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A HALF SOVEREIGN PENDANT AND CHAIN, half sovereign depicting Edward VII, dated 1908, in a collet mount with open work scallop surround, unmarked, suspended from a fine belcher chain with spring clasp, stamped 9ct, length 660mm, approximate gross weight 7.1 grams (condition report: chain would benefit from a gentle clean and polish)
A LATE VICTORIAN CHALCEDONY AND TURQUOISE BROOCH, of a rounded rectangular form, polished milky chalcedony inlay decorated with a yellow metal flower set with turquoise cabochons, claw set within a yellow metal collet mount and open work scrolling surround, unmarked, fitted with a brooch pin and C clasp, measuring approximately length 39.7mm x width 31.3mm (condition report: soft solder visible, repair work to the base of the pin, one claw is broken and requires some attention, overall condition good)
AN 18CT GOLD EMERALD AND DIAMOND CLUSTER RING, oval cluster set with a central oval cut emerald, in a surround of single cut diamonds, to a further surround of circular cut emeralds, open work basket gallery, pinched shoulder and polished band, hallmarked 18ct London, ring size Q, approximate gross weight 7.2 grams (condition report: general light wear, would benefit from a gentle clean and polish, overall condition good)
A WHITE METAL EMERALD AND DIAMOND CLUSTER RING, circular cluster, set with a central raised round brilliant cut diamond, estimated diamond weight 0.10cts, within a surround of circular cut emeralds and single cut diamond accents, pinched shoulder leading onto a polished band, stamped 18ct, ring size P 1/2, approximate gross weight 3.9 grams (condition report: would benefit from a gentle clean and polish, overall condition good)
A WHITE METAL DIAMOND CLUSTER RING, of a flower shape, set with a central round brilliant cut diamond, within a surround of single cut diamonds, estimated total diamond weight 0.30cts, trifurcated shoulders leading onto a polished band, stamped 18ct, ring size O, approximate gross weight 3.9 grams (condition report: general light wear, diamonds secure, would benefit from a gentle clean and polish, overall condition good)
A 9CT GOLD GEM SET RING, dress ring set with a central oval cut green sapphire, within a surround of oval cut green garnets and circular peridots, cross over style, polished band, hallmarked 9ct Birmingham, ring size P, approximate gross weight 4.5 grams (condition report: general light wear, stones secure, would benefit from a gentle clean and polish, overall condition good)
A 9CT GOLD DIAMOND AND SAPPHIRE CLUSTER RING, oval and baguette cut sapphires set with a surround of single cut diamonds, prong set in white gold leading on to a yellow gold shank, hallmarked 9ct London, ring size P, approximate gross weight 3.9 grams, (condition report: general moderate wear, two diamonds missing from setting, abrasions to sapphire facet edges)
A WHITE METAL ‘RUSKIN’ BROOCH, of a circular form, painted ceramic insert, signed to the reverse ‘Ruskin England’, collet set with bead work surround, unmarked, fitted with a brooch pin and C clasp, approximate diameter 40.7mm (condition report: general light wear, mount is slightly tarnished, pin in working order, overall condition good)
AN 18CT WHITE GOLD, TANZANITE AND DIAMOND CLUSTER PENDANT NECKLACE, the pendant of an oval form, set with an oval cut tanzanite, in a surround of small round brilliant cut diamonds, approximate dimensions length 11.9mm x width 10.2mm, stamped 750, stamped diamond weight 0.78cts, suspended from a fine box link chain fitted with a spring clasp, hallmarked 18ct Birmingham, length 450mm, approximate gross weight 3.7 grams, together with box (condition report: general light wear, nice bright diamonds, stones secure, new like condition)
A LARGE WALL MIRROR WITH ANTIQUE FINISH The rectangular mirror plate within a bronze dappled mirror surround 140.5cm high x 100.5cm wide x 4cm deep Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A Victorian silver-mounted double-hearts photograph frame. With a broad spiral-lobed 'hit and miss' surround and two vacant oval cartouches, mark of William Comyns, London 1895, 19cm high overall (7 1/2 inches), 26cm wide (10 1/4 inches) Condition Report: Generally in good condition. Tarnishing to the silver, details are still crisp. Some small dents (mainly to the edges). Two screws missing. Th back stand is missing. Slight wear to the silver including scratches consistent with age and usage. The silver isn't securely attached to the stand and the velvet has some areas of discolouration.
