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Lesley Fotherby (b 1946) - 'Little mouse', pencil, signed with initials, 5 x 11.5 cmIll - Lesley Fotherby, Cats: Drawing and painting in watercolour, London, Michael O'Mara Books Limited, EndpapersProv - Chris Beetles (label to verso)

6 pictures – 2 signed ltd edition prints ‘The Holly Mill’ and ‘Supper Time’ by Rob Roberts, images 3.5” x 4.5”, Headrow Gallery, Leeds. 2 signed drawings of cats by Hancock, Oakwood Gallery, Leeds. Painting of trees by S. Ritzfish and watercolour ‘Daisies’ by Barbara Atkin,1987

After Vernon Ward : Mallard Rising, reproduction in colours, 30 cm x 40 cm, together with a watercolour drawing depicting a castle, an oil painting depicting two poppies, a watercolour depicting a terraced garden, and a colour print after Philipp Zilchen depicting Winterabend in Holland, all five parts framed. (5)

A Chinese monochrome watercolour painting on fan leaf, of a mountainous river landscape, inscribed with calligraphy & signed with seal marks; 8¾” x 19”, framed & glazed.

An original signed Winifred Walker watercolour painting- flowers in a metallic vase , original wood frame , 57x70cm

Framed WATERCOLOUR PAINTING of Cockwood Creek by the artist Ann Boultbee. 52 x 43cm

PEN AND WATERCOLOUR PAINTING of North Bovey, Devon. Artist: Elizabeth Foley. 38 x 34 cm

Peter Gilman (British 1928-1984): 'Towards Whitby', watercolour signed, titled and dated 1981 on exhibition label verso 12cm x 17cm Notes: illustrated in 'Peter Gilman: Painting East Anglia and Beyond' p.85

A MID 19TH CENTURY MINIATURE PORTRAIT PAINTING, a young gentleman wearing a blue bow tie, watercolour on paper, cased, image size; 5.5cm x 4cm

BRITISH SCHOOL 'ST. Paul's Cathedral, seen from the far side of the Thames', watercolour painting, monogrammed, 15cm x 8.5cm, gilt framed, mounted, and glazed

19TH CENTURY BRITISH SCHOOL 'Lady wearing a shawl', watercolour painting, monogrammed, 30cm x 25cm, in ornate gilt frame

ARR * Clarke (Graham, 1941-). Internal Memo, circa 1970s, black ink and watercolour on paper, depicting the artist at work painting a large barcode and saying 'Hope that Chad Wotsisname doesn't see this one Alex, it'll be everywhere...', signed lower right, 280 x 315 mm (11 x 12.25 ins) mount aperture, framed and glazed (465 x 485 mm), with title inscribed on verso, together with: Peapot, circa 1960s-1970s, watercolour on paper, signed lower right, 180 x 215 mm (7 x 8.5 ins) mount aperture, framed and glazed (380 x 415 mm), Sloman and Pettitt, Maidstone, framer's label on versoQty: (2)NOTESInternal Memo seems to be portraying a private joke between Graham Clarke and his agent Alex Gerrard, who became his agent in 1973. It appears they believed that another artist was allegedly copying Graham's style at the time of this painting.

Michael Haswell (1931-2020) Signed modernist/fauvist watercolour painting of a reclining female nude under an apple tree. Frame size approx 33 1/4 x 28 1/2 inches (Glazed)

