhibition (2014) & the Jerwood Painting Prize (2007). Recent exhibitions include An Exhibition of Small Things with Big Ideas, White Conduit Projects (2023), The Wild Thought, Sugar Cube II & Lido Stores Open (2022), the Wells Art Contemporary Open (2022) The Turner Contemporary Open (2022) The Immaculate Dream, Collyer Bristow Gallery, London (2019) Solitudes and Seasons, Alison Richard Building, Cambridge (2019). Gallery Representation Currently showing work at Lido Stores Gallery, Margate Statement about AOAP Submitted Artwork I often work on a series of paintings. These paintings form part of a series I have been working on using found images of figures from old photographs. I particularly enjoy focusing on those combinations which have a rhythm, movement and interaction between them. I might piece these together as a means of describing space and depth in a scene.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Corrie Wingate The Gleaners, 2023 Ink on watercolour paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.)   About As an artist, my background in travel photography has significantly influenced my artistic vision as a painter. By drawing inspiration from different environments and cultures I continue to work with both the constraints and the freedoms of figuration whilst also exploring the necessary tension inherent in working with chance or the unknown. Observational drawings and photographic imagery often serve as a foundation for creating figurative works that are rich with ambiguity, layers, and expressive mark-making. I apply abstract techniques to develop these works further, seeking to create paintings that offer a deeper emotional and psychological resonance beyond mere literal representation. My painting style is heavily influenced by the German expressionists who demonstrated the emotional impact of color on a viewer. My works often start with a single colour that dictates the tone and mood of the painting, which I then build upon. I also draw inspiration from the creative expression of children's artwork and the colour and light of Kenya, where I founded an art centre and live part time. Recurring themes of place, diaspora, and migration are central to my work. I am fascinated by the complex relationships between people and their environments, and how these relationships are shaped by history, culture, and identity. Whether through the use of colour, texture, or symbolism, I aim to create artworks that not only capture the essence of a place or a culture but also convey the emotions and experiences of the people who inhabit them. Education 2022 Turps Banana art school - Off site 22/23 2021 The Essential school of Painting 2019 The Royal Drawing school summer term 1996 BA Hons Fine Art, Kent Institute of Art and Design Select Exhibitions/Awards SELECTED EXHIBITIONS 2023 'Station Open' Koppel X, London 'Tart Factory', Tart gallery London Turps off-site programme show, Thames-side studios gallery, London 'Visions of Healing' Brushes with greatness, Hallam centre, London 2022 'Arresting images' The Koppel Project Station, London 'Painting open' No Format gallery, London 'Accessible art' Black White gallery, London 'Delphian Open call winners show' Unit 1 gallery, London 'The Little Scarlet Door' curated by India Rose James Soho Revue gallery, London 'Art matters' Mile end pavilion, London AWARDS 2023 The Tagli finalist 01.23 Collection 2022 Delphian gallery Open call winner Statement about AOAP Submitted Artwork Lately, I've been exploring the stories of the Old Testament and their narrative style, which often involve larger-than-life characters and events that capture the imagination. To highlight the significant role of women in history and promote greater appreciation of their experiences, I painted a diorama that depicts the story of Ruth the gleaner. Through these artworks, I aimed to showcase women in central roles and emphasise their valuable contributions to society.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Sophie Charalambous Hoopoe in the Landscape after Simon Manrion, 2023 Watercolour, ink and gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Sophie Charalambous is a London based visual artist, she trained as an undergraduate at Brighton University (BA Hons Fine Art Painting), before postgraduate studies at the Motley Theatre Design Course and The Royal Drawing School, where she is now a member of the senior faculty. She works on paper between drawing, watercolour and mono-printing. In recent years she has been exploring imagery around her Greek Cypriot/British heritage inspired by flora & fauna, folk art, ancient history and festivals as well as the landscape of the Mediterranean and the UK. She exhibits regularly and has work in both public and private collections in the UK and Internationally. Education BA Hons Painting Brighton University The Drawing Year Postgraduate Diploma Royal Drawing School The Motley Theatre Design Course Post Graduate study Select Exhibitions/Awards "In my Hand a Forest Lies Asleep" 2023, group show The Violet Hour, Discerning Eye 2021 group show "Pear, Fig Pomegranate" Solo show Rebecca Hossack Gallery 2021, "Hawks in Her Hair" group show Alice Black Gallery 2021, Jerwood Printmaking Today First Prize 2020, Sunday Times Watercolour Prize First Prize 2018, David Gluck Memorial Prize for Drawing First Prize 2017 Gallery Representation Rebecca Hossack Gallery Statement about AOAP Submitted Artwork Two studies of birds.