We found 59216 price guide item(s) matching your search
There are 59216 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
59216 item(s)/page
Lot 1202
HENRI-MICHEL-ANTOINE CHAPU (1833-1891) FRENCH A VERY GOOD RELIEF CAST BRONZE AND MARBLE SCULPTURE, a young lady seated beneath a blanket on a bench, with a scroll in her hand, books stacked at her feet, mounted on a rouge marble plinth and matching back panel, signed and with foundry stamp. 29ins high x 18ins wide x 6.5ins deep.
Lot 212
A North European walnut bench, mid 19th century, possibly incorporating fruitwood, 84cm high, 188cm wide, 51cm deepCondition Report: Marks, knocks, scratches, abrasions, consistent with age and use,Some joints opening to frame but overall the frame is solid and stable, one rear strut requiring a re-screw. The base beneath the later seat is also later, Some chips and losses to extremities, The front-to-back rails Please refer to additional images for visual reference to condition Additional measurements:The top of the seat cushion from the floor is 50cm The top of the seat rail from the floor is 40cm Condition Report Disclaimer
![ROY KITCHIN [1926-97]. Friction Bench, 1982. wood construction, unique - maquette for large steel sculpture. 16 x 11 x 8 cm.](https://cdn.globalauctionplatform.com/e8dc8f69-d344-4476-81d6-ac6000dc5995/f78365ff-d875-4cfc-8515-ac6000eb15c8/468x382.jpg)
Lot 33
ROY KITCHIN [1926-97]. Friction Bench, 1982. wood construction, unique - maquette for large steel sculpture. 16 x 11 x 8 cm. Provenance: The artist's wife; private collection, UK. See lot 32 for further information on the artist. [very good condition]. Buyers premium of 20% + VAT is payable..
Lot 16
A cast iron bench, designed by Thomas Jekyll (1827-1881) for Barnard, Bishop, Barnard in 1878, cast with Seigaiha wave designs, the sides with Japanesque pierced panels, with birds and foliage, cast 'BBB' logo, 180cm wide58cm deep90cm high, seat 43.5cm highFor a similar design, see Barnard, Bishop, Barnard's catalogue 1884, no. 435.Condition report: Missing wood slats. Braced at the back, one split to the back. Additional images uploaded
Lot 219
A Lenci 'Nella' figure,modelled by Helen König Scavini, as a lady seated on a bench, the reverse forming a box with a cover surmounted with a frog, inscribed 'Lenci/Made in Italy 8.3.932' with star, restored, 23cm high Condition report: Restored extensively. Right hand, legs and shoes, the bench and the cover. Overpainting and sprayed areas to these. Chips to the frog's ears. Sprayed areas to the bench and cover.
Lot 350
Ning Hsia. Nord China. Antik, circa 120 - 160 Jahre alt. 136 cm x 70 cm. Sitzbankteppich, 2 Plätze, Handgeknüpft. Wolle auf Baumwolle. Wohl Naturfarben. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Ning Hsia. North China. Antique, around 120 - 160 years old. 136 cm x 70 cm. Bench carpet for 2 places, hand-knotted. Wool on cotton. Probably natural colors. Rug. Shipping of this object by third party possible. A list of selected trustworthy shipping partners is included with every invoice. The auction house does not ship.
