Morris P. Lambert (American b.1904 - 1969) - The Parachute - An early 20th Century watercolour on paper painting depicting planes and parachutists with dark tones and red and blue highlights. Dedicated to Penelope Spencer, dated June 9th 1919 and signed and titled to the right. Framed and glazed. Measures approx; 58cm x 40cm. Lambert Morris was born in Atlantic, a small community located in Carteret County, the geographic center of coastal North Carolina. Uke two other local residents, Charles Clifton Edwards (1920 – 1989) and Alvin Harris (1904 – 1975), Morris was a hunter and decoy carver. Unlike his many contemporary carvers, Morris was a prominent attorney and judge. Penelope Spencer was an English dancer who is remembered for her modern approach to free-style dancing and choreography.
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David Parfit - Evening Light From Ponte Di Rialto - A contemporary dated 2005 watercolour on paper painting depicting Venetian canals. Signed in pencil to the bottom right. Framed and glazed. Measures approx; 48cm x 49cm. David lives in Coleford near Bath. He is a landscape artist working mainly with acrylic, oil and watercolour. Her prefers watercolour with its fluidity and uncontrollable nature as he feels this best suits his attempts to convey a feeling for the moods and atmosphere of the West Country landscape.
* JANE CORSELLIS RWS RCA NEAC (BRITISH b. 1940),UNTITLED watercolour on paper, signedimage size 37cm x 52cm, overall size 63cm x 75cm Mounted, framed and under glass.Note: Jane Corsellis has been a member of the New English Art Club for almost 50 years and a member of the Royal Watercolour Society since 1985. She was a member of the Royal Cambrian Academy and the Royal West of England Academy. Jane is a passionate supporter of figurative painting. To observe closely and record everyday subjects in her own way is the essence of her paintings. Her oils and watercolours and her prints reflect her response to the quality and surprises of light and colour. She constructs her painting with much thought, building a composition which steers towards the abstract but never foregoing the figurative tradition. Sir Kenneth Clark said that “above all else art must be life enhancing” and Jane’s work reveals and celebrates that. Jane has a studio at her home on the River Thames at Chiswick and another in Wales at her house near Newport Pembrokeshire. She has had solo exhibitions in Hong Kong, Kuala Lumpur and Singapore, Ottawa, New York and Cardiff as well as in London galleries including Messums, Pattersons, the New Academy Gallery, The Russell Gallery, The Richmond Hill Gallery and Thompson's Gallery.
* WILLIAM BIRNIE RSW RGI (SCOTTISH 1929 - 2006),SCAMPI BOATS, PITTENWEEMoil on board, signed, titled label versoimage size 26cm x 34cm, overall size 35cm x 42cm Framed.Artist's label verso. Handwritten label verso.Note: Bill Birnie studied at Glasgow School of Art under Gilbert Spencer and then at Hospitalfield under Ian Fleming. After graduating, he joined the staff at Hyndland Secondary School in 1952. That same year he was also elected a member of the Society of Scottish Artists (SSA). In 1958, he became a founder member of the Glasgow Group and formed the Glasgow Group Society, of which he was Vice-President for 32 years. In 1965, he was elected a member of the Royal Scottish Society of Painters in Watercolour (RSW), a society of which he also became Vice-President and Treasurer. He became Principal Art Teacher at Douglas Academy, near Bearsden, and later at Gryffe High, near Kilbarchan. Bill's abilities not only as a teacher but also as an administrator were noticed by the Department of Education and he was soon appointed Head Examiner in Art for Scotland. He still managed to maintain a very active exhibiting schedule and showed in all the main public galleries and many of Scotland's best commercial galleries. His work was enthusiastically collected and increasingly sought after. He was elected a member of the Royal Glasgow Institute of Fine Art (RGI) and of the Paisley Art Institute (PAI). In the early years, he painted from his garden, showing the village of Kilbarchan in its changing seasons, under a quiet blanket of winter snow, or framed in a blazing sunset through autumnal trees. Later visits to France and Italy with his artist wife, Cynthia Wall, whom he married in 1953, brought new subject matter, cafe scenes, vine groves, Italian clifftop villages, and the crumbling facades of palaces and churches of Venice. It was characteristic of the man that when told that his illness was terminal, he calmly put his affairs in order and started work for a final one-man show at the Open Eye Gallery (Edinburgh) the scene of so many of his successful shows. Unsurprisingly, the exhibition was a complete sell-out. In recent years there has been a widely acknowledged acceleration in the prices achieved at auctions around the UK for William Birnie's paintings. In the Scottish Contemporary Art Auction of 8th November 2020 lot 567 "The Red House" a 60 x 90cm oil sold for £3000 (hammer) which, not for the first time in recent years, set a new auction record for a painting by William Birnie. Condition is good overall, with no visible signs of restoration, damage, or known issues. Additional images have been uploaded to our website.
* FRANK EGGINTON RCA (BRITISH / IRISH 1908 - 1990)CARRADALE - KINTYRE, ARGYLLwatercolour on paper, signed, titled versoimage size 37cm x 52cm, overall size 57cm x 72cm Mounted, framed and under glass.Label verso: Gladwell & Company, London.Note 1: The current auction record price for a watercolour by Frank Egginton of the same dimensions as "Carradale" is £6,600 (premium) Christie's, London 12.05.06, lot 5). It's possible that "Carradale" was a commissioned work because it features far more human architecture than one would usually expect from Egginton. The harbour, fishing boat and houses are painted in intricate detail and "Carradale" is probably the finest Scottish work by Egginton to be offered at auction. Note 2: Frank Egginton, son of the painter Wycliffe Egginton, was born in Cheshire and educated at Newton College and then Newton Abbot College of Art, before spending some time in an architect’s office perfecting his drawing. In 1930 he visited Co. Donegal to paint and continued to return year after year. He exhibited The Calabber River, Co. Donegal at the 1936 Royal Scottish Academy. In 1938 he visited the USA and spent several months travelling and painting the landscape and American Indians in their villages. During the Second World War he worked in a Belfast factory, and in 1946 he moved with his wife to Cookstown, Co. Tyrone. A keen ornithologist, in his younger days he had painted on bird-watching trips in Iceland and Switzerland. He also loved Scotland and worked there from time to time. Between 1932 and 1938 Egginton exhibited a selection of works with Donegal connections at the Royal Hibernian Academy. In 1952 he was part of a joint exhibition at the Victor Waddington Galleries in Dublin with Howard Knee. A regular exhibitor with the Fine Art Society in London, Egginton showed well over one hundred works there. He was primarily known for his watercolours.
* WILLIAM BIRNIE RSW RGI (SCOTTISH 1929 - 2006),EVENING LIGHT, GUBBIO (UMBRIA, ITALY)oil on board, signed and dated '93, titled label versoimage size 101cm x 44cm, overall size 117cm x 62cm Framed. Label verso: Roger BIllcliffe Fine Art, Glasgow.Comment: Like many great Scottish artists before him, Bill Birnie often painted the relationship between human architecture and monumental nature. "Evening Light, Gubbio" is an outstanding late example and the profile and physical dimensions of the picture emphasise the significance of the tree. Note: Bill Birnie studied at Glasgow School of Art under Gilbert Spencer and then at Hospitalfield under Ian Fleming. After graduating, he joined the staff at Hyndland Secondary School in 1952. That same year he was also elected a member of the Society of Scottish Artists (SSA). In 1958, he became a founder member of the Glasgow Group and formed the Glasgow Group Society, of which he was Vice-President for 32 years. In 1965, he was elected a member of the Royal Scottish Society of Painters in Watercolour (RSW), a society of which he also became Vice-President and Treasurer. He became Principal Art Teacher at Douglas Academy, near Bearsden, and later at Gryffe High, near Kilbarchan. Bill's abilities not only as a teacher but also as an administrator were noticed by the Department of Education and he was soon appointed Head Examiner in Art for Scotland. He still managed to maintain a very active exhibiting schedule and showed in all the main public galleries and many of Scotland's best commercial galleries. His work was enthusiastically collected and increasingly sought after. He was elected a member of the Royal Glasgow Institute of Fine Art (RGI) and of the Paisley Art Institute (PAI). In the early years, he painted from his garden, showing the village of Kilbarchan in its changing seasons, under a quiet blanket of winter snow, or framed in a blazing sunset through autumnal trees. Later visits to France and Italy with his artist wife, Cynthia Wall, whom he married in 1953, brought new subject matter, cafe scenes, vine groves, Italian clifftop villages, and the crumbling facades of palaces and churches of Venice. It was characteristic of the man that when told that his illness was terminal, he calmly put his affairs in order and started work for a final one-man show at the Open Eye Gallery (Edinburgh) the scene of so many of his successful shows. Unsurprisingly, the exhibition was a complete sell-out. In recent years there has been a widely acknowledged acceleration in the prices achieved at auctions around the UK for William Birnie's paintings. In the Scottish Contemporary Art Auction of 8th November 2020 lot 567 "The Red House" a 60 x 90cm oil sold for £3000 (hammer) which, not for the first time in recent years, set a new auction record for a painting by William Birnie.
