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390032 Los(e)/Seite
Los 208
Arte Cinese . A gilded bronze dated stele depicting a bodhisattva with flaming halo and bearing incised inscriptions on the square base and at the rear of the halo China, dated 5th April 551 CE., Qing dynasty or earlier. On a tall square base with carved inscriptions, lays a second base shaped as a double lotus flower, on which the bodhisattva, perhaps Akasagarbha, stands, adorned by the usual jewels. Further inscriptions are on the back of the flaming halo that surrounds him. Inscriptions: memorial statue sculpted in the Qi period, during the reign of the emperor Timbao (550-559 AD) in the 8th sexagesimal cycle (551 AD). Also, on the base: first district, work gifted on the fifth day of the fourth lunar month (April 5). . Cm 27,50.
Los 813
A pair of late 19th/early 20th Century parcel gilt and patinated bronze candlesticks, the urn-shaped sconce above arms holding lustre drops, the sphinx with feather decorated crested stem above, reclining on black marble base, 9in. (23cms) high. PROVENANCE Purchased from McCEd, Pimlico Road, London, 22/4/93.
Los 815
A patinated metal model of an elephant, with trunk raised, standing on associated gilt wood base, 9 1/2 x 8in. (24 x 20cms) high; together with a late 19th Century letter rack, decorated with bell drop flowers on a bronze base, 7in. (18cms) high; a tortoiseshell and bone plaque ball, 3in (8cms) diameter; and a bone plaque ball, 4in (10cms) diameter. (4)
Los 798
A 19th Century cast bronze model of "The Dying Call", 5 1/2in. (14cms) wide; a 19th Century cast bronze figure of Mercury, in winged sandal and seated on a rocky base, 4 1/2in. (11cms) high; a cast base metal figure "Discobolos (the discus thrower)" (missing one arm), 4 3/4in. (12cms) high; a cold painted leaden figure of a parrot 2 1/2 in. 6cms high; and a Parian decanter in the form of the Lincoln Imp. PROVENANCE Shaw Stewart family, Traigh House, Inverness-shire.
Los 839
A pair of Venetian style 19th Century parcel gilt and patinated bronze monkey pattern candlesticks, each holding an acanthus decorated urn sconce above their head and wearing Eastern style tunic and trousers, 21cms (8 1/4 in.) high. PROVENANCE Purchased from Kenneth Neame Ltd., Antiques, 3/4/87.
Los 100
Great Britain, George I, Princess Clementina, Escape from Innsbruck, 1719, silver medal by Otto Hamerani, her bust left, rev., Clementina travelling at speed towards Rome, 48mm (MI 444/49; Eimer 484), some edge knocks, toned, good very fine; Marriage of James (III) to Clementina, 1719, bronze medal, rev., Venus and Hercules, 41mm (MI 445/51; Eimer 486); Birth of the Young Pretender, 1720, bronze medal, rev., Providentia, 41mm (MI 452/60; Eimer 488), good very fine [Clifford lots 505 and 507] (3)
Los 107
Great Britain, George IV, Coronation, 1821, official bronze medal, by Pistrucci, 35mm (BHM 1070; Eimer 1146), in (damaged) red case of issue, extremely fine; Victoria, Golden Jubilee, 1887, official bronze medal, by Boehm, 77mm, in case of issue, extremely fine; Charles I, Return to London, 1633, cast silver medal, 43mm (MI 267/64; Eimer 124), edge damage, almost fine; together with 50th Anniversary of the Star Newspaper, in silver-gilt, cased and a modern copy of the Embarkation at Scheveningen 1660, in silver (5)
Los 109
Great Britain, Victoria, The Great Exhibition, 1851, bronze prize medal by W. and L.C. Wyon, conjoined busts of Victoria and Albert, rev., allegorical scene of Britannia conferring wreath on Industria, edge named to James Coulson and Co, Class XIV, 77mm (BHM 2462; Eimer 1456), slight marks, extremely fine, in contemporary fitted case
Los 11
Northern Italy (16th century), (Vipsania) Agrippina, wife of Tiberius, oval bronze uniface plaquette inscribed agrippina tib v, 56mmx 43mm (Warren, Ashmolean, 389; cf. Scaglia I.38), some solder on reverse, extremely fine; Petronia, wife of Vitellius, oval bronze uniface plaquette, incised petronia vit vx, 82mm x 65mm, very fine, both contemporary casts (2) Plaquettes such as these appear to have been the inspiration behind a series of uniface medals of the twelve Caesars and their wives which have been attributed to Soldani – see the sale of the Charles Avery collection, sold here on 11 June 2008, lot 515.
