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Carl Goebel (Austrian, 1824-1899) Karthauser Closter - a Carthusian monastery signed and dated lower left "C Goebel 1851" watercolour 29 x 44cm (11 x 17in) Provenance: Private collection, Suffolk. Other Notes: Carl Goebel the Younger received his first training from his grandfather, the Academy Professor and sculptor, Joseph Klieber, who taught his grandson at the Academy of Fine Arts from a very young age. In 1838 the young Goebel was awarded the Fuger Composition Prize when only fourteen years old. He went on to work in the major courts of Europe and travelled extensively, painting landscapes.A little browning and loss of colour.

A Wonderful 19th Century Colonial Print Overpainted in Watercolour of 'Christ at the House of Martha and Mary', after a painting by Heinrich Hofmann, mounted in a good oak frame, with A Large Quantity of Pictures and Prints, with a religious theme, 19th century and later, all well framed.

Donald A. Paton (Edward Horace Thompson 1879-1949), watercolour, "The Last Gleam of Eventide Loch Tay". 24.5 cm x 33 cm, framed, signed. CONDITION REPORT: The painting is in good condition with no damage, no repairs, no foxing and no restoration. It is under glass. The mount is a simple cream mount. The frame which is in generally good condition is plain wood with faint gilding. The picture could be hung in its current state without the need for any work.

Reuben Ward Binks, gouache, "Ennerdale". 48 cm x 62 cm, framed, signed. CONDITION REPORT: This painting is in generally very good condition with no significant issues. The white sections of watercolour on the lake itself are quite thick and there is one area where there are three tiny paint losses. These are to the left of the right hand tree just above the bushes. This is a minor issue and in our opinion not significant. The painting is framed and glazed.

‡ David Walker Barker (b.1947) Landscape with quarry Signed and titled on a label verso Acrylic, gouache and watercolour 19.5 x 16.5cm Provenance: Professor Rodney Fitch C.B.E. ++Some raised areas to paper under the painting, possibly collage, good condition

A Japanese watercolour scroll painting, depicting three terrapins in a pond, white anemones to the foreground, overall 67 x 20in. (170 x 51cm.) the painting 30¾ x 15¼in. (78 x 38.5cm.).

Harold Wyllie (British, 1880-1973), after Nicholas Pocock, The lugger 'Greyhound' engaging a Spanish warship, c.1800, watercolour, signed 'Harold Wyllie after Nicholas Pocock' and dated 1962 lower left , 14¾ x 22in. (37.5 x 56cm.). , * Letters accompanying this painting (and included with the lot), reveal that the painting was created as a copy of an original drawing by Pocock, supplied to Wyllie by the owner, who commissioned this work.

A watercolour T Stephenson, Lakeland landscape, signed and an oil painting, cats and dogs, 19th century and an oil painting sheep by river

A Plein Air Watercolour painting of a North African Fort with Palm Trees, annotated lower right.

Oil Painting and a Watercolour

Arthur Wilde Parsons (1854-1931) - Watercolour - A beach scene with a rowing boat, signed, 24.5cm x 40.5cm Condition: Rather foxed which tends to get lost within the composition of the painting - **General condition consistent with age

19th Century French ivory circular box and cover, the cover inset with a watercolour miniature portrait of a lady, signed with initials R.F., 8cm diameter Condition: Base has a small crack approximately 16mm long, painting and lid is in good order - **General condition consistent with age

British school watercolour, 19th/20th century " Figures on a beach" and a 19th Century painting of a Stately home. (2)

Peter J Carter RMSA (1920-1979) - Untitled watercolour on board depicting trees, inscribed to verso, signed lower left corner, mounted in a gilt frame, 19 5/8 x 28 5/8 Catalogue note: The vendor's mother bought the painting from Peter Carter at his studio at Bridgetown Totnes in Devon in the 1970s

HELEN M. SINCLAIR; a Mughal style watercolour and gilt heightened painting entitled 'Scheherazade', bearing artist's monogram HS lower right and bearing labels verso; 'Scheherazade by Miss Helen M Sinclair, St Clement's House' and 'Dicksey & Co Liverpool 1912', 18 x 23cm. CONDITION REPORT In good overall condition.

