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390024 Los(e)/Seite
Registration - XPL 502GChassis No. - CA2SB/1296970AM.O.T. - ExemptOdometer - 45,255Immaculate in Island Blue, this example of Austin’s Mini Cooper MkII has undergone a complete restoration and, as such, is a highly-desirable way to get into classic Mini ownership. Powered by the 1.0-litre four-cylinder engine from the period, matched to a four-speed manual gearbox, ‘XPL 502G’ is described as in ‘better than factory’ condition by the vendor, who has had the Mini restored by renowned firm Retro Refinishers of Cannock. After a full body rebuild, with new heritage panels where required, undersealing and Waxoyl, ‘XPL 502G’ is finished in its original colour of Island Blue bodywork with Snowberry White roof. The interior is trimmed in black, and has also been subject to restoration, with seats and door cards in excellent condition, while upgrades include a conversion to dry suspension, 7.5-inch Cooper S brake discs, electronic ignition, phosphor bronze brake lines, stainless steel exhaust, and adapted engine for unleaded petrol. Other than that, the engine, carburettors, and transmission have not been upgraded or tuned. All work has been sympathetically completed, retaining the charm of the classic Mini. The speedometer has period Cooper yellow gear change markings, and upholstery, carpets, and metal-work have been worked on, with everything kept as original or in-period as possible. More than £25,000 has been spent on reconditioning ‘XPL 502G’ with a folder full of paperwork covering work completed, as well as a full history of the Mini including heritage certificate and previous owner log books. The present owner is just the sixth in more than 55 years of ‘XPL 502G’ being on the road, having owned it for over nine years, with the restoration coming in 2016. Since then, it has been dry-stored and driven infrequently, having covered only 400 miles since, according to the vendor. Unsurprisingly, they describe all areas of the Mini as in ‘excellent’ condition, from engine and transmission, through to electrics, interior, paint, and bodywork. The odometer shows just 45,255 miles, which are unwarranted, but should that be correct, would represent a very low mileage example for its age. This beautiful car is a brilliant buy for anyone looking at classic Minis. With the reverberations of the 1956-1957 Suez Crisis being felt worldwide, Leonard Lord lost little time in commissioning Alec Issigonis to begin work on a radical small car project. Apart from the constraint of using existing BMC mechanical assemblies, and a brief to house four adults plus their luggage within as small a space as possible, the brilliant Issigonis was given carte blanche. His response was the now legendary Mini. Featuring an ingenious transverse-mounted powertrain (with engine sat atop the gearbox), all-round independent 'rubber cone' suspension, front-wheel drive and compact rack and pinion steering, the newcomer was a packaging masterpiece; not to mention one of the most influential automotive designs ever conceived. The MkII version (1967-1970) brought a redesigned grille and larger rear window, with around 429,000 units produced during the MkII run. In summary:Wonderfully presented example of the Mk II Austin Mini CooperFully and sympathetically restoredOnly a handful of miles covered since restoration
Niger/Benin Bronze AfrikaBronze, H: 30 cm, Gewicht ca. 2890 g, Provenienz: Nachlass Dr. Alexander Arnot (1931-2023).Diplomat und Botschafter der Bundesrepublik Deutschland. Von 1962- 1967 Legationsrat in Benin und ab 1970 Botschafter in Niger. Laut Angaben seiner Schwester handelt es sich um ein offizielles Abschiedsgeschenk für den scheidenden Legationsrat.
‡ JONAH JONES (English/Welsh 1919-2004) limited edition of 37 cast bronze sculptural art medal, 1985 for the British Art Medal Society - side-profile of Dylan Thomas head right, verso 'Dylan Thomas 1914-1953, Time held me green and dying', 12.8cms diam.Provenance: private collection London, related paperwork retained for purchaserComments: no issues
‡ HUGH OLOFF DE WET (British 1912-1975) limited edition (one of nine) bronze - head of poet Dylan Thomas on a cubic black marble base, 10.4cms highProvenance: private collection London, to accompany a letter dated 20.10.1972, to the vendor written and signed by artist/ art writer, and friend of Dylan Thomas, Mervyn Levy (1914-1996) on Savage Club, London headed paper. The letter states that the bronze is a study towards a portrait which is owned by the Royal Festival Hall. The bronze portrait at the RFH is thought to be the only sculpture of the poet produced while he was still alive, also to accompany press cuttings on De Wet including The Daily Telegraph obituary 'Sculptor Jailed by Nazi Dies'

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390024 Los(e)/Seite