* CLAIRE HARKESS RSW (SCOTTISH b. 1970),ROO IIwatercolour on paper, signed, titled versoimage size 26cm x 15cm, overall size 47cm x 35cm Mounted, framed and under glass.Note: Claire Harkess was born in Ayr, Scotland, graduating from Glasgow School of Art in the early 1990s. In recent years her painting has taken her to fragile lands to study and interpret life on the edge. Antarctica, Outback Australia and St Kilda are all places where, in such extreme environments, survival is difficult and the balance of life is delicate. Harkess has also worked on the Galápagos Islands, made famous by Charles Darwin’s ‘The Origin of the Species’. This isolated volcanic outpost remained relatively untouched by man, evolving to become one of the World’s unique ecosystems. The balance present in nature is clearly communicated through Claire's paintings. Painting in watercolour or gouache offers a unique directness; the essential qualities of light and energy present in the natural world are the very essence of the medium itself. The delicacy of her palette and oriental economy of her mark-making creates a subtle tension representing a world that is ‘holding still’, giving a sense of freedom, spirit, time and place. Claire's work is exhibited at The Scottish Gallery, where her most recent highly successful solo show was in March 2022, and at other prestigious galleries around the UK.
Brown, Doris (1933-), a watercolour picture of Bednall Church, Nr Stafford, 56cm x 38cm in wood frame.Doris Brown studied painting at the renowned Burslem School of Art., then went on to work for the Josiah Wedgwood Pottery company as a pottery designer, she was also a close friend of Reginal Hagger, and a Full Member of The Society of Women Artists.
Brown, Doris (1933-), a watercolour picture of woodlands & landscape, 38 x 54cm in later gilt frame:Doris Brown studied painting at the renowned Burslem School of Art., then went on to work for the Josiah Wedgwood Pottery company as a pottery designer, she was also a close friend of Reginal Hagger
Brown, Doris (1933-), a watercolour picture of a farm yard, 38 x 57cm in later gilt frame.Doris Brown studied painting at the renowned Burslem School of Art., then went on to work for the Josiah Wedgwood Pottery company as a Pottery Designer, she was also a close friend of Reginal Hagger, and a Full Member of The Society of Women Artists.
John Constable R.A. (East Bergholt 1776-1837 London)East Bergholt Church, the south porch pencil and watercolour on laid paper27 x 19.7cm (10 5/8 x 7 3/4in).Footnotes:ProvenanceCollection of H.W. UnderdownProbably Sale, Sotheby's, London, 10 December 1925, lot 95With Leggatt Brothers, LondonWith Gerald M. Norman Gallery, 1971, by whom sold to Alfred Essex for £315Private Collection, UKLiteratureG. Reynolds, The Early Paintings and Drawings of John Constable, New Haven and London, 1996, p.65, cat. no. 05.32, ill. pl. 271The village of East Bergholt where Constable grew up provided material for many of his early works. His family home, East Bergholt House, was almost next door to St Mary's Church and the church was the subject of a number of sketches and paintings done in his early years. An oil sketch of the South porch and cupola taken from the same angle, of around 1810, is in the collection of the Victoria & Albert Museum, London (138 - 1888) and a related, finished oil painting now at Tate, London (N 01245) was exhibited at the Royal Academy in 1810, no. 116 - one of Constable's earliest exhibited canvases.Apart from the attachment Constable will have felt to East Bergholt Church, his representation of a churchyard is linked to a tradition of churchyard imagery that goes back to Thomas Gray's 'Elegy written in a country churchyard' published in 1751, a poem that Constable himself was to illustrate later in his career. In the present study the pencil outlines describe in detail the cupola and the tracery on the gabled South front, while broad watercolour washes fill in the shadows on the masonry, the trees on the left and the sky with its billowing clouds giving it all the immediacy of an on-the-spot sketch.For further information on this lot please visit Bonhams.com
Follower of Salvator Rosa (late 18th Century) Mercury and the dishonest woodsman (After the painting in the National Gallery, London) watercolour with body colour and scratching out, indistinctly signed, 10.5" x 17.25". Provenance: Anonymous Sale, Bonham's, Bond Street, Old Master Pictures, 09.04.2003, Lot 153 (As 'Follower of Salvator Rosa').
GEORGE CAMERON FOLEY (SCOTTISH b.FALKIRK 1910) MANUSCRIPT FOR PENIKINS with sketches, cartoons and plans MANUSCRIPT for another novel with handwritten and typewritten elements, and a smaller cartoon booklet A FOLIO of articles, prints and annotated photographs relating to his life and studio practice, including 'Be an artist in tempera and oils' by G Cameron Foley THE CAT SAT ON THE MAT, Photograph and text for teaching purposes, 'For Scottish Schools' label verso Foley was a painter, engraver, sculptor, designer, author and illustrator. He studied at the Glasgow School of Art, despite paralysis in his right arm and hand, he showed artistic talent and hence won a scholarship. He travelled extensively throughout Europe, including during WW11. Some travels are recorded in his extensive artworks and include Hungary-Budapest, Germany- Frieburg, Venice, Brittany, Paris. Foley wrote and illustrated Every initially in Boness and later on in Richmond. Childs Book of Painting (1961) and Be a Watercolour Artist (1970). He wrote and drew sketches for Punch and other satirical magazines and London papers. He illustrated various books and book covers for leading publishers and was the official artist to ?The Dancing Times and Ballroom Dancing Times. George was a great storyteller and wrote some stories?not all published?Little Giant, Penikins, WWII thriller espionage. He exhibited at RSA from 1938. Condition Report:Available upon request
Kyungseo Lee Twilight, 2022 Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Kyungseo Lee (b.1995 in Seoul, Korea) is an artist based in London and currently undertaking MA Painting programme at the Royal College of Art. She previously completed Painting (BFA) and Visual Communication Design (BFA) at Hongik University, Korea. Kyung was selected as an artist in residence at Cité Internationale des Arts during her exchange programme at Paris College of Art (2016). Education 2021- current MFA Painting, Royal College of Art 2014 - 2020 BFA Painting, Hongik University 2016 - 2020 BFA Visual Communication Design, Hongik University 2016 Illustration (Exchange Student), Paris College of Art 2011 - 2014 Seoul Arts High School Select Exhibitions/Awards Residency 2016-2017 Cité Internationale des Arts Residency Solo Exhibition 2021 Love Me/Love Me Not, LKIF Gallery, Seoul, Korea Group Exhibition 2022 Come One Come All, Function Suite, London, UK 2022 RAW, Soho Revue, London, UK 2022 WIP Show (online), Royal College of Art, London, UK 2021 Drying Time, Baekyoung Space, Seoul, Korea 2020 Poster Factory, 9AND BUNKER, Seoul, Korea 2019 BA Degree Show (Communication Design), Hongik University, Seoul, Korea 2018 BA Degree Show (Painting), Hongik University, Seoul, Korea 2017 Open Studio, Department of Painting, Hongik University, Seoul, Korea 2017 Seoul Art Book Fair (UE9), Seoul Museum of Art, Seoul, Korea 2017 FLESH, Gallery Hoard, Seoul, Korea 2016 Open Studio, Cité Internationale des Arts, Paris, France 2016 EMERGENCE, Le Pavé d'Orsay, Paris, France Workshop 2022 Deviant Sens8ion, Camberwell College of Arts, University of Arts London, London, UK Awards 2017 Adobe Design Achievement Awards, Semifinalist, California, USA Statement about AOAP Submitted Artwork Within my practice, I am dealing pictorially with the consequences of conflicts in differing emotions or values to others. Therefore, triggers or frustrations made by conflicts often take a huge role in my paintings. It is a starting point to access my unconscious and from there on, images are worked upon and refined. The erotically charged images serve as a stressor; and can additionally serve as an opportunity for one to view in various perspectives and differing angles. Although all aspects of my paintings including the pose, the structure and appearance of the body are undesigned, this conflicted ambivalence of the 'body image' sparks my interest and motivation in creating my work. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Viktoria Savenkova Autumn, 2022 Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Her artistic journey began in the childhood in an art studio, continued at an art school, then the art college and the Academy of Art (Minsk, Belarus). After a period as an art director at the national film studio "Belarusfilm", she worked as a tattoo artist. In 2014 Viktoria realized that she was meant to express her creativity differently. In her paintings and drawings, Viktoria builds an emotional dialogue with a spectator. The artist creates psychological portraits, sensuous landscapes, figure studies in realistic style. She works with large formats. Is currently based in Minsk, Belarus. Select Exhibitions/Awards 'Portrait of time. Portrait in the Fine Arts of Belarus in the 19th - 21st Centuries'. Exhibition project at the Art-Belarus Gallery. 