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390024 Los(e)/Seite
Los 820
George Knapton (British, 1698-1778) Portrait of Miss Lucinda Holt of Redgrave (1719-1792), half-length, in white, wearing a blue rosette, blue ribbons in her hair, pearl earrings and a pink shawl signed lower left "Knapton / pxt. 1750" oil on canvas, a painted oval, in a carved and giltwood frame , 75 x 62 cmProvenance: By descent within the family of the sitter at Redgrave Hall, Suffolk. Lucinda Holt married Thomas Wilson (see Lot 815) , a Barrister of Gray's Inn, and Chief Justice of Dominica, in 1752; Lucinda Holt was the heiress of her brother, Thomas at Redgrave Hall.Lined canvas. Paint layer is stable and secure. Very uneven and yellowed varnish - caught in texture of paint and becoming matte in areas. Sections of frame has bronze paint over gilding. Surface dirt present.
Los 886
Rosa Bonheur (1822-99), a bronze figure of a bull, the beast walking across a rectangular base rounded at the narrow ends, signed, 27cm (10.75 in) wide Rosa Bonheur (1822-1899) was a French animalière and sculptor. Her best known paintings, Ploughing in the Nivernais and the Horse Fair, hang in the Musée d'Orsay and the Metropolitan Museum, New York, respectively. Bonheur had failed her apprenticeship as a seamstress so her father, himself an artist, agreed to take her on as his apprentice. The realism she achieved in her art was borne from many years study of animals, including studying the anatomy of animals in the abattoirs of Paris and carrying out dissections at the Paris veterinary school. Her work was well known in England through the dealer Ernest Gambart and much admired by Queen Victoria. Bonheur was a member of the New Woman movement; a feminist movement of the late 19th century and was famous for wearing men's trousers, having at one point been given a permit by the police to wear them whilst working in the slaughterhouses. Bonheur loved depicting bulls and made several sculptures, the largest of which in Fontainebleau was melted down by the Nazi's in 1941. In 1857, Edouard Louis Dubufe, painted her portrait with a bull, symbolic of her work as an animalière.
Los 899
A 19th century bronze inkwell and cover, the latter surmounted by the infant Hercules kneeling on the skin of the Nemean lion while tackling a serpent in each hand, the cylindrical sides of the well cast in relief with scenes from the hero's tasks above three paw feet resting on red and black mottled marble circular plinth, 20cm (8 in) high (2)
Los 1025
A 19th century French marble and ormolu mounted clock garniture, the neo classical style case surmounted with a bronze female bust, probably Diana, with crescent mount to her hair, above a black dial marked 'Rollin / R de Dunkerque, Paris', with countwheel bell striking drum movement, female caryatid front corners to the case, together with an accompanying pair of urn ornaments 52cm (20in)
Los 1027
A 19th century three piece champleve enamel clock garniture, the bronze case surmounted by a two handled urn above 8.5cm gilt dial, bell striking drum movement, all flanked by two quivers of arrows, upon a shaped base and disk feet, with an accompanying pair of amorini stem three light candelabra (3) 41cm (16in) one candlestick repaired (see photo). Surface lacquer worn in places. Enamelling mostly in good order, though dirty in places. Movement not tested for any length of time.
Los 344
AFTER JOSEF LORENZL-VIVIAN, an Art Deco silvered and patinated bronze figure of a nude female dancer, standing on her right leg on a rounded base, stamped "Real Bronze, Made in Austria", "VIVIAN", 10 1/2" high, fixed onto a green onyx square column and canted oblong plinth with bronze brackets, 14" high overall (Illustrated)
Los 345
AFTER JOSEF LORENZL - an Art Deco silvered and patinated bronze figure of a nude female with a draped shawl over her arms standing on a circular base, stamped "R. Lor", 9 1/4" high, fixed onto a green onyx flared cylindrical column and stepped circular plinth, 13 1/2" high overall (Illustrated)
Los 347
A PAIR OF JAPANESE BRONZE VASES, late 19th century, of baluster form with cast pierced handles, inlaid in mixed metals with birds of prey amidst foliage on an engraved ground, unmarked, 12 1/2" high, together with a similar cushion shaped box and lift off cover, inlaid and applied with a finch and moth amidst flowers over a river, 7 3/4" diameter (2)
Los 143
A bronze PDM (Petroleum Dive Mask) Mk V dive mask by Triple X Enterprises:, number '227', side air control with reserve, second stage exhaust with primary exhausts to either side, comms connection lower left, non-return drain to base, 24cm wide. * see page 228, vol 1, 'Diving Helmets and Equipment Through The Ages'.
Los 144
A bronze PDM (Petroleum Dive Mask) Mk iV dive mask by Triple X Enterprises:, number '54', side air control with reserve, with primary exhausts to either side, comms connection lower left, non-return drain to base, neoprene hood with headphones, numbered '40-01-111' to rim of faceplate 24cm wide. * see page 228, vol 1, 'Diving Helmets and Equipment Through The Ages'.
Los 152
An early C. Vu diving helmet:, the plated bronze half mask fitted side inlet with reserve, binding posts and comms to front of glass, heavy duty adjustable rubber spider with head cap, inscribed to front on frame, 'Maritime Offshore Projects No98F', and 'C, Vu' to rubber seal, 24cm wide. * see page 237, vol 1, 'Diving Helmets and Equipment Through The Ages'.
Los 197
A bronze two cylinder single acting pump by Morse Diving Equipment Company, Boston:, number '6847' the wooden handle two section lever operating horizontally opposed cylinders with two air inlets and single outlet with non-return valve, maker's plaque as per title, 57cm wide. * see page 56, vol 2, 'Diving Helmets and Equipment Through The Ages'.
Los 289
Two Russian diver's knives:, one non-magnetic version with bronze blade and scabbard, the other with steel bade, both with moulded black rubber grip and brass pommel with lanyard fixing, leather frogs and brass belt clips, 33cm long. * see page 111, vol 2, 'Diving Helmets and Equipment Through The Ages'.
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390024 Los(e)/Seite