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Lot 824

PHILIP TRAVERS (BRITISH 1945) AN ETHEREAL LANDSCAPE, signed and dated 1974 bottom left, watercolour / gouache on paper, mounted framed and glazed, approximate size 28cm x 40cm, Travers was the artist responsible for some of the Moody Blues album covers, condition: the painting appears to be in good condition but looks to have slipped in the mount, the mount is stained, the frame is marked in places

Lot 891

PAINTINGS AND PRINTS ETC, to include a 19th century river landscape with cattle drinking, oil on wood, indistinctly signed Kerr 1894?? bottom left, approximate diameter 48cm, together with a watercolour of boats at their moorings signed A B Brook, oil on board of coastal scene signed T B Preston, unsigned oil on board religious scene?, unsigned watercolour landscape, a painting on velvet of an African male figure attributed verso to Johny Cane, Andrzej Dzierzynski landscape print etc

Lot 222

Original vintage LNER carriage travel print featuring a watercolour by marine artist Henry J Denham. The painting depicts Maldon in Essex and shows sailing boats on the estuary with houses and a church in the background. Horizontal. Excellent condition. Country of issue: UK, designer: Henry J. Denham, size (cm): 25.5x51, year of printing: 1940s.

Lot 505A

Six Paintings including Watercolour of Castle Combe by A V Pace 33cm x 24cm, signed Watercolour of Hertford Lock, Mixed Media Painting by Peter Hale, Watercolour of Coaching Inn with Windmills signed Smith, Pastel of Cotswold Barn by John Ford, and another Watercolour

Lot 529

Naive Oil Painting on Canvas of a Sailing Boat at Sea signed I Williams 1915 59cm x 44cm together with Mid century Oil Painting of Ducks flying over a Lake, signed, Watercolour of Weymouth Harbour by Sandy Gore and a Print

Lot 574

Watercolour and Ink Picture of the Houses of Parliament dated 92 60cm x 42cm, Chinese Print of Carp and other images plus Keith Bowan Oil Painting of a Tiger

Lot 52

ZHANG PENGCHONG (Juading, Jiangsu 1688-1745)."Landscape with tree and mountains".Fan leaf with ink and watercolour on paper.Signed by the artist, with stamp: "Nan Hua San Xian".Presents collector's stamp.Size: 25 x 53 cm; 35.5 x 63 cm (frame).Zhang Pengchong is a famous Chinese painter of the 18th century from the city of Juading in the province of Jiangsu. He is also known by the pseudonym Tianfei (an epithet of Tianhua Sanxian). Although there is little documentation of his life, there is evidence that in 1727 the painter did military service in the city of Jinshi.Throughout the 18th century Zhang Pengchong achieved great prestige as a painter, being famous for his beautiful and refined calligraphies. He may have followed the style of earlier painters such as Shu Shi, who may have served as a model for Zhang, without ever renouncing his own personal style. Zhang Pengchong specialised in landscape painting, a genre for which he used the master landscape painters of the Yuan period as a reference. Such was the fame he acquired in his day that he received an award from the Qianlong Emperor himself in recognition of his merits as a painter. Such decorations were a rare exception, no doubt only for the best artists.