GEORGE SPENCER WATSON (1869-1934) 'Near Corfe' probably a view from the garden at Dunshay Manor, with Corfe Castle visible in the distance, watercolour and pencil, 25.5cm x 37cmExhibited: The Artist's Memorial Exhibition, The Fine Art Society, 148 New Bond Street, London, June 1934, no. 42George Spencer Watson R.O.I., R.P., A.R.A., R.A. was an English portrait artist of the late romantic school who sometimes worked in the style of the Italian Renaissance. He studied at the Royal Academy Schools from 1889, and exhibited at the Royal Academy from 1891. He won Royal Academy Schools Silver Medals in 1889 and 1891, and the Landseer Scholarship in 1892. He was elected to the Royal Institute of Oil Painters (ROI) in 1900, Royal Society of Portrait Painters (RP) in 1904, Associate of the Royal Academy in 1923, and a Member of the Royal Academy (RA) in 1932. His work was also part of the painting event in the art competition at the 1928 Summer Olympics. In 1909 he married Hilda Mary Gardiner, a dancer and mime artist, and follower of the actor Edward Gordon Craig. They had a daughter, Mary Spencer Watson (1913–2006), who became a sculptor. In the year of 1923 he bought Dunshay Manor in the hills of the Isle of Purbeck, after already having spent holidays in nearby Swanage. He died in London and a memorial exhibition was held at the Fine Art Society in the same year. There is a memorial to him in the north vestibule of St James's Church, Piccadilly.

ELLIOT HENRY/HAIGH MARTEN (FL. 1886-1910) 'A Dorset Coastline' signed lower left, watercolour, 26.5cm x 37cmElliott H Marten was born in Calverley, Bradford, Yorkshire in 1866. He was living in Bradford until the Census of 1881 and he exhibited at the Yorkshire Union of Artists in 1888, after marrying in Bradford in 1887. By 1890 he was advertising his Academy of Painting at 59 High Street, Chelmsford, Essex, where he was listed as Art Master and Medallist S. Kensington, presumably the Royal Academy Schools in South Kensington. Although a prolific watercolourist, he exhibited very little. According to the Dictionary of British Artists (Collectors' Club), he exhibited 1 painting entitled 'Autumn Leaves' at the Royal Academy in 1886 from an address in Hawick in North Britain (confirmed by Graves Dictionary) and 5 at the Dudley Gallery. He is also listed in the Dictionary of Victorian Painters by Christopher Wood, The Dictionary of British Watercolour Artists by H. Mallalieu, the Dictionary of Scottish Painters and the Yorkshire Union of Artists by Dennis Child. Although he painted all over the country, his favourite locations were Scotland, the Lake District, Sussex and of course Dorset

ELLIOT HENRY/HAIGH MARTEN (FL. 1886-1910) 'On the cliffs near Lulworth, Dorset' signed lower right, watercolour, 23cm x 32cmElliott H Marten was born in Calverley, Bradford, Yorkshire in 1866. He was living in Bradford until the Census of 1881 and he exhibited at the Yorkshire Union of Artists in 1888, after marrying in Bradford in 1887. By 1890 he was advertising his Academy of Painting at 59 High Street, Chelmsford, Essex, where he was listed as Art Master and Medallist S. Kensington, presumably the Royal Academy Schools in South Kensington. Although a prolific watercolourist, he exhibited very little. According to the Dictionary of British Artists (Collectors' Club), he exhibited 1 painting entitled 'Autumn Leaves' at the Royal Academy in 1886 from an address in Hawick in North Britain (confirmed by Graves Dictionary) and 5 at the Dudley Gallery. He is also listed in the Dictionary of Victorian Painters by Christopher Wood, The Dictionary of British Watercolour Artists by H. Mallalieu, the Dictionary of Scottish Painters and the Yorkshire Union of Artists by Dennis Child. Although he painted all over the country, his favourite locations were Scotland, the Lake District, Sussex and of course Dorset

ELLIOT HENRY/HAIGH MARTEN (FL. 1886-1910) 'A Bay Near Lulworth' signed and titled in pencil on a sheet affixed verso, watercolour, 34cm x 52cmElliott H Marten was born in Calverley, Bradford, Yorkshire in 1866. He was living in Bradford until the Census of 1881 and he exhibited at the Yorkshire Union of Artists in 1888, after marrying in Bradford in 1887. By 1890 he was advertising his Academy of Painting at 59 High Street, Chelmsford, Essex, where he was listed as Art Master and Medallist S. Kensington, presumably the Royal Academy Schools in South Kensington. Although a prolific watercolourist, he exhibited very little. According to the Dictionary of British Artists (Collectors' Club), he exhibited 1 painting entitled 'Autumn Leaves' at the Royal Academy in 1886 from an address in Hawick in North Britain (confirmed by Graves Dictionary) and 5 at the Dudley Gallery. He is also listed in the Dictionary of Victorian Painters by Christopher Wood, The Dictionary of British Watercolour Artists by H. Mallalieu, the Dictionary of Scottish Painters and the Yorkshire Union of Artists by Dennis Child. Although he painted all over the country, his favourite locations were Scotland, the Lake District, Sussex and of course Dorset

