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Lot 1704

Mahogany single fusee 12" drop dial wall clock signed Josiah Vickery, Bristol, within a turned surround over foliate carved ears (pendulum and key)

Lot 2633

French mahogany and  ebonised vineyard wall clock, the 9" cream dial signed P.V. Delecor, Le Gard, within a flat surround with geometric mother of pearl inlay, within a wavy shaped fluted case, 24" high (pendulum & key)

Lot 2606

Mahogany single fusee 12" drop dial wall clock within an octagonal surround; also another rosewood single fusee 12" drop dial wall clock within an octagonal surround, both in need of restoration (two pendulums) (2)

Lot 2623

Mahogany single train 12" drop dial wall clock, within a turned surround over carved ears and a pendulum window (pendulum); also an oak 12" wall dial clock within a turned surround (pendulum) (2)

Lot 2625

Smith eight day ships bulkhead wall clock, the 7" cream dial with slow/fast lever, within a brass bezel and blackened case mounted onto an oak plaque; also another Stockburger Royal Navy ships bulkhead wall clock, the 6" white dial with alarm and slow/fast levers, within a brass case and another 6" wall dial with fast/slow lever and subsidiary seconds dial, within a rosewood octagonal surround, all with winding keys (3)

Lot 2629

Schatz ships bulkhead two train wall clock, the 5.25" cream dial within a brass case and ships wheel surround

Lot 2609

Mahogany single fusee 12" convex drop dial wall clock, signed Hancock, Yeovil within an octagonal surround and over fan carved ears, in need of restoration (pendulum)

Lot 2610

Good mahogany single fusee 12" convex drop dial wall clock, signed Tritscler & Co.., Manchester Square, within a turned surround over foliate carved ears enclosing a shaped pendulum window, in need of some restoration (pendulum)

Lot 1716

Good British Rail (Western) oak cased single fusee 12" wall dial clock, the cream dial inscribed Elliott B.R (W), with Roman and Arabic twenty-four hour chapter rings, the movement also signed Elliott, London no. 24288, within a turned surround (pendulum and key)

Lot 2636

Mahogany single fusee 14" wall dial clock signed Grimshaw, Baxter & J.J. Elliott Ltd., London, within a turned surround (pendulum)

Lot 2627

Ships bulkhead clock timepiece, the 5" cream dial with subsidiary seconds dial and slow/fast lever at twelve o'clock, within a blackened casing; also another mahogany wall timepiece, the 6" white dial inscribed Patent Lever Escapement, with subsidiary seconds dial and slow/fast lever, within an octagonal surround and two old chronometer cases (4)

Lot 2604

Mahogany single fusee 12" convex drop dial wall clock within an octagonal surround; also a rosewood single fusee 12" drop dial wall clock signed Jonathan Firderer, Birmingham, within an octagonal surround, in need of restoration (two pendulums) (2)

Lot 2013

Large oak circular wall dial surround; also a hinged brass bezel with aperture for a 23" dial

Lot 1708

Mahogany single fusee drop dial wall clock in need of restoration, the 6" silvered dial within a cast bezel and turned surround, 11.25" high overall; also another ebonised single fusee drop dial wall clock in need of restoration (2) ** Both these clocks have missing case parts and there is no guarantee that the movements are complete either

Lot 2616

Mahogany two train trunk dial wall clock, the 14" white dial signed Rich Holroyd, Chester, within a flat stepped surround, over a medium length pointed arched door, 54" high (no weights or pendulum)

Lot 2619

Papier-mâché two train 12" drop dial wall clock, signed F. Turner, Penrith, within a wavy shaped surround over a pendulum window, inlaid overall with mother of pearl and painted foliage (no pendulum); also a mahogany two train 12" wall dial clock, within a turned surround and an oak single train 10" dial painted with a globe compass, within an octagonal surround, all in need of restoration (one pendulum) (3)

Lot 2621

Rosewood 12" drop dial wall clock, within a flat canted surround inlaid with foliate mother of pearl repeating motifs, over scrolling carved foliate ears and oval pendulum window (pendulum and key)

Lot 2607

Mahogany double fusee 12" drop dial wall clock, signed Triggs, Guildford within a turned surround; also another mahogany single fusee 12" drop dial wall clock signed William Bruford & Son, Eastbourne, within a turned surround, both in need of restoration (two pendulums) (2)

Lot 2630

Comptoise two train wall clock, the 8.5" white convex dial within a gilt surround embossed with fruiting vines and nesting birds to the arch, 15.5" high overall (pendulum, two weights and winding key); also a Black Forest two train wall clock striking on a bell, the 4" white dial within a gilt and coloured surround embossed with a dog and birds amidst foliage, within a glazed ebonised case, 9.5" high (two weights but no pendulum) (2)

