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A Regency gold, emerald and half pearl mourning ring, dated 1818, the central rectangular emerald claw set in a closed back setting within a half pearl surround, above chased trifurcated scroll shoulders to a double hoop shank, the underside engraved ‘John Heydon, died, 23 March 1818, aged 53.’, finger size L
A pair of sapphire and diamond pendent earrings, the cluster drops centrally set with an oval mixed cut sapphire within a surround of old brilliant and brilliant cut diamonds, suspended by articulated graduated brilliant cut diamond connections from fish hook fittings, approximately 3.50 carats total, 4cm long overall
A late Victorian garnet and diamond target cluster brooch, circa 1890, the central old cut diamond within a surround of heart shaped cabochon garnets within an open work target mount of old cut diamonds and heart shaped cabochon garnets, mounted in gold backed silver with a removable brooch fitting, 2.7cm wide
A diamond and pearl pendant necklace in a pierced openwork floral design, mounted with the principal cushion shaped diamond in a surround of eight small pearls framed by foliate motifs mounted with small cushion shaped diamonds, the suspension bar mounted with a single cultured pearl, on an oval link neckchain with a T-bar and loop clasp.
A 9ct gold mounted oval shell cameo brooch, carved as the portrait of a lady within a scroll pierced and beaded surround, fitted with a safety chain, and another oval shell cameo brooch, carved as a figure in a wooded landscape, the filigree mount with four foliate spray motifs at intervals.
A citrine single stone ring, mounted with an oval cut citrine in a two colour setting decorated with beaded shoulders, a synthetic corundum imitating Alexandrite solitaire ring, in a wirework setting, and a cultured pearl and diamond set ring, mounted with the single cultured pearl within a pierced surround set with circular cut diamonds.
A Chinese blue and white export porcelain tankard, Qianlong period, the cylindrical body painted with a shield shaped pendant within a famille rose festoon surround, flanked by two small flower sprays, the underglaze blue borders flanked by an entwined reeded loop handle, height approx 16cm.
A collection of eight necklaces including an opal (?) within a paste surround, a three string pearl example with marcasite clasp, an unusual pink and diamante crab, a purple stone necklace, a silver and green and turquoise enamel St.Christopher, a necklace with linked oval shapes with contrasting colour stones, an example with turquoise stones and a mother of pearl necklace
KELMSCOTT PRESS (publishers). – F.S. ELLIS (editor). The Romance of Sire Degrevant [or Sire Degrevaunt]. London: printed by William Morris at the Kelmscott Press, 14th Day of March 1896 [but issued November 1897]. Printed in an edition of 350 copies on paper, 8vo (204 x 144mm.) Woodcut frontispiece designed by Sir Edward Burne-Jones, with double-page decorative woodcut surround, text in Chaucer type printed in red and black. (Light spotting to outer edge.) Original cloth-backed boards (extremities slightly bumped, spine spotted, stitching slightly weak). Paterson A47.
An 19th century Scottish portrait miniature in the naive style modelled as a young woman wearing black velvet dress with tartan shawl and ringlet hair in sealed glazed frame with black surround and fabric reverse bearing red label Doig Wilson & Wheatley, (important 19th century Edinburgh picture framers).
A rare early Hornby Series Modelled Miniature Open Sports Car (22a). The very first vehicle that started the Dinky collecting hobby. An example with blue body, red seats and radiator with tinplate surround. Complete with red mudguards. Fitted with original solid metal wheels with a light metallic blue finish. Lead windscreen surround missing. GC for age. Minor chipping. Plate. 3 and on front cover

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79002 item(s)/page