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Lot 381
ERNEST DADE "Sailing boat on rough sea", watercolour, signed lower left and in pencil lower right "Pool Harbour", unknown if contemporary to the piece, 24.5 cm x 35 cm CONDITION REPORTS To confirm painting is inscribed in pencil lower right "Pool (no E) Harbour", does not appear to have been taken out of its present frame (unknown if this is original, see images of the back, there is some ripping to the top and one side, but can't see how the picture would have been removed without doing more damage. The back board is also inscribed "Pool Harbour ....." see images. The picture itself has a couple of areas of foxing and some general wear and tear conducive to age and use. See images for more details,
Lot 35
§ DAVID MCCLURE R.S.A., R.S.W., R.G.I. (SCOTTISH 1926-1998) PALAZZI, FLORENCE Signed lower right, gouache and watercolour Dimensions:38cm x 49.5cm (15in x 19.5in) Provenance:Provenance: From the artist's estate. Note: Note: Lyon & Turnbull are delighted to offer this curated selection of works from the estate of esteemed Scottish artist David McClure. The collection encompasses work from throughout his artistic life; early scenes of his marital home in Edinburgh’s Lawnmarket across his travels in Scotland and Europe to the more flamboyant studio pieces and still lifes of his later career.Born in Lochwinnoch to a family of furniture designers, McClure initially undertook studies at the University of Glasgow in English & History, where he also developed a keen interest in philosophy. His studies were interrupted by war service, during which he was conscripted into the coal mines as a ‘Bevin Boy.’ Throughout the War he painted and drew prolifically, which appears to have consolidated his interest in the visual arts, and in 1947 he enrolled at Edinburgh College of Art. It was here that he established many important connections in the Scottish arts scene, not only in his contemporaries including James Cumming, William Baillie, John Houston, Elizabeth Blackadder and David Michie, but also through exposure to the influence of major figures such as Anne Redpath, William Gillies, John Maxwell, William MacTaggart and Robert Henderson Blyth. McClure’s work aligns with this wider twentieth-century Scottish painting tradition characterised by a strong use of colour and confident handling of paint.An accomplished student, he was rewarded with travelling scholarships which took him to Italy, Sicily and Spain. These experiences would prove to be formative and had a profound influence on McClure’s rich use of colour and receptiveness to Folk Art for the rest of his career. It also introduced the young artist to the importance of painting while travelling, both around the UK and abroad. Within this collection are a group of works from an important painting trip to Millport that McClure made in the winter of 1955/56 with his wife and young son. He managed to capture some of the landscape of the island as planned, but the particularly bitter weather conditions prolonged their time inside and resulted in these striking pen and ink drawings of hedgerow gatherings set inside their rented cottage. In contrast, an invitation from the Norwegian government allowed the family to spend two months of a hot summer there in 1963, where McClure painted his wife and muse Joyce in ‘Figure and Flowers.’ As well as enabling them to travel, McClure’s artistic vision had an impact on the whole family; when discussing the painting ‘Fruit and Garlic’ his daughter Paola reflected:The palette of hot earth colours offset by sharp notes such as emerald and blue is a thread that runs through many of dad’s works. It was a palette our mum loved so much that on one occasion she went to a local wool shop armed with a similar but smaller work to ask if the colours could be matched to yarns for her to use in her own knitting. Various garments resulted, one of which, a richly striped ‘balloon dress’ raised a few eyebrows when I wore it to my graduation in the early 1980s – the expectation at the time being for the regulation white blouse and black skirt.Teaching was also a significant part of McClure’s life. He initially worked at E.C.A., but was soon recruited by Alberto Morrocco to teach at Duncan of Jordanstone. On acceptance of the role McClure quickly adopted Dundee as his home city, where he and his family would remain for the rest of his life. As well as painting and his passionate commitment to teaching, McClure also maintained an interest in art history and philosophy and read widely throughout his life. He often made knowing art-historical references in his artworks, such as in ‘More Pears’ where he singles out the precariously placed basket of fruit at the front of the table on Caravaggio’s ‘Supper at Emmaus,’ and depicts his own version with characteristic vibrancy.As this collection demonstrates, McClure’s artistic approach was generally jubilant, engaging with the visual and emotional joys of life with his signature vibrant palette and an expressive, fluid approach. The works sing out and ask us to revel in their celebration of life.
