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A large mid-15th century carved oak and pierced tracery panel, circa 1450Designed as two reserves, each centred by a flower-filled quatrefoil, in a trefoil surround, 125.5cm wide, 25cm highProvenance: Michael Gray Collection, Wiltshire

A THREE-PIECE SET OF UZBEK DOOR SURROUND EMBROIDERED TEXTILES, each piece embroidered with decorative floral motifs, (3).

Scarce Vintage Kenner Star Wars The Empire Strikes Back Diecast Metal-High Impact Plastic Tie Bomber, No.39260- in mint condition, with a good sealed bubble , crease to card backing, original outer card surround box is very good, with some edge/age wear.

Star Wars Dark Horse Comics “Classic Star Wars Trilogy Set” autographed comic book set Star Wars-The Empire Strikes Back-Return of The Jedi originally signed in gold or silver marker pens, by David Prowse-Darth Vader, Kenny Baker -R2D2, Peter Mayhew-Chewbacca and Jeremy Bulloch-Boba Fett, with certificate of authenticity limited edition 0222/1500, in mint condition with card surround.

14ct gold pendant necklace, set with a central pearl, surround set with diamonds and rubies, L: 10 mm, combined 4.4g. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Attributed to Charles George Hood Kinnear (1830-1894) Album of salt prints from calotype negatives, c.1846-8 containing 120 photographic salt prints from calotype negatives, pasted onto rectos only of thick paper leaves, photograph dimensions mainly approx. 15.5 x 11.5cm or similar (leaf dimensions 27 x 22cm), many with bevelled corners, a few arch-topped or in octagonal, oval or circular form, with pencilled captions, dates and foliation, prints towards rear within brown ink frames, the album retaining two initial blanks, one with partial list of subjects, one with ownership inscription reading in part 'Letham Grange, Arbroath, the photographs comprising: 32 portraits of sitters of various social classes, including 'a poacher', 'a smith', various other tradesmen or farmhands (e.g. a man seated with horse tack, a man holding a trowel, and a man holding a log and axe), and smartly-dressed figures, several named, including 'R. Rutherford', 'Dr Burt, 'Capt Maitland R.N.', 'J. G. Murray' (this figure holding a shotgun), Robert Murray (2 portraits), 'An A.R.S.A.' (identified in list at front as J[ohn] C[rawford] Brown [Scottish painter, 1805-1867]), a young woman in a patterned dress (2 portraits), a young boy with a riding crop, a boy seen through a gate in a garden wall, and a man in top-hat posing in stone Gibbs-surround doorway; studies including a still life of game; 2 smaller prints on one mount, respectively titled 'Lacock Abbey, Wilts, from a Talbotype;' and 'Shakespeare's house from a Talbotype'; 14 prints not from life (i.e. from prints or paintings); and numerous views of Kinloch House and its grounds and outbuildings, Collessie (village in Fife), Kames House (Berwickshire), Cunnoquhie House, Falkland Palace, Inchrye Abbey, and Edinburgh (Scott Monument, St George's Church, St John's Chapel, High School, Pitt statue, gaol, and similar); together with 4 photogenic drawings of tree-leaves or grasses (these not from negatives, and in addition to the 120 mentioned). Contemporary fine-diaper cloth album, gilt-lettered 'Calotypes' on front cover, rebacked and recornered, endpapers renewed with bookplate (containing arms of the Kinnear family) reimposed to front pastedown, a few mounts stained from adhesive, a few prints with pencilled embellishments in some cases adding architectural detail, final 11 leaves detached but remaining conjugate, lacunae in foliation indicating a few leaves excised.The album is sold with an extensive collection of related material, including:1. 4 additional photograph albums:a & b) Two albums respectively containing 60 and 25 albumen prints mainly of architecture in Scotland and Northumberland, 1890 & 1892, all approx. 15 x 20cm, mounted rectos only on stiff card, and including Drygrange House and Compstone House, both designed by Kinnear's architectural firm Peddie & Kinnear (with captions to that effect, i.e. 'Drygrange House - C.G.H.K. fecit'; 'Compstone House, Kirkcudbright, C.G.H.K. fecit'), and a few family portraits and non-architectural views, pencilled captions to mounts (in a similar hand to those in the calotype album);c) Album of 52 albumen prints, 1887, including Oxford colleges, Scottish houses including Drygrange (see above), jubilee celebrations at Kinloch, a portrait Wellwood Herries Maxwell of Munches House (Liberal politician, 1817-1900; Kinnear's wife was Jessie Jane Maxwell), outdoor scenes including three figures on a wooded path (one figure identified in a later hand as 'C. M. K.', i.e. Kinnear's son Charles Maxwell), and similar, all approx. 