390032 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
390032 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
390032 Los(e)/Seite
Los 136
HENRY MOORE O.M., C.H. (BRITISH 1898-1986) STUDY FOR HEAD OF QUEEN NO. 2 signed Moore and numbered 7/9, bronze with green/brown patina the bronze: 23.5cm high (9 ¼in high); overall: 29cm high (11 3/8in high) Phillips, London, 20th Century British & Irish Art, 21 November 2000, lot 66, where acquired by the present owner. Conceived in 1952 and cast in an edition of 9 plus 1 artist's proof in 1972.Literature:Hedgecoe, John (ed.), Henry Spencer Moore, Nelson, London: Simon and Schuster, New York 1968, p.221Levine, Gemma & David Mitchinson, With Henry Moore, The Artist at Work, New York, 1978, illustration of the plaster version p. 59Bowness, Alan (ed.), Henry Moore, Complete Sculpture, 1949-54, vol. 2, London, 1986, no. 349b, illustration of another cast p. 49Hedgecoe, John, Henry Moore, A Monumental Vision, Cologne, 2005, no. 324, illustration of another cast p. 217.
Los 21
GEORG EHRLICH (AUSTRIAN 1897-1966) PORTRAIT OF GILLIAN RAFFLES (NÉE POSNANSKY) AS A YOUNG LADY, c. 1944 signed G. EHRLICH, bronze on marble base bronze: 30cm high (11 ¾in high); overall: 42cm high (16 ½in high) The Collection of Gillian Raffles. This bust portrays Gillian Raffles at approximately 14 years old and was commissioned by her father, Jack E. Posnansky. A dedicated art collector and patron of the Jewish émigré cultural community of the time, Posnansky also served on the Ben Uri council from 1952 to 1968.A bust of Miss Gillian Posnansky by Georg Ehrlich was documented as being exhibited at the Royal Academy in May - August 1944 (probably this example), with a stone version also held in the collection of the Tel Aviv Museum of Art, received as a gift from J. E. Posnansky, alongside a bronze sculpture Portrait of a Young Italian Woman.See Erica Tietze-Conrat, Georg Ehrlich, B. T. Batsford, London, 1956, p. 23 for the reference of a sculpture of Miss Gillian Posnansky being exhibited at the Royal Academy in 1944.
Los 399
ROBERT ADAMS (BRITISH 1917-1984) SENTINEL ONE, 1979 (OPUS 390) stamped, dated and numbered 2/6 (to base), bronze 40.5cm high, 38cm wide, 8.5cm deep (16in high, 15in wide, 3 3/8in deep) Estate of the Artist;Gimpel Fils, London;Private Collection, London. Exhibited:Gimpel Fils, London, Robert Adams, 1979, no. 23;Gimpel Fils, London, Robert Adams - Late Bronzes, 1988, no. 23;Gimpel Fils, London, Robert Adams - A Retrospective, February - April 2003, no. 30;Beaux Arts, London, Some Aspects of British Sculpture, May - July 2005. Literature: Grieve, Alastair, The Sculpture of Robert Adams, The Henry Moore Foundation and Lund Humphries, London, 1992, no. 659, and reproduced in sketch form p. 239.
Los 139
ROBERT CLATWORTHY R.A. (BRITISH 1928-2015) CAT, 1955 (RC 32) initialled and numbered RC 1/8, bronze, from the edition of 8 22.5cm high, 49.5cm long (8 7/8in high, 19 ½in long) Private Collection, U.K. Exhibited:Royal Academy of Arts, London 1977 (another cast); Chapman Gallery, London, 2008 (another cast).Literature:Ed. Chapman, Keith, Robert Clatworthy: Sculpture and Drawings, Sansom & Company, Bristol, 2012, RC 32, p.94
Los 30
Joseph Heinrichs (German-American, 1866-1937), an unusual copper and bronze warming pan, stand and burner, c.1908, the stand mounted with three rabbits, the hammered copper stand, with a pan, sleeve and cover, with an oak handle and finial, inscribed 'Oct 11th 1908' and with a monogram, with a three-wick burner, on a circular copper-mounted oak plinth, also with a monogram,34cm diameter28cm highpan 47cm long (8)
Los 233
â–² Lorenzo Quinn (Italian, b.1966), 'Pain and Relief', the superstructure in iron with an oxidised finish, with the upper section featuring a central bronze figure flanked by two boxes filled with nails, the lower section with a lever to operate an internal mechanism which slides the boxes apart, two plaques embossed 'Pena' and 'Alivio', the artist's signature etched on the left supporting leg, 70cm wide50cm deep155cm highCondition ReportIn good overall condition. The boxes when joined together slightly misalign towards the top.
