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390032 Los(e)/Seite
Los 170
† DAN KELLY (born 1953); a collapsed stoneware vessel form covered in bronze glaze with running green ash top, made circa 2019, length 31.5cm.Kelly is one of ten artists selected for the 2023 British Ceramics Biennial headline exhibition Award.Provenance: Shane Enright collection.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Los 653
† ROBIN WELCH (1936-2019); a cylindrical stoneware vessel covered in bands of grey, bronze and mauve glaze separated by thin bands of turquoise, impressed mark, collection sticker, height 27cm.Provenance: Artist's collection.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Los 433
† LUCIE RIE (1902-1995); a porcelain footed bowl covered in uranium yellow glaze with manganese and bronze rim, impressed LR mark, made circa 1957, diameter 15cm, height 11cm, with a sales receipt from Oxford Gallery, dated 1981.Provenance: Purchased from Oxford Gallery, 6 February 1981.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Los 127
† CHRIS CARTER (born 1945); a stoneware bowl with textured surface covered in ochre glaze with bronze rim and lilac to the well, impressed CCP mark, diameter 25cm, and a smaller example with lilac blushes (2).Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Los 652
† ROBIN WELCH (1936-2019); a cylindrical stoneware vessel covered in bands of grey and bronze glaze separated by thin bands of black and blue, impressed mark, height 26cm, and a closely matching smaller example (2).Condition Report: Nick to rim of taller vessel, otherwise appears good with no further signs of faults, damage or restorations.
Los 660
† ROBIN WELCH (1936-2019); a tall stoneware vessel with pierced pale blue top and bronze rim and partially textured surface covered in grey glaze with iron speckles, decorated with bands of pale blue and green glaze and pink and white enamel, impressed RW mark, height 60.5cm. Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Los 331
A WWII Second World War Third Reich Nazi German Kriegsmarine High Seas Fleet badge. The badge having a forward sailing battleship to the centre surrounded by an outer bronze colour wreath of oak leaves with the German Eagle to the top clutching a Swastika. Marked to the reverse FEC. ADOLF BOCK AUSF. SCHWERIN BERLIN.Note; from a large private collection of militaria. Due to the nature of the items, buyers are reminded for the need to satisfy themselves as to condition / originality / authenticity prior to bidding. All lots remains sold strictly 'as is' irrespective of any description.
Los 500
Rabindranath Tagore (1861-1941) - Bengali Polymath - two items owned and used by Tagore, comprising a cast iron pestle and mortar (for Betel leaves), and a larger bronze charger with flared edges. Charger measures approx; 27cm diameterProvenance; these utensils were once owned by Satish Chandra Roy - Indian politician and freedom fighter. Several documented meetings between Tagore and Satish Chandra Roy are known, and these utensils were given during a meeting in Bolpur.. A note of provenance is supplied by the vendor (a relative of Satish Chandra Roy), and the vendor is happy to share their contact information with the winning bidder should any further provenance be required. The exact contents of the provenance letter will be supplied to the winning bidder only.Gurudev Rabindranath Tagore FRAS (1861 – 1941) was a Bengali polymath who worked as a poet, writer, playwright, composer, philosopher, social reformer and painter. He reshaped Bengali literature and music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of the "profoundly sensitive, fresh and beautiful" poetry of Gitanjali, he became in 1913 the first non-European and the first lyricist to win the Nobel Prize in Literature. Tagore's poetic songs were viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal. He was a fellow of the Royal Asiatic Society. Referred to as "the Bard of Bengal", Tagore was known by sobriquets: Gurudeb, Kobiguru, Biswokobi.
Los 501
Mahatma Gandhi (1869-1948) - a collection of Gandhi's personally owned and used food bowls and charger. Comprising; two small turned bronze rice bowls, a large brass rice cooking bowl, and a larger hammered bronze charger / platter with 'Love' (in Bengali) also engraved to the rim. The plates are accompanied by two traditional stoneware items; a shallow dish and platter (both with extensive damage) which were also used to serve Gandhi fruit. The largest of the four (the bronze charger) measures approx; 35cm diameter.Provenance; these utensils were once owned by Satish Chandra Roy - Indian politician and freedom fighter. Several documented meetings between Gandhi and Satish Chandra Roy are known. In 1945/46 Mahatma Gandhi stayed with Satish Chandra Roy at his house in Narsingdi Gram (district), now Bangladesh, for a period of three days. Whilst staying with Satish Chandra Roy, Gandhi carried out all his meetings with local politicians and dignitaries. When leaving, Gandhi left behind these items and they were kept as souvenirs. A letter of provenance is supplied by the vendor (a relative of Satish Chandra Roy), and the vendor is happy to share their contact information with the winning bidder should any further provenance be required. The exact contents of the provenance letter will be supplied to the winning bidder only.