A modern 18ct white and yellow gold, emerald and diamond spiral triple-cluster ring. The three slightly-graduated oval mixed-cut pale green emeralds, within a round brilliant diamond 34 stone white spiral surround, on a yellow gold D-section shank with hallmarks for London 2007, size M, 6.4g gross
An early 20th century gold, half-pearl and reverse crystal intaglio oval pendant with a Royal monogram GR. The mother-of-pearl backed rock-crystal intaglio with a Crown above the monogram 'GR', rub-over set within a single row half-pearl surround and a plain broad border with a pierced foliate scroll surmount, the back stamped '9ct' and formerly with a glazed-locket back, later base-metal pin and safety chain, the locket approx. 47mm high overall, 32mm wide, 15.7g gross
A vintage gold and diamond solitaire ring, circa 1960. The round brilliant approx. 0.30cts, grain set within a 'shaped' white surround and rex collet, on a yellow D-section shank with split knife-edge shoulders with chenirs, stamped '18ct & Plat', size N, 2.3g gross Condition Report: The daimond measures approx. 4.5mm diameter, 2.5mm deep, colour about I, clarity about VS. Mount good, general wear and tear commensurate with age and use
An Art Deco sapphire and diamond shaped-oval cluster ring with diamond shoulders. The central cluster with a central calibre sapphire three stone band within an eight-cut diamond eight stone shaped surround and single stone open shoulders, on a D-section shank with knife-edge shoulders, stamped '18ct' & 'Plat', size M, 3.4g gross Condition Report: Overall good condition for age, general wear and tear commensurate with age and use, no obvious evidence of any repair or sizing, however the marks are both a little compressed. The eight-cut and single-cut diamonds are a little '0ff colour' with a bown-ish-yellow-ish tint, one shoulder stone has a gletz at one facet junction. The sapphires are a 'light ceylon' colour and have some light abrasion to the fcet edges. none of the aboves information is obvious to the naked eye and only visible with a 10X loupe.
A Victorian emerald and pearl set gold mourning brooch, comprising a domed marquise shaped brooch with an applied star motif to the centre with a rectangular cut emerald, 5 x 4mm, within a seed pearl set star, within an applied leaf border to an outer beaded surround, length approx star 45 x 30mm, C clasp and pin, with glazed compartment to reverse, unmarked probably 15ct gold, total gross weight approx 10.4gms Further details: good all pearls and stone intact, some tarnish and wear and tear commensurate with age
A mid Victorian inlaid coromandel rectangular sewing box, the cover and body with cut brass, mother-of-pearl and abalone decorative sections, the inside cover with mirror within a gilt tooled blue velvet surround, off white painted interior, with a compartmentalised tray with blue velvet covers and turn over needle holders with a set of seven mother-of-pearl top reel holders, six and two mother-of-pearl shaped winders, three reed holders, further mother-of-pearl and steel tool, two silver thimbles, engraved lock and brass inlaid interior edges, approx 32cm wide x 23cm deep x 13cm high Further details:
A pair of mid to late 19th century stained glass panels depicting painted Winter landscape with birds in foreground, foliage and floral surround, one engraved W.K. Nash & Co Stained Glass Works, 73, Mallinson Road, Clapham Junction, each approx. 69cm high x 47cm wide. Further details: some signs of staining, general wear, no obvious damage but some age related wear and fading etc, commensurate to age.
A fine 19th century gold set cameo brooch, comprising an oval carved shell cameo depicting a female classical figure, ivy and trumpet shaped Calystegia sepium cascading in her hair, cameo approx 42 x 50mm, signed to reverse (indistinct) within a gold rope and beaded surround, continental gold marks, size approx 58mm, C clasp with later base metal pin, modification to reverse, total gross weight approx 22.2gms Further details: good cameo intact, base metal modification to reverse and later base pin
A LIMESTONE FIRE SURROUND FRENCH, POSSIBLY EARLY 19TH CENTURY In four sections Revised sizes: approximately- external 165.5cm high, lintel 161.3cm wide, main body 144cm wide, internal 126cm high by 111cm wideSaleroom noticeThe dimensions are approximately - external 165.5cm high, lintel 161.3cm wide, main body 144cm wide, internal 126cm high by 111cm wide Condition Report: Revised sizes: approximately- external 165.5cm high, lintel 161.3cm wide, main body 144cm wide, internal 126cm high by 111cm wide Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Lintel shelf is broken into two pieces. The whole is disassembled into shelf, top section and two jambs- remnants of old mortar to reverse Both jambs are drilled with remnants of wooden pegs and scored marks- possibly formerly for screen fitment? The holes do not go through all the way through. Surface wear and loss throughout- notably to margins and to base of jambs Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A CARVED OAK CEILING BOSS LATE 16TH/EARLY 17TH CENTURY Carved with central scene of the crucifixion, stiff leaf surround 43cm high, 40cm wide, 17.5cm high: Together with an 18th/19th century oak ceiling rose of turned circular form, and a group of seven modern cast ceiling roses, largest 22cm diameter Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. First with wear as per age- later paint surface in part- some of which has been removed, details slightly blurred through handling- later inset fillets to side backs.Oak boss- Cast modern examples- slightly dirty and some minor edge wear Please see additional images for visual references to condition which form part of this condition report. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A GEORGE I WHITE MARBLE FRIEZE CARVED WITH PUTTI MASKS AND SWAGS EARLY 18TH CENTURY 68 x 122cm Together with the remnants of a memorial tablet to "Agnes Michaelis Harvey de Clifton" Early 18th century With carved marble part frame elements And a fragmentary variegated white marble fireplace surround Probably French, late 19th century with scroll carved frame around fluted pilaster strip jambs Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Frieze- with surface wear and loss to margins as well as scuffing and wear to raised carved details. Rust stains to top from previous upper fitment. Memorial tablet- incomplete- broken into 4 pieces approx 103 by 65cm. Only partial framing fragments surviveFire surround is too fragmentary to assemble together and to make sense of what remains. In all likelihood it is incomplete. Please see additional images for visual references to condition which form part of this condition report. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A STEEL AND IRON FIRE GRATE EARLY 20TH CENTURY Incorporating an earlier fire back with figure coming through drapes, scrolling floral surround, 75cm wide, 75.5cm high, 39cm Together with fireside tools to include; a large leather log bucket, 40.5cm high, top 38cm diameter, a log fork and a pair of elm bellows, 65cm long
AN EARLY VICTORIAN CARVED AND BURR OAK SMALL MANTEL CLOCK VINER, LONDON, CIRCA 1841 The twin fusee gong-striking movement with anchor escapement and 4 inch lancet-arch gilt Roman numeral dial with fine foliate scroll decoration, the Gothic gabled case with carved foliate finials over cluster columns, the door carved with Prince of Wales feathers, the backplate engraved Viner, 235 Regent St. London 31cm high, 20cm wide, 14.5cm deep Charles Edward Viner is recorded working from several different addresses in London 1776-1842. Queen Victoria's eldest son Albert Edward, later King Edward VII, was born in 1841 and created the Prince of Wales later that year on 8th December. The inclusion of the Prince of Wales feathers on the arch suggests this may have been made to commemorate the newly conferred title. Condition Report: The movement is in fine original working condition with no visible evidence of alteration or notable replacements. The mechanism is a little dull/tarnished hence a gentle clean/service is advised if intending to put into service. The dial retains original gilding albeit a little dirty/tarnished. The numerals are rubbed and the chapter ring has some slight scratching to the burnished finish. The case is in fine original condition and of good colour. Notable faults are limited to losses and replacements to the slender strip of veneer bordering the front door aperture and some tape residue to the glass and lower rail if the rear door, otherwise case is in fine condition with only minor age-related shrinkage, a few light bumps and scuffs and some very small well-matched veneer repairs to the surround of the right hand glazed aperture.Clock has original pendulum, a non-original winding key but no case key. Condition Report Disclaimer
A citrine dress ring, navette crest surround, 9ct gold shank, size L, 3.2g gross; yellow metal bar ingot pendant, stamped 417, 6.1g gross; a single diamond earing, round brilliant cut, approx 0.20ct, 18ct gold mount, stamped 750, 0.6g gross, another peridot, yellow metal, stamped 9ct, 0.9g gross (4)
ELLIOT HALL ENAMELS, WORCESTERSHIRE; a boxed artist proof paperweight from the 'It's a Wonderful Life' collection 2010, limited edition 8/20, signed by artist Peter Graves 22/12/09, with letter of provenance, diameter 8cm.Condition Report: Enamel panel appears in good condition, with slight surface scratches to metal surround.
Amethyst and opal bar brooches, two opal rings, an oval cabochon cut opal mounted to the centre of a 45mm 9 carat yellow gold bar brooch, wire work surround, Sheffield 1979; a 60mm long yellow metal bar brooch marked 9ct, millegrain set with a round faceted amethyst; an opal triplet dress ring, the oval cabochon cut stone, 15x10mm, collet set in a 9 carat yellow gold mount ring size M, twisted rope surround to stone; an opal three stone ring, the cabochon cut stones, claw set in an all yellow metal mount ring size O, shank marked 18ct, 4.5g; total gross weight of 9 carat gold in lot 10g.Qty: 4
A faux jet panel bracelet and two faux jet brooches, a faux jet panel bracelet with eleven floral design carved panels, graduating from 41x33mm to 21x14mm, held together with black elastic, possibly vulcanite; an oval faux jet brooch, carved floral design with rope surround, metal pin, 49x40mm, possibly vulcanite; and another faux jet brooch, with metal backing.Qty: 3

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79003 item(s)/page