15 x 20cm or slightly smaller, pencilled captions throughout (in a similar hand to the preceding items);d) Album of approx. 60 silver gelatin prints, c.1902, mainly Scottish views and family scenes, including the Maxwell family at Munches House, puffins on Handa Island, etc.2) Album of architectural sketches, signed and dated C. G. H. Kinnear, Genoa, 1854, approx. 30 leaves + blanks, annotated pencil sketches on rectos and versos, including studies of architectural detail (tracery, mouldings, doorways, elevations, etc.) in both Genoa and Pisa;3) Charles George Hood Kinnear's diploma of election as associate of the Royal Scottish Academy, 1893, lithographic document on vellum, signed by Queen Victoria ('Victoria R');4) A large volume of Kinnear family documents and letters, 18th-20th century, approx. 200 in total, including letters from Charles's brother John Boyd Kinnear (1828-1920), Liberal politician, letter to John Boyd Kinnear from John Bright, various deeds (including sasines, on vellum), bonds, contracts, inventories, album of 15 watercolour views in France and Ireland, 1920s, scrap albums belonging to Elizabeth Anne Kinnear including a menu inscribed by ornithologist Peter Scott (1909-1989), and similarNote: Note:A highly important and newly discovered album by a pioneer of photography, dating from within a few years of Fox Talbot's invention of the calotype method and its introduction to Scotland in 1841 by Sir David Brewster.Charles George Hood Kinnear was born in 1830 at Kinloch House, near Collessie, Fife, into a wealthy banking family. In 1849 he was articled to Edinburgh architects William Burn and David Bryce. It is suggested in the Dictionary of Scottish Architects that he may have learnt photography from Bryce, though the dates in this album indicate that his photographic experiments pre-date their known professional association.Kinnear became a founding member of the Photographic Society of Scotland in 1856, and in the same year entered into partnership with Edinburgh architect John Dick Peddie. In 1857 he went on an architectural and photographic tour of northern France using a new form of camera with a conical bellows which 'set the pattern for nearly all subsequent cameras' (Schaaf & Taylor). His final public exhibition of photographs was in 1864, after which his architectural work absorbed most of his efforts; the firm of Peddie & Kinnear had become hugely successful, securing major commissions for private houses, public buildings and churches throughout Scotland which remain major landmarks to this day, including Edinburgh's Cockburn Street, and the hydropathics at Dunblane, Craiglockhart and Callander. He was elected associate of the Royal Scottish Academy in 1893, and died suddenly at his offices in Edinburgh in 1894.A full list of the contents of the main album in this lot is available on request. Lot 57 in the sale, the Kinnear family autograph album, contains letters to C. G. H. Kinnear from various figures including Fox Talbot.Further reading: Schaaf & Taylor, Impressed by Light: British Photographs from Paper Negatives, 1840-1860 (2007), p. 338.Provenance: Inherited by the vendor from Elizabeth Hay (née Kinnear, 1924-2017), descendant of C. G. H. Kinnear.

A glazed display cabinet, with a red lacquered border and gilt surround, glass shelves, 84cm high, 54cm wide, 7cm deep.

A Subbuteo table cricket set, comprising plastic fence surround, Subbuteo throw in figures and a Subbuteo table cricket score board, 00 scale fielders and mats, playing instructions, etc. (1 box)

A gold swallow brooch, c.1900,a swallow in flight, grain set with alternating split pearls and turquoise cabochons, carrying a trefoil of split pearls, to a crescent moon surround of alternating grain set split pearls and turquoise cabochons, tested as approximately 15ct gold, to pin and articulated jump ring, tested as approximately 9ct gold, 23mm diameter, 3.82gCondition ReportPin bent slightly.'C' clasp and pin secures well.Some discolouration to turquoise cabochon.Jump ring a later addition. Solder join to jump ring visible. Reverse top of crescent moon showing wear and dirt.Some tarnish.Marks/scratches to mount.

