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A 1960'S TEAK BENCH/COFFEE TABLE, the triple reversable inserts with cushion seat pads upholstered in red, green and grey, length 125cm x depth 45cm x height 36cm (the seat pads does not comply with the Furniture and Furnishings fire Safety Regulations 1988 and for this reason it should not be used in a private dwelling) (condition:- surface marks, worn upholstery)
A QUANTITY OF BASKETS AND TREEN, to include turned wooden bowls made from various timbers, a model windmill height 36cm, dolls chairs, small bench height 17.5cm, seat approximately 43cm x 18cm, a variety of baskets and hampers, a small Fortnum and Mason hamper, ladies straw sun hat, basket of artificial flowers, laundry hamper, etc (sd) (Qty)
Collection of Theatre Signed Flyers Michael Maloney Hamlet by William Shakespeare flyer signed by Michael Maloney, Lord Arthur Savile's Crime flyer signed by Russ Abbot, Tamburlaine the Great flyer signed by Antony Sher, The Break of Day Flyer signed by Anita Dobson, Alcestis flyer signed by director Barrie Rutter, The Shell Seekers flyer signed by Karen Drury, Signed Tour Dates of Fred Macaulay by Fred Macaulay, Five Blue Haired Ladies Sitting on A Green Park Bench flyer signed by Anne Charleston. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Terry WHYBROW (1932-2020)Park Bench, ReliefMixed media Signed to verso 56x56cmTerry Whybrow 1932 - 2020Terry was born in St Pancras, London where he trained and worked as a furniture designer for many years before moving to Cornwall in 1980 with his wife the art historian and novelist Marion. He then took up painting full-time and was heavily influenced by the St Ives abstract movement of the mid-twentieth century. His work travelled through figuration, abstraction and back; he felt that when living in London his 'paintings were hard-edged abstractions of urban life,' but since coming to Cornwall 'all previous ideas and influences were overshadowed by the strength and textures of Cornwall'. Terry was widely exhibited and he found commercial success as the shapes and forms of his early work gradually developed into the fruit and bowls of the meticulous still-lives for which he became well known. His paintings are held in private collections around the globe, and in Cornwall. Falmouth Art Gallery also holds his work in their public collection.

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59216 item(s)/page