Lot 39
RARE DOULTON GLAZED STONEWARE GARDEN BENCH, c. 1900, the side supports modelled as seated sphinxes, before acanthus and channel scrolled backs with laurel swag embellishments, plinth bases both impressed 'Doulton Lambeth London' in characteristic script, later stained wood seat and back slats, 91 x 76 x 211cms Provenance: At the present owners' property for approximately 30 years. Auctioneer's note: Cf. Alistair Morris, Antiques from the Garden, 1999, p. 180 for detail of an identical model. Also Christie's, 20/1/08 sale, lot 233 for a similar bench formerly the property of L.S. Goddard, late of Camp Hill, Baldwin Estate, Staffordshire. Condition Report: plinth, scroll, eye sockets and noses chipped COLLECTING ITEMS STRICTLY BY PRE-ARRANGED APPOINTMENT / SAFE DELIVERIES CAN BE ARRANGED (PLEASE ENQUIRE)
Lot 1133
III: Commonwealth Coins of 1651, Patterns, Pattern Halfcrown, 1651, by T. Simon and P. Blondeau, in silver, mm. sun on obv. only, shield within wreath of oak and palm, the commonwealth of england, rev. god with vs, conjoined shields, mark of value above, edge in · the · third · yeare · of · freedome · by · gods · blessing · restored · 1651 ·, 15.07g/232.8gr/6h (ESC 62 [443]; Nathanson p.17; N 2731; cf. DNW 75, 331). Very fine, old cabinet toning over lightly reflective fields, very rare £3,000-£4,000 --- Provenance: With G. Hearn 1974; W. Lothian Collection, Spink Auction 62, 19 November 1987, lot 35 [from J. Corbitt]; bt W. Lothian January 1989. Pierre Blondeau came from Paris to England in September 1649, highly recommended for both his honesty and his ingenuity. The most innovative device he had to offer was an edge-marking process which consisted of two metal strips or bars, one fixed to a bench and the second, parallel to it, moved by a wheel. Blondeau’s device offered the prospect of a major improvement in the art of coining in England because its adoption would make possible for the very first time the relatively rapid and uniform edge-marking of mass-produced coins. Wisely, Blondeau kept his method of working secret and sought to give his cause the maximum exposure by publishing, in June 1650, his proposals to Parliament of how he would like to proceed. In 1651 fortune seemed to smile on him for the Mint committee reported in his favour, but the Mint interest, which Blondeau himself claimed included master-worker Aaron Guerdain as well as the moneyers, fought back and the upshot was a competition between the two parties. Since the dozen pieces produced by David Ramage on behalf of the moneyers proved nothing, either in quantity or quality, compared to the 300 specimens edge-marked by Blondeau, there can be no doubt as to the victor in this competition was. Nonetheless, Blondeau could claim no real victory: while the Commonwealth lasted, he remained without formal employment at the Mint (cf. Challis, 1992, pp.329-30)
Lot 1242
XIV: Seals by Simon, Court of the Upper Bench (or Court of Common Pleas) of Ireland, 1655, a cast bronze or brass uniface Counterseal (reverse), Cromwell left on horseback, view of Dublin below, no arms of Ireland in field, olivarivs dei gra reip angliæ scotiæ et hiberniæ &c protector, 82mm, 97.78g (Nathanson p.22; Henfrey p.216 and pl. vi, 14; Vertue xxv; Platt I, p.307; Birch 17351). Solid reverse, graffito on the back, otherwise good fine, pierced at top £240-£300 --- Provenance: Bt Spink
Lot 1243
XIV: Seals by Simon, Court of the Upper Bench (or Court of Common Pleas) of Ireland, 1655, a cast bronze uniface Counterseal (reverse), similar, 82mm, 101.46g (Nathanson p.22; Henfrey p.216 and pl. vi, 14; Vertue xxv; Platt I, p.307; Birch 17351). Two filled piercings, otherwise good fine; with integral loop for suspension £200-£300 --- Provenance: Bt D. Fearon August 2003
Lot 1244
XIV: Seals by Simon, Court of the Upper Bench (or Court of Common Pleas) of Ireland, 1655, a cast lead uniface Counterseal (reverse), similar, 84mm, 153.49g (Nathanson p.22; Henfrey p.216 and pl. vi, 14; Vertue xxv; Platt I, p.307; Birch 17351). Considered to be a proof impression from the die, very fine; pierced at top for suspension £400-£500 --- Provenance: H. Oppenheimer Collection, Christie’s Auction, 27-9 July 1936, lot 306 (part), where it was noted as a “lead proof impression ...”; bt Spink 1978. A direct photo of this seal was loose in Helen Farquhar’s copy of Henfrey, and it is likely that it belonged to her
Lot 1039
A late 19th century oak Gothic Revival bench with floral upholstery to Pugin style shaped supports with pierced detail, height 81cm, width 118cm, depth 42cm.Additional InformationWill benefit from re-upholstery, current carpet upholstery is loosely fitted, there is an added modern pine back board to the upper section of the back, further scuffs and scrapes particularly to the lower section.
Lot 939
A wooden slatted three seater garden bench raised on wrythen twisted wrought iron end supports, length 154cm.Additional InformationThere is an arched central stretcher but it perhaps would be advisable to replace the wooden slats as this piece has been outside for some time. General surface wear.
Lot 474
Capo-di-Monte 1970's Trio of Signed and Good Quality Hand Painted Porcelain Figures. 1/ Tramp on Bench with Bare Feet. 9 Inches - 22.5 cms High. 2/ Shoe Maker - Cobbler, with Sore Thumb, Working. 9.5 Inches Tall. 3/ Elegant Lady In Victorian Dress. 10.75 Inches - 26.90 cms Tall. All Figures are 1st Quality and Mint Condition - Please See Photo.
Loading...-
59216 item(s)/page