JOHN SHAPLAND. Tavy Cleave, signed, watercolour heightened with gouache ,20 1/4 x 30 in; sold with an oil painting by a follower of George Kilburne depicting a young Girl in an interior; and a print depicting King Charles 11; three (3)

WATSON WOOD (BRITISH 1900-1985), RANNOCH MOOR watercolour on paper, signed 25cm x 36.5cm Mounted, framed and under glass Provenance: The painting was gifted to the vendors' mother in the late 1950's and inherited.

PAUL CHABAS (FRENCH 1869 - 1937), LA NYMPHE oil on canvas, signed 30cm x 21cm Framed Note: Paul Chabas was born in Nantes, and trained under William-Adolphe Bouguereau and Tony Robert-Fleury. He first exhibited at the Salon in 1890. Chabas won the Prix National at the 1899 Paris Salon with his Joyeux Ébats. He was awarded a gold medal at the Exposition Universelle of 1900 and in 1912 received the Médaille d'honneur. His preferred subject was the female nude in a natural setting. He was, and still is, considered to be one of Europe's greatest painters of nudes. His most famous painting, September Morn (1912), became a "Succès de scandale" in the United States in May, 1913. There was much publicity, and reproductions of the painting sold briskly for years afterwards. Chabas said he did not originally intend to sell the painting, because it was his wife's favorite. When he entered the painting in the Paris Salon of 1912, he set a price of $10,000, which he believed no one would pay. Leon Mantashev, son of oil magnate Alexander Mantashev, was willing to meet this price, and the painting was sold to him. In the 1890s, Chabas had illustrated books by such authors as Paul Bourget and Alfred de Musset. He also did some illustrating work for the French publisher Alphonse Lemerre. He became a member of the Académie des Beaux-Arts in 1921 and received the Légion d'honneur in 1928. From 1925 to 1935 he was president of the Société des Artistes Français. He died in Paris on May 10, 1937 and it was reported at the time that US buyers alone had purchased more that seven million reproductions of his paintings. On 15th November 2015 McTear's sold a larger watercolour by Paul Chabas (lot 8, The Lily, for £6000 hammer)

Signed abstract painting in pencil, watercolour and gouache by St. Ives artist David Holmes (1940-2010) entiltled 'Float 111' dating to late 1970's

OIL PAINTING OF ROSES along with a watercolour depicting boats

Raoul Dufy, 'Les Columbes', signed and dated 1905, watercolour wash, 46 x 64cm. Provenance: Neffe-Degandt Gallery, 32A St George Street, London, W1R 9RF Condition Report: This painting comes framed and glazed and appears in good order. However it looks to have been re-framed recently. The edges of the paper look slightly grubby.

Stan Jones (Welsh, b.1930) "Images Stalk the Trees" signed on the reverse "Stan Jones" watercolour and ink Welsh artist Stan Jones will celebrate his forthcoming 80th birthday with a retrospective exhibition of his Dylan Thomas-inspired works at the Oriel Washington Gallery in Penarth. The artist, who grew up in Pembrokeshire explains, "The exhibition will be a celebration, a retrospective of the work I've done in the past, and includes 80 pieces from the 50s, 60s and 70s into the present." Stan Jones began painting with inspiration from Dylan Thomas' s poetry following a holiday in Cornwall nearly 50 years ago, when his wife was reading a collection of his writing. He explains: "I had been dabbling in the studio but Thomas' s remarks about nature, the sun, moon and stars started me on that angle. I very seriously got going and made an exhibition of about 100 paintings based on his poetry. In his work, Dylan Thomas expresses himself well about the manmade world and the natural world, always referring back to those ideas. He was quite spiritual and that shows in his work too. His lines had been ringing in my mind every time I came to paint. I didn't want any of my pieces to go at that first exhibition because I had grown so attached to them." Jones studied art at Trinity College in Carmarthen and at Cardiff College of Art. He was the former Head of Art at St Cyres School in Penarth, teaching at the school for nearly 30 years. As well as Dylan Thomas' s work, Jones has depicted the poetry of Waldo Williams, a fellow Pembrokeshire man and one of his favourite Welsh language poets. He adds: "My work is perhaps not quite as lyrically abstract now as it was in the 60s. But even the abstract work included ideas based on nature and farming the land. But there haven't been big changes in my work over the years apart from the use of different media, perhaps". Stan Jones: A Retrospective was at at the Oriel Washington Gallery in Penarth, Cardiff from Sunday 4 July to Sunday 25 July 2010. A little discolouration and foxing.