Lot 164

* ALICE MCMURROUGH PAI RGI RSW (SCOTTISH b. 1956),MHAIRI'S SECREToil on panel, titled labels versoimage size 19cm x 14cm, overall size 29cm x 24cm Framed and under glass.Artist's label verso.Label verso: Open Eye Gallery, Edinburgh.Note: Alice McMurrough studied Fine Art at Glasgow School of Art from 1973 to 1978. She then attended St. Andrews College of Education where she graduated with a Diploma in Education in 1979. She held various teaching posts including Acting Principal Teacher in the 1990s and marker and moderator for the Scottish Qualifications Authority, until she left the profession in 2007 to devote her time to painting and organising group painting trips in Europe. McMurrough has won many awards including the James Torrance Award at the Royal Glasgow Institute of Fine Arts in 2011, the Joe Hargan Award at the Paisley Art Institute and the Anne Stevenson Memorial Award from East Dunbartonshire Council in 2012 and in 2013 the Dalrymple Award at the inaugural Maclaurin Annual Fine Art Exhibition. She was elected member of the Royal Glasgow Institute, Paisley Art Institute and Royal Scottish Society of Painters in Watercolour in 2013. McMurrough is a Diplomate of the Paisley Art Institute, Artist Member of the Glasgow Art Club and Associate Artist Member of Hospitalfield Alumni Association. She exhibits regularly with the Royal Glasgow Institute of Fine Arts, the Royal Scottish Academy, the Royal Scottish Society of Painters in Watercolour, the Paisley Art Institute, the Glasgow Art Club and at galleries throughout the UK. Her works are held in private collections worldwide. Alice's paintings rarely appear at auction, but in The Scottish Contemporary Art Auction of 24th October 2021 "Above Us Only Sky" (a 15 x 21cm oil) by McMurrough sold for £950 (hammer).

Lot 228

* WILLIAM BIRNIE RSW RGI (SCOTTISH 1929 - 2006),WINTERFIELD, KILBARCHANoil on board, signed, titled labels versoimage size 35cm x 44cm, overall size 49cm x 59cmFramed.Artist's label verso.Handwritten label verso.Label verso: The Open Eye Gallery, Edinburgh.Note: Bill Birnie studied at Glasgow School of Art under Gilbert Spencer and then at Hospitalfield under Ian Fleming. After graduating, he joined the staff at Hyndland Secondary School in 1952. That same year he was also elected a member of the Society of Scottish Artists (SSA). In 1958, he became a founder member of the Glasgow Group and formed the Glasgow Group Society, of which he was Vice-President for 32 years. In 1965, he was elected a member of the Royal Scottish Society of Painters in Watercolour (RSW), a society of which he also became Vice-President and Treasurer. He became Principal Art Teacher at Douglas Academy, near Bearsden, and later at Gryffe High, near Kilbarchan. Bill's abilities not only as a teacher but also as an administrator were noticed by the Department of Education and he was soon appointed Head Examiner in Art for Scotland. He still managed to maintain a very active exhibiting schedule, and showed in all the main public galleries and many of Scotland's best commercial galleries. His work was enthusiastically collected and increasingly sought after. He was elected a member of the Royal Glasgow Institute of Fine Art (RGI) and of the Paisley Art Institute (PAI). In the early years, he painted from his garden, showing the village of Kilbarchan in its changing seasons, under a quiet blanket of winter snow, or framed in a blazing sunset through autumnal trees. Later visits to France and Italy with his artist wife, Cynthia Wall, whom he married in 1953, brought new subject matter, cafe scenes, vine groves, Italian clifftop villages, and the crumbling facades of palaces and churches of Venice. It was characteristic of the man that when told that his illness was terminal, he calmly put his affairs in order and started work for a final one-man show at the Open Eye Gallery (Edinburgh) the scene of so many of his successful shows. Unsurprisingly, the exhibition was a complete sell-out. In recent years there has been a widely acknowledged acceleration in the prices achieved at auctions around the UK for William Birnie's paintings. In the Scottish Contemporary Art Auction of 8th November 2020 lot 567 "The Red House" a 60 x 90cm oil sold for £3000 (hammer) which, not for the first time in recent years, set a new auction record for a painting by William Birnie.Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues. Additional images have been uploaded to our website. 