21.04 - 22.08.2022, Art-Belarus Gallery, Palace of Art. MEAM exhibits its collection in the Vimcorsa Exhibition Hall in beautiful Córdoba (Spain) from 19.11.2021 until 28.02.2022 National Centre of Contemporary Arts - Minsk, Belarus from 27.11.2021 - 23.01.2022 MEAM - Museu Europeu d'Art Modern in Barcelona. Figurativas 2021, from 8.10.2021 to 08.01.2022 ModPortrait from 18th of June 2021 - 3th of October at the MEAM - Museum European d'Art Modern in Barcelona. MEAM - Museu Europeu d'Art Modern in Barcelona. Women Painting All over the World 08.03.21 MEAM - Museu Europeu d'Art Modern in Barcelona. 15.10.2020 - 17.01.2021. 'Eros, your body as an excuse' curated by amazing artist Golucho. Palace of Art - Minsk, Belarus from 19.11.2020. 'Art Minsk 2020' Exhibition Hall of the Aragonese Artistic Group of Zaragoza, Spain, 05.11.2020 - 05.12.2020. 'Something more than realism ... XIV' The exhibition of the Lohengrin painting competition. From 11.03 to May. Organized by the Wagner Club and the MEAM museum in the Liceu Opera Barcelona Zhou B Art Center, Chicago, USA, 18.10 to 20.11.2019. PAINTING THE FIGURE NOW Palace of Art - Minsk, Belarus from 18.10 to 3.11.2019. 'Osenniy salon' with Belgazprombank Ille Arts Gallery in Amagansett, NY, 5.10 - 4.11.2019. MOVIE NIGHT 'Zhou B' Art Center - Chicago, USA, from 31.05 to 12.07.2019. 'Secondary Meanings - Figural Diptych' MEAM Museum - Barcelona, Spain from 31.05 to 21.07. 2019. Modportrait 2018, Galeria Artelibre at the MEAM of Barcelona Palace of Art - Minsk, Belarus from 29 May - 30 June 2019. 'Art Minsk 2019' Edificio Bantierra - Zaragoza from 12.04 to 17.05.2019. Modportrait 2018 MEAM Museum - Barcelona, Spain from 8th March to 9th May 2109. 'Painting Today' International Women's Day Abend Gallery, Denver, USA, 28TH ANNUAL HOLIDAY MINIATURES SHOW, 03.11-24.11.2018 RJD GALLERY, Bridgehampton, NY. 'Women Painting Women | Men Painting Men: Voices with Vision'. Oct 6th - 30t 2018 Gallery 'Kaliarovy šliach' - Orsha, Belarus. 12.10-29.11.2018 (Solo Exhibition) Palace of Art - Minsk, Belarus from 5.10 to 4.11.2018. 'Osenniy salon' with Belgazprombank 'Zhou B' Art Center - Chicago, USA, from 17.08.2018 Gallery 'U Maistra' - Grodno, Belarus. July 2018. 'Refraction'. (Solo Exhibition) Palace of Art - Minsk, Belarus from 27th April to 20th May 2018. 'Art Minsk 2018' National Centre of Contemporary Arts - Minsk, Belarus from 7th March to 22th April 2018. The collective exhibition of contemporary art New Castle - Grodno, Belarus from 1th March to 29th April 2018. 'Artpanorama 2018' The exhibition of contemporary art 'Single Fare 4', a big show of small works, New York, USA, from 16.09.2017 Palace of Art - Minsk, Belarus from 6th October to 5th November 2017. 'Osenniy salon' with Belgazprombank MEAM Museum - Barcelona, Spain from 12th to 28th May 2017. The Final Exhibition of the 4th Concurso ModPortrait Pablo Serrano Museum - Zaragoza from 7th to 30th April 2017. The Final Exhibition of the 4th Concurso ModPortrait The Arsenale of Venice - Venice, Italy from 25th March to 9th April 2017. The Final Exhibition the 11th International Arte Laguna Prize You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lin Chien Yu Wrinkled Moment 2, 2022 Pencil, Colour Pencil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About A storyteller, a painter and a passer-by Education 2021- Academy of Fine Arts Vienna 2016-2021 Taipei National University of Fine Arts Select Exhibitions/Awards Solo Exhibition 2020 The Tail Dried in a Shade-Lin Chien Yu Solo Exhibition, Nan-Pei Art Gallery, Taipei Group Exhibition 2022 Bologna Illustrators Exhibition, Huashan 1914 Creative Park, Taipei 2022 Royal Watercolour Society Open Exhibition, Bankside Gallery, London 2022 Exhibition of Abstract Painting Studio, Akademie der bildenden Künste Wien, Vienna 2021 International Illustrator's Exhibition, Cultural Heritage Park of Ministry of Cultural, Taichung 2020 Bologna Illustrators Exhibition, Bologna 2020 Illuminate the Dreamland, Cultural Heritage Park of Ministry of Culture, Taichung 2020 International Contemporary Art Annual, Underground Art Museum, Taipei 2019 Bang Look Look, Nan-Pei Art Gallery, Taipei 2019 Exhibition of Fine Arts, Underground Art Museum, Taipei You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Catherine Knight Munch's Window, 2022 Gouache on Watercolour Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Catherine Knight is a painter based at BV Studio, Bristol and a RWA Artist Network member. Since graduating from an MA in Fine Art at Bath Spa University in 2008 with a distinction, she has exhibited widely in both private and public gallery spaces including Wolverhampton Art Gallery and the Royal West of England Academy. Most notably she was an invited artist at the Discerning Eye exhibition in 2014 and a prizewinner at the Royal Watercolour Society Open in 2022. Her work is distinctive for its vibrant use of colour and evocative landscapes based on Iceland and Finland. In 2018 Catherine was one of five artists who took part in the Bristol/ Hannover Artist Exchange, which linked up artists in the two cities and resulted in group exhibitions in both. Her recent project, Isolation Windows, involved painting over 180 gouache paintings during lockdown and led to being shortlisted for the Jackson's Painting Prize, a publication and a solo show at Exeter Phoenix Gallery. Education BA (Hons) Fine Art at University Wales Institute, Cardiff- 1st class, 2004 MA Fine Art at Bath Spa University- Distinction, 2008 Select Exhibitions/Awards Insight Art Prizewinner at Royal Watercolour Society Open- 2022 Time, Space, Money Bursary recipient- 2022 A Generous Space 2, New Art Gallery, Walsall Memory, Newlyn Society of Artists, Tremenheere Sculpture Gardens, Cornwall A Room of Her Own, Irving Contemporary, Oxford Royal Watercolour Society Open, Bankside Gallery, London Looking Forward, Newlyn Society of Artists, Tremenheere Sculpture Gardens, Cornwall Solo Show, Isolation Windows, Exeter Phoenix Gallery Jackson's Painting Prize, Online exhibition Edge of Dark, Newlyn Society of Artists Discerning Eye, Mall Galleries, London Small works, Stratford Gallery, Stratford- upon- Avon Elsewhere is here/ Anderswo ist hier, Centrespace Gallery, Bristol Anderswo ist hier/ Elsewhere is here, Turba Gallery, Hannover, Germany BEEP Painting biennial, Elysium Gallery, Swansea Eighteen, Llantarnam Grange, Wales London Art Fair with Cavaliero Finn Gallery Gallery Representation Cavaliero Finn, Irving Contemporary Statement about AOAP Submitted Artwork This painting is based on my recent visit to Edvard Munch's summer house in Åsgårdstrand, Norway You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Adam de Boer Swimming With Travis at Oranje 1, 2022 Watercolour on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) Please note images 4 and 5 show Lots 211-214 together. About Adam de Boer is an American artist currently based in Los Angeles whose work incorporates lessons and materials learned from his time living in Java, Indonesia, the place of his father's birth. Education Fulbright Research Fellow, Yogyakarta, Indonesia - 2017-2018 MA - Fine Art - Chelsea College of Art - 2012 BA - Painting - College of Creative Studies, University of California, Santa Barbara - 2006 Select Exhibitions/Awards Joan Mitchell Fellow - 2022-2027 Gajah Gallery, Jakarta - 2023 Taymour Grahne Projects, London - 2022 Ghosts of Empires, Ben Brown, Hong Kong & London - 2022 Statement about AOAP Submitted Artwork This little polyptych depicts a time swimming with my twin brother, Travis, at the Oranje Hotel in Surabaya. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Adam de Boer Swimming With Travis at Oranje 2, 2022 Watercolour on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) Please note images 4 and 5 show Lots 211-214 together. About Adam de Boer is an American artist currently based in Los Angeles whose work incorporates lessons and materials learned from his time living in Java, Indonesia, the place of his father's birth. Education Fulbright Research Fellow, Yogyakarta, Indonesia - 2017-2018 MA - Fine Art - Chelsea College of Art - 2012 BA - Painting - College of Creative Studies, University of California, Santa Barbara - 2006 Select Exhibitions/Awards Joan Mitchell Fellow - 2022-2027 Gajah Gallery, Jakarta - 2023 Taymour Grahne Projects, London - 2022 Ghosts of Empires, Ben Brown, Hong Kong & London - 2022 Statement about AOAP Submitted Artwork This little polyptych depicts a time swimming with my twin brother, Travis, at the Oranje Hotel in Surabaya. