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Lot 1233
Oscar Dahl (Danish) - A silver Arts & Crafts buckle, set with a large centre cabochon amber within a surround of stylised geese, makers stamp verso, further stamped 826 S, circa 1910, dia. 7.5cm Condition Report / Extra Information Stones all good, no chips. Silver good. Marks good. Slight split to seam at edge and small dents to both front and back. Very grubby and unpolished. Buckle fixes well. We are unable to tell whether the amber has been treated or not.
Lot 1241
A ladies 18ct gold sapphire and diamond cluster ring, the four claw set oval cut sapphire weighing approx 2.8ct, in a surround of small brilliants, gross diamond weight approx 0.72ct, London 1988, size S/T, length 8.9mm, w.6.5mm, d.5.2mm Condition Report / Extra Information Sapphire assessed as primary hue: violetish-blue; tone: 4; saturation: 3.
Lot 1243
A ladies 18ct gold and platinum diamond two stone ring, arranged as a pair of claw set old brilliants, each weighing approx 0.15ct, in a surround of channel set small old brilliants, size L- Condition Report / Extra Information Weight 3.2g. Band stamped HG&S 18CT. PLAT.20. Circa 1920s/30s. Stones good and complete. Band worn.
Lot 1275
A pair of contemporary ladies 18ct white gold and diamond set ear pendants, each drop with a centre claw set small baguette, flanked with a three tier surround set with small brilliants, the studs each with centre trilliant cut diamond in a surround of small brilliants, the drops as three graduated brilliants, 26mm
Lot 1566
Richard Rayment of Bury St Edmunds (1686-1754) - a mid-18th century walnut longcase clock, the arched brass dial (w.12") having Old Father Time automata to the arch, the ring inscribed Tempus Fugit, and within dolphin spandrels, the dial having matted centre with signed plaque, chapter ring with Roman and Arabic numerals within cast brass mask spandrels, wheat-ear engraved surround, subsidiary seconds dial and calendar dial, twin winding holes for an eight day five pillar weight driven movement striking on a bell, the figured walnut case with arched panelled door having feather banding to a reduced boxbase, h.227cm Condition Report / Extra Information Left hand fret carving to hood is later. We believe clock case, dial and movement all belong. Case with some restoration and water damage. Boxbase later or re-veneered. The whole case with minor veneer patch repairs. Seat board with repair. Cheeks rebuilt. Back board varnished. Movement and dial good, grubby but appears all original. With weights and pendulum. Old Father Time automata is loose.
Lot 1592
A pair of circa 1800 carved wood and composition wall mouldings, each as a vacant cartouche within a scrolling surround, surmounted with a crown, later painted, h.45cm; sold with three fruit and flower carvings (4) Provenance: Ex-Rushbrooke Hall, Bury St Edmunds Condition Report / Extra Information All carved from limed pine. Pair cartouches - 45 x 28cm each, old worm evident to backs, losses to extremities. Floral mouldings - two at 54 x 10cm, one with leaf chip. Large floral moulding - broken in several places. With a handful of loose remnants.
Lot 1596
A late Victorian giltwood and gesso picture frame, carved with acanthus leaves within ropetwist and cavetto surround, gross dimensions 76 x 88cm, inner slip dimensions 52 x 65cm Provenance: Ex-Rushbrooke Hall, Bury St Edmunds Condition Report / Extra Information Numerous losses to outer edge mouldings. Small areas of losses to ropetwist mouldings. Inner mouldings with numerous gilt losses. Acanthus leaves generally complete. Gilt original but with handling wear.
Lot 1597
A 19th century French giltwood and gesso picture frame, having flower head carved and swept corners and acanthus leaf moulded inner surround, gross dimensions 114 x 82cm, inner slip dimensions 97 x 65cm Provenance: Ex-Rushbrooke Hall, Bury St Edmunds Condition Report / Extra Information With some repaired and replaced sections at each corner and down both sides. Probably reduced in size. Three corners with small areas of restoration. Gilt tired at corners. Otherwise original but with age and handling wear.
Lot 1611
An early 18th century walnut and feather banded kneehole desk, having a four quarter veneered top with cross and feather banding above an arrangement of drawers flanking centre kneehole, with fitted cupboard, w.76cm, d.45cm, h.73cm Condition Report / Extra Information Escutcheons are replacement, door and surround probably later, otherwise appears largely original. In tired condition with age wear, some water damage, fading, traces of paint etc. Believed to have been used in an artists studio. Left hand side with raised veneer. Lower right with chip to veneer at foot. Right hand side with 7" split.