A gold emerald and diamond ring, an emerald cut emerald to surround of brilliant cut diamonds, one deficient, to openwork shoulders and a plain shank, tested as approximately 14ct gold, 2.56g.Finger size MCondition ReportOne diamond missing.Surface reaching inclusions to the emerald and some of the diamonds.Wear to claws and sides of settings.Surface marks/scratches to mount.

A white gold sapphire and diamond cluster ring,an oval mixed cut sapphire, claw set, to a surround of brilliant cut diamonds, grain and claw set in a high collet, to chenier shoulders and a 'D' shape shank, tested as approximately 18ct gold, head approximately 13 x 12mm, 5.09g.Finger size KCondition ReportSapphire abraded, with facet junction wear.One diamond with surface reaching inclusions.Claws to sapphire worn, claws to diamonds very worn and require retipping.Rhodium plating worn, would benefit from replating.Solder join at base of shank.Marks/scratches to mount.

A 9ct gold blue topaz cluster pendant,with an oval mixed cut blue topaz, claw set, approximately 9 x 7mm, to surround of colourless gemstones, and outer row of oval mixed cut blue topaz, Birmingham 2010, 37mm long,together with a 9ct gold blue topaz ring,a claw set blue topaz, approximately 8 x 6mm, with a round mixed cut blue topaz claw set at each side, to a surround of colourless gemstones, Birmingham 2010, 6.93g total (2)Finger size M¾Condition ReportMaker's mark CR, CR.Some surface reaching inclusions to blue topaz stones and diamonds.Appear to be unworn.

Two gold amethyst pendants,comprising a 9ct gold amethyst pendant, with a heart mixed cut amethyst in a claw setting, approximately 13 x 13mm, to a surround of round mixed cut amethysts, one missing, Birmingham 2010, and a gold amethyst and diamond pendant, a round mixed cut amethyst, claw set, to a fixed bale grain set with brilliant cut diamonds, tested as approximately 9ct gold,18.5mm long, 4.80g total (2)Condition ReportMaker's mark pendant CR.Some tarnish to mounts.Heart cut amethyst pendant missing one amethyst from the surround.Both appear to be in an unworn condition.

A 9ct gold opal and emerald cluster ring, a marquise shaped cabochon opal, to surround of round mixed cut emeralds, all claw set to tapered shoulders and a plain shank, London 1975, 2.08g.Finger size OCondition ReportSurface marks/scratches. Shank worn.Surface reaching inclusions to the emeralds.

A gold opal and ruby landscape cluster ring, three round cabochon opals to surround of mixed cut rubies, to scroll shoulders and a plain shank with ring clip fitted, stamped 9CT, tested as approximately 9ct gold, 4.48g,together with a lapis lazuli signet ring,with a two row shank, tested as approximately 9ct gold, 1.73g (2)Finger size approximately N, ICondition ReportMarks/scratches to mounts.Some tarnish to mounts.Chips and minor facet junction wear to rubies.Some porosity to shoulders of opal ruby ring.Lapis lazuli abraded.

A gold shell cameo brooch,a carved shell cameo portrait of a lady, bezel set, to a surround with twisted wire and wire scroll work, tested as approximately 9ct gold, to a safety chain and base metal pin,together with a pair of gold shell cameo stud earrings,a carved shell cameo portrait, bezel set, to a twisted wire surround, post fittings only, tested as approximately 9ct gold, 10.66 total (3)Condition ReportBrooch pin out of shape, catches securely with good tension.Cameo gently worn.Earring posts are later and not indented to catch butterflies. Butterflies deficient.One earring post at an angle.Some tarnish.Marks/scratches.