Lot 272

* JAMES S DAVIS DA PAI RSW FRSA (SCOTTISH b. 1944),LAST EMBERSoil on canvas, signed, titled label versoimage size 28cm x 28cm, overall size 44cm x 44cm Framed and under glass. Label verso: Macaulay Gallery, Stenton.Note: James Davis was born in Scotland in 1944. He studied contemporary painting at the Glasgow School of Art between 1963 and 1967. He specialised in drawing and painting under the tutorage of Scottish artists William Armour and David Donaldson. For more than 40 years James Davis paintings have been exhibited extensively with the Royal Glasgow Institute ( RGI), Royal Scottish Watercolour Society (RSW), Royal Scottish Academy RSA and the Paisley Art Institute ( PAI). James Davis was elected to the RSW in 2003. James Davis paintings are predominantly landscapes, figurative and portraits and he paints in both watercolours and oils. Davis has been the recipient of many art awards for his contemporary paintings including the David Cargill Award; RGI in 2003 and the Reid Kerr Painting Award in 2005. James has established a strong following with leading private and corporate art collectors of contemporary Scottish art. These include: HRH The Duke of Edinburgh; The Royal Collection; Holyrood Palace; King Hussein Family Private collection; Vatican Commission Scott's College Rome; Glasgow City Chambers; Merk Finance; Arisaig Holdings (Singapore) and Strathclyde Education Authorities. His paintings also feature in many private contemporary art collections in the UK, Canada, USA, Italy, Holland, France, Switzerland, Australia and Tasmania.

Lot 274

* DONALD PROVAN (SCOTTISH b. 1964),SHOAL ON PALE GREYoil on panel, signed, titled and dated 2006 versoimage size 32cm x 63cm, overall size 51cm x 82cm Mounted, framed and under glass.Label verso: The Open Eye Gallery, Edinburgh.Note: Edinburgh-based artist Donald Provan is renowned for his water-related paintings. His work centres on two distinct areas; the land or seascape above and the fish life below. Donald graduated from Edinburgh College of Art in 1986 with a degree in Drawing and Painting, and then gained a Post Graduate Diploma in 1987. His preferred medium is oil which he uses in different ways dependent on the subject matter. In his paintings of fish he applies the paint in a controlled way, whilst in his seascapes he uses thicker paint, with washes of turpentine, letting the paint dictate the final direction of the painting. He has participated in numerous exhibitions throughout the UK, and has had many solo exhibitions in Scotland. Provan is the recipient of several major awards including the Elizabeth Greenshields Foundation Grant, Canada in 1987 and 1992 and the Royal Scottish Society of Painters in Watercolour Small Painting Award at the Royal Scottish Academy in 2008. His work is in many private and public collections, including the Royal Bank of Scotland, the University of St Andrews and Edinburgh College of Art. Provan's principal Scottish gallery is the prestigious Open Eye Gallery (Edinburgh) and his most recent solo show there was 9th - 27th March 2021. Donald Provan's work very rarely appears at auction but on 31st October 2020 "Seven Whitefish on Grey" lot 186, a significantly smaller work by Donald Provan, was sold by Ramsay Cornish (Edinburgh) for £1250 (hammer).

Lot 1

Warren Williams A.R.C.A. (British 1863-1941) "Conwy Quay", signed, titled on verso, watercolour.35.5cm x 61cm (14in x 24in)Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 10

William Sidney Cooper (British 1854-1927) Cattle watering, signed and dated 1913, watercolour.22cm x 30cm (8.75in x 11.75in)The painting is in good, original condition. The paper has yellowed slightly across the sheet and there are some minor spots of foxing across the painting. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 100

Thomas Rowden (British 1842-1926) Cattle in a moorland landscape, signed and dated '86, watercolour.47cm x 74cm (18.5in x 29in)Condition report:The painting is in good, original condition with strong colours. The paper has browned slightly across the sheet and there are some minor spots of foxing. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 102

Warren Williams A.R.C.A. (British 1863-1941) "Deganwy", signed, watercolour.25.5cm x 46.5cm (10in x 18.25in)Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 13

James Orrock R.I. (British 1829-1913) "Caernarvon Castle", signed, titled on the mount, pencil and watercolour.15cm x 23cm (6in x 9in)Condition report:The painting is in very good, original condition with strong colours. There are some minor areas of browning across the paper, most notably in the sky. The painting is ornately framed and glazed.

Lot 15

Warren Williams A.R.C.A. (British 1863-1941) "Black Stones, Deganwy Shore looking towards Penmaenmawr", signed, titled on label verso, watercolour.44cm x 74cm (17.25in x 29in)Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor knocks and losses commensurate with age.