Lot 2515

Early ebonised sedan clock timepiece, the verge watch movement signed Thomas Bale, London no. 138, the 3.5" white dial within a brass bezel and turned surround

Lot 2620

Mahogany single train 8" wall dial clock, within a turned surround; also a mahogany single train 10" wall dial clock within a turned surround and another within an ebonised surround, all in need of restoration (two pendulums) (3)

Lot 2631

Mahogany single fusee 12" wall dial clock signed Gammage, Woodbridge, within a turned surround (WITH PENDULUM)

Lot 1712

Good Scottish oak single fusee 10" wall dial clock signed James Hardy, Aberdeen, within a turned surround (pendulum)

Lot 1715

Good walnut single fusee 12" drop dial wall clock signed William Swann, Stockport, within an octagonal surround inlaid with brass lines and stars, over a shaped pendulum window (pendulum)

Lot 1709

Mahogany single fusee 12" convex wall dial clock signed W. Thomas, Lincoln, within an octagonal flat beaded surround with brass inlaid stylised flowering foliage (pendulum)

Lot 1711

Oak single fusee 12" wall dial clock signed Vale & Richardson, Bury St. Edmunds, within a turned surround (pendulum)

Lot 1702

Early mahogany single fusee verge wall dial clock, the 12" brass dial signed Bowyer, London, within a turned surround (pendulum)

Lot 2612

Mahogany single fusee railway clock, the 12" white dial inscribed B.R.(S), John Walker, South Molton St, London, 2289 W, within a turned surround over a plain drop, missing the registration plaque that was fitted to the right hand side and in need of restoration (pendulum)

Lot 2016

Mahogany 16" wall clock dial surround, with convex cream dial and brass bezel; also a Seth Thomas two train wall clock in need of restoration, mahogany longcase clock door and backboard, three clock cases and some bezels etc

Lot 2608

Mahogany single fusee 12" drop dial wall clock, signed J.H.Botterell within a turned surround; also a walnut single fusee drop dial wall clock signed Hancock, Cox & Co, Yeovil, within a turned surround, both in need of restoration (two pendulums) (2)

Lot 203

An Arts & Crafts copper wall mirror, the bevelled square mirror plate with embossed copper frame decorated with foliate motifs and oak surround46.5 x 46.5cmIn generally good condition, copper surface more highly polished in some areas than others.

Lot 116

An Orvit pewter and glass ewer, with moulded and faceted green glass liner, the pewter surround moulded in shallow relief with stylised grapes and vines, stamped and numbered '2548' to underside30cm high; together with a WMF pewter and glass biscuit barrel, the green glass liner within a pierced case of foliate design, stamped marks and numbered '231' to underside 14cm high, swing handle folded The ewer lacking thumbpiece on cover, otherwise in good condition, glass good.  The glass liner in the barrel also in good condition, the cover particulalry lacking some finish

Lot 115

A WMF twin-handled spill vase, the tapering cut-glass liner within a scrolling foliate silver-plated surround and rising to an everted scalloped rim, stamped to underside of paw foot 22cm high; together with another spill vase with green glass liner and pierced pewter surround 17.5cm high; an Art Nouveau cup holder, pierced with sinuous forms and ladies in profile 6cm high; and a silver-plated Art Nouveau match sleeve decorated in shallow relief 6 x 4 x 2cm (4)

Lot 440

Large George II Crest Engraved Silver Salver by John Carter II 1771 shaped beaded rim with repeat floral border with central engraved shield crest with wreath surround, on 4 ball and claw feet, hallmarked London 1771 with maker mark I.C for John Carter II, diameter 41.5cm, weight 1890 grams

Lot 60

Gerald Scott, Abstract head, ceramic tiles, monogrammed and dated 56, mounted on wood panel, 48 x 32.5cm, together with a dancing girl by Jerry Rother, a tile panel with musical instruments, a teak cheese board inset with tiles, a geometrically decorated tile with wood surround, and a pair of four tile panels, with wood surround (7)Condition Report: The main plaque is in good condition.The small cheese board with Chianti bottles has a flaw to tile.There is a crack to the tiled panel with musical instruments.Generally others in good condition. Domestic wear.