Los 2422
French gilt bronze and champleve enamel clock, 19th Century, the case of architectural design with four finials and columns, mounted with winged putti, on squat bun feet, the dial with Roman numeral chapter ring, the movement signed by Le Roy and Sons, Paris, no 9139, with key and pendulum, 53.5cm highCondition Report: We have not set up this clock to work, so it would be recommended to consult a clock repairer to service the movement and check its time keeping.The hands are in need of straighteningThere is wear and surface scratching to the ormolu and general household dust apparent.
Los 2424
French white marble and gilt bronze clock garniture, late 19th Century, the clock with white enamel dial with Arabic numeral chapter ring, signed Louis Girard, 63 Rue de la Pomme, Toulouse, the movement with count wheel striking, with pendulum and key, 30cm high, together with a pair of two branch candelabra, 24cm high (3)
![Utagawa Kuniyoshi [1798-1861], an oban tate-e portrait of the famous Emperor Go-Daigo loyalist, Kusunoki Masashige from the W](https://cdn.globalauctionplatform.com/a7add664-8865-4e38-8521-afbd00f5c511/8e47b4d6-2e2b-4ff5-869e-afcb010e97b5/468x382.jpg)
Los 2085
Utagawa Kuniyoshi [1798-1861], an oban tate-e portrait of the famous Emperor Go-Daigo loyalist, Kusunoki Masashige from the Warrior series Meiko Hyaku Yuden; published by Izumiya IchibeiCompare another example of this print in the British Museum, No. 2008.3037.15307Kusunoki Masashige [1294-1336] found fame as a loyal defender of the Emperor Go-Daigo during the tumultuous years of the Nanbokucho period in the 14th Century. Masahige's opposition to the power of the Ashikaga Shoguns found fertile ground during the Meiji Restoration, and a huge, bronze equestrian figure of him was placed close to Tokyo's Babasaki Gate in 1900 ['Meiji Revisited'/The sites of Victorian Japan' by Dallas Finn/page 162 refers]. Kuniyoshi's design with a compass and globe is interesting; Henri Joly mentions a netsuke of Kusunoki in the Gilbertson Collection, carved with Kusunoki holding a Mariner's compass ['Legend in Japanese Art'/page 309, refers]. Although there was a significant market for Kuniyoshi's historical portraits, the Bakufu were highly sensitive regarding images that could be interpreted as critical of the Tokugawa regime. Kuniyoshi's triptych of Raiko and the Earth Spider, for instance, precipitated a confrontation with the Bakufu censors, and Kuniyoshi was forced to destroy the offending blocks in order to avoid further trouble [Source: page 114 of 'Japanese Prints/Ukiyo-e in Edo, 1700-1900' by Ellis Tinios, British Museum Press, 2010.]Condition Report: Left hand side visibly trimmed.
Los 19
Tim Cotterill 'Frogman' (British 1950-) "Hedge Fun" With engraved signature and numbered 92/250, with numbered certificate of authenticity, limited edition bronze sculpture with hand-applied patina.length 20cm (8in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The sculpture is in very good, original condition with no obvious faults to report.
Los 53
A single long drawer over two doors, all mounted with gilt bronze moldings, the interior with room for adjustable shelf, plain edge base on bun feet.(H: 38 in. W: 53 1/4 in. D: 19 in.)ProvenanceCollection of Alan I. and Dianne Kay, Bethesda, Maryland.The Estate of Alan I. and Dianne Kay, Bethesda, Maryland.includes keyTo receive a condition report, additional images or for any other information, please email Andrew Taggart at ataggart@freemansauction.com
Los 67
Incised with the Artist's initials and numbered 'EN/5/6' along the base, to the right; also stamped with the conjoined initials of the Modern Art Foundry 'MA,' the symbol of the Art Founders Guild and dated '1982' on the rear of base, bronze with black patinaHeight: 27 1/2 in. (69.9cm)Width: 15 in. (38.1cm)Depth: 12 1/2 in. (31.8cm)Base: 4 1/2 x 10 x 10 in. (11.4 x 25.4 x 25.4cm)Conceived circa 1926, posthumously cast in 1982. Edition of 6.ProvenanceEstate of Elie Nadelman.Kent Fine Art Inc., New York, New York.Acquired directly from the above in 1986.Collection of Alan I. and Dianne Kay, Bethesda, Maryland.The Estate of Alan I. and Dianne Kay, Bethesda, Maryland.Exhibition"Masters of Modern and Contemporary Sculpture," Marlborough Gallery, New York, November 8-December 4, 1984, no. 49 (illustrated).LiteratureLincoln Kirstein, Elie Nadelman, Eakins Press, New York, 1973, no. 71, p. 294 (in reference to the galvano plastique).Masters of Modern and Contemporary Sculpture, Marlborough Gallery, New York, 1984, no. 49 (illustrated).Barbara Haskell, Elie Nadelman: Sculptor of Modern Life, New York, 2003, pp. 157, 159 and 166, fig. 189 (another example illustrated). To receive additional images or for any other information, please email Raphaël Chatroux at rchatroux@freemansauction.com
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390032 Los(e)/Seite