ELLIOT HENRY/HAIGH MARTEN (FL. 1886-1910) 'Near East Lulworth' coastal landscape with sheep, signed lower right, watercolour, 26cm x 35cmElliott H Marten was born in Calverley, Bradford, Yorkshire in 1866. He was living in Bradford until the Census of 1881 and he exhibited at the Yorkshire Union of Artists in 1888, after marrying in Bradford in 1887. By 1890 he was advertising his Academy of Painting at 59 High Street, Chelmsford, Essex, where he was listed as Art Master and Medallist S. Kensington, presumably the Royal Academy Schools in South Kensington. Although a prolific watercolourist, he exhibited very little. According to the Dictionary of British Artists (Collectors' Club), he exhibited 1 painting entitled 'Autumn Leaves' at the Royal Academy in 1886 from an address in Hawick in North Britain (confirmed by Graves Dictionary) and 5 at the Dudley Gallery. He is also listed in the Dictionary of Victorian Painters by Christopher Wood, The Dictionary of British Watercolour Artists by H. Mallalieu, the Dictionary of Scottish Painters and the Yorkshire Union of Artists by Dennis Child. Although he painted all over the country, his favourite locations were Scotland, the Lake District, Sussex and of course Dorset

ELLIOT HENRY/HAIGH MARTEN (FL. 1886-1910) A Dorset Coastline with sheep grazing near cliff edges to the foreground, signed lower right, watercolour, 35cm x 53cmElliott H Marten was born in Calverley, Bradford, Yorkshire in 1866. He was living in Bradford until the Census of 1881 and he exhibited at the Yorkshire Union of Artists in 1888, after marrying in Bradford in 1887. By 1890 he was advertising his Academy of Painting at 59 High Street, Chelmsford, Essex, where he was listed as Art Master and Medallist S. Kensington, presumably the Royal Academy Schools in South Kensington. Although a prolific watercolourist, he exhibited very little. According to the Dictionary of British Artists (Collectors' Club), he exhibited 1 painting entitled 'Autumn Leaves' at the Royal Academy in 1886 from an address in Hawick in North Britain (confirmed by Graves Dictionary) and 5 at the Dudley Gallery. He is also listed in the Dictionary of Victorian Painters by Christopher Wood, The Dictionary of British Watercolour Artists by H. Mallalieu, the Dictionary of Scottish Painters and the Yorkshire Union of Artists by Dennis Child. Although he painted all over the country, his favourite locations were Scotland, the Lake District, Sussex and of course Dorset

*ARTHUR ROYCE BRADBURY (1892-1977) 'Poole Harbour' signed lower left, watercolour, 27cm x 34cm Arthur Royce Bradbury was born on the 17th September 1892 in Preston, Lancashire. He specialised in painting portraits, landscapes and marines on oil, watercolour and pastel, and was an accomplished etcher and teacher at the Pembroke Lodge School and Wimbome Grammar School, Dorset