Chinese watercolour scroll painting, red crested cranes by a waterfall, with text inscription, panel 51" x 23". (description changed)

Watercolour, ship portrait, The Freighter Britannic, 10" x 14", pencil sketch, torpedo gun boat sweepers, pencil drawing, First War Destroyer, indistinctly signed, dated 1917 and a painting on velvet, "The Light Cruiser Diomede," (4) unframed.

Two Framed Don Brecon Prints and an original Watercolour, Country Connection and Day Trip, both framed and glazed, VG, together with an original watercolour of a Castle style Locomotive, glazed and framed, painting size 140mm x 140mm, unsigned, VG (3)

Watercolour painting of a river scene. Signed by I. Clifford. Frame size 64cm x 29cm.

A Wonderful 19th Century Colonial Print Overpainted in Watercolour of 'Christ at the House of Martha and Mary', after a painting by Heinrich Hofmann, mounted in a good oak frame, with A Large Quantity of Pictures and Prints, with a religious theme, 19th century and later, all well framed.

BETTY SWANWICK, R.A. [1915-89]. The Lion Tamer, c.1959. Watercolour painting. Provenance: Mitch Mitchell collection [Jimi Hendrix’s drummer]; private collection, UK. 25 x 36 cm. [good condition – small foxing spot on left edge].

CLIFFORD FISHWICK [1923-97]. Nude Torso, 1962. Watercolour and ink painting. Signed and dated, 20 x 26 cm. Provenance: Austin/Desmond Fine Art, London; private collection, UK. [good condition – unexamined out of frame].

CLIFFORD FISHWICK [1923-97]. Standing Nude, 1962. Gouache and watercolour on card painting. Signed and dated, 27 x 18 cm. Provenance: Austin/Desmond Fine Art, London; private collection, UK. [good condition – unexamined out of frame].

JOHN TUNNARD, R.A. [1900-71]. Fermament. Watercolour and gouache painting. 36 x 55 cm. Provenance: James O’Connor, 1994; Sothebys auction, 7 June 2007, lot, 410; private collection, UK. Literature: ‘John Tunnard’, A. Peat & B. Whitton, catalogue raisonne, no.916. [good condition – unexamined out of frame].

A mixed media abstract study in rainbow tones, signed bottom right Barry Rogers and dated 76, inscribed - Behind Your Ego the Sun Also Rises, 50 x 57 cm approx together with two further works by the same artist, one a painting on canvas of an abstract skyscape, signed and dated 74, the other a watercolour of a landscape with trees, signed and dated 73, all framed

An early 20th century watercolour and bodycolour painting by Richard Simkin showing the 17th (Duke of Cambridge's Own) Lancers at full gallop along a country lane whilst observed by an officer, signed bottom right Simkin and inscribed - 17th (Duke of Cambridge's Own) Lancers and dated 1911, with Pawsey & Payne Gallery, London label verso, 27 x 43 cm approx in gilt frame

An oil painting on canvas showing a sunlit river scene with figures in a punt, church spire, etc, signed bottom right E J Wilson, 29 x 29 cm in gilt frame together with an early 20th century watercolour of an extensive landscape with cattle, signed bottom right W A Bettesworth, 23 x 33 cm approx in oak frame with gilt slip

A collection of pictures including an early 20th century watercolour of a country landscape with ploughed field, signed bottom left Donald Urquhart, 34 x 51 cm approx, a watercolour of a mountainous landscape with figures to the foreground, signed bottom right A J Alliston, an oil painting on board of a woodland scene, signed Bridges, a further oil painting on canvas of a moonlit lake scene with figures in a boat, etc, various sizes, all framed

A fabulous watercolour abstract painting in the manner of Edvard Munch by Colin Couch 1966. Signed to corner, framed and glazed 40x23cm

A mixed lot of pictures to include a 19th Century Chinese pith painting, a woodcut of an Eagle Owl 2/10 signed Hilda Frank, a watercolour still life of a vase of flower signed Nora Macchi, a landscape oil on canvas initialled J.W.R.