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Adam de Boer Swimming With Travis at Oranje 3, 2022 Watercolour on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) Please note images 4 and 5 show Lots 211-214 together. About Adam de Boer is an American artist currently based in Los Angeles whose work incorporates lessons and materials learned from his time living in Java, Indonesia, the place of his father's birth. Education Fulbright Research Fellow, Yogyakarta, Indonesia - 2017-2018 MA - Fine Art - Chelsea College of Art - 2012 BA - Painting - College of Creative Studies, University of California, Santa Barbara - 2006 Select Exhibitions/Awards Joan Mitchell Fellow - 2022-2027 Gajah Gallery, Jakarta - 2023 Taymour Grahne Projects, London - 2022 Ghosts of Empires, Ben Brown, Hong Kong & London - 2022 Statement about AOAP Submitted Artwork This little polyptych depicts a time swimming with my twin brother, Travis, at the Oranje Hotel in Surabaya. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Adam de Boer Swimming With Travis at Oranje 4, 2022 Watercolour on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) Please note images 4 and 5 show Lots 211-214 together. About Adam de Boer is an American artist currently based in Los Angeles whose work incorporates lessons and materials learned from his time living in Java, Indonesia, the place of his father's birth. Education Fulbright Research Fellow, Yogyakarta, Indonesia - 2017-2018 MA - Fine Art - Chelsea College of Art - 2012 BA - Painting - College of Creative Studies, University of California, Santa Barbara - 2006 Select Exhibitions/Awards Joan Mitchell Fellow - 2022-2027 Gajah Gallery, Jakarta - 2023 Taymour Grahne Projects, London - 2022 Ghosts of Empires, Ben Brown, Hong Kong & London - 2022 Statement about AOAP Submitted Artwork This little polyptych depicts a time swimming with my twin brother, Travis, at the Oranje Hotel in Surabaya. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Fran Giffard Goldfinch and Bellflower, 2022 Unique Archival Print Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Fran Giffard paints colourful and bold birds over her personal Moleskine diary pages. Inspired by ornithological natural illustrations, Giffard uses watercolour, ink, gouache, and pencil to depict beautiful, poised, and characterful birds in her unique style. The diary entries detailing her day-to-day life serve as an interesting and informal background to her paintings. Giffard paints species from all over the world, with particular attention to South America, Australia, and Europe. Giffard studied Fine Art Drawing at Camberwell College of Art, graduating in 2010. Since then she has exhibited internationally, as well as throughout the UK. She has had a number of solo exhibitions, most notably: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 After Audubon, The Zig Zag Building, London, 2018 Treasure, Northcote Gallery, London, 2018 A Devotion, Someth1ng Gallery, London, 2018 Her Nest is Beautiful, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Sixty-Four Birds, Foyles Book Shop, Charing Cross, 2012 O for Ornithology, Mayfair, 2012 Education BA (hons) Fine Art Drawing, Camberwell College of Art (2010) Foundation Art and Design, Maidstone College of Art (2006) Select Exhibitions/Awards Giffard has exhibited throughout the UK and internationally. Her most notable solo exhibitions are: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 A Devotion, Someth1ng Gallery, London, 2018 Nest, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Giffard's paintings are in various private and public collections including that of Sir David Attenborough, The Duchy of Cornwall, The Imperial Healthcare Charity, Fidelity Investments Limited, Jardines Matheson, Masterworks Museum of Art, The Pensions Investment Corporation, Jupiter Asset Management, and Moleskine. Giffard has had artist residencies in Bermuda, and Reunion Island, and shortlisted for The Threadneedle Art Prize, The Discerning Eye, BBC Wildlife Artist of the Year, and the David Shepherd Wildlife Artist of the Year. Gallery Representation Northcote Gallery, London TAG Fine Art, London Statement about AOAP Submitted Artwork These pieces are smaller versions of prints inspired by my Grandfather's stamp collection. His stamps would feature a delicate painting of a fish against a vibrant flat-coloured background, and so I have taken the same idea, but combined it with my paintings of birds. I want each "stamp" print to be a small yet powerful burst of colour and life. Each bird is painted how I "see" them: poised, elegant, and characterful. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Fran Giffard Blackbird and Clematis, 2022 Unique Archival Print Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Fran Giffard paints colourful and bold birds over her personal Moleskine diary pages. Inspired by ornithological natural illustrations, Giffard uses watercolour, ink, gouache, and pencil to depict beautiful, poised, and characterful birds in her unique style. The diary entries detailing her day-to-day life serve as an interesting and informal background to her paintings. Giffard paints species from all over the world, with particular attention to South America, Australia, and Europe. Giffard studied Fine Art Drawing at Camberwell College of Art, graduating in 2010. Since then she has exhibited internationally, as well as throughout the UK. She has had a number of solo exhibitions, most notably: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 After Audubon, The Zig Zag Building, London, 2018 Treasure, Northcote Gallery, London, 2018 A Devotion, Someth1ng Gallery, London, 2018 Her Nest is Beautiful, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Sixty-Four Birds, Foyles Book Shop, Charing Cross, 2012 O for Ornithology, Mayfair, 2012 Education BA (hons) Fine Art Drawing, Camberwell College of Art (2010) Foundation Art and Design, Maidstone College of Art (2006) Select Exhibitions/Awards Giffard has exhibited throughout the UK and internationally. Her most notable solo exhibitions are: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 A Devotion, Someth1ng Gallery, London, 2018 Nest, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Giffard's paintings are in various private and public collections including that of Sir David Attenborough, The Duchy of Cornwall, The Imperial Healthcare Charity, Fidelity Investments Limited, Jardines Matheson, Masterworks Museum of Art, The Pensions Investment Corporation, Jupiter Asset Management, and Moleskine. Giffard has had artist residencies in Bermuda, and Reunion Island, and shortlisted for The Threadneedle Art Prize, The Discerning Eye, BBC Wildlife Artist of the Year, and the David Shepherd Wildlife Artist of the Year. Gallery Representation Northcote Gallery, London TAG Fine Art, London Statement about AOAP Submitted Artwork These pieces are smaller versions of prints inspired by my Grandfather's stamp collection. His stamps would feature a delicate painting of a fish against a vibrant flat-coloured background, and so I have taken the same idea, but combined it with my paintings of birds. I want each "stamp" print to be a small yet powerful burst of colour and life. Each bird is painted how I "see" them: poised, elegant, and characterful. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Fran Giffard Long Tailed Tit and Clematis, 2022 Unique Archival Print Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Fran Giffard paints colourful and bold birds over her personal Moleskine diary pages. Inspired by ornithological natural illustrations, Giffard uses watercolour, ink, gouache, and pencil to depict beautiful, poised, and characterful birds in her unique style. The diary entries detailing her day-to-day life serve as an interesting and informal background to her paintings. Giffard paints species from all over the world, with particular attention to South America, Australia, and Europe. Giffard studied Fine Art Drawing at Camberwell College of Art, graduating in 2010. Since then she has exhibited internationally, as well as throughout the UK. She has had a number of solo exhibitions, most notably: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 After Audubon, The Zig Zag Building, London, 2018 Treasure, Northcote Gallery, London, 2018 A Devotion, Someth1ng Gallery, London, 2018 Her Nest is Beautiful, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Sixty-Four Birds, Foyles Book Shop, Charing Cross, 2012 O for Ornithology, Mayfair, 2012 Education BA (hons) Fine Art Drawing, Camberwell College of Art (2010) Foundation Art and Design, Maidstone College of Art (2006) Select Exhibitions/Awards Giffard has exhibited throughout the UK and internationally. Her most notable solo exhibitions are: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 A Devotion, Someth1ng Gallery, London, 2018 Nest, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Giffard's paintings are in various private and public collections including that of Sir David Attenborough, The Duchy of Cornwall, The Imperial Healthcare Charity, Fidelity Investments Limited, Jardines Matheson, Masterworks Museum of Art, The Pensions Investment Corporation, Jupiter Asset Management, and Moleskine. Giffard has had artist residencies in Bermuda, and Reunion Island, and shortlisted for The Threadneedle Art Prize, The Discerning Eye, BBC Wildlife Artist of the Year, and the David Shepherd Wildlife Artist of the Year. Gallery Representation Northcote Gallery, London TAG Fine Art, London Statement about AOAP Submitted Artwork These pieces are smaller versions of prints inspired by my Grandfather's stamp collection. His stamps would feature a delicate painting of a fish against a vibrant flat-coloured background, and so I have taken the same idea, but combined it with my paintings of birds. I want each "stamp" print to be a small yet powerful burst of colour and life. Each bird is painted how I "see" them: poised, elegant, and characterful. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Fran Giffard Hoopoe and Forsythia, 2022 Unique Archival Print Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Fran Giffard paints colourful and bold birds over her personal Moleskine diary pages. Inspired by ornithological natural illustrations, Giffard uses watercolour, ink, gouache, and pencil to depict beautiful, poised, and characterful birds in her unique style. The diary entries detailing her day-to-day life serve as an interesting and informal background to her paintings. Giffard paints species from all over the world, with particular attention to South America, Australia, and Europe. Giffard studied Fine Art Drawing at Camberwell College of Art, graduating in 2010. Since then she has exhibited internationally, as well as throughout the UK. She has had a number of solo exhibitions, most notably: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 After Audubon, The Zig Zag Building, London, 2018 Treasure, Northcote Gallery, London, 2018 A Devotion, Someth1ng Gallery, London, 2018 Her Nest is Beautiful, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Sixty-Four Birds, Foyles Book Shop, Charing Cross, 2012 O for Ornithology, Mayfair, 2012 Education BA (hons) Fine Art Drawing, Camberwell College of Art (2010) Foundation Art and Design, Maidstone College of Art (2006) Select Exhibitions/Awards Giffard has exhibited throughout the UK and internationally. Her most notable solo exhibitions are: A Valediction, Northcote Gallery, London, 2021 My Valiant, Northcote Gallery, London, 2019 A Devotion, Someth1ng Gallery, London, 2018 Nest, Someth1ng Gallery, London, 2016 All My Beautiful Boys, Northcote Gallery Chelsea, 2015 A Myriad of Birds, Masterworks Museum of Art, Bermuda, 2014 A Parliament of Drawings, Northcote Gallery Chelsea, 2013 Giffard's paintings are in various private and public collections including that of Sir David Attenborough, The Duchy of Cornwall, The Imperial Healthcare Charity, Fidelity Investments Limited, Jardines Matheson, Masterworks Museum of Art, The Pensions Investment Corporation, Jupiter Asset Management, and Moleskine. Giffard has had artist residencies in Bermuda, and Reunion Island, and shortlisted for The Threadneedle Art Prize, The Discerning Eye, BBC Wildlife Artist of the Year, and the David Shepherd Wildlife Artist of the Year. Gallery Representation Northcote Gallery, London TAG Fine Art, London Statement about AOAP Submitted Artwork These pieces are smaller versions of prints inspired by my Grandfather's stamp collection. His stamps would feature a delicate painting of a fish against a vibrant flat-coloured background, and so I have taken the same idea, but combined it with my paintings of birds. I want each "stamp" print to be a small yet powerful burst of colour and life. Each bird is painted how I "see" them: poised, elegant, and characterful. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Mathilde Denize Figure (1), 2022 Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Mathilde Denize is a French artist living and working in artist; her practice is oriented towards painting, installation work, sculptural composition, performance, and video. Mathilde's work is born from a desire to make meaning emerge from a fragmented present. A collector of discarded objects, she often cuts up her older paintings and then weaves them into new forms with found materials. Select Exhibitions/Awards 2021 Room'0'Moor, La vitrine Frac plateau, Paris, France Reverse for a Better Move, Galerie Perrotin, New-York, USA Set up no Set Up, Galerie Pauline Pavec, Paris, France 2020 MOOD, Studio 13-16, Centre Georges Pompidou, Beaubourg, Paris, France 2019 Blue print, Galerie Pauline Pavec, Paris, France HAUTE PEINTURE- PERFORMANCE, Fondation Ricard, Lancement du magazine Figure Figure, Paris, France HAUTE PEINTURE, PERFORMANCE, Musée des Beaux-arts de Dole, Dole, France HAUTE PEINTURE, Musée des Beaux-arts de Dole, Dole, France You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Mathilde Denize Figure (2), 2022 Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Mathilde Denize is a French artist living and working in artist; her practice is oriented towards painting, installation work, sculptural composition, performance, and video. Mathilde's work is born from a desire to make meaning emerge from a fragmented present. A collector of discarded objects, she often cuts up her older paintings and then weaves them into new forms with found materials. Select Exhibitions/Awards 2021 Room'0'Moor, La vitrine Frac plateau, Paris, France Reverse for a Better Move, Galerie Perrotin, New-York, USA Set up no Set Up, Galerie Pauline Pavec, Paris, France 2020 MOOD, Studio 13-16, Centre Georges Pompidou, Beaubourg, Paris, France 2019 Blue print, Galerie Pauline Pavec, Paris, France HAUTE PEINTURE- PERFORMANCE, Fondation Ricard, Lancement du magazine Figure Figure, Paris, France HAUTE PEINTURE, PERFORMANCE, Musée des Beaux-arts de Dole, Dole, France HAUTE PEINTURE, Musée des Beaux-arts de Dole, Dole, France You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Mathilde Denize Figure (3), 2022 Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Mathilde Denize is a French artist living and working in artist; her practice is oriented towards painting, installation work, sculptural composition, performance, and video. Mathilde's work is born from a desire to make meaning emerge from a fragmented present. A collector of discarded objects, she often cuts up her older paintings and then weaves them into new forms with found materials. Select Exhibitions/Awards 2021 Room'0'Moor, La vitrine Frac plateau, Paris, France Reverse for a Better Move, Galerie Perrotin, New-York, USA Set up no Set Up, Galerie Pauline Pavec, Paris, France 2020 MOOD, Studio 13-16, Centre Georges Pompidou, Beaubourg, Paris, France 2019 Blue print, Galerie Pauline Pavec, Paris, France HAUTE PEINTURE- PERFORMANCE, Fondation Ricard, Lancement du magazine Figure Figure, Paris, France HAUTE PEINTURE, PERFORMANCE, Musée des Beaux-arts de Dole, Dole, France HAUTE PEINTURE, Musée des Beaux-arts de Dole, Dole, France You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Chike Azuonye The Search for Answer, 2022 Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About My name is Chike Azuonye, a Nigeria-born British artist living and working in London, and have been active in the London art scene since the late 1980s. I am a graduate of Fine and Applied Arts from the University of Nigeria. I have a diploma in digital origination from the University of the Arts London. Also, I am a qualified artist working in schools. I have had several solo exhibitions and many group exhibitions both in London and abroad. My paintings are in public and private collections in Nigeria, UK, France, Finland and Italy. My paintings are remarkable for their depths of expression and thought. I believe that art is life, a celebration and made to be enjoyed and appreciated. My artworks go beyond the aesthetic and delve deep into the narrative of my African roots, as well as my philosophical leaning and pursuits. I am eclectic in my approach to painting, and challenge myself with the mastery of various artistic media, such as acrylic, oil, pastel, charcoal and watercolour, even though I paint mainly in oil and acrylic." Education University of Nigeria, Nsukka 1987 University of the Arts London 2005 University of London (Institute of Education) Artists in Schools Programme 1995 Select Exhibitions/Awards 2021/2022: Nigeria Art Society UK - "Legacies of Biafra" Touring Exhibition-Gallery Oldham, 2021: Combat Stress Secret Postcard Auction, Bohnams London 2018: Nigeria Art Society UK - "Legacies of Biafra" Art Exhibition, The Brunei Gallery SOAS 2017: Nigeria Art Society UK - "Ariya" Art Exhibition, WAC Gallery, London 2016: Nigeria Art Society UK - "Aurora" Art Exhibition, WAC Gallery, London Statement about AOAP Submitted Artwork It is said that "it takes two to tango." In every endeavour in life, two factors are at work to produce something further. This painting "The Search for Answers" looks at how to resolve a complex question and finding an answer. The problem posed by Hepatitis C today is very serious and poses a lot of questions about finding a lasting cure, but with our combined efforts, a solution will be found one day. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Ben Jamie Broach, 2019 Ball Point Pen and Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Ben Jamie is a British artist living and working in London. Alongside exhibiting all over the UK, Ben was awarded the John Moores Painting Prize in 2016 and completed two years in the Turps programme. His most recent solo exhibition was held at Castor Gallery (@castor_gallery), London, titled 'And Other Withered Stumps of Time'. Education 2014-16 Turps Art School, Painters Studio Programme 2000-01 L'École cantonale d'art du Valais, Switzerland 1999-2002 University of Gloucestershire, BA (Hons) Fine Art Painting Select Exhibitions/Awards 2018 Boon, Mrs Rick's Cupboard, Primary, Nottingham UK Comfortably Dumb, Castor Projects, London, UK Already Not Yet (duo show with Kevin McNamee-Tweed), Shrine Gallery, NYC, USA 2017 Problem, Reaction, Solution, Unit 9 Gallery, London, UK 2016 Sense Data, Castor Projects, London, UK 2016 John Moores Painting Prize, Prizewinner You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Ben Jamie Grown, 2019 Ball Point Pen and Watercolour on Paper 15 x 10cm (5¾ x 3¾ in.) About Ben Jamie is a British artist living and working in London. Alongside exhibiting all over the UK, Ben was awarded the John Moores Painting Prize in 2016 and completed two years in the Turps programme. His most recent solo exhibition was held at Castor Gallery (@castor_gallery), London, titled 'And Other Withered Stumps of Time'. Education 2014-16 Turps Art School, Painters Studio Programme 2000-01 L'École cantonale d'art du Valais, Switzerland 1999-2002 University of Gloucestershire, BA (Hons) Fine Art Painting Select Exhibitions/Awards 2018 Boon, Mrs Rick's Cupboard, Primary, Nottingham UK Comfortably Dumb, Castor Projects, London, UK Already Not Yet (duo show with Kevin McNamee-Tweed), Shrine Gallery, NYC, USA 2017 Problem, Reaction, Solution, Unit 9 Gallery, London, UK 2016 Sense Data, Castor Projects, London, UK 2016 John Moores Painting Prize, Prizewinner You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Ben Jamie Farther, 2019 Ball Point Pen and Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Ben Jamie is a British artist living and working in London. Alongside exhibiting all over the UK, Ben was awarded the John Moores Painting Prize in 2016 and completed two years in the Turps programme. His most recent solo exhibition was held at Castor Gallery (@castor_gallery), London, titled 'And Other Withered Stumps of Time'. Education 2014-16 Turps Art School, Painters Studio Programme 2000-01 L'École cantonale d'art du Valais, Switzerland 1999-2002 University of Gloucestershire, BA (Hons) Fine Art Painting Select Exhibitions/Awards 2018 Boon, Mrs Rick's Cupboard, Primary, Nottingham UK Comfortably Dumb, Castor Projects, London, UK Already Not Yet (duo show with Kevin McNamee-Tweed), Shrine Gallery, NYC, USA 2017 Problem, Reaction, Solution, Unit 9 Gallery, London, UK 2016 Sense Data, Castor Projects, London, UK 2016 John Moores Painting Prize, Prizewinner You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Ben Jamie Descent, 2019 Ball Point Pen and Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Ben Jamie is a British artist living and working in London. Alongside exhibiting all over the UK, Ben was awarded the John Moores Painting Prize in 2016 and completed two years in the Turps programme. His most recent solo exhibition was held at Castor Gallery (@castor_gallery), London, titled 'And Other Withered Stumps of Time'. Education 2014-16 Turps Art School, Painters Studio Programme 2000-01 L'École cantonale d'art du Valais, Switzerland 1999-2002 University of Gloucestershire, BA (Hons) Fine Art Painting Select Exhibitions/Awards 2018 Boon, Mrs Rick's Cupboard, Primary, Nottingham UK Comfortably Dumb, Castor Projects, London, UK Already Not Yet (duo show with Kevin McNamee-Tweed), Shrine Gallery, NYC, USA 2017 Problem, Reaction, Solution, Unit 9 Gallery, London, UK 2016 Sense Data, Castor Projects, London, UK 2016 John Moores Painting Prize, Prizewinner You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Beatrice Hassel-McCosh Crocus, 2022 Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Beatrice Hasell-McCosh' work uses natural form and the tradition of landscape painting as the lens to explore emotional themes, identity linked to place and human connection. Drawing is vital to her practise and she uses closely observed studies made from life to make large-scale paintings. She works as much from memory as from the studies and, in playing with scale, the focus of importance gives way (from direct figurative representation) to a flattened abstraction with aesthetic choices relating to composition, texture and gestural use of colour taking on the primary importance. With a degree in English and Classics reading widely around a subject is central to her practise. The titles of each large work cite the disparate elements of this research from literature to pop culture, song lyrics and art historical links. Education Beatrice (b.1990, UK) studied English and Classics at Leeds University and then spent two years studying at Leith School of Art in Edinburgh and The Royal Drawing School in London. Select Exhibitions/Awards Coming Up 2022 Jun. Solo show, The Garden Museum, London curated by The Violet Hour 2021 Feb. Aora: III, curated by Jenn Ellis, www.Aoraspace.com, online Mar. Art For Charity Collection, March Auction, Instagram Apr. Works on Paper III, Blue Shop Cottage, Group show Jun. Bucolia, Blue Shop Cottage, Camberwell Jun. Top 100, The Auction Collective, curated by Kate Bryan, Katy Wickremesinghe, Georgie Wimbush, Francesca Wilson, Benjamin Murphy and Tabish Khan. Jul. Les Danses Des Nocturnes, Spread Museum curated by Eastcontemporary Gallery, Entrevaux, South of France Jul. Ambrosia, Purslane, online Sept. Small Pleasures, AllMouth Gallery, online Nov. Art For Charity Collective, online Nov. Petrichor, Lilya Gallery, London Nov. Freedom From Torture, Sotheby's, London, selected by Blue Shop Cottage Nov. 50 x 50, curated by The Auction Collective, Soho Revue, London Nov. Reveille, The Violet Hour, London Dec. AORA, Mayfair, London Dec. The Violet Hour, online Statement about AOAP Submitted Artwork During the first lockdown in 2020 Beatrice drew comfort from the routine of making small watercolour sketches in the garden. As humans shrunk away from each other the reassuring continuity and cycle of nature became completely absorbing to the artist who, over a period of 6 months, watched and drew from the same spots continuously seeing plants grow up, crowd together (in antithesis to human society) blooming and dying and being replaced with the new. During such a period of uncertainty, she then began painting in oil in large scale, in part as a therapeutic physical act. In changing scale so dramatically from the original watercolour imagery her work is experienced as a much more physical space and reality becomes simply the material fact of the paint rather than the subject. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Beatrice Hassel-McCosh Aconites, 2022 Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Beatrice Hasell-McCosh' work uses natural form and the tradition of landscape painting as the lens to explore emotional themes, identity linked to place and human connection. Drawing is vital to her practise and she uses closely observed studies made from life to make large-scale paintings. She works as much from memory as from the studies and, in playing with scale, the focus of importance gives way (from direct figurative representation) to a flattened abstraction with aesthetic choices relating to composition, texture and gestural use of colour taking on the primary importance. With a degree in English and Classics reading widely around a subject is central to her practise. The titles of each large work cite the disparate elements of this research from literature to pop culture, song lyrics and art historical links. Education Beatrice (b.1990, UK) studied English and Classics at Leeds University and then spent two years studying at Leith School of Art in Edinburgh and The Royal Drawing School in London. Select Exhibitions/Awards Coming Up 2022 Jun. Solo show, The Garden Museum, London curated by The Violet Hour 2021 Feb. Aora: III, curated by Jenn Ellis, www.Aoraspace.com, online Mar. Art For Charity Collection, March Auction, Instagram Apr. Works on Paper III, Blue Shop Cottage, Group show Jun. Bucolia, Blue Shop Cottage, Camberwell Jun. Top 100, The Auction Collective, curated by Kate Bryan, Katy Wickremesinghe, Georgie Wimbush, Francesca