Lilian BLAND (1878-1971) (Aviator)Tropical Fish Oil on board Signed Inscribed to verso 26 x 29cmTogether with a tropical fish watercolour by the same handInitialledInscribed to verso 36 x 25.5cmProvenance:Gifted to the vendor's father who was a close friend of Bland.Lilian Bland (1878-1971)In 1910, when Amelia Erhart was still only twelve years old, the pioneering Anglo-Irish aviator, photographer, journalist, jockey and motor enthusiast Lilian Bland made the first flight in her bi-plane the 'Mayfly,' aptly and ironically named by Bland because "It may fly, it may not..." This was all the more remarkable because Bland had also designed and built the plane herself, the first woman in the world to do so. Strangely, she is barely mentioned in the annals of aviation history and she remains virtually unknown to the wider public.Born in Kent in 1878, b​e​tween 1900 and 1906 (after the death of her mother) Bland moved with her father to the family home in Carnmoney in Northern Ireland to live with her aunt. Bland scandalised her neighbours, she smoked, wore trousers, was an excellent and knowledgable horsewoman, hunted hare and fox, fished, practiced jujitsu, was a crack shot and never had any interest in the Edwardian pursuits of a society lady—they had empty lives full of empty talk, she once said. She was the first woman to be granted a jockey's licence in Ireland and applied repeatedly to ride in the Grand National, but was refused on account of her sex. It is interesting to note that it was 1977 before women were finally allowed to compete in the National and 2021 before there was a female winner, which gives a sense of just how far ahead of her time Bland was.Already a successful sports journalist and press photographer for various London newspapers, her enthusiasm for flight was inspired by Blériot's achievements and her studies of birds, and in 1909 she set to work designing and building her own plane. A page dedicated to Bland at the Women’s Museum of Ireland describes the meticulous process by which she worked on building the Mayfly. She initially created it as a glider, testing its weight capacity and drawing on her knowledge of avian biology to design the wings. Eventually, by 1910 the Mayfly was capable of flying to a height of 30 feet and traveling for a quarter of a mile. Her father was considerably alarmed by these antics and persuaded her to give up flying in return for a motor car. It was a successful bribe. Delighted by her new Model T Ford, bought in Dublin, Bland convinced the delivery driver to let her drive it home and of course she was a natural. Constantly breaking boundaries, she went on to set up Belfast’s first Ford dealership. She never returned to flying, but next married her cousin Charles Loftus Bland in 1911, settling in Canada where they hacked a home out of the wilderness. They had two children, Patricia and Jackie. Tragically, Patricia died an agonising death from a tetanus infection when just 16. Jackie, a commercial fisherman, drowned in a boating accident off Vancouver Island in 1962. The Bland's marriage did not survive the grief of Patricia's death and Lilian returned to England in 1935, living first in Kent then retiring to Sennen in Cornwall in 1955, where by her own account she devoted the rest of her life to gambling, painting and gardening. In a 1966 interview with Penzance reporter Frank Ruhrmund, she described her solitary life looking out to sea from her home in Maria's Lane in Sennen: "I love it. I keep busy, I have my plants, I paint and I gamble. Very occasionally I watch television at a neighbour’s house, but only the horse racing – I back five horses a day, with success, I may add and, great fun!”She died in 1971 aged 92, and is buried in Sennen.

James Marshall HESELDIN (1887-1969)Harvest LandscapeWatercolour 23 x 30.5cmA further study of an old slipway is painting to versoCondition report: There are no condition issues

BOND WALKER WATERCOLOUR AND OIL PAINTING LANDSCAPES

A Meiji Period painting on silk, ?Koi Rising to Water?s Surface?, signed, watercolour, 57cm x 23cm

A framed watercolour painting of Windsor Castle. Signed John Healon, 1884. Measuring approximately

After Joseph Mallord William Turner (1775-1851) 'Norham Castle: Sunrise', watercolour, 65.5cm x 98cm in a gilt gesso moulded frame, the frame with cut out title from a sale catalogue for the painting to the reverse and also inscribed in pencil 'number 7 top right of fire', also inscribed in pencil 'number 15' and with old Christie's stock number 366MTCondition report: The colours faded overall, with some signs of mildew to the surface, the frame with losses, marks and damages and painted in gold, the frame 137.5cm wide x 104.5cm high

R.A. RICHARDSON (BRITISH 1922-1977) a bird drinking water on the wing, possibly a white winged Tern, signed and dated 1955 bottom left, watercolour on paper, mounted, framed and glazed, approximate size 28cm x 21cm (Condition:- signs of acid burn from the mount to the edges of the painting, some yellowing all over)

ERNEST LESSIEUX (1874-1938), a Continental alpine landscape, trees and shepherd hut to the foreground, mountains beyond, signed bottom right, watercolour on paper, framed and glazed, approximate size 46cm x 28cm (Condition:- painting is in good condition with slight acid mount burn to the edges, some frame damage)