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Sheila Wallis The Husband's Hands, 2023 Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I was born in Derry City in Northern Ireland. I live and work in London. I was awarded my Master's Degree in 2014 at the City and Guilds of London Art School, and won the Principal's Prize. In 2009 I won the Threadneedle Prize, the Winsor and Newton Painting / Watts Gallery Painting Prize. I won the ING Discerning Eye London and South East regional prize both in 2019 and in 2021. I bring the skills of a traditional figurative artist to a spectrum of contemporary and historical subject matter, my primary interest though, is as an image maker. My interests though wide-ranging, centre on exploring the formal and critical potential of painting and drawing. Whether through an exploration of the painterly potential of X-Ray imaging, cinematic and television stills, the tonal delicacy of the daguerreotype, or in creative reinterpretation of archival, photographic and photojournalistic sources. I occasionally accept portrait commissions and run a small private teaching practice from my London studio. Education 2014 Fine Art MA (Distinction) City and Guilds of London Art School 2009 Fine Art BA (Hons) Degree, University for the Creative Arts UK Select Exhibitions/Awards Awards: 2021 London and the South East Regional Prize, ING Discerning Eye Exhibition, Mall Galleries London 2014 Principal's Prize City and Guilds of London Art School 2009 The Threadneedle Prize, Mall Galleries London Exhibitions: 2023 SFSA Drawing Open, London 2022 Society of Women Artists, Mall Galleries, London 2020 Annual Exhibition of Royal Society of Painters in Watercolour, Mall Galleries, London 2020 A Change of Season, The Gallery Holt, Norfolk UK 2020 The Seventh View, C24 Gallery New York 2019 ING Discerning Eye Exhibition, Mall Galleries London. Statement about AOAP Submitted Artwork I selected these works (2 paintings and 2 drawings) because they are representative of my current practice. I have recently been making small life studies using a life model in preparation for large studio paintings. I have been making large life studies since 2007 and continue to be captivated. I frequently make small oil paintings from selected film-stills which begin to hint at the possibility of an alternative narrative, one that isn't actually chronicled in the film itself. The drawing of my husband's hands, and another is a depiction of an interior titled 'Room', a current subject of interest which I hope to further develop in 2023. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Arabella Ross Tropical Heat and Dust, 2023 Sennelier Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Arabella was born in Yorkshire, UK in 1959. She graduated from Chelsea College of Art in 1986 with a Masters Degree in Fine Arts painting. She has exhibited in London, the UK and India, Calcutta. Her work is found in private collections in London and Europe. Ross's Father was an artist, filmmaker and photographer, her Mother a ceramicist and linguist. She says "I was brought up with the teachings of the Indian philosopher Jiddu Krishnamurti (1895-1986), and aged 20 (fascinated with Indian culture, it's life embedded in me,) I went to live in India for a year, working and travelling. Aged 33, I returned to India for three months on a scholarship funded by the British High Commission in Calcutta, to work with twelve Indian artists in an Artist's village. In 2009 I trekked in the Himalayas from Ladakh with Rebecca Stephens - the first British woman to climb Mount Everest. India has always been a thread running throughout my life." Education Chelsea College of Art Select Exhibitions/Awards Selected Solo Exhibitions: 2023 - Zuleika Gallery, Cromwell Place, London SW7 ( Forthcoming Solo Exhibition ) 2021 - Sewell Gallery, International Art gallery Oxford. Ceramics, Sculpture & painting 2017 - New Designers, Business Design Centre, London 2017 - City Lit Ceramics Diploma Show, Candid Arts, London   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Adelaide Damoah Betwixt and Between Worlds. Detritus II, 2023 Cyanotype, ink, skin paint and gold on watercolour paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I am a multidisciplinary artist with an 18 year practice spanning