A pair of Victorian gold and silver, diamond and turquoise earrings, an oval bombé cluster with a rose cut diamond grain set at the centre, to surround of cabochon turquoise, all grain set in silver, to a gold lozenge shaped ground with twisted wire and bead decoration, with hook and 'C' catch fittings, marked 15, tested as approximately 15ct gold, lozenge 22mm long, 5.50g, together with a Victorian gold and silver, diamond and turquoise pendant,an oval bombé cluster with a rose cut diamond star set at the centre, to surround of cabochon turquoise, all grain set in silver, to gold back and twisted wire frame, suspending an articulated gold fringe below, surmounted by an oval cabochon turquoise bezel set to a domed collet, with twisted wire jump ring, tested as approximately 15ct gold, 57mm long, 4.78g (3)Condition ReportEarrings: Some discolouration to the turquoise.Split to the edge of one of the earrings.Surface marks/scrathes/dings to the mounts.Minor chips to some of the turquoise.Pendant:Dent to the back of the cluster section.Surface marks/scratches to gold.The end drop in the fringe has been soldered solid.Discolouration and minor chips to some of the turquoise.

A white gold blue zircon and diamond ring,a round mixed cut blue zircon, claw set, to a surround of eight cut diamonds, millegrain set, to half chenier shoulders, tested as approximately 18ct gold, head 10.8mm diameter, 2.62g.Finger size N½Condition ReportRhodium plating worn.Minor facet junction wear to blue zircon.Minor surface inclusions showing to some diamonds.Marks/scratches to mount.

A gold swirl pendant, openwork wire swirls to a textured surround, bale deficient, together with a gold curb link chain and a gold Prince-of-Wales rope link chain, all tested as approximately 9ct gold, 5.65g total (3)Condition ReportMinor surface marks/scratches.Bale to pendant is missing.

A collection of gold jewellery, to include a gold pin, with a round mixed cut sapphire, set to a surround of twisted wire and granulations, finial tested as approximately 15ct gold, to a twisted wire pin, tested as approximately 9ct gold, a gold opal pendant, claw set to a scroll mount and a plain articulated bale, tested as approximately 14ct gold, 19mm long, a 9ct gold flat curb link chain, London import hallmark, 412mm long, a single 14ct gold Claddagh stud earring, post fitting only, common control mark, and a collection of single and pairs of gold earrings, etc., all tested as approximately 9ct gold, together with a sterling silver R. Carr clock,a white dial with Roman numerals, to a rectangular sterling silver case with a patterned border, a velvet backing and easel support, Sheffield 1994, (qty.)14ct gold - 0.91g, 9ct gold - 13.08g totalCondition ReportGold pin showing signs of repair to the back. Excess solder and porosity. Some granulations dented and pierced open.Gold earrings, post and hook fittings, butterflies deficient to most. As found.Clock face not upright, not currently running.Tarnish to surfaces.Marks/scratches to surfaces.

A collection of gold jewellery,comprising a 9ct rose gold zodiac pendant, a mixed cut rock crystal quartz, to a pierced surround of zodiac symbols, with an articulated bale, 20mm diameter, a 9ct gold swirl pendant, to a set bale, a pair of rose gold machine engraved hoops, approximately 4 x 18mm, two fine Prince-of-Wales link chains, both 455mm long, a gold curb link chain, 458mm long,all hallmarked or tested as approximately 9ct gold, 11.41g total,together with a silver curb link chain,161mm long (8)Condition ReportBoth pendants have QVC maker's marks.Gold curb chain requires a new jump ring to be soldered to one end. Previous jump ring is loose on the bolt ring. Links appear to be in a good condition.The Prince-of-Wales chains are very fine, but no evidence of damage.Wear to links of silver chain.Marks/scratches to surfaces.Some tarnish.

A collection of gold jewellery,comprising a 9ct gold shell cameo pendant, a carved shell cameo of a lady, to a scalloped surround and articulated bale, 21mm long, Birmingham, a 9ct gold wishbone ring, London, common control mark, a gold St, Christopher pendant, suspended on a gold curb chain, tested as approximately 9ct gold, a gold textured band, a pair of rose gold machine engraved stud earrings, post and butterfly fittings, all tested as approximately 9ct gold, and a 14ct gold band ring, common control mark, together with a silver gem set ring,tested as approximately sterling silver, an octagonal 9ct back and front locket, a gold and silver marcasite set eternity ring, tested as approximately 9ct gold and sterling silver, and a base metal cubic zirconia heart pendant, suspended on a base metal twisted curb link chain, 450mm long (11)Finger size N, I, P, M¾, J14ct gold - 1.22g, 9ct gold - 7.51g, silver - 2.18gCondition Report14ct gold ring slightly out of shape. One edge worn. Gold and silver ring, marcasites abraded, multiple marcasites deficient.No internal loose components to locket.Marks/scratches to mounts/surfaces.Tarnish to surfaces.