A watercolour of a Turkey signed Harrison Weir 1887 and enscribed to mount, image size 16cm x 13cm, frame size 39cm x 31cm, painting in generally good condition some wear to frame, frame labels verso

The following ten lots are a collection of paintings by Albert Edward Hayes and his daughter Marjorie, that were purchased by Mr Phillips from the studio of the artist, having always admired their artistic style. Albert Hayes, was an art teacher for most of his life and his daughter took up painting, adopting a very similar style to her father. Albert Edward Hayes, 1879-1968, Chepstow Castle, signed watercolour, inscribed verso Exhibited Britain in watercolour, at RWS Galleries in 1955, 29 x 39cm, together with another by the same hand, inscribed verso Exhibited Summer Salon, Royal Institute, Piccadilly 1955, 29 x 39cm, both mounted, unframed (2)Condition report: Patrick's collection of works by Albert Edward Hayes (1879-1968), and his daughter Marjorie, also a noted painter in the style of her father, was formed when he bought much of the artist's studio after the death in 2005 of the artist's daughter Marjorie. For most of his life Hayes taught art, but he had two interludes illustrating postcards, greetings cards and calendars especially for Raphael Tuck and Sons Ltd, a leader in that field.Although throughout his life livng and working near Walthamstow, London, in his paintings he worked on landscapes and buildings in the West Country and South Wales or with marine scenes on the Thames or at Leigh on Sea, mostly in watercolours. Many of his paintings, including some of those being sold were exhibited at the Royal Institute Galleries or the Society of Marine Artists or Britain in Watercolours exhibitions of the Royal Watercolours Society.

Samuel Philips Jackson RWS 1830 -1904 framed and glazed Watercolour painting of a rural scene with watermill. signed 33 x 49 cm.

Collection of mainly Oriental Pictures including Acrylic Painting of Figures working in a River, Oriental watercolour of doves signed with character marks, ' Sun Bird and the Peony Tree Plaque by Kinuko, Set of Four Framed and Glazed Official Golden Silhouette of the Royal Geographical Society Pictures of famous Sailing Ships (label to verso stating pure gold on silver) plus a Henry Alken coaching scene print (8)

Chinese painting, Qing Dynasty, 18th/19th Century, with three Buddhist lions, watercolour on stitched paper, 55cm x 190cm

PONCKLE (Contemporary St Ives artist) A framed and glazed original watercolour painting on paper of a cat, 11.5cm x 17cm

Watercolour Painting in Britain [Martin Hardie], three vols, pub B.T. Batsford; other art related books including W. Heaton Cooper, Vanburgh and Poster Art:- Two Boxes

A Chinese Watercolour Painting Of Lotus And Bamboo With Three Red Seals. Largest 38 X 38Cm (2)

A Chinese Watercolour Painting Of Da Mo On A Scroll With A Red Seal. 48 X 90 Cm

A Chinese Print Of A Landscape Watercolour Painting On A Scroll, By Li Hu. (Rong Bao Zhai stamp on larger roller)Purchased By Vendor 1984-1988 At Rong Bao Zhai, Hong Kong 23 X 31Cm

A Chinese Watercolour Painting Of Cicada And Grasshopper In The Style Of Qi Baishi. Dimensions Approx. 94. 43.5Cm

A Japanese Watercolour Painting On Silk Of Pine Tree And Cranes, Signifying Long Life. In Glazed Wooden Frame, 146 X 48.5 Cm

Winifred Austen (British, 1876-1964)A collection of ornithological studies many inscribed with name of bird in the marginwatercolour and bodycolour 12 x 16.2cm (4 3/4 x 6 3/8in). (15)all mounted but unframedFootnotes:Throughout her lifetime Winifred Maria Louise Austen had a very successful career as a painter, etcher, engraver, and book illustrator. The naturalist Sir Peter Scott described her as 'the best bird-etcher of this century.' Her meticulous attention to detail when painting animals and birds gained her membership to the Society of Women Artists in 1902, the Royal Society of Painter-Etchers and Engravers in 1907, and latterly in 1933 to the Royal Institute of Painters in Water Colours. Between 1899 and 1961 Austen exhibited over seventy images at the Royal Academy. Her love for birds extended to her personal life evidenced by her involvement with the Royal Society for the Protection of Birds and the Havergate Island Bird Sanctuary in Suffolk.It has been suggested that these watercolours are designs for a series of cigarette cards which were not printed.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