British school watercolour, 19th/20th century " Figures on a beach" and a 19th Century painting of a Stately home. (2)

Luretta Johnson, continental street scene, watercolour , a second painting by the same artist, a thatched cottage, initialled watercolour 15 other assorted pictures and paintings (18)

C W Brown , still life vase of blooms with a dressing table, watercolour signed and dated 1936, a second painting by the same artist , coastal scene with boats out to sea and a booklet on the artist. (3)

A Chinese scroll watercolour depicting a figure on horseback beside his attendant with landscape beyond, three further scroll paintings and a linen painting of a dwelling in landscape (5).

RUSSIAN AMERICAN WATERCOLOUR PAINTING. Watercolour painting by Russian - American artist Inge Kallagova, Forgotten Farmhouse stead in a spring, CoA attached

20THC WATERCOLOUR FLOWER PAINTING. Dalerie Wright 20thC watercolour flower painting 14 x 14 cm

20THC WATERCOLOUR CLOUDS PAINTING. Dalerie Wright 20thC cloud painting 24x17

20THC WATERCOLOUR PUMP SCENE PAINTING. Dalerie Wright 20thC pump scene

ORIGINAL WATERCOLOUR. Large original watercolour field scene painting by Patricia E Taylor, 47 x 38 cm

20THC WATERCOLOUR BRIDGE PAINTING. Dalerie Wright 20thC watercolour bridge painting, 42 x 26 cm

20THC WATERCOLOUR LAKE SCENE PAINTING. Dalerie Wright watercolour lake scene painting, 24 x 32 cm

A 19th century miniature watercolour on ivory, portrait of a woman, in brass mounted ebonised frame, painting height 2.25", frame height 4.25" and a 19th century silver inlaid composition snuff box with inset painted miniature portrait in the lid, (2).

A selection of pictures including watercolour, still life prints and batik (painting on silk)

GILBERT MASON A.R.C.A., R.B.S.A. (1913 - 1972) Framed, unsigned, ink and watercolour on paper, titled on label verso, 'New Houses at Eastbourne', with grazing cattle, Mason was head of the school of painting at the Birmingham College of Art, as well as exhibiting internationally, including at the R.A. in 1935 and again posthumously in 1973, 47.5cm x 68cm.

French Outdoor Painting Easel, Chatsworth Easel Paint Box, Table Top Easel, Large Studio Paint Box plus Two Oil / Acrylic Wooden Paint Boxes and Two Tin Watercolour Paint Boxes, etc

Attributed to William Shayer (1787-1879) Study of a young fisherboy, pencil and watercolour, together with approximately ten further watercolour studies of various subject matter including; ducks, fish and a variety of figurative characters and poses, 19cm by 14cm and various other sizes (all unframed) The sketches belonged to the vendor's grandmother, who with her six sisters had various artistic tutors such as Shayer and Edward Lear when they made painting trips to the Middle East.

Edwin Austin Abbey (1852-1911) Portrait of an Italian nobleman, inscribed to backing board verso, watercolour heightened with white, 29cm by 21.5cm The original of this painting by Moretto Da Brescia (1498-1555) forms part of the collection in the National Gallery, London

Owen Bowen ROI, PRCamA (1873-1967) Boats moored at a quayside, signed, oil on paper, together with a small collection of predominately landscape sketches in oil and watercolour by the artist, and others, with a further large group of photogravures ''Where the World Comes Not'', after Owen Bowen's original 1898 painting (all unframed) with two miscellaneous Bowen Studio picture frames, 25cm by 34.5cm and various other sizes (a collection)