A gold sovereign pendant,a George V sovereign, dated 1922, spectacle set to a 9ct gold mount with textured surround, to a heart shaped pierced scroll work mount and a fixed plain bale, London 1977, 43mm long, suspended on a 9ct gold UnoAErre box link chain, London import hallmark 1977, chain 508mm long, 16.76gCondition ReportMaker's mark KKD.Solder beads visible.Scroll work mount slightly out of shape.Box link chain links worn.

A gold sovereign pendant,a George V sovereign, dated 1930, spectacle set to a 9ct gold pendant with a scalloped bezel and a pierced textured square surround, London 1971, 42mm long including bale, suspended on a gold Prince-of-Wales link chain, tested as approximately 9ct gold, 492mm long, 18.44gCondition ReportBolt ring closes at an angle, may require a replacement. Jump rings worn.Sovereign loose in setting but secure. One claw vacant to back of piece, requires new claw, sovereign secure. Dents, marks and scratches to surfaces.Chain worn.Tarnish to surfaces.

A gold zodiac pendant,a Sagittarius zodiac sign to a triangular pierced backing and patterned surround, tested as approximately 18ct gold, 31mm long including jump ring, 3.78gCondition ReportJump ring worn and thin.Marks/scratches.Solder joins visible to top of pendant.

A 9ct gold St. Christopher key ring,a St. Christopher with a plain stepped surround, to a trace link chain with a triangular ring with a machine engraved barrel to the screw catch, 13.09gCondition ReportSt. Christopher and the keyring fitting bear different hallmarks. A marriage of parts.St, Christopher hallmarked London 1977, Maker's mark S&K.Keyring fitting hallmarked Birmingham 1976, Maker's mark SJR.Marks/scratches.

A collection of gentlemen's jewellery,to include a pair of gold dress studs, with a central eight cut diamond, millegrain set, to a mother of pearl surround, tested as approximately 18ct gold, a 9ct gold citrine spinner fob, a pair of 9ct gold cufflinks, with chain link connectors, a gold seed pearl stick pin, a set of four gold plain dress studs, a single gold plain dress stud, all hallmarked or tested as approximately 9ct gold, together with base metal dress studs, cufflinks, collar stiffeners, tie slides, etc. (qty.)18ct gold - 3.14g total, 9ct gold - 13.96g totalCondition Report9ct gold cufflinks showing porosity, dents and wear to solder joins on hollow components, chain link connectors worn, Mother of pearl plaque to 18ct gold dress stud wonky.Spinner fob citrine abraded and showing minor facet junction wear.Dress stud makers mark match the box, however the studs may not be original to the box.Loose gold dress stud dented to base.Tarnish to surfaces.Marks scratches to surfaces.As found.

A 9ct gold St. Christopher pendant,a St. Christopher to an engine turned surround, to a plain jump ring, London 1975, 5.18gCondition ReportMaker's mark G&H.Marks/scratches.

A gilt metal necklace, by Versace, the circular stepped pendant with a moulded head of Medusa at the centre, to surround of grain set paste, Greek key border, and further paste set surround, marked Gianni Versace, suspended on a gilt metal curb link chain with bolt ring clasp, pendant 60mm long including bale, chain 615mm long, 80.05gCondition ReportSome minor surface marks/scratches.

Two gold single diamond stud earrings,comprising a single white gold diamond earring, a central brilliant cut diamond, claw set, to a surround of brilliant cut diamonds, post fitting only, tested as approximately 18ct gold, 7.51mm diameter, and a single 18ct white gold single stone diamond stud earring, a brilliant cut diamond, claw set, to post fitting only, London 1977, 1.35g total (2)Condition ReportSettings dirty, would benefit from a clean.Butterflies deficient to both.Minor marks/scratches to mounts.