Los 111
*Scotland, Mary Queen of Scots (1542-67), uniface bronze medal, undated, by Jacopo Primavera (later 16th century, working in France), maria stovvar regi scot angli, bust of Mary right wearing cap and veil, signed behind bust, ia primave, 66.5mm (Jones I, 159; MI 118/52; Cochran Patrick 14/17 and pl. 1, 12; Mazerolle 300), very fine old cast with brown patina, very rare. Ex Spink, 26 March 2008, lot 2. For a portrait testoon of Mary Queen of Scots see lot 715.
Los 116
*Bohemia, Wenceslas IV (1361-63-1419), gilt-bronze impression of the royal seal as King of the Romans (1376-1400), the king seated on gothic throne flanked by shields, 99.5mm, fine and rare [ex Clifford collection]. A number of similar gilt-bronze impressions of seals (of early French kings) were included in the Michael Hall collection, part 1, lots 245-249, described as probably 16th century.
Los 119
France, Napoleon I, bronze medal for the Baptism of the King of Rome, 1811, 67mm (Bramsen 1125), some knocks, very fine; together with restrike bronze medal for coronation festivities (1804), 67mm (cf. Bramsen 358); silver prize medal of the Société d’Agriculture du Puy-de-Dôme, unnamed, 68mm, argent on edge; gilt metal medal of the artists G. Geefs and G. Wappers, 64mm; large bronze medal of François Guizot, French statesman and historian, by J.J. Feuchère, 100mm, cuivre on edge (BDM II, 89); and Monneron token of Jean-Jacques Rousseau by Dumarest, 35mm, very fine to extremely fine [includes Clifford lots 491, 494 and 495] (6)
Los 123
*Low Countries, Antoine Perrenot, Archbishop Granvelle, silvered bronze medal by J. Jonghelinck, 1561, bust right in biretta and cape, rev., Aeneas attempting to steer his ship through a tempest with Neptune intervening to calm the waters, 55.8mm (van Loon I, 58, 1; Smolderen 32; Arm. II, 255, 38), very fine early cast [ex Clifford collection]
Los 15
*Spanish or Netherlandish (early 17th century), Christ in the Carpenter’s Shop, rectangular bronze plaquette, Joseph handing a saw to the Christ Child while in the background Mary coils wool onto a spool, 100mm x 71mm (Weber 1038; Bange 1059; Scaglia XII.2, C1, this piece), with suspension loop, extremely fine contemporary cast [Clifford lot 408] Jeremy Warren in the recently published Plaquette volume of Renaissance Sculpture in the Ashmolean Museum, pp. 1047-48 puts forward the arguments for suggesting that this series of religious plaquettes was produced in the Netherlands, many of which were then exported to Spain where others may have been copied.
Los 17
German, workshop of Matthias Wallbaum (17th century), Christ teaching in the Temple, rectangular bronze plaquette from a series of 16 scenes of Christ’s Infancy and Passion, 94mm x 71mm (Weber 412.5), very fine; together with a bronze shaped plaque depicting two satyrs holding a shield, height 86mm, pierced, an old cast [Clifford lots 405 and 406] (2)00
Los 20
*Antonio di Puccio called Pisanello (c. 1395-1455), Francesco Sforza, condottiere and later 4th Duke of Milan, bronze medal, armoured bust left wearing tall hat (berretta alla capitanesca), rev., the head of a horse, three books and a sword, 86.5mm (Hill 23; Arm. I, 88, 22; Kress 5 = Pollard 5; Pollard Bargello 6 = Vannel & Toderi 14; Syson, Pisanello [2001] fig. 3.38), pierced, a very fine early cast with traces of black varnish over a brown patina [Clifford lot 3] Ex Leone Leonello, Pascara; subsequently with P & P Santamaria, Rome. Exhibited at Medals of the Renaissance, Hunterian Museum, Glasgow, 1990, catalogue J.D. Bateson, pp.12-13, 3. The medal bears Francesco’s titles of Visconti and Lord of Cremona acquired on his marriage to Bianca Maria Visconti in 1441. The reverse design points to Francesco as a man of arms and letters. Syson has commented also on the classical connection here in that the horse may be associated with Alexander the Great’s famous mount Bucephalus as depicted on ancient coins of the Syrian king Seleucus I.
Los 21
*Matteo de’ Pasti (c. 1420-67/8), Sigismondo Pandolfo Malatesta, Lord of Rimini (1417-68), bronze medal, bust left, rev., Fortitude seated facing in a meadow holding a broken column, her seat formed of the foreparts of two elephants; below, mdccclvi, 81.5mm (Hill 180; Arm. I, 20, 11; Pollard, Bargello 43 = Vannel & Toderi 69), small piercing, very fine contemporary cast with dark patina Ex Spink, 24 January 2008, lot 101.
