Dated 1916 AD. Obv: smoothed and engraved FRANCIS on ribbon to centre with FROM on leaf above and PERCY on leaf below, within border. Rev: HALF / RUPEE / INDIA in three lines with date below within floral surround. KM# 522 (for coin). 5.02 grams. [No Reserve] Extremely fine; excellent workmanship.
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Dated 1814 AD. Obv: profile bust with GEORGIUS III DEI GRATIA REX legend. Rev: with BANK / TOKEN / 3 SHILL legend in three lines with date below, within wreath; mounted in a scrolled surround to display the obverse, with pin and catch. For coin: S. 3770; ESC 422. 25.77 grams. [No Reserve] Coin very fine, small scroll stamped to obverse; wearable.
M. Young, Newcastle: a Victorian mahogany longcase clock, with painted roman dial, subsidiary seconds and dater dials, with scene to the arch of a King playing a harp, two train movement, anchor escapement, shaped weights, the case with pierced frieze, shaped waist door with arcaded surround, fluted detail, bun feet, 91in. high.
Three Victorian table forks, two dessert forks and two dessert spoons, by Reid & Sons, Newcastle 1873, Old English pattern, engraved initial within oval surround; three George IV fiddle pattern teaspoons, engraved initials; two silver miniature replica anointing spoons; two silver salt spoons; two silver mustard spoons; and a plated nut pick with mother-of-pearl handle, 17.7oz. (17)
Essays for Printing the Stamps by Lithography: 1905 Lithographic transfer made by the Government of India to illustrate "Hausburg's" book on the stamps of India: A complete sheet (276 x 186mm) in black on stout yellowish wove paper with "PLATE IV" (typo) at lower left, with the HALF ANNA issued design (Spence 133), the FOUR ANNA complete design and the 'head' only (Spence 45 and 73), and the TWO ANNA showing both the square and octagonal designs (Spence 30/31), the 4a complete design with surround of black wavy lines and rosettes, small bend at lower right and light tone spots
1855 Proof from the engraved die, 4a blue and red, Head Die III, Frame Die II on unwatermarked wove paper, with red wavy line surround and red rosettes in each corner, the upper left and lower right rosettes and a small part of the wavy lines printed in blue, cut square (58mm x 60mm) on un-watermarked paper, fine, unknown to Spence. A beautiful item of the highest importance and desirability
1855 Proof from the engraved die, 4a blue and red, Head Die III (the lower lines of the neck line in red), Frame Die II on unwatermarked wove paper, with red wavy line surround and red rosettes in each corner, the lower left and upper right rosettes and a small part of the wavy lines printed in blue, cut square (58mm x 60mm) pin hole through top right rosette
1855 Proof from the engraved die, 4a blue and red, Head Die III, Frame Die II on unwatermarked wove paper, with red wavy line surround and red rosettes in each corner, the upper left and lower right rosettes and a small part of the wavy lines printed in blue, the head is a little worn and to the lower left of the frame, cut square (58mm x 60mm) on unwatermarked paper, fine
1855 Proof from the engraved die, 4a blue and red (pale impression), Head Die III, Frame Die II on unwatermarked wove paper, with red wavy line surround and red rosettes in each corner, the lower left and upper right rosettes and a small part of the wavy lines printed in blue, cut square (58mm x 60mm) pin hole through top right rosette and a little rough at lower right
A Late 17th/Early 18th Century Small Spanish Bronze Pestle & Mortar in a wrought iron surround emanating spurs of decorative scrollwork incorporating a pestle holder to the top and three scroll end strap legs; one with looped terminal forming a suspension ring, 3¼ ins (8 cms) depth, 12 ins (30 cms) high, 11 ins (28 cms) wide.
A Victorian gilt metal mounted oval shell cameo brooch, carved in a classical design, a 9ct gold mounted oval shell cameo brooch, carved as the portrait of a lady, within a ribbon twist surround, a colourless paste set brooch, designed as a boat, a silver curb link charm bracelet, with a heart shaped padlock clasp, detailed silver and two pairs of gem set earstuds.
A turquoise and colourless gem set pendant, the drop mounted with the principal oval turquoise, within a colourless gem set surround, an 18ct gold and diamond set seven stone cluster ring, mounted with circular cut diamonds and a 9ct gold and garnet set oval cluster ring (one garnet lacking).