A gold diamond cluster ring,a daisy cluster of diamonds, with a central old European cut diamond, to a surround of old European and swiss cut diamonds and one eight cut diamond, to plain shaped shoulders, tested as approximately 18ct gold, 1.80g.Finger size MCondition ReportGallery wire snapped and raised.Some claws very worn and some showing signs of having been previously re-tipped.Visible solder joins underneath shoulders.Shank thin.Marks/scratches to mount.

A gold diamond cluster ring, an old European cut diamond rub set at the centre, to stepped surround of eight cut, Swiss cut and brilliant cut diamonds, to open shoulders and a plain shank, tested as approximately 18ct gold, 2.95g.Finger size PCondition ReportThe higer collets in the surround appear to have been soldered on to the top of existing collets. Solder joins visible.The brilliant cut diamonds are possibly later replacements.A chip to one of the brilliant cut diamonds.The head of the ring is very dirty.Surface marks/scratches to mount.

An 18ct gold diamond cluster ring,a central brilliant cut diamond, to two row surround of smaller brilliant cut diamonds, all claw set to a wire basket, with tapered chenier shoulders and a 'D' section shank, cluster 14mm diameter, 5.90g.Finger size NCondition ReportHallmark difficult to read, 750 visible, assay office possibly Sheffield.Head of ring a little dirty.Surface reaching inclusions to some of the diamonds.Surface marks/scratches to mount.

An 18ct gold ruby and diamond ring,a round mixed cut ruby, possibly synthetic, claw set, to a surround of illusion set eight cut diamonds, with teardrop engraved sections between, to tapered chenier shoulders and a plain shank, Birmingham 1973, 1.94g.Finger size OCondition ReportTarnish to mount.Marks/scratches to mount.Ruby possibly synthetic. Some facet junction wear to ruby.Surface reaching inclusions to diamonds.Grain claws worn. One diamond slightly loose but secure in setting.

EARLY RED SANDSTONE FIRE SURROUND

Mahogany fire surround, L: 150 cm. Not available for in-house P&P

Cambridge Works surround sound system. Not available for in-house P&P

1930s oak fire surround, L: 100 cm. Not available for in-house P&P

▲ Alexandra Beale (ARR applies)An impressive bronze fountain figure of Ondine in a tiered zinc pool surround designed by R.K. Alliston, removed from the Royal Automobile Club, Pall Mall, London 270cm high overall, 190cm square baseThis fountain was commissioned and installed in 2008. Sculptor Alexandra Beale’s work ranges from full size statuary and garden water features to portrait heads and composition pieces for interiors.She has exhibited widely in London and the South of England including many of the National Garden events as well as many of the country’s prestigious garden shows including Chelsea, Hampton Court, Stansted, West Dean, Parham and The Old Town Hall Chelsea. Ondine (also known as “Undine”), a mythological figure of European tradition, was a water nymph or sprite who could become human only when she fell in love with a mortal man. However, if the mortal was unfaithful to her, he was destined to forfeit his life. The Royal Automobile Club on London's historic Pall Mall was desinged and built by the fashionable architects Charles Mewes and Arthur Davis. They had already been lauded for the recently constructed Ritz hotels in Paris and London, and the interiors of some of the great ocean-going liners of the day. Opened in 1911 at the huge cost of £330,000, it has remained an iconic institution ever since. This fountain was removed in recently prior to remodelling of the courtyard gardens and represents a unique opportunity to acquire a stunning artwork from one of London’s best loved clubs.See video of working fountain by clicking here.