Wilson, Benjamin Murphy and Tabish Khan. Jul. Les Danses Des Nocturnes, Spread Museum curated by Eastcontemporary Gallery, Entrevaux, South of France Jul. Ambrosia, Purslane, online Sept. Small Pleasures, AllMouth Gallery, online Nov. Art For Charity Collective, online Nov. Petrichor, Lilya Gallery, London Nov. Freedom From Torture, Sotheby's, London, selected by Blue Shop Cottage Nov. 50 x 50, curated by The Auction Collective, Soho Revue, London Nov. Reveille, The Violet Hour, London Dec. AORA, Mayfair, London Dec. The Violet Hour, online Statement about AOAP Submitted Artwork During the first lockdown in 2020 Beatrice drew comfort from the routine of making small watercolour sketches in the garden. As humans shrunk away from each other the reassuring continuity and cycle of nature became completely absorbing to the artist who, over a period of 6 months, watched and drew from the same spots continuously seeing plants grow up, crowd together (in antithesis to human society) blooming and dying and being replaced with the new. During such a period of uncertainty, she then began painting in oil in large scale, in part as a therapeutic physical act. In changing scale so dramatically from the original watercolour imagery her work is experienced as a much more physical space and reality becomes simply the material fact of the paint rather than the subject. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Katie Commodore How Did You Spend Your Covid Stimulus Check?, 2022 Watercolour, Gouache, Acrylic and 22ct Gold Leaf on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Katie's parents could have told you when she was a toddler that she would grow up to be an artist, despite years of her insisting that she was going to be an astronaut and them sending her to Space Camp twice. Never giving up her dreams of painting Martian landscapes and testing low gravity pastels, she went to art school, which surprisingly lacked the rigorous science background NASA required. Katie attended the Maryland Institute College of Art, in Baltimore, graduating with a BFA in Illustration. After time spent abroad, in locales including Florence, Paris, Prague, Greece, plus a short stint in Las Vegas that is better left unspoken about, Katie returned to school, attending the Rhode Island School of Design, and earning her MFA in Printmaking. After 14 years in Brooklyn, she returned to Providence to reside and is now Adjunct Faculty at her alma mater and Clark University. As any artist would appreciate, making art is seldom a full-time profession one gets paid well for. Katie's professional career includes working as a Studio Manager and Artist/Personal Assistant for Maya Lin, the designer of the Vietnam Memorial in Washington, DC. She has also worked at several museums, including the Aldrich Museum of Contemporary Art in Connecticut, was a Majordomo for a Boutique PR Firm in NYC, and as the Administrative Director of Crux LCA, a cooperative of Black XR Creatives and Producers that focuses on Black storytelling and creating a foothold in the burgeoning vocabulary of new media of VR and creating Black wealth. She is currently represented by Untitled Space in Tribeca, NYC. Education 2004 MFA in Printmaking, Rhode Island School of Design Providence, Rhode Island 2004 Collegiate Teaching Certificate, The Sheridan Center at Brown University Providence, Rhode Island 2000 BFA in Illustration, Maryland Institute, College of Art Baltimore, Maryland Select Exhibitions/Awards 2020 Between Friends and Lovers, Untitled Space, New York, New York 2013 Strawberries and Cream, Baby Grand, New York. New York Dirty Little Shadows, SHAG, Brooklyn, New York 2009 Katie Commodore: Scrimshaws, Baby Grand, New York, New York You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Koshiro Akiyama Dawn, 2022 Acrylic, Watercolour and Ink on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) Education UAL Camberwell, MA Painting, 20-21 Select Exhibitions/Awards 2022 Liquid Friction (Ambar Quijano, Online) London Art Fair (Rhodes Contemporary Gallery, Business Design Center) RWS open (Backside Gallery) An Allegory of Love and Time (New Normal Project, London) Sunny Art Prize 2022 (Sunny Art Center, London) Carnival of Clouds, Contemporary Works on Paper (Janet Rady Fine Art, Online) 2021 London Grads Now. (Saatchi Gallery, London) Gallery Representation Daniel Benjamin Gallery Statement about AOAP Submitted Artwork In my painting I create an idealistic landscape that reflects on a psychological condition that deals not only with utopian ideals but also morbidity. In the mind there is a constant shift between tension and relaxation, which weaves its intimate narratives and a sense of ambiguity into the work. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Koshiro Akiyama Mermaid, 2022 Acrylic, Watercolour and Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education UAL Camberwell, MA Painting, 20-21 Select Exhibitions/Awards 2022 Liquid Friction (Ambar Quijano, Online) London Art Fair (Rhodes Contemporary Gallery, Business Design Center) RWS open (Backside Gallery) An Allegory of Love and Time (New Normal Project, London) Sunny Art Prize 2022 (Sunny Art Center, London) Carnival of Clouds, Contemporary Works on Paper (Janet Rady Fine Art, Online) 2021 London Grads Now. (Saatchi Gallery, London) Gallery Representation Daniel Benjamin Gallery Statement about AOAP Submitted Artwork In my painting I create an idealistic landscape that reflects on a psychological condition that deals not only with utopian ideals but also morbidity. In the mind there is a constant shift between tension and relaxation, which weaves its intimate narratives and a sense of ambiguity into the work. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Jan Valik Fragments of a Day in Forest, 2022 Collage - Watercolour and Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Paintings of Jan Valik are tangentially connected to the idea of landscape as a psychological space where relationship between human perception and the landscape consists of complex ties but also of fine nuances. His work balances on the edge of perception where abstract and figurative becomes fluid, evoked within a spatial and pictorial ambiguity interlocked with a tension of simultaneous presence and absence to disrupt conventional binaries of perception. Painting, as a constructed space, allows Valik to synthesise ideas to explore these notions of non-verbal immersion to impossible territories and fictive spaces. Education 2020 - 2022 Turps Banana Studio Programme, London, UK 2007 - 2012 MFA Degree, Academy of Fine Arts in Prague, Czechia Select Exhibitions/Awards Solo exhibitions (selected) 2022 Breakthrough, L.L. Contemporary, Toronto, CA 2022 Shifting Places, Husk Gallery, Brussels, BE 2021 Landscapes, Amart Gallery, Vienna, AT 2020 Verge, Husk Gallery, Brussels, BE Selected group exhibitions 2022 RWS Open, Bankside Gallery, London, UK 2022 Abstract on Paper II, Amart Gallery, Vienna, AT 2022 Contemporary British Painting Prize 2021, Unit 1 Gallery, London, UK 2022 Selects pt.1, Hoxton 253 x London Paint Club, London, UK 2021 Contemporary British Painting Prize 2021, Huddersfield Art Gallery, Huddersfield, UK 2021 Mediated Landscapes, FiveSparks Arts Centre, Harvard, US 2021 Panta Rhei, Husk Gallery, Brussels, Belgium 2021 Of Other Places: Gardens of Dreams, Art Exchange Gallery, Colchester, UK 2021 Fresh Perspectives, London Paint Club, online, London, UK 2020 In Arcadia, Husk Gallery, Brussels, Belgium Awards 2021 Shortlisted, Contemporary British Painting Prize 2021 2016 3rd Prize, Painting 2016, VUB Foundation, Slovakia Statement about AOAP Submitted Artwork These works on paper are actually and cut-out fragments of various recent watercolours and ink works. This was a great opportunity to create small yet dense new works, tiny in scale, yet ambitious in their visuality. Abstract fragments give rise to new almost spatial constellations on the verge of depth and colour. In all of those I was intrigued by keeping the associative qualities very much in play. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Jan Valik Tiny Portal, 2022 Collage - Watercolour and Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Paintings of Jan Valik are tangentially connected to the idea of landscape as a psychological space where relationship between human perception and the landscape consists of complex ties but also of fine nuances. His work balances on the edge of perception where abstract and figurative becomes fluid, evoked within a spatial and pictorial ambiguity interlocked with a tension of simultaneous presence and absence to disrupt conventional binaries of perception. Painting, as a constructed space, allows Valik to synthesise ideas to explore these notions of non-verbal immersion to impossible territories and fictive spaces. Education 2020 - 2022 Turps Banana Studio Programme, London, UK 2007 - 2012 MFA Degree, Academy of Fine Arts in Prague, Czechia Select Exhibitions/Awards Solo exhibitions (selected) 2022 Breakthrough, L.L. Contemporary, Toronto, CA 2022 Shifting Places, Husk Gallery, Brussels, BE 2021 Landscapes, Amart Gallery, Vienna, AT 2020 Verge, Husk Gallery, Brussels, BE Selected group exhibitions 2022 RWS Open, Bankside Gallery, London, UK 2022 Abstract on Paper II, Amart Gallery, Vienna, AT 2022 Contemporary British Painting Prize 2021, Unit 1 Gallery, London, UK 2022 Selects pt.1, Hoxton 253 x London Paint Club, London, UK 2021 Contemporary British Painting Prize 2021, Huddersfield Art Gallery, Huddersfield, UK 2021 Mediated Landscapes, FiveSparks Arts Centre, Harvard, US 2021 Panta Rhei, Husk Gallery, Brussels, Belgium 2021 Of Other Places: Gardens of Dreams, Art Exchange Gallery, Colchester, UK 2021 Fresh Perspectives, London Paint Club, online, London, UK 2020 In Arcadia, Husk Gallery, Brussels, Belgium Awards 2021 Shortlisted, Contemporary British Painting Prize 2021 2016 3rd Prize, Painting 2016, VUB Foundation, Slovakia Statement about AOAP Submitted Artwork These works on paper are actually and cut-out fragments of various recent watercolours and ink works. This was a great opportunity to create small yet dense new works, tiny in scale, yet ambitious in their visuality. Abstract fragments give rise to new almost spatial constellations on the verge of depth and colour. In all of those I was intrigued by keeping the associative qualities very much in play. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Brea Weinreb Pride Scene, 2022 Watercolour on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Brea Weinreb, is a figurative painter based in Los Angeles. Her paintings depict and decode moments of camaraderie, solidarity, performativity and exclusivity within queer group spaces. She holds a Dual B.A. in Art Practice and English from the University of California, Berkeley. Her work was featured on the cover of the Pacific Coast Issue #157 of New American Painting, and has been exhibited at Anat Ebgi Gallery (Los Angeles), Taymour Grahne Projects (London, UK), Steven Zevitas Gallery (Boston), and more. Upcoming shows include Monya Rowe Gallery (New York), Seasons LA (Los Angeles, and Beers London (London). Public collections include the Green Family Art Foundation in Dallas, TX. Education 2016 B.A. Art Practice & English - University of California, Berkeley Select Exhibitions/Awards Select Solo Exhibitions: 2023 (forthcoming): Solo Show, Taymour Grahne Projects - London, UK Select Group Exhibitions: Come Out and Play, Beers London - London, UK The Bathroom Show, Monya Rowe Gallery - New York, NY Women of Now: Dialogues of Memory, Place & Identity, Green Family Art Foundation - Dallas, TX Intimacy, Taymour Grahne Projects - London, UK You Had Me At Hello, Steven Zevitas Gallery - Boston, MA Awards: Fulbright Arts Research Award 2020-2021 Alternate Candidate for Berlin, Germany Gallery Representation Taymour Grahne Projects Statement about AOAP Submitted Artwork This artwork is part of my latest series of paintings which depict scenes from Pride celebrations on Gay Beach in San Francisco. As a queer painter, I approach this environment with both insider and outsider perspective. I use this fluid positionality to decode intimate moments of friendship, camaraderie, solidarity and sex, emphasizing the performative nature of the event and the experience of being a participant within it. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Kevin Sinnott Skating Through Life, 2022 Watercolour on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) Education Royal College of Art MA Gallery Representation Flowers Gallery London New York & Hong Kong// Cardiff Martin Tinney Gallery Statement about AOAP Submitted Artwork Two simple watercolours on the theme of "Thin Ice" - the unintended consequences of one's actions You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action. Simon Pratt Education Westminster School 1984 - 1988. Jesus College, Cambridge 1989 - 1991. Select Exhibitions/Awards Exhibited and sold my painting, 'Dinosaurs in Eden' at the 2021 Royal Academy Summer Exhibition. Statement about AOAP Submitted Artwork These are four abstract sketches from my imagination. I have expressed these ideas in various forms regularly over several years in my Artwork. Similar paintings I have completed are 100x100 cm in size. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Kevin Sinnott Skating Through Life ii, 2022 Watercolour on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) Education Royal College of Art MA Gallery Representation Flowers Gallery London New York & Hong Kong// Cardiff Martin Tinney Gallery Statement about AOAP Submitted Artwork Two simple watercolours on the theme of "Thin Ice" - the unintended consequences of one's actions You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action. Simon Pratt Education Westminster School 1984 - 1988. Jesus College, Cambridge 1989 - 1991. Select Exhibitions/Awards Exhibited and sold my painting, 'Dinosaurs in Eden' at the 2021 Royal Academy Summer Exhibition. Statement about AOAP Submitted Artwork These are four abstract sketches from my imagination. I have expressed these ideas in various forms regularly over several years in my Artwork. Similar paintings I have completed are 100x100 cm in size. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Charlie Roberts Untitled (1), 2022 Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Roberts is a polymath, a cultural magpie. His various endeavours cross-pollinate, building myths amongst themselves. Roberts' works borrow from art-historical and pop cultural sources. His cramped paintings display the perspectival complexity of ancient Egyptian and Byzantine painting. The contents are stacked one above the other, showing different views simultaneously. Roberts is fearless in his approach to subject, style and technique. The result is full of energy, determination and a unique expression which draws on the illusion of the good life and shows a fascination of hip-hop culture. The subject matter, utterly contemporary, banal and everyday is at odds with the delicacy of the medium they are made in. Watercolour on paper, over a painted pink ground which unifies the overall image and brings harmonious tonal order to the chaotic scenarios. His wide-ranging practice also encompasses sculptures roughly carved from chunks of local trees and painted, sitting somewhere between tribal objects, folk art and pop-cultural figures. Charlie Roberts is educated at Emily Carr Institute of Art and Design, Vancover, Canada and Kansas University, USA. Recent exhibitions include: Cosmis Hedge, Galleri Golsa, Oslo (2019), New "Bad" Painting, V1 Gallery, København (2018), No Ceilings, Galleri Magnus Karlsson, Stockholm, Sverige (2017), Windows, David Risley Gallery, København, Danmark (2017), Laffy Taffy, Rod Bianco Gallery, Oslo, Norway (2017), Fan Art, Richard Heller Gallery, Los Angeles, USA (2017), Juicy, Marlborough Contemporary, London, UK (2016), Halcyon Daze, Richard Heller Gallery, Santa Monica, USA (2016). You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Charlie Roberts Untitled (2), 2022 Watercolour on Paper Signed on Front and Verso 15 x 10cm (5¾ x 3¾ in.) About Roberts is a polymath, a cultural magpie. His various endeavours cross-pollinate, building myths amongst themselves. Roberts' works borrow from art-historical and pop cultural sources. His cramped paintings display the perspectival complexity of ancient Egyptian and Byzantine painting. The contents are stacked one above the other, showing different views simultaneously. Roberts is fearless in his approach to subject, style and technique. The result is full of energy, determination and a unique expression which draws on the illusion of the good life and shows a fascination of hip-hop culture. The subject matter, utterly contemporary, banal and everyday is at odds with the delicacy of the medium they are made in. Watercolour on paper, over a painted pink ground which unifies the overall image and brings harmonious tonal order to the chaotic scenarios. His wide-ranging practice also encompasses sculptures roughly carved from chunks of local trees and painted, sitting somewhere between tribal objects, folk art and pop-cultural figures. Charlie Roberts is educated at Emily Carr Institute of Art and Design, Vancover, Canada and Kansas University, USA. Recent exhibitions include: Cosmis Hedge, Galleri Golsa, Oslo (2019), New "Bad" Painting, V1 Gallery, København (2018), No Ceilings, Galleri Magnus Karlsson, Stockholm, Sverige (2017), Windows, David Risley Gallery, København, Danmark (2017), Laffy Taffy, Rod Bianco Gallery, Oslo, Norway (2017), Fan Art, Richard Heller Gallery, Los Angeles, USA (2017), Juicy, Marlborough Contemporary, London, UK (2016), Halcyon Daze, Richard Heller Gallery, Santa Monica, USA (2016). You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
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