painting, performance and installations. Particular areas of interest for interrogation include colonialism, cultural hybridity, natural cultural hybridity, feminism and joy. Education Upper second class honours degree in Applied Biology from Kingston university, Surrey, 1999 Select Exhibitions/Awards SELECTED SOLO EXHIBITIONS 2022 || „Mysteries of Desire", Foundation H, Paris, France 2021 || „Radical Joy", Sakhile&Me, Frankfurt, Germany 2020 || "Reembodying the Real", Boogie Wall Gallery, London, UK 2020 || "Reembodying the Real", Royal West of England Academy, London SELECTED GROUP EXHIBITIONS 2023|| Rites of Passage. Gagosian, London 2022|| Small is Beautiful. Flowers Gallery, London 2022|| Bodies in Trouble. Berlin 2022|| Royal Academy Summer exhibition. London 2022|| 5 Needle 5 Wire. The Gallery. London 2022|| New Anatomies", FELDBUSCHWIESNERRUDOLPH, Berlin, Germany 2019 || "Under the Skin", Royal College of Physicians Museum, London, UK 2018 || Bonhams. "We Face Forward!" London COLLECTIONS Works in public and private collections nationally and internationally. Including UK Government Art Collection and Foundation H Paris/Madagascar COLLECTIVES: Founding member BBFA Collective 2015- present. Co-founder: INFEMS Art Collective. 2020- 2022 ACADEMICIAN: Royal West of England Academy, Bristol, England. 2019 Gallery Representation Sakhile & Me Gallery, Frankfurt, Germany Statement about AOAP Submitted Artwork Betwixt and Between Worlds 2023 I made a number of works especially for a special exhibition at Gagosian gallery called Rites of Passage. During the process of making the series, 13 were selected for the exhibition. I continued to work on the remaining artworks once the selected 13 were sent to Gagosian and the works donated belong to that group. The entire series is called Betwixt and Between Worlds with each artwork/group of artworks outside of the Gagosian group having a unique subtitle. Each work was composed of some combination of various images of my great grandmother and grandmother (Ama and Adelaide respectively, 1920) Ama's parents (using a photo from the late 1800s), my mother (using photos from the 1960s), my adult eyes, colonial maps, a 'Times' newspaper cutting titled "The Scramble for Africa" September 1884 (published months before the Berlin conference, which opened in November of that year), and colonial texts from the performances of 'Into the Mind of the Coloniser'. The works are embellished with 24 carat gold leaf (referencing the exploitation of Gold Coast minerals), ink mixed with watercolour skin paint made from the discarded skin of a caucasian male art professor called Paul Haywood, and pigment made from discarded guns (both materials made at Col Arts lab in collaboration with Mr Haywood) to hint at the violence of colonialism. The images appear ghostly, like spectres from the past and the colours are bright. I wanted to alchemic(ally) use colourful and beautiful mixtures of elements which hinted at violence and destruction in order to allude to the complexities of our colonial past. I have used gold leaf and overlapping of images to make geometric patterns and shapes using lines and triangles in these works. The symbolism of triangles, power, stability and femininity are self evident in my opinion. I am much more interested in what those experiencing the artworks see and feel.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Sheila Wallis Voila le portrait sans retouche (study), 2023 Oil paint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I was born in Derry City in Northern Ireland. I live and work in London. I was awarded my Master's Degree in 2014 at the City and Guilds of London Art School, and won the Principal's Prize. In 2009 I won the Threadneedle Prize, the Winsor and Newton Painting / Watts Gallery Painting Prize. I won the ING Discerning Eye London and South East regional prize both in 2019 and in 2021. I bring the skills of a traditional figurative artist to a spectrum of contemporary and historical subject matter, my primary interest though, is as an image maker. My interests though wide-ranging, centre on exploring the formal and critical potential of painting and drawing. Whether through an exploration of the painterly potential of X-Ray imaging, cinematic and television stills, the tonal delicacy of the daguerreotype, or in creative reinterpretation of archival, photographic and photojournalistic sources. I occasionally accept portrait commissions and run a small private teaching practice from my London studio. Education 2014 Fine Art MA (Distinction) City and Guilds of London Art School 2009 Fine Art BA (Hons) Degree, University for the Creative Arts UK Select Exhibitions/Awards Awards: 2021 London and the South East Regional Prize, ING Discerning Eye Exhibition, Mall Galleries London 2014 Principal's Prize City and Guilds of London Art School 2009 The Threadneedle Prize, Mall