E M Jones: oil on board, "A Quiet Place", 8 1/2" x 9 1/4", in blue painted frame, a watercolour of a girl in a yellow dress by the seaside, a pen and ink wash, "Low tide at Bosham", an oil painting of a man fishing by a river and a mixed media picture of a cottage with stone wall

A FRAMED AND GLAZED OIL PAINTING OF A CAT BY KAREN BLAKE, TOGETHER WITH A FRAMED AND GLAZED WATERCOLOUR PAM HAMPTON ENTITLED 'TRIO OF CHERRIES'

ERNEST ARCHIBALD TAYLOR; watercolour, Kirkcudbright, with label verso for Forrest McKay Fine Art Edinburgh, unsigned, 26.5 x 21.5cm, framed and glazed. (D)Additional InformationThe watercolour is not signed. It has many specks of foxing throughout. Mount with some light marks and frame with monor wear. There is a Forrest McKay label to the back. the painting is loose in the mount and will need re-attaching. Mount board at the back will need re-sealing.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

UNATTRIBUTED; watercolour, Lake District scene, signed with indistinct monogram lower right, 24 x 34cm, framed and glazed.Footnote: This painting belonged to Lady Simon of Wythenshawe and hung in her library before passing to the family of the current vendor.Additional InformationSome chips and losses to frame, image appears ok.

STUART SCOTT SOMERVILLE, signed watercolour "Still Life- Bowl of Dahlias", second painting to the reverse, 9.5" x 12"

Kusum Shabong, "Strong and Humble", watercolour on cold pressed 300gsm paper, 27 x 37cm, 2020. This painting is of women in the rural part of India who despite being often being the backbone of their family are destined to be wallflowers all their lives. This painting has been exhibited in D31 Art Prize Exhibition. UK shipping £25.

Kusum Shabong, "These Eyes have seen Everything", watercolour on cold pressed 300gsm paper, 26.5 x 37cm, 2020. This painting tries to depict the gaunt helplessness of a woman who nothing more to look forward to in her life. All her passions are spent, her life’s purpose fulfilled and only the daily repetitive tasks get her going. UK shipping £25.

O Yemi Tubi, "The Horse Rider", watercolour on paper, 18 x 12in, 2014. The Horse Rider is one of my watercolour painting. I captured the image of a young lady on horseback with the landscape of a countryside in background enjoying herself riding in sunning afternoon. Shipping to the UK £35.

A watercolour painting by Stuart Lowdon titled to reverse “Azalea, Tresco Abbey”, signed, 5¾” x 8¼”; together with three coloured botanical prints; & various decorative ornaments.

Follower of Claude Lorrain, 18th Century - A landscape on the continent with figures,: cattle and sheep grazing in the foreground, view to a river and the outskirts of a settlement beyond, watercolour and bodycolour, 31 x 38cm.*Notes Two indistinct inscriptions on the backing read 'Guache de Romanelly de ??ornce' and 'An old Gouache painting Claremont Feraud, late the property of the Mayor of Claremont Feraud'.

Adam Knight (1855- 1931) – A late 19th / early 20th Century watercolour painting depicting a lake scene in Norfolk with figures in rowing boat to the four ground at dawn. Signed to the bottom right. Set within a gilt frame and being glazed with label to verso. Measure approx; 43cm x 52cm.