Lot 560
Fretted (gebunden) clavichord by Hieronymus Hass, Hamburg, 1740, the exterior with later pale green paintwork, the interior and the keyboard surround painted red, also later, the lid interior painted with a horseman in an extensive landscape with a man and child to the left and a recumbent traveller to the right with two swans, the soundboard painted with various flowers, the keyboard, compass four octaves and two notes, CC to d3, with ivory naturals with red-painted facings and ebony-overlaid accidentals, with octave stringing in the bass up to D, an accessory compartment to the left of the keyboard with veneered lid, with later framed stand and stool both with cabriole legs painted en suite, inscribed on the soundboard Hieronÿ Alb Hass In Hamb Anno 1740, also a small silver plaque on the left wrestplank inscribed Restorat 1969 af Instrumentmeger Hans Holm Stagelse, length 5ft 1?in, 156.5cm., width1ft 5?in, 43.6cm *Recorded in Makers of the Harpsichord and Clavichord, 1440-1840 by Donald Boalch (Charles Mould), p.36. Sold with a report by Dr. Lance Whitehead and a provenance of the instrument since 1958 compiled by the vendor. The instrument resided at the Soro Akademi, Soro, Denmark for many years prior to 1958 and is also sold with a copy of the school booklet written by Lars Kelstrup entitled Soro Akademi, Bygingernes Historie, published in 2005.
Lot 42
PLEASE NOTE: Since the catalogue went to press we have been informed that this lot comes with a factory-supplied, fully-tailored car cover and has had its rear window seal's drain channel silicone filled in accordance with Porsche's recommendation. It has also had the upper section of its rear wheel arches 'rolled' and been fitted with a factory-supplied battery cut-off switch to its front compartment. - Based on a manual C2 and reputedly just 20kg heavier than a factory RSR - Genuine RS engine mounts, short-shift kit and Steve Wong custom chip etc. - All work completed within the last 1,000 miles or so using genuine or OEM parts This stunning-looking RSR Club Sport Evocation is based on a C2 993 model with manual transmission but minus conditioning - it is reputedly only 20kg heavier than a genuine RSR but with more power! This comes from the combination of a Steve Wong custom chip (98-100 octane fuel), Fabspeed RSR exhausts (with cats), RS downpipe, motorsport airbox, and BMC filter. Among the myriad of other mechanical upgrades are: fully adjustable H&R suspension, including front and rear anti-roll bars, rose-jointed rear drop links and full set-up (including corner weighting) by Centre of Gravity, Nuneaton; strut brace; genuine Porsche RS engine mounts; short-shift gearchange kit; replica 18in Speedline alloys shod with Pirelli N-rated tyres. Inside can be found: a genuine RS gear lever and gaiter; radio blanking panel; centre console bin; 964 RS steering wheel and column surround; RS knee roll; bolt-in half cage; Shroth six-point harnesses; replica motorsport seats; complete OEM bodykit. Accessories that have been retained include electric windows, headlamp wash and electric sunroof, while items deleted are rear wiper, engine sump cover (the latter will be supplied with the car) and lower dash. The above work was completed less than 1,000 miles ago using genuine parts wherever possible, and OEM ones when not. This ultra-desirable Porsche has done little mileage over recent years but was recently serviced and comes with full maintenance history to 92,775 miles (the odometer now displays c.95,000 miles) courtesy of Lancaster Porsche and Porsche Centre Colchester, plus specialists RSJ and Parr. Also accompanying 'K999 RSR' are: an unused spacesaver; compressor; tool kit; document wallet; two sets of keys and fobs; all MOTs since 1999 and one valid to March 2016. The vendor currently classes the bodywork, Black paintwork, Black cloth interior, 3.6-litre engine and six-speed gearbox as all being in 'excellent' order. A very exciting proposition.
Lot 121
Augustinian Monastic Book of Hours, - Use of Rome, in Latin, decorated manuscript on parchment [Italy, Use of Rome, in Latin, decorated manuscript on parchment [Italy, (Florence), dated 1 January 1467] 136 leaves (plus an endleaf at front and back reused from a contemporary choirbook), foliated modern pencil 1-137, complete, collation: i6, ii-xiv10, ornamental catchwords in calligraphic penstrokes sometimes touched with yellow, and leaf signature in purple ink in 6th gathering, single column, 16 or 17 lines of 2 sizes of a fine late gothic bookhand, rubrics in red, capitals and flourishes in litany touched in yellow, large initials in blue or red with ornate contrasting penwork infill and surround, terminating in trailing tendrils with line-drawn leaves and buds, text somewhat scuffed in places with flaking of ink (notably on last 2 leaves), some small spots and stains, but overall in good and sound condition, 130 by 100mm., Italian nineteenth-century binding of dark brown blind-tooled leather, some small scuffs and wear to spine edges Provenance: Almost certainly written and decorated for an inmate of an Augustinian monastery in Florence, perhaps Santo Spirito (the calendar is monastic, and the high grading of SS. Augustine and his mother Monica in the calendar, and the presence of Sancte pater Augustine in the litany, indicate it was Augustinian, while the presence of SS. Miniatus and Reparatus identify the site of this house as Florence). Its scribe finished it on 1 January 1467with a Latin verse colophon on fols.136rv: Finito libro isto referamus gratia Christo, Qui scripsit scribat semper cum domino vivat, Vivat in celis in suo nomine felix. Anno dni. Mo.cccc.lxvij. die I in mensis Ianuarii . The Augustinian house of Santo Spirito, Florence, was constructed c . 1300 near the Ponte Vecchio, and received the library of Boccaccio in 1375 as a bequest. It is pleasing to think that this modest volume may have shared shelf space with his celebrated book collection. Text: The volume comprises, a Calendar (fol.1r); the Hours of the Virgin (fol.7r), with Lauds (fol.12r), Prime (fol.18r), Terce, Sext, None, Vespers (fol.25v), and Compline, followed by variants for days of the week (fols.31v-36r) and liturgical seasons (fols.36v-43r); the Hours of the Passion (fol.43r); the Hours of the Cross (fol.55v); the Seven Penitential Psalms (fol.57r); Litany and petitions (fol.64v); the Gradual Psalms (fol.71r); the Office of the Dead (fol.78v); Psalter of the Virgin (fol.109r); and a hymn attributed to St Bernard: Salve mundi salutare, salve, salve, Iesu care … (fol.131r).
