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390024 Los(e)/Seite
Los 163
Dylan Lewis (South African, born 1964)Leopard, S186 signed and numbered 'Dylan Lewis/ 14/15/ S186', further bears the foundry mark 'SCS/ FOUNDRY' (to the trunk below the back left leg)bronze on Perspex base 33 x 93.3 x 33cm (13 x 36 3/4 x 11 7/16in). (including Perspex base) Footnotes:Widely considered to dominate the in the animal sculptural arena on a global scale, Dylan Lewis presents us with a striking work, emblematic of his distinctive style, yet wonderfully distinctive from his wider oeuvre. The sculptor's overwhelming success can be credited not only to the bold technique of his application, but also the sheer passion in which he executes his sculptures. Fed by an intuitive love for the rawness of the African wilderness, his work wholeheartedly reflects his commitment to his subjects. Lewis's devotion the outdoors and wilderness are stooped in his upbringing, holidaying with his family in wilderness and areas of outstanding beauty. These groundings in his artistic process have remained present to this day with a mountain range viewable from his Stellenbosch home. The terrain of the mountainous landscape resonates with the iconic impasto texture that his sculptures adopt.Robust yet gracefully tranquil, the gravitas of the present work makes it an impactful and striking work. Differing from his other feline studies, the present subject is presented in a resting state, a testament to the sculptor's well-rounded studies and understanding of the leopard form. Resonating with its solitary nature, the leopard became a favoured subject following an interaction he had with a captured leopard kept in a sanctuary near his home. Indeed, beyond their metaphorical reflective presence as the subject of Lewis's work, the subject is here displayed as a wild animal interacting with it's habitat, also bringing attention to the environments threatened existence.For further information on this lot please visit Bonhams.com
Los 142
Benedict Chukwukadibia Enwonwu M.B.E (Nigerian, 1917-1994)Bust of a young boy bronze on wooden plinth 33 x 18 x 19cm (13 x 7 1/16 x 7 1/2in). (including base)Footnotes:ProvenanceA private collection.The qualities of the present lot show the refined rendering and the textual qualities that the artist had also favoured in his wood sculptures. It could be said that Ben Enwonwu's earliest artistic depictions were in sculpture given that he used to carve his own toys as a child. In his later bronze works, often depicting people of personal significance to Enwonwu, sculptural portraiture was an practise of the artist that displays an extension of his extensive artistic talents. So skilful was his technique that in 1956 he received a portrait commission of Queen Elizabeth II to commemorate her visit to Nigeria earlier that year. Working in London, he conducted preliminary sketches and clay models of the monarch in his own studio before relocating to the Maida Vale studio of his colleague at the Royal Society of British Artists, Sir William Reid-Dick, as the work increased in scale. In an interview conducted with the artist in 1988, Sylvester Ogbechie relates, 'Enwonwu completed his clay model of the Queen's portrait in July 1957 and had it cast in bronze by Guilio Galicie, an Italian bronze caster resident in London, from a plaster cast prepared in the studio of Frederico Mancini' (Ogbechie, 2008: p. 138).BibliographySylvester Okwunodu Ogbechie, Ben Enwonwu: The Making of an African Modernist (Rochester, NY: 2008)For further information on this lot please visit Bonhams.com
Los 800
BRONZED SPELTER SCULPTURE OF A FEMALE WITH BOW, 20TH CENTURY, OF ART DECO DESIGN modelled with a dog at her leg, on a stepped circular plinth85cm highPlease note while previously catalogued as bronze this sculpture is very likely to be bronzed spelter and has been amended as such; many loose pieces to interior which can be heard and felt when statue is tipped up, a hole to her partial robe also suggests this; further casting flaws, pitting, surface scratches, no other major damages to note, casting somewhat crude, particularly to ends of bow
Los 863
PETER TERESZCZUK, AUSTRIAN-UKRANIAN, 1875-1963, L'ELEGANTE AU SOULIER the bronze and ivory figure signed to base and bearing foundry mark, on rectangular veined marble baseThis lot contains elephant ivory material. Several countries, including in the EU and USA, prohibit the importation of ivory items unless under specific conditions. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.Ivory Act 2018 (2022) compliant with APHA registration reference 2TU5CJDP. 20cm high
Los 61
Bronze Cherub After Auguste Moreau ( French 1834-1917) After Auguste Moreau ( French 1834-1917) bronze figure of a cherub, likely Cupid, with a bow and holding a shield, raised on a stepped marble base, signed 'A. Moreau' to the bronze section of the base and stamped 'Bronze Garanti Paris, Deposee'39cm high
Los 207
Pair of Bronze Neoclassical Urns Pair of early 20th century neoclassical bronze twin-handled urns with tableau decoration, on black marble stepped bases the lower rim with a brass edge29cm highOne of the panels had been reattached to the main frame at some point. Some discoloration and green patination, mostly to the base.
Los 60
Isidore Jules Bonheur (French 1827-1901) Mare and Foal Isidore Jules Bonheur (French 1827-1901) bronze model of a mare and foal, standing on a naturalistic oval base, signed32cm wideThe tail of the mare has been reattached but is still loose to the touch. Also, there is a crack running the length of the mane at the rear of the sculpture. Please see the additional images.
Los 62
Lucy Gwendolen Williams (1870-1955) Bronze Figure of a Seated Boy Lucy Gwendolen Williams (1870-1955) Bronze figure of a seated boy on a rock holding a drinking horn over a lidded pot, 'LGW' signature to the side of the rock, on a green marble plinth. Underside of base with remnants of a sticker for the 'City of Bradford, Corporation Art Gallery, Cartwright Memorial Hall.'24cm highSome chips and losses to the top edge of the marble base
Los 65
Horse Racing Sculpture After Paul Louis Emile Loiseau-Rousseau After Paul Louis Emile Loiseau-Rousseau (French 1861-1927), large cast bronze model of two racehorses and jockeys jumping a fence on a naturalistic base, signed E. Loiseau and stepped marble plinth42cm wideRubbed with wire wool or a similar abrasive material exposing the bronze colour below in numerous areas
Los 1153
A boxed special edition Novak Djokovic Seiko 7D56 Kinetic Perpetual chronograph wristwatch. Stainless steel strap and case with gold tone bezel. Metallic brown face with bronze hour markers and hands. Seconds hand and date function. 10 bar water resistant. With original paperwork. In working order.
Los 99
Antiquities A Roman bronze lamp ring 23cm approximate diameter, two stone fragments and a Roman Late Imperial, late 2nd–mid-3rd century CE lead sarcophagus end 48.5x41cm The sarcophagus end was bought as a part lot at Christie's c.1989. It was undiscribed. There is no documentation to support this.
Los 96
Grand Tour etc. A Grand Tour bust 15cm, a marble pedestal from Castle Howard 22x14.5cm 15cm high, a gilt bronze handle from the Deepdene home of Thomas Hope 20.5cm, a Grand Tour stone pedestal, 14.5cm, a stone pen tray 27cm. Peter recalls with with clarity his acquisition of the provenanced pieces. There is no documentary evidence.Pen stand damaged.
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390024 Los(e)/Seite