Los 22
*Matteo de’ Pasti (c. 1420-67/8), Sigismondo Pandolfo Malatesta, Lord of Rimini (1417-68), bronze medal, bust left, rev., the castle of Rimini, 80mm (Hill 185; Arm. I, 20, 12; Pollard, Bargello 48 = Vannel & Toderi 83), probably an excavation piece, traces of creta on edge, a very fine contemporary cast with brown patina. Ex Morton & Eden 30, 29 November 2007, lot 693.
Los 23
Matteo de’ Pasti, Sigismondo Pandolfo Malatesta, lead medal, bust left, rev., the castle of Rimini, 81mm (Hill 184), gilt, old cast, worn and somewhat battered; Isotta degli Atti, bronze medal, bust right, rev., the Malatesta elephant, 86.7mm (cf. Hill 187/167), late cast; and small bronze medal, bust right, rev., closed book, 40mm (Hill 189), late cast [includes Clifford lots 13 and 16] (3)
Los 24
*Matteo de’ Pasti (c. 1420-67/8), Isotta degli Atti, mistress of Sigismondo, bronze medal, bust right, rev., the Malatesta elephant, 82.5mm (Hill 187; Arm. I, 21, 19), early cast with extensive tooling and chasing, old collector’s number inked on reverse. Ex Morton & Eden 9, 25 May 2004, lot 241.
Los 25
Pier Jacopo di Alari Bonacolsi, called Antico, Gianfrancesco Gonzaga (1443-96), bronze medal, bust left, rev, Mars, Fortune and Minerva, 38.8mm (Hill 206; Kress 71bis = Pollard 111), early cast; Antonia del Balzo, his wife, bronze medal, bust right, rev., Hope standing on a prow drawn by two Pegasi, alluding to Christian Hope, 40mm (Hill 212; Kress 72 = Pollard 112), flaws on obverse, an early cast [Clifford lots 19 and 20] (2)
Los 26
Attributed to Girolamo Santacroce, Andrea Caraffa, as Count of Santa Severina (1496) and later Viceroy of Naples (died 1526), bronze medal, bust left wearing helmet, rev., Prudence seated, 37.5mm (Hill 349; Kress 109 = Pollard 153), pierced, bare metal, fine contemporary cast; after Caradosso, Niccolò Orsini (1442-1510), Count of Pitigliano and Nola, bronze-gilt medal, bust left, rev., Orsini on horseback, 42.5mm (Hill 667), thrice pierced, gilding worn, a contemporary cast [Clifford lots 22 and 42] (2). The medal of Orsini is a rare version of the original by Caradosso with the inscriptions altered to name the sitter as Commander of the Venetian forces. Orsini was appointed as such on 30 October 1495 by Doge Agostino Barbarigo.
Los 27
*Attributed to Cristoforo Foppa called Caradosso (c. 1452-1526/27), Giangiacomo Trivulzio (1441-1518), Marshall of France from 1499, square bronze medal, 1499, laureate bust left, rev., dated 1499 and with eight line legend recording the capture of Alessandria, the expulsion of Ludovico il Moro and his capture at Novara, 46mm x 46.3mm (Hill 655; Kress 192 = Pollard 217; Pollard Bargello 139 = Vannel & Toderi 407), a very fine contemporary cast with dark patina [ex Clifford collection]. Ex Morton & Eden 17, 13 December 2005, lot 636 and Stack collection, Morton & Eden 41, 9 December 2009, lot 83.
Los 29
*Cristoforo di Geremia, Pietro Barbò, Pope Paul II (1464-71), uniface oval bronze medal, bust right wearing cope and large morse, 41.3mm x 34.6mm (Hill 773 obverse), some knocks but an extremely fine contemporary cast with brown patina [Clifford lot 54]. Versions of this medal are known cast in cavo (as Pollard, Bargello, 166a).
Los 30
Cristoforo di Geremia, Pietro Barbò, Pope Paul II (1464-71), a group of four bronze medals, with revs., SS. Peter and Paul with flock of sheep, 38mm (Hill 760), the Pope receiving supplicants, 39mm (Hill 766), this pierced and gilt; oval, with the Barbò shield of arms, 42mm x 35mm (Hill 771); and elevation of the Palazzo Venezia, Rome, dated 1465, 33mm (Hill 783), early or contemporary casts [Clifford lots 51, 53, 55 and 56] (4). The last is the foundation medal for the Palazzo Venezia completed in 1465.