Lot 16

William Sidney Cooper (British 1854-1927) Cattle in a river, signed and dated 1910, watercolour.21cm x 28.5cm (8.25in x 11.25in)The painting is in good, original condition. The paper has yellowed slightly across the sheet and there is some foxing and attempted cleaning of foxing across the painting. There is a minor crease to the paper in the upper left-hand corner. The painting is ornately framed and glazed. The frame has some knocks and losses.

Lot 17

After Sir Joshua Reynolds (British 1723-1792) "Lady Elizabeth Foster" and "Lady Lavinia Bingham", unsigned, miniatures, watercolour on ivory.8.5cm x 7cm (3.25in x 2.75in) and 9cm x 7cm (3.5in x 2.75in)Qty: 2Condition report:The paintings are both in very good, original condition with strong colours. There are some minor surface spots of mould in the lower half of one painting. The paintings are both framed and glazed.

Lot 18

Ralph William Bardill A.R.C.A. (British 1876-1935) "Autumn Sunshine, Pen-Y-Bont Cottage, Glan Conway, signed, titled on artist's label verso, watercolour.49.5cm x 75cm (19.5in x 29.5in)Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 19

Warren Williams A.R.C.A. (British 1863-1941) "Dusk", signed, watercolour.22.5cm x 48cm (8.75in x 19in)Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 2

John McDougal (British 1851-1945) Coastal view at sunset, signed and dated 1911, watercolour.19.5cm x 29.5cm (7.75in x 11.75in)Condition report:The painting is in very good, original condition with strong colours. There are some minor areas of browning across the paper. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 21

David West R.S.W. (Scottish 1868-1936) "Covesea, Moray Firth", signed, titled on gilt nameplate, watercolour.34.5cm x 44.5cm (13.5in x 17.5in)Condition report:The painting is in good, original condition with strong colours. There is extensive foxing across the paper and one or two small areas of browning. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 23

Ralph William Bardill A.R.C.A. (British 1876-1935) "The Old Mill", signed and dated 1907, watercolour.39.5cm x 60cm (15.5in x 23.5in)Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 24

Attributed to Thomas William Camm (British 1839-1912) "No. 207 - The Adoration of the Magi", design for a stained glass window, watercolour and ink.28.5cm x 16.5cm (11.25in x 6.5in)Condition report:The painting is in very good, original condition with strong colours. There are some minor spots of foxing across the paper. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 26

William Sidney Cooper (British 1854-1927) "The Stour at Sturry, Kent", signed and dated 1919, titled on verso, watercolour.25cm x 34cm (9.75in x 13.25in)The painting is in good, original condition. The paper has yellowed slightly across the sheet and there are some minor spots of foxing across the painting. The painting is framed and glazed. The frame has some minor knocks and losses.

Lot 27

David West R.S.W. (Scottish 1868-1936) "Sunshine - On the Lossie", signed, titled on artist's label verso, watercolour and pencil.40.5cm x 52cm (16in x 20.5in)Condition report:The painting is in very good, original condition with strong colours. There are some minor spots of foxing and areas of browning across the paper. There are two small insect holes in the paper in the lower half of the sheet. The painting is ornately framed and glazed. The frame has some minor knocks and losses commensurate with age.

Lot 28

English School (18th/19th century) Portrait of a lady, unsigned, miniature, watercolour on ivory.8.5cm x 7cm (3.25in x 2.75in)Condition report:The painting is in good, original condition. The surface of the ivory is concave and there is some minor bubbling across the lower half of the painting with some resultant flecks of paint loss. There is a strip of gilt from the mount running parallel to the left-hand edge of the painting with some resultant flecks of paint loss. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 29

William Sidney Cooper (British 1854-1927) Sheep in a wooded rural landscape, signed and dated 1910, watercolour.34cm x 24cm (13.25in x 9.5in)The painting is in good, original condition. The paper has yellowed slightly across the sheet and there are some minor spots of foxing across the painting. There is some light time staining and browning visible running parallel to the left-hand edge of the sheet. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 30

