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Lot 486
A Private Detective badge and badge wallet used by Mickey Spillane as Mike Hammer in The Girl Hunters (20th Century Fox, 1963); housed together with a copy of Spillane's own Concealed Weapons permit, and a framed photograph of Spillane in the role. Spillane was one of the most read and sold authors in history with sales of 225 million books, mostly about hardboiled detective Mike Hammer. Several Hammer books were made into films, such as I, The Jury (United Artists, 1953), Kiss Me Deadly (United Artists, 1955), and The Girl Hunters (Fellane Productions,1963). In the latter, Spillane himself starred as the hard-boiled detective, and kept the badge following production. The Girl Hunter was a rare film in which Spillane starred as his own creation, co-starring Bond girl Shirley Eaton (Goldfinger [United Artists, 1964]). Spillane kept the badge on a bench in his hallway, with the gun from the film and his hat. His trademark trenchcoat was hung on the wall with several images of him in costume. He often posed with guests in front of the images. Later in life, he was one of the TV spokesmen for Miller Lite Beer in a series of humorous commercials.These pieces were originally purchased from Spillane's estate.13.5 x 16.75 x 1 inches
Lot 121
A Vintage Sterling Silver Charm Bracelet - Loaded with 16 Sterling Silver Charms. All Marked for Silver. Comprises Horse and Horse Shoe, Wishing Well, Old Ford Car, Fish, Chest, Figures on a Bench, Kings, Crown, Tankard, Pair of Ballerinas Shoes, Bunch of Ring, Acorn etc. All Marked for Silver. Weight 77.5 grams. All In Excellent Condition.
Lot 505
A REGENCY IRON STRAPWORK BENCH EARLY 19TH CENTURY 152cm wide, 85.5cm high, 57cm deep at the pad feet Condition Report: Weathering and with colour variance from garden positioning. Later pads to feet- one bolt missing to back seat strap. Paint lifting as per age and exposure and with various layers of paint now visible. Some rust visible to joints and underside- ground contact staining.With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Please see additional images for visual references to condition which form part of this condition report. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 512
A CARVED AND PAINTED TEAK 'ROUSHAM HOUSE' GARDEN BENCH AFTER THE 18TH CENTURY DESIGN, OF RECENT MANUFACTURE After William Kent's bench supplied for Rousham House, pale blue and cream decoration to the curved frame 183.5cm wide, 98cm high, 57cm deep Condition Report: Mild wear, marks, knocks and scratches as per modern age, handling, use, weathering, and cleaning. Some greening to recessed areas and staining from ground contact. Some initial signs of wood shrinkage notably to back panels and with developing paint loss at junction point of seat and back Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 45
An early 20th century oak hall bench, the arched upper section fitted with circular mirror surrounded by coat hooks, above a hinged storage compartment flanked by stick stands with drip trays, raised on stile supports, 181 x 71 x 34cm.Condition Report: overall solid but used condition with wear to the staining on the bench seat.
Lot 638
†JACK SHORE RCA (1922-2008); mixed media, two figures seated on a pier bench, with the beach and sea beyond, signed, 38 x 27cm, framed and glazed.Condition Report: †This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org
Lot 741
A CAST STONE BENCH, the moulded edged oblong seat raised on flower moulded square section end suppports each with shaped ogee shaped fascia, 54" x 16" x 18" (Est. plus 24% premium inc. VAT)Condition Report: Good bar chip to one top front corner of support, not visible when seat is on, very minor chip to base of same
Lot 200
John Vanderbank (1694-1739)Gaetano Berenstadt, Francesca Cuzzoni and Senesino performing Handel's FlavioEngraving18.8 x 26.5cm; 7½ x 10½in (sheet)UnframedTogether with Thomas Cook (c.1744-1818) after William Hogarth (1697-1764); The Bench; Etching and engraving; 21.2 x 24.5cm; 8¼ x 9¾in; Unframed (2)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s
Lot 6064
(Private Press, Typography, Illustrated), 8 titles, including Melvyn Bragg, Seamus Heaney et al: 'Poems for Alan Hancox', Whittington Press, 1993, limited edition, (48/350), numbered, 4to (29 x 20cm), original quarter cloth gilt, patterned paper covered boards; Miriam Macgregor: 'Country Chaos', Whittington Press, 1980, limited edition (630), illustrated throughout, original spiral bound pictorial card wraps; Frank Berry: 'Bench, Saw & Plane: A Cotswold Apprenticeship', Whittington Press, 1988, limited edition, one of 350 copies only, signed by the author,orig. pictorial card wraps; 'Nine Artists & A Press [Catalogue for an exhibition of the work of nine artists working for the Whittington Press, held at the Fiery Beacon Gallery, 2-17 December 1989]', Whittington Press, 1989, limited edition (950), ills. by Hellmuth Weissenborn, John O'Connor etc, orig. stitched pictorial card wraps; 'Shall we join the Ladies?': Wood Engravings by Women Artists of the Twentieth Century', Oxford, Studio One Gallery, 1979, limited edition, number 430 of 500 copies only, wood engraved ills. (some folding) by Tirzah Garwood, Joan Hassall, Clare Leighton, Enid Marx, Gwen Raverat etc, folio, original cloth gilt; 'Portfolio Three: A Further Collection of Resettings, Specimen Settings & Display Settings Printed By Will & Sebastian Carter at the Rampant Lions Press, Cambridge, England, 1982', 1982, limited to "about 500 copies", 20 quarto and folio loose sample sheets of printing and display settings carried out by Will and Sebastian Carter at the Rampant Lions Press, Cambridge, between 1975 and 1982, plus 4 leaves photographs of carvings, housed loose as issued together in original card portfolio; 'Cock-A-Hoop. A Bibliography of the Golden Cockerel Press September 1949-December 1961 with a list of Prospectuses 1920-62', Private Libraries Association, 1976, unlimited edition, ills. by Eric Gill, Eric Ravilious, John Buckland-Wright et al, orig. cloth, dust wrapper; 'La Belle O'Morphi', Golden Cockerel Press, 1947, limited edition, (234/750), numbered, a/f, waterstaining to covers and leaves throughout, original pictorial cloth gilt (8)
Lot 546
Victorian work bench, shelf joining the supports, iron mounted, length 103cm, width 58cm, height 68cm.Condition report:The shelf boards have evidence of old worm activity but it doesn't appear to still be live. The structure is sold and sound. Some natural splitting in the thicker top planks through drying. Some wear/ cuts/ scars through use on the top. Do note dimensions, it is very low and short.
Lot 2069
A weathered three sectional composition stone garden bench, the curved slab seat with classical repeating egg moulded surround raised on scrolled lions paw supports, 108 cm wide x 38 cm deep x 45 cm high together with a further weathered composition stone garden ornament in the form of a maiden releasing a bird 70 cm high (2)
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59216 item(s)/page