Lot 202

Thomas Jekyll, (British, 1827-18810, a bronze and cast iron fire place surround, in three parts, the central bronze part with geometric moulded cresting, with two side -pieces applied with eight tiles, printed with flowering lilies and chrysanthemums in pots, the central part 92cm high x 40.5cm wide, the two side pieces 92cm high x 27.5cm wide (3)

Lot 56

A Middle Eastern brass brazier table, teak surround, 80 cm diameter, together with another similar, 88 cm diameter.Qty: 2Provenance: The contents of The Birches, Kingston-upon-Thames

Lot 296

A George II style parcel gilt wall mirror, by Brights of Nettlebed, with red Chinoiserie design frame depicting figures and foliage with shell and scroll surround, labelled verso, 79 x 118 cm

Lot 3156

Höchst seltenes Mokkaservice "Bouquet". Meissen. Schwertermarke, überwiegend Jahreszeichen 1986, 1. Wahl. Entwurf: Form 1972/1975 von Ludwig Zepner (1931-2010); Dekor Volkmar Bretschneider (*1930). Emailfarben, Poliergold. 21 Teile. Form "Großer Ausschnitt". Mit aquarellartiger, luftiger Blumenmalerei. Mokkakanne (H 19,5 cm), Sahnegießer, Zuckerschale, 6 Mokkatassen, 6 Untertassen und 6 Teller. In seiner Idee und Ausführung erinnert dieses höchst seltene Mokkaservice an den Dekor "Mandelbäumchen" und den Dekor "Blaue Orchidee", auch an die in Lösungsmalerei ausgeführten Service und Unikate der Künstlergruppe der 80er Jahre. Einzigartig gelingt Volkmar Bretschneider hier die Verschmelzung von alla-prima-Malerei und Form und findet in der goldstaffierten Mokkakanne ein besonderes Meisterwerk. Tulpenblüten umschließen raumfassend jede (als Unikat ausgeführte) Tasse. Und die Malerei auf den Tellern (auch diese jeder für sich ein Solitär / ein Hauch Malerei in pastelligen Himmelstönen mit feinen Goldakzenten) öffnet wie ein milder morgendlicher Frühlingswind einen zarten Kosmos. Geschlossen- und Geöffnetsein werden hier auf höchstem künstlerischen Niveau in expressive moderne Porzellanmalerei übersetzt. Ein neuer Typ unikaler Meissener Blumenmalerei, mit der sich Volkmar Bretschneider unauslöschlich in die Annalen der Meissener Manufaktur eingeschrieben hat. (vgl. Meissener Konturen 1960 - 1990, S. 46f., Meissener Manuskripte VII, Volkmar Bretschneider, Dekorationen auf Meissener Porzellan, S. 12/13). Aufrufzeit 27. | Okt 2023 | voraussichtlich 19:53 Uhr (CET)Highly rare mocha service "Bouquet". Meissen. Heavy mark, mostly year 1986, 1st choice. Design: form 1972/1975 by Ludwig Zepner (1931-2010); decor Volkmar Bretschneider (*1930). Enamel colors, polished gold. 21 pieces. Shape "Large cutout". With watercolor airy floral painting. Mocha pot (h 19.5 cm), cream jug;er, sugar bowl, 6 demitasse cups, 6 saucers and 6 plates. In its idea and execution, this highly rare mocha service is reminiscent of the decor "Almond Tree" and the decor "Blue Orchid", also the service and unique pieces executed in solution painting of the artist group of the 80s. Volkmar Bretschneider uniquely succeeds here in merging alla-prima painting and form and finds a special masterpiece in the gold-staffed mocha pot. Tulip blossoms surround each cup (executed as a unique piece). And the painting on the plates (each of which is also a solitaire / a touch of painting in pastel sky tones with fine gold accents) opens up a delicate cosmos like a mild morning spring breeze. Closed and open are here translated at the highest artistic level into expressive modern porcelain painting. A new type of unique Meissen flower painting, with which Volkmar Bretschneider has indelibly inscribed himself in the annals of the Meissen manufactory. (cf. Meissen Contours 1960 - 1990, pp. 46f., Meissen Manuscripts VII, Volkmar Bretschneider, Decorations on Meissen Porcelain, pp. 12/13). Call time 27 | Oct 2023 | expected 19:53 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Lot 326

A five companion set fashioned as a knight in armour, along with a fire surround and grate Location:

Lot 200

An early 20th century diamond and split seed pearl heart shaped pendant, the centre set with single old cut diamond claw set within a surround of split seed pearls, not stamped, weight approx 2.5gCondition:Some wear to claws and some slight grazing to the back, other than this just general wear, refer to images

Lot 789

An natural pearl and diamond cluster ring, early 20th century, the pearl set within a surround of old circular-cut diamonds in platinum, French assay marks, size LAccompanied by GIA report no.1453258805, dated November 25th 2022, stating that the pearl is natural, saltwater.