Lot 1090
WILLIAM WALLS (1860-1942) A collection of views of Cluny watercolour and pencil, mostly dating from 1932; four further landscape views by Walls, probably all Scotland; together with a still life study of shoes on a tabletop, a similar still life study of a doll and other toys; and a study of an artist painting two figures 'en plein air', all unframed (14)
Lot 350
Henri Charles Antoine Baron (1816-1885)Born: Besancon France 1816 - Died: Geneva Switzerland 1885 Member of the Societe Des Amis Des Arts The Wedding Party - Watercolour and Pencil is similar in composition to the painting of the Ballet “Les Noces De Gamache” which he painted in 1849. He was notably commissioned by the Empress Eugenie to portray the festival at the Palais De Tuileries. Painting is In good condition with accompanying catalogue information on Old Master Drawings from the Arts Council 1962.Size: Approximately 28cm x 82cm (watercolour only, not including border or frame)
Lot 89
Attributed to M. Harper - 'Brothers Waters' - a 19th century Victorian watercolour painting depicting a valley scene with a lake and natural scenery. Unsigned, with gallery label to verso attributing to M. Harper dated 1852. Framed and glazed. Measures approx. 33cm x 24cm, 57cm x 47cm to include frame.
Lot 611
HERMINE FAULHABER (1884-1952) 'St VIET', an Austrian alpine village scene, signed and titled bottom left, watercolour on paper, approximate size 30cm x 38cm, together with G. Sarson 'an old street in Abingdon', a female figure is crossing a deserted village road, signed bottom right, oil on board, a woodland landscape by the same hand - painting loose in frame and an unsigned impressionist style landscape, oil on canvas laid on board, approximate size 30cm x 38cm - painting is loose in the frame (4)
Lot 325
ATTRIBUTED TO CHARLES ROSENBERG (19TH CENTURY) 'WEST COUNTRY FARMSTEAD), a landscape with farm buildings, attribution to the mount and to a Walker's Galleries label verso dated 1959, watercolour on paper, approximate size 16cm x 36cm, Condition Report: painting is in good condition, frame marked (PROVENANCE: The Arnold Fellows Collection)
Lot 608
CLAIRE SPENCER (BRITISH 1937-) 'WILD FLOWERS', a still life study of wild flowers in a terracotta vase, signed bottom right, pastel on paper, approximate size 80cm x 57cm, together with an etching depicting canal lock gates 'Approach' 95/100 signed Mills, approximate size18cm x 13cm including margins, a pen and ink drawing with watercolour wash 'On the beach - Aberdovey July 1986' signed Pike, a painting on silk depicting a tree by Kathy Cumming, a limited edition coastal landscape print 'Estuary Cottage' signed Miles, a limited edition print by Chris Smith and two William Russell Flint prints 'The Basket Makers' and 'The Swing in the Chateau' (8)
Lot 819
*Local Interest - Ralph Morley (fl. 1870-1900, British), watercolour, Brothers Water with Kirkstone Pass beyond, signed to the lower right, framed, mounted, and under glass, 24cm x 43cm, & 41.5cm x 61.5cm overallCondition report - This watercolour appears to be in generally good condition, frame, and glass also. There are some minor spots of foxing to the upper area of the painting.
Lot 1260
Tom Carr (1912 - 1977) "Forward Away!!", a dynamic study of a hunt leader and mount jumping a ditch following the pack, watercolour tinted dry point etching with body colour, limited edition 26/75, signed, in pen lined card mount and ebonised frame under glass, 57 cm x 47 cm overall [Carr originally trained as a blacksmith before turning his hand to painting. He graduated King's College, Newcastle with a certificate in Fine Art.]
Lot 1257
Tom Carr (1912 - 1977) "The Whipper - in", a study of the huntsman's assistant calling the pack, watercolour tinted dry point etching with body colour, limited edition 49/75, signed within print and in graphite, in pen lined card mount and ebonised frame under glass, 57 cm x 47 cm overall [Carr originally trained as a blacksmith before turning his hand to painting. He graduated King's College, Newcastle with a certificate in Fine Art.]
Lot 1258
Tom Carr (1912 - 1977) "The end of forty minutes", a study of a hunting party gathered after the hunt, watercolour tinted dry point etching with body colour, limited edition 3/75, signed within print and in graphite, in pen lined card mount and wooden frame under glass, 57 cm x 47 cm overall [Carr originally trained as a blacksmith before turning his hand to painting. He graduated King's College, Newcastle with a certificate in Fine Art.]