Lot 28
Collection of leaves - mostly from Biblical or liturgical manuscripts, in Latin and German mostly from Biblical or liturgical manuscripts, in Latin and German, on parchment [thirteenth to sixteenth century] 30 leaves or fragments (including 7 bifolia), comprising: (a) leaf from a Bible (Exodus 35-8), double column, 57 lines in tiny early gothic script, capitals touched in red, small initials and running titles in alternate red and blue, small split in outer border else excellent, northern France (Paris), thirteenth century, 257 by 170mm.; (b) 3 fragments of a Missal, with remnants of double column, 2 sizes of up to 23 lines of angular gothic bookhand, capitals touched in red, rubrics in red, initials in alternate red or blue, the larger with scrolling penwork, probably France, late thirteenth century, 280 by 125mm., 165 by 205mm. and 80 by 175mm.; (c) vertical strip from edge of a liturgical leaf with readings for Feast of St. Andrew, remains of 32 lines, capitals touched in red, rubrics in red, initials in red or blue, probably Rhineland, fourteenth century, 330 by 75mm.; (d) 2 large leaves from a choirbook, single column, 16 lines of monumental angular script, capitals touched in red and initials in red or pale blue, music in hufnagelschrift on a 4-line black stave, Germany, probably fourteenth century, 320 by 195mm.; (e) leaf from a Missal with a large variegated initial G with red penwork infill forming leaves and tiles and a floral surround, red rubrics, single column, 35 lines, Germany, c.1400; plus a bifolium from a fourteenth-century legal codex, another 16 leaves from fifteenth-century liturgical codices, including 6 bifolia, a leaf from a fifteenth-century choirbook, and 4 pieces of documents in German of the fifteenth or sixteenth centuries; all apart from (a) recovered from bindings and hence with concomitant damage
Lot 85
Vast initial with a fish - from a manuscript Gradual, in Latin on parchment [northern Italy , c from a manuscript Gradual, in Latin on parchment [northern Italy (perhaps Florence or Siena), c. 1500] Single leaf, with an initial I (155mm. high, opening In virtute tua domine laetabitur iustus ), with a vast silver and blue salmon-like fish with silver-grey feathery wings, his tail knotted into a clump of coloured acanthus leaves and he biting on another spray of leaves, all on a brightly burnished gold ground within a wide frame formed of gold and silver chevrons on pink and green grounds, the acanthus leaf sprays with gold triangular fruit and extending into 2 borders with green prickly foliage, large flowerheads with gold tongues, large bezants, a cluster of 5 bezants with green penwork surround forming a sun, and a grey bird, a single line of text in highly calligraphic penstrokes, with initials of same opening next 2 lines, in total 4 lines of text in a fine late gothic bookhand with music on a 4-line red stave (rastrum 36mm.) on front, folio number CI in red and blue in mid-margin, slight folds and smudges in places, slightly cockled, overall good and presentable, c. 530mm. by c. 380mm., gilt frame Lot 81 in our last sale and a leaf in Sotheby s, 2 December 2014, lot 21, were from the same strange and fascinating parent volume as this leaf. They all share a startling mix of a notably fine calligraphic hand with colourful and eclectic illumination with numerous animals and fish. The artist seems to have known Florentine models, however, he was clearly not part of the mainstream of that tradition, and further study might well place these in an as yet unidentified centre in the hinterland of that city.
Lot 3061
A contemporary diamond and ruby flower brooch, central round brilliant cut diamond approx 0.40ct, flanked by five smaller pink ruby's, open rolling five petal surround, encrusted with ten diamond accents; yellow and white metal leaf and stem and ribbon arching bar, the ribbon section liner set with sixteen graduated diamond accents, unmarked, 7.5cm long, 17.7g gross
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79002 item(s)/page