Lot 786

A sapphire and diamond half hoop ring, set with two old cushion-shaped diamonds within sapphire and diamond borders in geometric surround, set in platinum, size K

Lot 519

A George III onyx and diamond brooch, early 19th century and later, designed as a bow, centring on a polished cabochon of banded onyx, within a surround of rose-cut diamonds, mounted in silver and gold, length 4cm, composite, converted from a clasp, later brooch fitting, case

Lot 589

A ruby and diamond ring, of cluster design, set with an oval ruby within a surround of diamonds, mounted in platinum and 18ct yellow gold, size I, British hallmarks for London, 2000, the shank with a hinge so it can be opened

Lot 805

A late Victorian opal and diamond ring, the solid white opal set within a surround of diamonds in yellow gold, size M, case

Lot 715

An Etruscan Revival gold bangle, late 19th century, with three coral cabochons in rectangular filigree gold surround and tapered shoulders with further filigree and pelletwork decoration in yellow gold, internal width 5.8cm, case

Lot 588

An opal and diamond cluster ring, designed as a cabochon opal set within a surround of brilliant-cut diamonds, mounted in gold, size S

Lot 1002

A late 19th century sapphire and diamond cluster ring, the cushion-shaped sapphire set within a surround of old cushion-shaped diamonds in silver and gold, size PA verbal report from GCS stated that the sapphire was Sri Lanka, no heat

Lot 865

An opal and diamond navette-shaped ring, the lozenge-shaped opal set within a surround of diamonds in silver and gold, size L

Lot 732

A large emerald and diamond pendant, the emerald-cut emerald weighs approximately 24.00cts, set within radiating surround of circular and baguette-shaped diamonds quartered with marquise diamond trefoils in yellow gold, folding pendant loop, length 5.4cmA verbal report was obtained stating that the emerald is Colombian, with significant clarity enhancement

Lot 492

A carved opal, enamel, cultured pearl and diamond pendant/brooch, centring on an oval black opal cameo depicting a woman in profile, within a border of circular-cut diamonds, and outer surround of engraved gold applied with blue and black enamel, accented with pearls, length 4.2cm, cameo 2.4 x 1.4cm, Accompanied by GIA report no.5222922839, Dated May 8 2023, Stating that 2 pearls are Cultured and 2 pearls are Natural Saltwater, as detailed on the report.

Lot 673

A diamond ring, mid 20th century, claw-set with a circular-cut diamond weighing approximately 1.00 carat, within a surround of millegrain-set single-cut, marquise-shaped and baguette diamonds, mounted in platinum, size M1/2

Lot 416

**No reserve**A pocket watch and fob seal, early 19th century, comprising: a gold key wind, open-faced pocket watch, the gold dial with gold Roman numerals on textured gold chapter ring with a foliate surround, 4.2cm diameter, glass deficient; and a gold cased stirrup-form fob seal with oak and foliate scroll decoration, mounted with a citrine carved with arrow-head arms, height 5cm high

Lot 1086

A cabochon sapphire and diamond cluster ring, the oval cabochon sapphire weighing 14.5cts, set within a surround of circular-cut diamonds in white gold, size M approx. A verbal report from GCS stated that the sapphire is Sri Lankan, no heat

Lot 709

A Regency gem-set and enamel gold bracelet, set with banded agate cabochons in filigree surround and red and white enamel flowers, all in yellow gold, one of the links has been removed and adapted to be worn as a pendant, bracelet 16.7cm

Lot 913

A garnet and diamond brooch, George III and later, the pear-shaped garnets within garnet surround in closed back silver and gold setting, within a later border of old cushion-shaped diamonds, joined on knife-edge wire in silver and gold, width 3.5cm, case

Lot 18

An early 20th century aquamarine, diamond and pearl brooch, the central oval cut aquamarine weighing approx. 1.32cts, surround by four bezel set old cut diamonds, unmarked, gross wt. 2.2g, Condition - good, minor wear only.

Lot 301

German Third Reich. 4 enamelled badges. Party badge (RZM marked, Fritz Zimmermann, Stuttgart) ... similar with ADOLF HITLER in surround (RZM marked) ... NSDAP cap roundel (RZM marked) ... Deine Hand Dem Handwerk, depicting shaking hands over swastika, red enamel rectangular badge , all complete with pins.

Lot 2949

A VICTORIAN STYLE OAK EFFECT AND INLAID FIRE SURROUND

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