Lot 56
Painting Titled Fishing Boat off Pierre Port. Framed by Thomas Acne and Sons (1600-1950) in a wood and plaster high relief gold leaf frame. Artist signed on the back of the canvas, E. Hayes RHA as well as the title, Fishing Boat off Pierre Port.E. Hayes first exhibit at the British Institution in 1854 was from an address in Dublin but in 1855 an address in Greenwich was given: it was in this year he also first exhibited at the Royal Academy. He continued to exhibit at the British Institution until 1867, and at the Royal Academy until the year of his death. He also exhibited at the Society of British Artists, the New Watercolour Society, the Grosvenor Gallery and the New Gallery". Sight: 13.5in H x 9.5in L. Framed, 9.25in x H x 17.25in L x 2in Depth. Artist: Edwin HayesIssued: C. 1850-1860'sCountry of Origin: EnglandCondition: Age related wear.
Lot 26
Kerstin McGregor (b. 1962-2012) Untitled Still Life Oil on canvas painting Unsigned Measures approx. 52cm x 41cm Kerstin McGregor was resident of Downend in Bristol for nearly 20 years. She was born in November 1962, and grew up in Balsall Common, Warwickshire. She trained at Liverpool polytechnic College of Art, specialising in oil paintings. She graduated with first class honours in Fine Art in 1986. Between 1986 and 1990, Kerstin painted and exhibited from her studio at the Bridewell Studios, Liverpool. During this time she exhibited throughout the Northwest and the Midlands. She married in 1990 and lived for a short time in Redditch, Worcestershire, before moving to Bristol in 1992. Kerstin continued painting and exhibiting from her home studio, but also pursued a parallel career as a community education teacher of arts and crafts, specialising in teaching people with learning difficulties. Kerstin described her work as ‘based on life, but painted from her imagination’. She admired, and drew inspiration from, many well known artists including: Picasso, Miro, Dali, Gauguin and Kandinsky. She was also a great admirer of Monet, Van Gogh and other impressionists. Kerstin believed that the creative process was of equal importance to the finished painting. Whilst oil painting was Kerstin’s first love, she also made pictures in chalk and oil pastel, pencil and charcoal, watercolour and mixed media. Kerstin exhibited at many galleries and events including Midlands Art Centre 1981, Walker Art Gallery Liverpool 1986, Artist’s Studios Liverpool 1986, Ayling Porteous Gallery Chester 1986, Athenum Gallery Manchester 1987, Acorn Gallery Liverpool 1990, Kings Heath Birmingham 1992 and many more including a exhibit after her death In 2013 at the Royal West Of England Academy ( R.W.A ), Queens Road, Clifton, Bristol entitled Kerstin McGregor Retrospective.
Lot 33
Kerstin McGregor (b. 1962-2012) Untitled Dog Oil on canvas painting Unsigned Measures approx. 62cm x 46cm Kerstin McGregor was resident of Downend in Bristol for nearly 20 years. She was born in November 1962, and grew up in Balsall Common, Warwickshire. She trained at Liverpool polytechnic College of Art, specialising in oil paintings. She graduated with first class honours in Fine Art in 1986. Between 1986 and 1990, Kerstin painted and exhibited from her studio at the Bridewell Studios, Liverpool. During this time she exhibited throughout the Northwest and the Midlands. She married in 1990 and lived for a short time in Redditch, Worcestershire, before moving to Bristol in 1992. Kerstin continued painting and exhibiting from her home studio, but also pursued a parallel career as a community education teacher of arts and crafts, specialising in teaching people with learning difficulties. Kerstin described her work as ‘based on life, but painted from her imagination’. She admired, and drew inspiration from, many well known artists including: Picasso, Miro, Dali, Gauguin and Kandinsky. She was also a great admirer of Monet, Van Gogh and other impressionists. Kerstin believed that the creative process was of equal importance to the finished painting. Whilst oil painting was Kerstin’s first love, she also made pictures in chalk and oil pastel, pencil and charcoal, watercolour and mixed media. Kerstin exhibited at many galleries and events including Midlands Art Centre 1981, Walker Art Gallery Liverpool 1986, Artist’s Studios Liverpool 1986, Ayling Porteous Gallery Chester 1986, Athenum Gallery Manchester 1987, Acorn Gallery Liverpool 1990, Kings Heath Birmingham 1992 and many more including a exhibit after her death In 2013 at the Royal West Of England Academy ( R.W.A ), Queens Road, Clifton, Bristol entitled Kerstin McGregor Retrospective.