Los 17
Sir William Hamo Thornycroft RA (1850-1925), 'The Mower', bronze, signed with initials 'HT' and dated '1884', on an ebonised plinth,19cm high24cm high overallLiterature: E Manning, 'Marble & Bronze: The Art and Life of Hamo Thornycroft', Trefoil, 1882, p.207, 152b.Provenance: The collection of David and Sandy Fuller.Condition ReportPlinth with wear, scuffs and loses. Surface dirt. Marks to the bronze base. The scythe is secure but loose.
Los 322
▲ Philip Turner (1918-1997), 'Perching', bronze, numbered '1/4', on a Perspex cube, 63cm high overall Provenance: The Reid Gallery, London, 1964. Born in Sussex in 1918, British sculptor Philip Turner was educated at Marlborough College, before commencing his studies at St Martin’s School of Art in 1936. Later, he would study the basics of painting and sculpting under the tutelage of British sculptor Leon Underwood, and in 1948, would receive a Diploma of Fine Art from the Slade. Turner is credited as one of the first post-war sculptors to employ casting as a means in and of itself to create the final form, and was known to be an expert authority on bronze pouring to his colleagues. Turner had an uneasy relationship with mass-production and would take care to finish each piece by hand, welding, grinding, flaming and polishing, to produce similar, but never identical, forms. Unlike many of his contemporaries, who chose to depict man as tortured and anxious, Turner, who described his role as artist as something between oracle and entertainer, used wit, irony and optimism in his representations.
Los 323
â–² Desmond Fountain (Bermudan-British, b.1946), 'Whitney', a bronze sculpture of a girl, from an edition of 9, signed and numbered 'Desmond Fountain 6/9', 130cm long30cm wide49cm highCondition ReportThis lot is structurally sound. There are two scratches to the figure's left shoulder. There are three drilled holes to the base. A loss to the patina in places - particularly the feet. Some oxidation in places - particularly to the hair. Some further light marks and scratches. Subject to these points, the lot appears in good overall condition.
Los 310
â–² James Osborne (1940-1992), a bronze sculpture of a greyhound, signed 'Osborne' to the rectangular plinth, 32cm wideProvenance: Formerly the property of artist Jonathan Trowell (1938-2013), thence by family descent.Condition ReportStructurally sound. Some scuffs, marks, scratches, and surface dirt (see additional images). Subject to this, the sculpture presents well.
Los 379A
A patinated metal desk cannon, probably late 19th/early 20th century, with a turned barrel, raised on a stepped teak truckle with bronze wheels,24cm wide 45cm deep 19cm highCondition ReportThe truckle possibly later, with general surface wear, scratches, and minor rust to the exterior and within the barrel. General knocks to wheels which move freely. Overall appears in reasonable structural and cosmetic condition.
Los 347
Ferdinand Lugerth (German, 1885-1915) a patinated bronze model of a Spartan archer, modelled holding a bow, raised on a veined marble plinth, signed and with Arthur Rubinstein foundry mark,35cm highCondition ReportBow string detached but present. Arrows bent. Minor knocks to the edge of the marble plinth. Some minor wear to the patination. Shipping estimate £48.00 +VAT
Los 299
A Napoleon III patinated bronze and marble mantel clock, 19th century, French, the 8-inch enamel dial with Roman numerals and inscribed 'GROS A LYON', surmounted by a reclining classical maiden playing the lyre, raised on a stepped marble base with ormolu mounts, the movement with impressed numerals '408 48',40cm wide14cm deep31cm highProvenance: The David and Sarah Battie Collection.Condition ReportWith key. Light tarnish to metal components. Small area of in-fill to the base at the back. Movement ticks when wound and chimes on the hour/half-hour but we cannot guarantee accurate timekeeping. No bell.
Los 444
A World War I Death Plaque for George John Brett, together with a collection of medals and plaques, comprising Kitchener medal, J Delpech bronze plaque, 1893 half dollar, and a guinea, and a Rear Admiral Lord Nelson Of The Nile medal, 1798 (7)Condition ReportSome rubbing and surface scratches more evident to half dollar and guinea.Knocks to rim of Nile medal.
Los 344
Eugène Bernoud a gilt bronze and ivory figure, signed to base, 18cm high IMPORTANT NOTEThis lot contains ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Condition ReportLoose to base. Rubbing to gilding.
Los 179
A collection of Japanese bronzes, 19th-20th century, including a koro, with Buddhist lion knop and handles, 11cm long, a bronze letter holder, decorated with bamboo in relief, 14.5cm long, and a Chinese cloisonne and a Japanese wood puzzle box (7)Condition ReportAll with surface scratches and dents. Cloisonne with losses. Denting to the rim. Box with knocks and chips, a/f.Please see additional images.
Los 657
A Louis XVI style mahogany and gilt bronze mounted cabinet on stand, early 20th century, with a shaped and bevelled glass front, glazed to the side, with two glass shelves, with velvet mounted interior, over a drawer, and a parquetry undertier, 76cm wide 41cm deep209cm high approxCondition ReportSome knocks and wear. Repolished.
Loading...-
390032 Los(e)/Seite