Circle of Robert Hills O.W.S. (British 1769-1844) "The Young Harvesters", unsigned, watercolour.27.5cm x 41.5cm (10.75in x 16.25in)Condition report:The painting is in good, original condition with strong colours. The paper has browned slightly in some areas and there is some minor foxing across the painting. There is some light time staining and browning around the edges of the paper near the mount board. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 31

David West R.S.W. (Scottish 1868-1936) Cottage in a winter landscape, signed, watercolour and pencil.24.5cm x 38cm (9.5in x 15in)Condition report:The painting is in very good, original condition with strong colours. There are some minor spots of foxing across the paper. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 32

Horace Hammond (British 1842-1926) "Near Stratford-on-Avon", signed, titled on the mount, watercolour.17.5cm x 25cm (6.75in x 9.75in)Condition report:The painting is in good, original condition with strong colours. There are some spots of browning across the paper and around the edges of the sheet near the mount board. The painting is ornately framed and glazed. The frame has some minor knocks and losses commensurate with age.

Lot 33

Warren Williams A.R.C.A. (British 1863-1941) "Conwy Castle", signed, watercolour.19cm x 33cm (7.5in x 13in)Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 38

Warren Williams A.R.C.A. (British 1863-1941) "Conwy Castle from Deganwy Shore", signed, titled on artist's label verso, watercolour.33cm x 52.5cm (13in x 20.75in)Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor knocks and losses commensurate with age.

Lot 39

Frank Gresley (British 1855-1936) "Bridge at Beddgelert", signed, watercolour.20.5cm x 31cm (8in x 12.25in)Condition report:The painting is in very good, original condition. There are some minor areas of browning and one or two spots of foxing across the paper. The painting is ornately framed and glazed. The frame has some minor knocks and losses commensurate with age.

Lot 40

Willie Stephenson R.C.A. (British 1857-1938) "A Grey Morning, Conway", signed, titled on artist's label verso, watercolour.39.5cm x 62cm (15.5in x 24.5in)Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 42

Warren Williams A.R.C.A. (British 1863-1941) Coastal scene with boats and figures, signed, watercolour.24cm x 38.5cm (9.5in x 15.25in)Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 43

Ralph William Bardill A.R.C.A. (British 1876-1935) "The Glen Streams, Glan Conway", signed, titled on artist's label verso, watercolour.35cm x 45cm (13.75in x 17.75in)Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 44

Warren Williams A.R.C.A. (British 1863-1941) "God's Acre, Church Pool, Betws-y-Coed", signed, titled on verso, watercolour.33.5cm x 51cm (13.25in x 20in)Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor knocks and losses commensurate with age.

Lot 45

A.D. Bell R.B.A. (British 1884-1966) "A Surrey Cornfield", signed and dated 1927, titled on the mount, watercolour.24.5cm x 34.5cm (9.5in x 13.5in)Condition report:The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 46

William Wyld (British 1806-1889) "Conwy Castle", signed, watercolour.30cm x 51.5cm (11.75in x 20.25in)The painting is in very good, original condition with strong colours. There are some minor areas of yellowing across the sheet. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 47

Warren Williams A.R.C.A. (British 1863-1941) "Porthdinllaen", signed and titled, watercolour.33.5cm x 51cm (13.25in x 20.25in)Condition report:The painting is in very good, original condition with strong colours. There are some small areas of paint loss across the painting most notably in the sails of the boats. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 48

Albert Dunington (British 1860-1928) "Conwy Castle", signed and dated 1914, titled on the mount, watercolour and pencil.24.5cm x 35.5cm (9.75in x 14in)Condition report:The painting is in good, original condition. The paper has browned slightly across the sheet. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 51

John Cuthbert Salmon (British 1844-1917) "The Conwy Estuary and Penmaenmawr from the Deganwy Shore", signed, watercolour.39.5cm x 59.5cm (15.5in x 23.5in)Condition report:The painting is in very good, original condition with strong colours. The paper has browned slightly in areas across the sheet and there are some minor spots of foxing. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 52