TWO BOXES OF PAINTINGS AND PRINTS to include a Suffolk watercolour landscape signed S.Heath, Chinese Great Wall painting on silk, early half 20th century Maritime scene (possibly an over painted print), topographical prints of Wales and Scotland, Louis Wain cat prints, etc

Two pastels, a watercolour and an oil painting

Friedrich Johann Gottlieb Lieder (German, 1780-1859), an early 19th century portrait miniature pendant, depicting a lady with blue eyes, watercolour, signed and dated Fr. Lieder 1811 to extreme right, within a scrolling foliate gilt frame, 9.4cmCondition- Overall good to fair condition- Painting in good condition, with no obvious damage, only slight rubbing towards edges- Frame shows evidence of repair- Glazing with small nibbles and chips to edges- Width (at widest) 6.6cm- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com

An early 20th century portrait miniature pendant, depicting a lady wearing pearls, watercolour, signed with monogram and dated 1911, within a plain frame, 10.5cmCondition- Overall good condition- Painting in good condition, with no obvious damage, only very minor rubbing towards edges- Frame worn and discoloured- Additional jump ring to bail surmount- Width (at widest) 7.5cm- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com

Ruth Waldron Rice Bowl and Peony, 2021 Acrylic and Ink on Paper Collage plus Wax Seal Signed with a wax seal on front and verso 15 x 10cm (5¾ x 3¾ in.) Ruth Waldron is an Irish artist living near Albi, Tarn France. After university she pursued her creative inclinations with a career in Interior Design for 17 years, working in both Ireland and the United Kingdom. In 2009 she moved to Shanghai, China. She spent two years with a Chinese tutor, working in particular on traditional ink and watercolour painting techniques. This disciplined and formal style of painting enriched her art with an exciting new perspective. She has a fascination for the colours and motifs in traditional Chinese and Japanese watercolours. Further to her experience in China she has completed the Creative Visionary Program (2018) with artist Nicholas Wilton. This course enabled Ruth to take her work and practice to a higher level. She now works in a more inquiring and intuitive manner. Ruth has a full time painting practice based at her studio in the south of France. She works on paper, wood board and canvas, using acrylic, watercolour, oil pastels and ink.   Education 1987-1992, Bachelors degree in Classics and Spanish Literature Trinity College Dublin 2009-2011 Private tutor in Chinese painting in Shanghai 2018 Completed The Creative Visionary Program with Nicholas Wilton (California)   Exhibitions   2019 art3f Toulouse, 2019 Art Salon Balma, Toulouse, 2020 Art Exhibition Albi, France.   About the postcard artworks   These postcard paintings are a small, but true representation of my current series which explores my fascination for Asian porcelain and also the use of space and a sense of calm in the traditional painting compositions of Chinese art. I use ink on paper collage elements in my work to add a layered and multi-textured finish to my work, which is as important to me as the subject matter or composition. I am influenced by Asian calligraphy and line which is evident in the collage elements. I try to use complex and multilayered methods to produce work that looks simple, spacious, unfussy and calm.  

Ruth Waldron Chinese Vase, 2021 Acrylic and Ink on Paper Collage plus Wax Seal Signed with a wax seal on front and verso 15 x 10cm (5¾ x 3¾ in.) Ruth Waldron is an Irish artist living near Albi, Tarn France. After university she pursued her creative inclinations with a career in Interior Design for 17 years, working in both Ireland and the United Kingdom. In 2009 she moved to Shanghai, China. She spent two years with a Chinese tutor, working in particular on traditional ink and watercolour painting techniques. This disciplined and formal style of painting enriched her art with an exciting new perspective. She has a fascination for the colours and motifs in traditional Chinese and Japanese watercolours. Further to her experience in China she has completed the Creative Visionary Program (2018) with artist Nicholas Wilton. This course enabled Ruth to take her work and practice to a higher level. She now works in a more inquiring and intuitive manner. Ruth has a full time painting practice based at her studio in the south of France. She works on paper, wood board and canvas, using acrylic, watercolour, oil pastels and ink.   Education 1987-1992, Bachelors degree in Classics and Spanish Literature Trinity College Dublin 2009-2011 Private tutor in Chinese painting in Shanghai 2018 Completed The Creative Visionary Program with Nicholas Wilton (California)   Exhibitions   2019 art3f Toulouse, 2019 Art Salon Balma, Toulouse, 2020 Art Exhibition Albi, France.   About the postcard artworks   These postcard paintings are a small, but true representation of my current series which explores my fascination for Asian porcelain and also the use of space and a sense of calm in the traditional painting compositions of Chinese art. I use ink on paper collage elements in my work to add a layered and multi-textured finish to my work, which is as important to me as the subject matter or composition. I am influenced by Asian calligraphy and line which is evident in the collage elements. I try to use complex and multilayered methods to produce work that looks simple, spacious, unfussy and calm.  