Galleries London Exhibitions: 2023 SFSA Drawing Open, London 2022 Society of Women Artists, Mall Galleries, London 2020 Annual Exhibition of Royal Society of Painters in Watercolour, Mall Galleries, London 2020 A Change of Season, The Gallery Holt, Norfolk UK 2020 The Seventh View, C24 Gallery New York 2019 ING Discerning Eye Exhibition, Mall Galleries London. Statement about AOAP Submitted Artwork I selected these works (2 paintings and 2 drawings) because they are representative of my current practice. I have recently been making small life studies using a life model in preparation for large studio paintings. I have been making large life studies since 2007 and continue to be captivated. I frequently make small oil paintings from selected film-stills which begin to hint at the possibility of an alternative narrative, one that isn't actually chronicled in the film itself. The drawing of my husband's hands, and another is a depiction of an interior titled 'Room', a current subject of interest which I hope to further develop in 2023. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Jim Anderson Hare, 2023 Watercolour and lino cut on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Jim Anderson is a multi-media artist who divides his time and energies between printmaking, mosaic-making, painting, teaching, and writing. A member of The Royal Society of Painter-Printmakers since 1996, his work encompasses many different media and ideas; but use of found or recycled materials is always important, and his work is steeped in the surreal and the satirical. He exhibits internationally, and his prints have been awarded a number of prizes in major national exhibitions, most recently the 2016 T. N. Lawrence prize. Education After a foundation course in Cambridge, he studied English and American Literature at Oxford University, followed by printmaking at London's Central St. Martin's School of Art. Select Exhibitions/Awards His prints and paintings can be seen at The Bankside Gallery and For Art's Sake Gallery (both in London), as well as in various art fairs and shows around the UK and abroad. His public mosaics can be found in locations around London and Cambridge, and in unexpected places in Spain, Greece, Kenya, and the USA.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Brita Granström Black Limpets and Seaweed, 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Painter and Illustrator Education Konstfack 1989-1994 Select Exhibitions/Awards Inscape, Thompson's Gallery, London 2022. The Leaves of Lockdown, Thompson's Gallery, Aldeburgh 2020 Sea Salt & Sourdough, Open Eye Gallery, Edinburgh 2015 Life in Landscape, Kings Place Gallery, London 2011 Ruth Borchard Self-Portrait Award: 'Mother of Four.' Purchased by the Ruth Borchard Collection 2011 Gallery Representation Thompson's Galleries London & Aldeburgh. Statement about AOAP Submitted Artwork Two small still-life paintings that reflect just one of the directions my painting has taken post-lockdown.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Richard J. Butler Bowl/Void, 2023 Acrylic, gouache and watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Drawing inspiration from ancient art and mythology, Richard J. Butler's alluring paintings skirt the boundary between figuration and abstraction. Constructed of intricate surfaces built up in layers of grated pastel, acrylic gel and paint, his work often depicts figures and silhouettes that seem to dissolve within vast colour fields. Over the past seven years, the artist has developed a unique technique which consists of pressing large packing blankets onto the still wet painting, a method similar to that of decalcomania. The blankets' vertical lines are transferred to the painted surface, leaving a systematic imprint on the canvas whilst distorting the image. When viewed from a distance, recognisable forms appear while up-close, miniature abstract landscapes abound, creating sensual and hallucinatory surfaces that explore painting's illusionistic potential. Butler's work is held in private collections in the UK, USA, France and Belgium. He has exhibited with Bowman Sculpture, London; Masterpiece Art Fair, London; Modernity Stockholm, London; Hannah Barry Gallery, London; Canopy Collections, London; J. Hammond Projects, London; Kreuzberg Pavilion, Berlin; KARST, Plymouth. Education Chelsea College of Art and Design, London (BA Fine Art), 2005-2008 Leeds College of Art & Design, Leeds (Foundation Diploma in Art and Design), 2004-2005 Select Exhibitions/Awards When Matter Becomes Form, Bowman Sculpture x Canopy Collections, London, 2022 Spring Syllabus, J Hammond Projects, London (curated by Lisa Slominski), 2018 The Unlimited Dream Company, Hannah Barry Gallery, London, 2017 The Brightness is the Color, NAM project, Milan, 2016 Richard J. Butler, ATTIC, Brussels (solo), 2016 A Journey to Avebury, KARST, Plymouth, 2014 