Los 31
Ermes Flavio de Bonis called Lysippus the Younger (fl. 1470-84), Raffaello Riario (1460-1521), Cardinal of S. Giorgio, bronze medal dated 1478, bust right, rev., St George killing the dragon, 35.4mm (Hill 791; Pfisterer A.22), pierced, edge flattened in two places, early cast [Clifford lot 61]
Los 34
*Roman School (1513), Giuliano II de’ Medici (1479-1516), bronze-gilt medal issued for the citizenship of Rome conferred on him in 1513, head left, rev., Roma seated left holding winged Victory, 32.7mm (Hill 889; Kress 241 = Pollard 277), thrice pierced possibly for sewing onto a cap, a fine contemporary cast [Clifford lot 67]
Los 35
Attributed to Donato Bramante, Giuliano della Rovere, Pope Julius II (1503-13), bronze foundation medal for St. Peter’s, bust right, rev., view of St. Peter’s according to Bramante’s design, 55.5mm (cf. Hill 660), electrotype copy by Robert Ready, very fine; Venetian School, 16th century, Marcantonio Trevisan, Doge, 1553-54, bronze medal on his death, 62.5mm (Arm. II, 224, 1; Kress 504 = Pollard 578), electrotype copy, very fine [includes Clifford lot 41] (2)
Los 355
Russia, Elizabeth I, rouble, 1755, St Petersburg, im (Bit. 275; Diakov 2), faults right of bust, good fine; Alexander I, Visit to England 1814, bronze medal, by T. Webb for Edward Thomason, laureate bust right, five-line inscription within wreath (Diakov 384; BHM 844; Eimer 1050), several scuffs and bruises, fine and rare (2)
Los 370
Miscellaneous: Britain, Kingdom of Northumbria, blundered AE stycas (2), George I threepence, 1717; Roman, denarii (2), of Marcus Aurelius, rev., Concordia and of Maximinus I, rev., Fides, very fine, with Nero and Poppaea, Alexandrian tetradrachm, about fine; World Coins: Cyprus, quarter-piastre, 1887, Japan, 50 sen, Meiji 43, and Ayyubids of the Yemen, dirham, 625h, Sana, generally very fine; and Medals: U.S.A., Hudson Fulton Commemorative, 1909, in bronze, by Emil Fuchs for the American Numismatic Society, 101mm, good very fine; various bronze sporting prize medals (25), extremely fine; Germany, Third Reich, War Merit Cross Second Class, bronze medal and iron Wound Medal, very fine, together with propaganda pictures (15) (lot)
Los 38
*Jacopo da Trezzo (c. 1514-89), Mary Tudor, Queen of England (1553-58), silver medal, bust left wearing elaborately embroidered gown, a brooch with pendant pearl at her breast and a cap adorned with jewels; signed below, iac trez, rev., cecis visvs timidis qvies, figure of Peace seated on throne, setting fire to a pile of arms laid before her; below the throne are a cube with two clasped hands on one of its sides and a pair of scales (representing Stability, Unity and Justice); to the left are suppliant figures beset by a storm; to the right are other figures and a round temple (representing the Catholic Church) 64.7mm (Attwood 80; MI I, 72, 20; Arm I, 241, 3; Pollard Bargello 725 = Vannel & Toderi 469; Middeldorf & Steibral pl. 72), the fields chased, an extremely fine early cast with grey toning [ex Clifford collection]. Ex Robert O’Connor, George Street, London, 1960s. Known as the State of Britain medal this was Trezzo’s finest medallic work and Mary’s image isvery close to the portrait painting of the queen by Antonis Mors made around the same time as the medal, in 1554. The Latin reverse inscription translates as “sight to the blind, tranquillity to the fearful”. Examples are most commonly found in bronze but silver specimens exist, most notably those of the Bargello, Florence and the ex Chigi piece recorded by Middeldorf & Steibral. A gold specimen is in the British Museum and another formed part of the Stack collection, sold in these rooms, 9 December 2009, lot 136.
Los 39
Jacopo da Trezzo, Mary Tudor, uniface cast of the reverse of the previous medal, Peace on throne setting fire to arms etc., 64mm (cf. Attwood 80), pierced, very fine old cast, reverse with intaglio image [Clifford lot 127]; together with uniface lead medal of Isabella Capua by Trezzo, 73mm (Attwood 65), pierced, traces of gilding, fine old cast [Clifford lot 130] and uniface bronze reverse of Trezzo’s medal of Gianello della Torre showing the Fountain of Knowledge, 75mm (cf. Attwood 91), pierced, old cast; and bronzed lead uniface medal of Cardinal Alessandro Farnese (1556), by Pastorino, 68mm (Attwood 565), late cast, extremely fine [includes Clifford lots 127, 130 and 390] (4)
Los 4
*Moderno (fl. 1485-1513), The Crucifixion, rectangular bronze plaquette, Christ crucified between the two thieves; Mary Magdalene clasping the foot of the cross and figures supporting the fainting Virgin, 116mm x 78mm (Molinier 171; Bange 454; Lewis 2; Scaglia V.12, C3, this piece), twice pierced, flan cracked, sometime cleaned, a contemporary cast [Clifford lot 359]
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390032 Los(e)/Seite