Ruth Waldron Spring Buds, 2021 Acrylic and Ink on Paper Collage plus Wax Seal Signed with a wax seal on front and verso 15 x 10cm (5¾ x 3¾ in.) Ruth Waldron is an Irish artist living near Albi, Tarn France. After university she pursued her creative inclinations with a career in Interior Design for 17 years, working in both Ireland and the United Kingdom. In 2009 she moved to Shanghai, China. She spent two years with a Chinese tutor, working in particular on traditional ink and watercolour painting techniques. This disciplined and formal style of painting enriched her art with an exciting new perspective. She has a fascination for the colours and motifs in traditional Chinese and Japanese watercolours. Further to her experience in China she has completed the Creative Visionary Program (2018) with artist Nicholas Wilton. This course enabled Ruth to take her work and practice to a higher level. She now works in a more inquiring and intuitive manner. Ruth has a full time painting practice based at her studio in the south of France. She works on paper, wood board and canvas, using acrylic, watercolour, oil pastels and ink.   Education 1987-1992, Bachelors degree in Classics and Spanish Literature Trinity College Dublin 2009-2011 Private tutor in Chinese painting in Shanghai 2018 Completed The Creative Visionary Program with Nicholas Wilton (California)   Exhibitions   2019 art3f Toulouse, 2019 Art Salon Balma, Toulouse, 2020 Art Exhibition Albi, France.   About the postcard artworks   These postcard paintings are a small, but true representation of my current series which explores my fascination for Asian porcelain and also the use of space and a sense of calm in the traditional painting compositions of Chinese art. I use ink on paper collage elements in my work to add a layered and multi-textured finish to my work, which is as important to me as the subject matter or composition. I am influenced by Asian calligraphy and line which is evident in the collage elements. I try to use complex and multilayered methods to produce work that looks simple, spacious, unfussy and calm.    

Ruth Waldron Ginger Pot, 2021 Acrylic and Ink on Paper Collage plus Wax Seal Signed with a wax seal on front and verso 15 x 10cm (5¾ x 3¾ in.) Ruth Waldron is an Irish artist living near Albi, Tarn France. After university she pursued her creative inclinations with a career in Interior Design for 17 years, working in both Ireland and the United Kingdom. In 2009 she moved to Shanghai, China. She spent two years with a Chinese tutor, working in particular on traditional ink and watercolour painting techniques. This disciplined and formal style of painting enriched her art with an exciting new perspective. She has a fascination for the colours and motifs in traditional Chinese and Japanese watercolours. Further to her experience in China she has completed the Creative Visionary Program (2018) with artist Nicholas Wilton. This course enabled Ruth to take her work and practice to a higher level. She now works in a more inquiring and intuitive manner. Ruth has a full time painting practice based at her studio in the south of France. She works on paper, wood board and canvas, using acrylic, watercolour, oil pastels and ink.   Education 1987-1992, Bachelors degree in Classics and Spanish Literature Trinity College Dublin 2009-2011 Private tutor in Chinese painting in Shanghai 2018 Completed The Creative Visionary Program with Nicholas Wilton (California)   Exhibitions   2019 art3f Toulouse, 2019 Art Salon Balma, Toulouse, 2020 Art Exhibition Albi, France.   About the postcard artworks   These postcard paintings are a small, but true representation of my current series which explores my fascination for Asian porcelain and also the use of space and a sense of calm in the traditional painting compositions of Chinese art. I use ink on paper collage elements in my work to add a layered and multi-textured finish to my work, which is as important to me as the subject matter or composition. I am influenced by Asian calligraphy and line which is evident in the collage elements. I try to use complex and multilayered methods to produce work that looks simple, spacious, unfussy and calm.