A fine Scottish pine and gesso fire surround (possibly Leith) mounted in relief with birds nesting beneath national floral emblems flanked by birds in flight and ribbon tied floral swags flanked by a pair of covered urns above anthemion leaf and fluted capitals, early 19th Century, 188cm wide x 14cm deep x 155cm high
A Victorian walnut marquetry wall clock, with eight day striking American movement, the base marked "R. Sutton, Whitehaven". Height 83 cm. CONDITION REPORT: The case is in generally reasonable order. It is missing the left hand foliate carving and there are some minor veneer losses around the edge of the face surround. There is no evidence of any woodworm. The dial is uniformly crazed and dirty. There is a pendulum with the clock but we are not sure if this is the correct one. The clock mechanism is not operating correctly although both springs do appear to be undamaged.
A Victorian coromandelwood vanity case, the silver topped accessories with London hallmark for 1869, with lift out tray, mirror and Bramah locks. Width 28.5 cm, height 13.5 cm, depth 17 cm. CONDITION REPORT: This box has unfortunately suffered from some water damage. The top rectangular panel although complete has lifting veneer to the left hand side and approximately 30% of the polished surface is missing. The veneer is also rippled in places and there are stress fractures across the top. The remainder of the casket itself is in good, untouched, original condition and all brasswork is present. The interior hinges are in good order. The mirror plate is in good condition as is the leather surround. The lift out tray is in good condition as is the compartment beneath. The lock is original and complete but we have no key. The four silver mounted jars are in good order as are the tops. The cylindrical casket houses a badger hair brush and this is also in good condition. The right hand glass flask has one small edge chip and an incorrect top. The left hand flask is in good condition but again has an incorrect lid.
A Victorian woven cane and wrought iron dolls pram, white painted oval body, bent strap suspension, eight spoke metal wheels, rubber tyres c.1890; a wicker rocking cradle; A reproduction Victorian style cast iron dolls chair, cast with a central heart, within a trellis rose and arching bar surround, 43cm high; a late 19th century stained pine dolls cradle, canted top, carved rockers; another smaller, bent wood cowl, brass fittings, arched rockers; Dolls - a porcelain boy doll kit, marked Angela, signed Diana, Effries Expressions 1998, red wig, fixed blue eyes; another girl, blond curly wig, fixed blue eyes (6)
A mystery set sapphire and 18ct gold suite of pendant and earstuds by Wempe, the pendant and each earstud designed as a quartet of calibré cut sapphires within a broad cushion form gold surround, the pendant with articulated tapered bale, all stamped with manufacturerer's stylised 'Wempe' signature and '750', the belcher link chain hallmarked 18ct gold, London 1998; width of earstuds 0.8cm, length of pendant with bale 1.5cm, of chain 39.5cm; cased
An Italian 18ct gold diamond and gem set jabot pin, the principal end heart shaped and formed by a pear cut ruby in a triple line surround of diamonds, mother-of-pearl and diamonds again and surmounted by a calibré cut sapphire; the pin end a single heart shaped line of diamonds, the two ends secured by a looped belcher link chain; Italian assay marks for Alessandria; length 8.1cm
A painted wooden Noah’s Ark with Noah, Family and animals, German circa 1880, the bow bottomed ark with brown painted hull, stencilled windows and surround and paper border, hinged roof with dove, together with Noah’s family of eight wooden painted figures, sixty brightly painted wooden animals including eleven pairs of animals pigs, camels, giraffe’s, elephants and lions and others, four single animals, three pairs of insects, spiders, beetles and grasshoppers, twelve pairs of birds and four single birds, Ark overall good condition some rubbing and wear, animals generally good perfect condition, ark 18 ½” (47cm) long, 10 ½” (27cm) tall,
A multicoloured sapphire and diamond bracelet, designed as fourteen panels each set with a central brilliant cut diamond within a surround of navette and round mixed cut sapphires, sapphires graduate in colour from blue, purple, pink, red, orange, yellow to green, all set in yellow metal, the box link clasp stamped '9k', 187mm long, weight 30gms
A diamond set dress ring, designed as a central brilliant cut diamond within a surround of twelve navette cut diamonds, flanked to each side by three further brilliant cut diamonds, all claw set in white metal to white metal shank, not stamped, ring size J 1/2, with accompanying Anchor Cert Gem Lab card stating the central stone weighs 0.91cts, clarity SI2, colour J, weight 7.3gms

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79003 item(s)/page