A Victorian Carrera marble Fire Surround, the plain shelf with moulded edge, over an arched centre, flanked by block pillars with ornate corbels, on plinth base, approx. 107cms (42") high x 122cms (4' - 48") wide (damaged), as is, w.a.f. (1)

A painted printed transfer glass Panel, depicting a Cavalier wearing armour holding a flagstaff, with floral surround, approx. 81cms x 29cms (32" x 11 1/2") in oak frame. (1)

A fine quality Victorian period Sienna and grey marble Fire Surround, the moulded shelf over pillar supports, the centre with arched inset, housing a Coalbrookdale ornate cast iron fire grate, approx. 127cms h x 178cms w x 33cms d (50" x 70" x 13"). (1)

A 19th Century Russian Icon, depicting Madonna & Child with floral bouquet surround, with gilded highlight and tempera, approx. 25cms x 29cms (10' x 11 1/2). (1)

An unusual early 20th century brass 'Hole In The Wall' door knocker / door bell surround surmounted with an Eagle, chain link handle with stirrup details

A Welsh late 18th century love spoon, together with anotherThe handle pierced with heart and flower within a chip carved surround, with 'S' scroll neck and elongated bowl, together with a second late 18th century example with simple shaped handle with penwork decoration, the rear of the spoon initialled E. J., the largest: 24cm (9in) long (2)For further information on this lot please visit Bonhams.com

A Welsh 19th century love spoon, together with a late 18th century exampleThe broad handle centred by a photo of a boy, with decorated glazed apertures surround and simple chip carving, the other a broad handle love spoon with two internal spoons, with fine chip carved and red painted decoration, initialled O.D. and M.W., the largest: 23 (9in) longFor further information on this lot please visit Bonhams.com

A Welsh 19th century love spoon, together with anotherThe shaped scroll handle pierced with a heart with chip carved surround, written on the back 'Nr Towyn, Merioneth', together with a second incomplete example, the largest: 17cm (6 1/2in) long (2)For further information on this lot please visit Bonhams.com

A George III stay buskOf bowed triangular tapering section finely cased with hearts and flowers within a geometrical surround, with traces of red and black paint, dated 1760 and initialled MM, 35cm (13 1/2in) highFor further information on this lot please visit Bonhams.com

Teac / B & W / ALR Jordan, Teac Amplifier A-H500i, Teac Tuner T-H500 with leads and remote together with two pairs of speakers, ALR Jordan Entry S, bookshelf s/n 22111003 plus a pair of B & W WM-1 surround sound speakers, stand or wall mounted s/n 0008735 & 0008754, both with instruction booklets, all good condition untested

Bang & Olufsen Speakers, B & O PentaLab Speakers, type 6611 s/n 06597347 & 06593985 floor standing, very good condition with one piece of surround protruding a small amount, untested

Painted fire surround, 122cm high, 162cm wide and 24cm deep, the interior 88cm high and 82cm wide.

Leo Chambers,Rough haired fox terrier, and another dog head study,two watercolour drawings, presumably for Moustafa cigarette cards, signed,20 x 10.5cm.Qty: 2Condition report:Images good (in their rather unfinished state). but the painted wash surround on one seems a little unstable (the white lifting).

An Edwardian oak fire surround.

A Gazco Ashdon Cast Iron Electric Stove, Model No. E8613, with remote control unit, height 65 cm, width 65 cm, depth 50 cm. CONDITION REPORT: In full working order. This Gazco electric stove features the unique VeriFlame technology. It offers realistic log-effect fire with three different brightness intensities, the additional option for a blue flame effect on the high setting plus two heat settings that can both be thermostaticaly controlled. The high quality surround/casing is that of a genuine cast iron wood burner.

HIFI & AUDIO EQUIPMENT - Bench KH2222 surround sound system with remote control

Bi-colour metal sapphire and diamond cluster dress ring, set with a large faceted opaque sapphire within baguette-cut diamond surround, size M/N, 6.9g

A 19th century letter rack with three gilded divisions set on a marble base with a two tone blue enamel surround and a matching ink blotter, together with a French Empire ink stand mahogany adorned with gilded sphinx and winged feet.

An inlaid Edwardian mahogany pedestal side cabinet of square cut form with satinwood banding and boxwood stringing and frieze drawer over a rectangular glazed panelled door flanked by a further glazed panelled surround raised on slender square tapered supports with shaped apron, 34 cm square x 107 cm high

A walnut coffer with rectangular moulded panelled surround beneath a hinged lid with repeating arched moulded frieze and heavy cast drop side carrying handles 108 cm wide x 56 cm deep x 62 cm high

An antique Regency style circular wall mirror with bevelled edge plate, ebonised slip and gilt ball surround, 64cm diameter