Lot 10
Kerstin McGregor (b.1962-2012) Night Surrealist oil on canvas painting Signed to the lower left with notations in pen to the verso. Measures approx. 127cm x 102cm. Kerstin McGregor was resident of Downend in Bristol for nearly 20 years. She was born in November 1962, and grew up in Balsall Common, Warwickshire. She trained at Liverpool polytechnic College of Art, specialising in oil paintings. She graduated with first class honours in Fine Art in 1986. Between 1986 and 1990, Kerstin painted and exhibited from her studio at the Bridewell Studios, Liverpool. During this time she exhibited throughout the Northwest and the Midlands. She married in 1990 and lived for a short time in Redditch, Worcestershire, before moving to Bristol in 1992. Kerstin continued painting and exhibiting from her home studio, but also pursued a parallel career as a community education teacher of arts and crafts, specialising in teaching people with learning difficulties. Kerstin described her work as ‘based on life, but painted from her imagination’. She admired, and drew inspiration from, many well known artists including: Picasso, Miro, Dali, Gauguin and Kandinsky. She was also a great admirer of Monet, Van Gogh and other impressionists. Kerstin believed that the creative process was of equal importance to the finished painting. Whilst oil painting was Kerstin’s first love, she also made pictures in chalk and oil pastel, pencil and charcoal, watercolour and mixed media. Kerstin exhibited at many galleries and events including Midlands Art Centre 1981, Walker Art Gallery Liverpool 1986, Artist’s Studios Liverpool 1986, Ayling Porteous Gallery Chester 1986, Athenum Gallery Manchester 1987, Acorn Gallery Liverpool 1990, Kings Heath Birmingham 1992 and many more including a exhibit after her death In 2013 at the Royal West Of England Academy ( R.W.A ), Queens Road, Clifton, Bristol entitled Kerstin McGregor Retrospective.
Lot 35
Kerstin McGregor (b. 1962-2012) Untitled Cats Abstract oil on canvas painting Unsigned Measures approx. 84cm x 68cm Kerstin McGregor was resident of Downend in Bristol for nearly 20 years. She was born in November 1962, and grew up in Balsall Common, Warwickshire. She trained at Liverpool polytechnic College of Art, specialising in oil paintings. She graduated with first class honours in Fine Art in 1986. Between 1986 and 1990, Kerstin painted and exhibited from her studio at the Bridewell Studios, Liverpool. During this time she exhibited throughout the Northwest and the Midlands. She married in 1990 and lived for a short time in Redditch, Worcestershire, before moving to Bristol in 1992. Kerstin continued painting and exhibiting from her home studio, but also pursued a parallel career as a community education teacher of arts and crafts, specialising in teaching people with learning difficulties. Kerstin described her work as ‘based on life, but painted from her imagination’. She admired, and drew inspiration from, many well known artists including: Picasso, Miro, Dali, Gauguin and Kandinsky. She was also a great admirer of Monet, Van Gogh and other impressionists. Kerstin believed that the creative process was of equal importance to the finished painting. Whilst oil painting was Kerstin’s first love, she also made pictures in chalk and oil pastel, pencil and charcoal, watercolour and mixed media. Kerstin exhibited at many galleries and events including Midlands Art Centre 1981, Walker Art Gallery Liverpool 1986, Artist’s Studios Liverpool 1986, Ayling Porteous Gallery Chester 1986, Athenum Gallery Manchester 1987, Acorn Gallery Liverpool 1990, Kings Heath Birmingham 1992 and many more including a exhibit after her death In 2013 at the Royal West Of England Academy ( R.W.A ), Queens Road, Clifton, Bristol entitled Kerstin McGregor Retrospective.
Lot 28
Kerstin McGregor (b. 1962-2012) Untitled Dog Oil on canvas painting Signed to the bottom left Measures approx. 51cm x 40cm Kerstin McGregor was resident of Downend in Bristol for nearly 20 years. She was born in November 1962, and grew up in Balsall Common, Warwickshire. She trained at Liverpool polytechnic College of Art, specialising in oil paintings. She graduated with first class honours in Fine Art in 1986. Between 1986 and 1990, Kerstin painted and exhibited from her studio at the Bridewell Studios, Liverpool. During this time she exhibited throughout the Northwest and the Midlands. She married in 1990 and lived for a short time in Redditch, Worcestershire, before moving to Bristol in 1992. Kerstin continued painting and exhibiting from her home studio, but also pursued a parallel career as a community education teacher of arts and crafts, specialising in teaching people with learning difficulties. Kerstin described her work as ‘based on life, but painted from her imagination’. She admired, and drew inspiration from, many well known artists including: Picasso, Miro, Dali, Gauguin and Kandinsky. She was also a great admirer of Monet, Van Gogh and other impressionists. Kerstin believed that the creative process was of equal importance to the finished painting. Whilst oil painting was Kerstin’s first love, she also made pictures in chalk and oil pastel, pencil and charcoal, watercolour and mixed media. Kerstin exhibited at many galleries and events including Midlands Art Centre 1981, Walker Art Gallery Liverpool 1986, Artist’s Studios Liverpool 1986, Ayling Porteous Gallery Chester 1986, Athenum Gallery Manchester 1987, Acorn Gallery Liverpool 1990, Kings Heath Birmingham 1992 and many more including a exhibit after her death In 2013 at the Royal West Of England Academy ( R.W.A ), Queens Road, Clifton, Bristol entitled Kerstin McGregor Retrospective.