Gallery Representation Canopy Collections   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Sophie Charalambous Yellow tailed black cockatoo after George Raper, 2023 Watercolour, ink, and gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Sophie Charalambous is a London based visual artist, she trained as an undergraduate at Brighton University (BA Hons Fine Art Painting), before postgraduate studies at the Motley Theatre Design Course and The Royal Drawing School, where she is now a member of the senior faculty. She works on paper between drawing, watercolour and mono-printing. In recent years she has been exploring imagery around her Greek Cypriot/British heritage inspired by flora & fauna, folk art, ancient history and festivals as well as the landscape of the Mediterranean and the UK. She exhibits regularly and has work in both public and private collections in the UK and Internationally. Education BA Hons Painting Brighton University The Drawing Year Postgraduate Diploma Royal Drawing School The Motley Theatre Design Course Post Graduate study Select Exhibitions/Awards "In my Hand a Forest Lies Asleep" 2023, group show The Violet Hour, Discerning Eye 2021 group show "Pear, Fig Pomegranate" Solo show Rebecca Hossack Gallery 2021, "Hawks in Her Hair" group show Alice Black Gallery 2021, Jerwood Printmaking Today First Prize 2020, Sunday Times Watercolour Prize First Prize 2018, David Gluck Memorial Prize for Drawing First Prize 2017 Gallery Representation Rebecca Hossack Gallery Statement about AOAP Submitted Artwork Two studies of birds.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Robin Dixon Conversation, 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Robin Dixon lives & works in Gravesend & London Education Studied at Maidstone College of Art (KIAD), Fine Art - Painting BA (Hons) Degree Select Exhibitions/Awards He has exhibited in group shows in the U.K and internationally, being selected for the John Moores Painting Prize exhibition (2014) & the Jerwood Painting Prize (2007). Recent exhibitions include An Exhibition of Small Things with Big Ideas, White Conduit Projects (2023), The Wild Thought, Sugar Cube II & Lido Stores Open (2022), the Wells Art Contemporary Open (2022) The Turner Contemporary Open (2022) The Immaculate Dream, Collyer Bristow Gallery, London (2019) Solitudes and Seasons, Alison Richard Building, Cambridge (2019). Gallery Representation Currently showing work at Lido Stores Gallery, Margate Statement about AOAP Submitted Artwork I often work on a series of paintings. These paintings form part of a series I have been working on using found images of figures from old photographs. I particularly enjoy focusing on those combinations which have a rhythm, movement and interaction between them. I might piece these together as a means of describing space and depth in a scene.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Zafiro Storm Bizum, 2023 Oil pastels, tempera, acrylic, watercolour, oil, markers and pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About My relationship with art is given by the education and passion that I received from my mother's side. It was, has been and always will be the engine of my life. My childhood and adolescence were spent in a very complicated environment. After a major depression, at the age of 17, I decided to enter The School of Art. I graduated in 2001 with honors from the EADT of Catalonia in the specialty of Jewelry Design (1996-2001) Obtaining Honors in the Final Degree Project for "La Escuela Llotja de Barcelona" (School that evaluates all artistic careers in Catalonia, Spain). The same year, 2001, I was the winner of the Illustrious "FAD JEWELRY AWARD" in Barcelona. After obtaining the FAD award, I was selected by BARNAJOYA and the FAD Awards to exhibit at "The BARNAJOYA International Jewelry Fair" 2001. Two years later, in 2003, the DDI (Department of Design and Innovation of the Ministry of Science and Technology of Spain) selected me among the best designers, including me in their guide. My collaborations with artists took place years before, as was the case with the international sculptor Rufino Mesa, with whom I collaborated years before. In 2006 I was part of "NECRO-LITOS" of the como visual artist. For personal reasons. I spent a few years away from art in general, and from my career as a jewelry designer. It was in 2010 when I returned, internationally with my first painting exhibition "The PRINTED FOOTPRINT" at "Art House Gallery and Studios", Brooklyn, NY. I resumed my collaborations as a visual artist in 2015, this time, a participant in "El Milagro" of the international artist Abel Azcona at "The Gray Square Gallery", Spain. And, once again, I was summoned to participate in "DES-ENTERRADOS" by Abel Azcona, curated by Marisol Salanova in the Art Gallery "Conde de Rodezno" Spain in the same year 2015. That same year, I