§ Glynn Boyd Harte (British, 1948-2003) Freesias signed lower right "Glynn Boyd Harte" and numbered 16/100 lithograph 60 x 85cm (23 x 33in) Provenance: The Francis Kyle Gallery, 9 Maddox Street, London, W1 Other Notes: Glynn Boyd Harte was born in Lancashire in 1948 and graduated from the Royal College of Art in 1973. He had over twenty one-man shows of drawings, prints and watercolours in London, Paris and New York. He wrote and illustrated two books - 'Glynn Boyd Harte's Venice' and 'Mr. Harte's Holiday' - the latter being about the north coast of France where he had a house and studio. He travelled extensively, from St. Petersburg to San Francisco, with frequent stays painting in Paris. More recently, Harte completed a commission to record in watercolour the progressive stages of the construction of the new Royal Opera House in Covent Garden. His work was then displayed in the finished building. Boyd Harte, represented by the Francis Kyle Gallery 1978-1987, reacted against predominant trends with his beautifully composed still-lifes and outdoor scenes showing everyday, yet uplifting scenes. From the mid-1970s, he also illustrated a number of books and from the 1990s contributed to The Daily Telegraph and The Times. Boyd Harte also exhibited a series of architectural studies at the Museum of London to mark the Millennium. Boyd Harte performed in cabaret with fellow artist Ian Archibald Beck and they collaborated on several pantomimes performed at the Art Worker's Guild - of which he was Master in 1995. One of his songs from his musical about the life of Edward Lear was played by his old tutor, Paul Hogarth, as one of his choices on Desert Island Discs. Boyd Harte divided his time between his homes in Fitzrovia, London and Normandy, France. Glynn Boyd Harte died on 16 December 2003. Condition is fine.

§ John Glashan (Brtish, 1927-1999) Why ME? signed lower left "John Glashan '79" and numbered 95/150 lithograph 58 x 77cm (23 x 30in) Provenance: The Francis Kyle Gallery, 9 Maddox Street, London, W1 Other Notes: John Glashan was born in Glasgow on December 24th 1927. He was educated at Woodside School and studied drawing and painting at the Glasgow School of Art. He moved to London in the 1950s and began as a portrait and landscape painter, supplementing this with cartoon work. Some of his first cartoons appeared in Punch magazine in the 1950s and in Lilliput from 1959, followed by regular features in Queen magazine and Private Eye from 1961. He was a founder member of the British Cartoonist's Association in 1966. From the 1960s to 1990s John Glashan contributed to many magazines and newspapers including Harpers & Queen, The New Yorker, The Spectator, Town and Country, Tatler, Radio Times, The Observer and The Sunday Times. The longest running was his weekly cartoon for The Spectator from 1988 to 1998, printed half page colour. He continued to paint throughout this time and his cartoons become painterly in quality and some of his watercolour paintings contain a cartoon. The first exhibitions of his paintings and cartoons were held at the Francis Kyle Gallery in 1979 and 1983. He subsequently showed at the Cartoon Gallery in 1991, The Fine Arts Society in 1991 and 1994 and at the Grosvenor Gallery in 1995. John Glashan died in 1999. Glashan illustrated several books including Tonight and Other Nights, Sweet & Sour, Small Parts in History and Journal of a collector, and collections of his work were published in The Eye of the Needle, Speak up you Tiny Fool, The Penguin John Glashan and John Glashan's World. Condition is fine.

§ Elisabeth Vellacott (British, 1905-2002) "Our Lady's Tenderness" pencil and watercolour, circa 1950 25 x 19cm (10 x 7in) Provenance: Bought from Elisabeth Vellacott by the present owner circa 1990. Other Notes: The present painting is Elisabeth Vellacott's version of the XVth Century painting in St Petersburg of "Our Lady's Tenderness". Condition is fine - gilt frame has one chip at the top.

§ Kitty Garman (British, 1926-2011) Suffolk landscape with trees watercolour 26 x 37cm (10 x 14in) Provenance: A present from Kitty Garman to the vendor, who now lives in Cavendish, Suffolk, as a gesture of friendship and thanks. Other Notes: Kitty Garman was the eldest daughter of the sculptor Jacob Epstein and Kathleen Garman. She studied painting at the Central School of Art in London, where she was taught by Bernard Meninsky. She was the first wife of Lucian Freud (1922–2011), marrying in 1948 and the couple had two daughters together, Annie (born 1948) and Annabel (born 1952). Condition is fine - with letter of provenance.

Harry Hime (1863-1933) English school watercolour painting of a woodland scene being signed and dated to the corner 1882. Framed and glazed 21x40cm