Lot 11
Kerstin McGregor (b. 1962-2012) Three titled portraits: 'The Outing', 'Marie' & 'Untitled' , 2006 Each being oil on canvas Two signed Each measures approx. 51cm x 40cm Kerstin McGregor was resident of Downend in Bristol for nearly 20 years. She was born in November 1962, and grew up in Balsall Common, Warwickshire. She trained at Liverpool polytechnic College of Art, specialising in oil paintings. She graduated with first class honours in Fine Art in 1986. Between 1986 and 1990, Kerstin painted and exhibited from her studio at the Bridewell Studios, Liverpool. During this time she exhibited throughout the Northwest and the Midlands. She married in 1990 and lived for a short time in Redditch, Worcestershire, before moving to Bristol in 1992. Kerstin continued painting and exhibiting from her home studio, but also pursued a parallel career as a community education teacher of arts and crafts, specialising in teaching people with learning difficulties. Kerstin described her work as ‘based on life, but painted from her imagination’. She admired, and drew inspiration from, many well known artists including: Picasso, Miro, Dali, Gauguin and Kandinsky. She was also a great admirer of Monet, Van Gogh and other impressionists. Kerstin believed that the creative process was of equal importance to the finished painting. Whilst oil painting was Kerstin’s first love, she also made pictures in chalk and oil pastel, pencil and charcoal, watercolour and mixed media. Kerstin exhibited at many galleries and events including Midlands Art Centre 1981, Walker Art Gallery Liverpool 1986, Artist’s Studios Liverpool 1986, Ayling Porteous Gallery Chester 1986, Athenum Gallery Manchester 1987, Acorn Gallery Liverpool 1990, Kings Heath Birmingham 1992 and many more including a exhibit after her death In 2013 at the Royal West Of England Academy ( R.W.A ), Queens Road, Clifton, Bristol entitled Kerstin McGregor Retrospective.
Lot 24
Kerstin McGregor (b. 1962-2012) Untitled Cockerel Abstract oil on canvas painting Unsigned Measures approx. 40cm x 51cm Kerstin McGregor was resident of Downend in Bristol for nearly 20 years. She was born in November 1962, and grew up in Balsall Common, Warwickshire. She trained at Liverpool polytechnic College of Art, specialising in oil paintings. She graduated with first class honours in Fine Art in 1986. Between 1986 and 1990, Kerstin painted and exhibited from her studio at the Bridewell Studios, Liverpool. During this time she exhibited throughout the Northwest and the Midlands. She married in 1990 and lived for a short time in Redditch, Worcestershire, before moving to Bristol in 1992. Kerstin continued painting and exhibiting from her home studio, but also pursued a parallel career as a community education teacher of arts and crafts, specialising in teaching people with learning difficulties. Kerstin described her work as ‘based on life, but painted from her imagination’. She admired, and drew inspiration from, many well known artists including: Picasso, Miro, Dali, Gauguin and Kandinsky. She was also a great admirer of Monet, Van Gogh and other impressionists. Kerstin believed that the creative process was of equal importance to the finished painting. Whilst oil painting was Kerstin’s first love, she also made pictures in chalk and oil pastel, pencil and charcoal, watercolour and mixed media. Kerstin exhibited at many galleries and events including Midlands Art Centre 1981, Walker Art Gallery Liverpool 1986, Artist’s Studios Liverpool 1986, Ayling Porteous Gallery Chester 1986, Athenum Gallery Manchester 1987, Acorn Gallery Liverpool 1990, Kings Heath Birmingham 1992 and many more including a exhibit after her death In 2013 at the Royal West Of England Academy ( R.W.A ), Queens Road, Clifton, Bristol entitled Kerstin McGregor Retrospective.
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