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An historically important plaque to Lord Nelson, believed to be the first memorial placed on the spot he fell shortly after the Battle of Trafalgar comprising a 6in. brass roundel stamped twice from opposing views with inscription reading HERE / NELSON / FELL and dated over central securing bolt OCT 21 / 1805, set within an ornately carved oak surround of laurels inscribed with the 'England Expects..' signal over crossed swords and surmounted by the naval crown with brass suspension loop to top, now mounted in a glazed display case with brass plate. The carved surround 14½ x 11in. (37 x 28cm.); the case 22 x 18in. (56 x 46cm.) After the battle, Victory limped into Gibraltar under jury rig and towed by H.M.S. Neptune where she became an instant tourist attraction. Captain Hardy found himself busy showing a constant succession of curious dignitaries over the ship and perhaps giving the more important ones a souvenir from the Great Cabin. One of the essential sights must have been the spot where England's greatest hero fell and it seems probable that he asked the ship's carpenter to sort out an appropriate marker. The hastily constructed nature of this lot - a simple inscription with punched letters rather than fine engraving, bolted with a single central pin - is precisely what one would expect a sailor to make utilising materials to hand on board. Letter punches were used to mark many items of ship equipment and these characters are also understood to compare with other stamped items from the period. Literature: Heapy, M: "The First Memories to Lord Nelson", for The Kedge Anchor, 18 March 2007, p.24
A late 20th Century lacquered brass quartz Calendar Desk Timepiece, retailed by Hermes, Paris, the quartz movement to a silvered dial with gilt buttons and baton markers, with further gilt dagger hands and sweep centre seconds over day and date apertures at 6, with 24-hour surround and rotating bezel showing major capital cities, and raised on tapered and stepped circular base, together with its original fitted cloth covered box, diam 4 ¼”
A late 19th Century Mahogany cased “Postman’s Alarm Clock”, the plain moulded surround to a spun Brass bezel with convex glass enclosing a painted wooden Roman dial with outside minute track, (hands lacking), to a wooden posted movement with anchor escapement and strike on a bell, width 12”
A late 19th Century Walnut and inlaid dial Wall Clock, the moulded surround over carved ears and drop trunk, with glazed and hinged door to a spun brass bezel enclosing 11 ½” painted Roman dial with outside track and black painted hands, to a spring driven movement with anchor escapement and strike on a bell, height 23 ½”
An early 20th Century Mahogany cased Dial Timepiece, the moulded and segmented surround to a spun Brass bezel enclosing an 11 ½” repainted Roman dial, with outside minute track and signed “G W Green of Norwich”, with black painted hands, to a single wire fuse movement with anchor escapement, diam 16”
A late 19th Century American Oak Cased 8-day Wall Clock, Ansonia, the segmented octagonal surround to a drop trunk with single glazed door and spun Brass bezel, enclosing a painted 7” Roman dial with outside minute track and black painted hands, to a spring driven movement with anchor escapement and strike on a coiled gong, height 22”
A late 19th Century American Walnut Cased 8-day Wall Clock, the segmented octagonal surround with drop trunk fitted with a single glazed door, to a spun Brass bezel enclosing a 7 ½” painted Roman dial with outside minute track and black spade hands, to a spring driven movement with anchor escapement and strike on a coiled gong, height 19”
A black slate Calendar Mantel Clock, the plinth shaped case with shaped front, to a cast brass bezel with heavy bevelled case, enclosing a 5” two-part Roman enamel dial, with sunk centre and visible brocot type escapement, and black painted hands, over a further cast brass bezel also with bevelled glass enclosing an enamelled dial, with 12 months to the surround and enclosing day and date subsidiaries beneath phases of the moon, to a circular brass movement with anchor escapement and strike on a bell, height 18”
A mid 19th Century Rosewood and Brass inlaid drop dial Wall Clock Case, signed, Beha Lickert & Co of Norwich, the Brass inlaid octagonal surround, to a spun Brass bezel with convex glass to a wooden painted Roman dial with outside minute track, over carved ears and glazed panel, to a rounded base fitted with a single door, height 23”
A late 19th Century American Walnut cased Mantel Clock, the shaped surround decorated with fruiting Vine detail, to a single glazed door and raised on a plinth base, with composite two-part paper dial, with Roman numerals and outside minute track and blue steel hands, to a spring driven movement with anchor escapement, strike on a bell, height 24”
A 19th Century large Adam style three plate over Mantel Mirror, the ball moulded surround and the frieze decorated with a mythological scene of charioteers and winged trumpeters etc, flanked on either side by lotus capitals (one block at end of column at one end missing), 60” wide, 36 ½” high
A Victorian black enamelled mourning brooch, glazed with a hair locket within a gilt scrollwork surround, another black enamelled brooch, glazed with a hair locket, a Victorian circular black enamelled and agate set brooch, a rose diamond and cultured pearl brooch in a pierced foliate scroll design, and a brooch mounted with a William IV half crown 1837, the reverse of the coin with enamelled decoration.
A circular pendant locket, the back and front with scroll engraved decoration, a Victorian gilt metal brooch, the centre glazed with rotating locket compartments, within a scrolling surround with four foliate motifs at intervals, a gilt metal faceted oval link long guard chain, fitted with a swivel, a shield shaped pendant locket, and two neckchains.
A gold, diamond and ruby set oval cluster ring, mounted with the principle cushion shaped diamond in a surround of seven cushion shaped rubies, with diamond set single stone shoulders (one ruby lacking), and a gold ring, mounted with three cushion shaped diamonds, with three half pearls mounted at intervals (one diamond lacking).
A late 19th Century French gilt brass cased carriage timepiece with eight day movement, the dial inscribed 'Asprey & Co, London, Made in Paris', within a cloisonné enamel polychrome surround of flowers and foliage, the glazed case with swing handle above fluted columns and turned feet, height approx 14cm.
An early 20th Century gilt brass diminutive carriage timepiece with eight day movement, the circular enamel dial with Roman and Arabic numerals within a rectangular silvered surround engraved with floral and foliate scrolls, the glazed case with swing handle, on bracket feet, height approx 7cm, together with a leather travelling case.
A late 19th Century slate architectural mantel clock with eight day movement striking on a gong, the dial with gilt rosette centre within a surround of Roman numerals, inscribed 'W. Lawson, Paris', the slate case inset with two relief bronze panels flanked by Corinthian columns on a pedestal base, height approx 46.5cm.
An early 20th Century George II style walnut and gilt painted wall mirror, the three section bevel edged mirror within a gilt double-reeded inner border and walnut surround, the outer border with projecting corners and moulded with a continuous band of egg and dart decoration, width approx 108cm, height approx 71cm.
A sapphire and diamond set full-eternity ring, set with calibre cut sapphires and round brilliant cut diamonds, with foliate engraved sides; a sapphire and diamond floral cluster ring, mount stamped 18ct; also a pair of sapphire and diamond cluster earrings, each with central claw set circular cut sapphire, within a surround of single cut diamonds -3 Eternity ring finger size: P (UK)/ 7.75 (USA)
A pair of Victorian amethyst set pendant earrings, each composed of a circular cut amethyst surmounting an oval and larger pear cut amethyst drop, with cannetille decorated surround and wire fittings; a circular cut citrine set bar brooch, with textured finish to the tapering interwoven bar; also a fancy belcher link chain -3 Lengths: 4cm; 4.8cm and 41cm

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79059 item(s)/page