participated in "The 30th Anniversary of the BMW Painting Awards" in Madrid, with the portrait exhibition "FOUR ROOMS" I was interviewed for the Cultural Magazine "ACENTO CULTURAL" in Madrid that same year, 2015, for my artistic career as an internationally renowned artist. interview from which echoed Fahrenheit Magazine, Mexico D.F, publishing my Painting Series in the press "Anthropomorphous". In 2018 I was selected to exhibit the artistic installation FEC (these are the initials of the chemotherapy I received) in the "REG-ARTE" Contest, with the collaboration and within the Malaga Film Festival -MAF-Málaga. Two years later, Saatchi Gallery selected me as a featured artist in the "Saatchi Take Over" competition, London, UK in 2020. In 2021, I became part of the art gallery "Maison Contemporain Gallery" in Paris with my artworks "War Diary". In 2022 I became part of the Perdomo Gallery art gallery in Miami with my artworks "La Triada Combustible". Currently, I am part of the group show CON Spring Edition'23 at the Circle of None art gallery, London and to my delight, I have been selected by Gemma Peppe to be part of the group exhibition of Art on a Postcard Summer Auction 2023, London Exhibition in which I feel honored to participate, for its vital significance, and the great help to the community that is dealing with Hepatitis C. Education Graduated with Honors in Arts and Design specializing in Artistic Jewelry Design from EADT, Catalonia, Spain. (1996-2001) Honors in the Revalidation and Final Degree Project by the "Escuela Llotja" Barcelona, Spain. (2001) Select Exhibitions/Awards Exhibition with "La HUELLA IMPRESA" in the Art House Gallery and Studios, Brooklyn, NY. 2010 Participation in "El Miracle" by the International artist Abel Azcona at The Grey Square Gallery, Catalonia, Spain. 2015 Participation as "DES-ENTERRADOS" by Abel Azcona and Curated by Marisol Salanova at The Art Gallery Conde de Rodezno, Pamplona, Spain. 2015 Participation in The 30th Anniversary BMW Painting Awards, Madrid, Spain. 2015 Interview for the Cultural Magazine "ACENTO CULTURAL" Madrid, Spain. 2015 Press publication in "Fahrenheit Magazine" of the ANTHROPOMORPHE Series Mexico D.F. 2015 Exhibition of the Painting Series, "LA QUE NO TIENE NOMBRE II" (The One with no name II") at The Gallery PÓPULO CADIZ, Spain. FEBRUARY-APRIL, 2017 Exhibition with the artistic installation "FEC" in the ´ REG-ARTE´ Contest, with the collaboration of the Malaga Film Festival -MAF- MALAGA, Spain. APRIL, 2018 Exhibition with the Artistic Exclusive Series Painting "War Diary ·War Portraits/Ukrainian Cities Invaded" at Maison Contemporain Gallery PARIS, France. 2021-2023 Exhibition with the Artistic Exclusive Series Painting "War Diary ·War Portraits/Ukrainian Cities Invaded" at Perdomo Gallery MIAMI. 2022-2023 Exhibition with the CIRCLE OF NONE art gallery in London in the show group CON Spring Edition 2023 Gallery Representation MAISON CONTEMPORAIN / PERDOMO GALLERY / CIRCLE OF NONE Statement about AOAP Submitted Artwork My work deals with various political issues such as the energy crisis, climate change, the current Central European war and its derivatives. For the series created, especially for AOAP, I have highlighted the most activist part of the speech. I have shown more clearly the dimension of the female character, the girl. With traits that illuminate the discourse of abuse, protection and the empowerment of reason, but since creation. From the female drive. The one that lies in the exact balance between the rational and the creative. The one that is established whole and without fissures. A character who up to now has lived in harmony with the rest of the work, but who is now shown on the scene and points to the viewer. There are four titles: MY LIMITS, a work that makes use of nature as a protective and defensive barrier. Beauty and strength go together without questioning their symbiosis. I show myself, I am. Full. But I know my true beauty. And that beauty is my limits BIZUM, a work that talks about the immediacy of the use and consequently the abuse of everything that is within our reach. The characters in the play laugh mischievously, in a relaxed but expectant attitude. You could say they are ready. ATOMIC, a work that speaks of the potential and high management capacities in complex situations Change our anatomy and adapt to the environment. Turn our ballast (decayed flower) into a soccer ball with which to strengthen our drive towards better results. PLAY HIDE with THE ELEPHANT in the ROOM talks about the fact of playing hide and seek before such an important issue as evidence. The climate crisis. And playing hide and seek with the elephant in the room is not wanting to see the evidence. If we summarize the language, we find ourselves again, before a type of mistreatment, disaffection and ignorance.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.