Warren Williams A.R.C.A. (British 1863-1941) Conwy Estuary and Penmaenmawr with boats from the Deganwy Shore, signed, watercolour.24.5cm x 48cm (9.5in x 19in)Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 57

Warren Williams A.R.C.A. (British 1863-1941) "The Road by the Shore, Cemaes", signed, titled on artist's label verso, watercolour.28.5cm x 49.5cm (11.25in x 19.5in)Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 59

Warren Williams A.R.C.A. (British 1863-1941) "The Conwy Estuary and Penmaenmawr from the Deganwy Shore", signed and dated '03, watercolour.27cm x 37cm (10.5in x 14.5in)Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 61

Warren Williams A.R.C.A. (British 1863-1941) "The River Glaslyn, North Wales", signed, watercolour.59.5cm x 89.5cm (23.5in x 35.25in)The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor knocks and losses commensurate with age.

Lot 64

Warren Williams A.R.C.A. (British 1863-1941) "The Marine Drive, Llandudno", signed, titled on verso, watercolour.24cm x 39.5cm (9.5in x 15.5in)Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 66

William J. Corah (British fl. 1880-1920) "In the Sweet Month of May", signed and dated 1891, titled on artist's label verso, watercolour.44cm x 64cm (17.25in x 25.25in)Condition report:The painting is in good, original condition with strong colours. The paper has browned in some areas and there are some spots of foxing across the sheet. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 67

John Chessell Buckler (British 1793-1894) "Caernarvon Castle", signed and dated 1863, watercolour.43cm x 54.5cm (17in x 21.5in)Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 68

Warren Williams A.R.C.A. (British 1863-1941) "Criccieth Castle", signed, watercolour.31.5cm x 48.5cm (12.5in x 19in)Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 7

Warren Williams A.R.C.A. (British 1863-1941) Gypsies on a beach, signed, watercolour.18.5cm x 28cm (7.25in x 11in)Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 70

Warren Williams A.R.C.A. (British 1863-1941) "God's Acre, Church Pool, Betws-y-Coed", signed, watercolour.25.5cm x 35.5cm (10in x 14in)The painting is in very good, original condition with strong colours. There is a small tear in the paper running up from the lower right-hand corner of the sheet and some minor areas of browning across the paper. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 73

British School (19th century) "Conwy Castle", unsigned, titled on label verso, watercolour.12cm x 20cm (4.75in x 7.75in)Condition report:The painting is in very good, original condition with strong colours. There are some minor areas of browning across the paper, most notably in the sky. The painting is ornately framed and glazed.

Lot 76

Warren Williams A.R.C.A. (British 1863-1941) "Sea Waves", signed, watercolour.33.5cm x 51cm (13.25in x 20in)Condition report:The painting is in very good, original condition with strong colours. There are some minor spots of foxing across the sheet and a line of yellowing running parallel to the right-hand edge of the paper. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 77

Emil Albert Krause (German 1866-1922) "The Conwy Estuary", signed and dated 1898, watercolour.49.5cm x 75cm (19.5in x 29.5in)Condition report:The painting is in good, original condition with strong colours. There are some minor areas of browning across the paper and some small tears around the visible edges of the sheet. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 79

Warren Williams A.R.C.A. (British 1863-1941) "Red Wharf Bay, Anglesey", signed, titled on verso, watercolour.23cm x 33.5cm (9in x 13.25in)Condition report:The painting is in very good, original condition with strong colours. There are one or two minor spots of foxing across the paper. The painting is ornately framed and glazed. The frame has some minor knocks and losses commensurate with age.

Lot 81

English School (18th/19th century) Portrait of the Duchess of Rutland, unsigned, miniature, watercolour on ivory.12.5cm x 10cm (5in x 4in)Condition report:The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Lot 82

Ralph William Bardill A.R.C.A. (British 1876-1935) "The Grey Mill, Glan Conway", signed, titled on artist's label verso, watercolour.35cm x 48cm (13.75in x 18.75in)Condition report:The painting is in very good, original condition with strong colours. There are some minor spots of foxing and browning across the sheet. The painting is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

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