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A 1930s hallmarked silver and guilloche and enamel set travel easel clock. Hallmarked for Birmingham 1935, sponsors mark W&H (partially legible). Jaeger style face with luminous hands set within brass case. Silver and pink guilloche surround. Easel back. Total gross weight approx 235.8g (lacks glass). Hands can be moved but clock does not wind or run. Measures approx 8cm x 8cm.
A 1906/1907 SCOTLAND INTERNATIONAL RUGBY UNION JERSEY MATCH-WORN BY JOHN MACCALLUM (1883-1957)In navy blue cotton with white collars and four buttons, bears embroidered thistle applied to felt surround, interior label for J C Stewart, Edinburgh with inscription to J C MacCallumSwapped with Welsh player Charles Meyrick Pritchard (1882 – 1916) after Wales v Scotland in 1906 or 1907, when MacCallum and Pritchard faced each other at international level. Preserved with other important jerseys, caps and photographs by Charlie Pritchard which form a collection entered to this auction by Charlie Pritchard’s great-grandson. In recent years the collection has been archived and exhibited at the World Rugby Museum at Twickenham Stadium.Watsonian forward MacCallum won 26 caps for Scotland, scoring 2 tries and 9 conversions for a total of 24 points. He captained Edinburgh Districts.Away from rugby, MacCallum became an assistant surgeon for the Royal Sick Children Hospital in Glasgow and was a conscientious objector in the First World War. His medical training meant he was assigned a post in the army. At the time he was an Executive Tuberculosis officer for the County of Argyll.He had applied for his conscientious objector status, but it had not come through. He was supposed to report to Stirling Castle for his conscription on 30 May 1916 and his non-attendance found him in front of a judge in Oban Sheriff Court. MacCallum pleaded not guilty in view of his conscientious objection, but the Sheriff found him guilty and gave him a choice of a week’s imprisonment or a £2 fine. The headline in The Scotsman "Fined as an absentee" indicated that MacCallum opted for the fine.The 1900s were regarded as a golden period for Scottish rugby in which they rivalled Wales for superiority. Scotland won the Home Nations championship in 1901, 1903, 1904 and 1907, their Triple Crown win in 1907 would be the last for eighteen years.
Smaragd-BrillantringRingweite: 48. Ringkopfmaße: ca. 2,8 x 2 cm. Gewicht: ca. 29 g.WG 750.Außergewöhnlicher massiver Ring in einer Art Flechtoptik, zentral besetzt mit einem leuchtenden, intensiv grünen und transparenten Smaragd im achteckigen Treppenschliff, ca. 7,84 ct, rundherum umrahmt von kleinen feinen Brillanten, zus. ca. 3 ct G-H/VVS-SI. Laut mündlichem Befund von DSEF ist der Smaragd aus Kolumbien und mittelgradig geölt (moderate). (1381251) (16)Emerald and diamod ringRing size: 48. Ring head size: ca. 2.8 x 2 cm. Weight: ca. 29 g. 18ct white gold. Exceptionally solid ring in plaited effect set with central luminous, intensely green, and transparent emerald in octagonal step cut in, ca. 7.84 ct, with a surround of small fine brilliant cut diamonds, totalling ca. 3 ct G-H/VVS-SI. According to verbal confirmation from DSEF with moderate oiled emerald from Columbia.
Saphir-DiamantringRingweite: 55. Ringkopfmaß: ca. 2,3 x 2,2 cm. Gewicht: ca. 13,4 g. GG 750, z. T. rhodiniert.Beigegeben eine Expertise von S. Büsing, Nr. SG 11/2021 vom März 2021.Prächtiger Ring im Ballerina-Stil, zentral besetzt mit einem sehr klaren kornblumenblauen leuchtenden Saphir im ovalen Facettenschliff, 15,28 ct, umrahmt von Brillanten und Diamanten im Trapezschliff, zus. ca. 3,45 ct G-I/VS. (1380269) (16)Sapphire and diamond ring Ring size: 55. Ring head size: ca. 2.3 x 2.2 cm. Weight: ca. 13.4 g. 18ct yellow gold, partially rhodium plated.Accompanied by an expert’s report from Büsing no. SG 11/2021 dated March 2021. Magnificent ballerina-style ring, set centrally with very clear cornflower blue luminous sapphire in oval facet cut, 15.28 ct, with a surround of brilliant- and trapeze-cut diamonds, totalling ca. 3.45 ct G-I/VS.
An Italian early 19th century pietra dura and marble top fixed on a later mahogany occasional tablethe table apparently late 19th centuryThe top with a central circular roundel inlaid with a lion within an acanthus surround, encompassed by a border of alternating square, circular and elongated oval segments of various marble specimens, on three ring turned supports terminating in a concave tripartite base with disc feet, approximate diameter of the top: 56.5cm; 65.5cm high approximately.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Daguerreotypes -- Photographer: Abraham Bogardus (1822-1908). Portrait of a young boy. Early 1850s. Sixth-plate gold-toned daguerreotype with gilt surround, photographer's blindstamp, newly sealed behind glass in leather case with embossed flower ornament.The American daguerreotypist Abraham Bogardus operated a highly successful portrait studio in New York City, where he produced countless daguerreotype portraits, contributing to the popularization of this medium during the 19th century. His work played a significant role in the development of portrait photography and the spread of this art form across the United States. – A few small tarnish spots, otherwise in very good condition.
Janet Milner (British, born 1958)Slimmers Toffees; Too Sweet Aquatint and drypoint in blue, 2022, on Saunders Waterford wove paper, signed, titled, dated, and inscribed 'A/P' in pencil, one of two artist's proofs aside from the numbered edition of 15, printed and published by the artist, Rye, East Sussex, the full sheet, framed; together with 'Too Sweet', photopolymer etching with collagraph in colours, 2023, on Somerset Satin wove paper, signed, titled, dated and inscribed 'A/P' in pencil, an artist's proof aside from the numbered edition of 30, printed and published by the artist, Rye, East Sussex, the full sheet, framedSheet 300 x 250mm (11 3/4 x 9 7/8in)Sheet 390 x 385mm (15 3/8 x 15 1/8in)(2)Footnotes:Janet Milner's works are playful and often text-based. Milner celebrates 'randomness' and is interested in both controlled and accidental mark making. The immediacy of printing and the results of accidental mistakes that occur from this practice suit her painterly style. The artist's work focuses on turning what might be perceived as banal and unremarkable into something special. Milner is fascinated with the commonality of clutter and drawn to the detail of mundane experiences that surround identity and everyday life.The edition 'Slimmers Toffees' was selected for the Royal Academy Summer Exhibition 2023.For further information on this lot please visit Bonhams.com
PHILIP STEIN; a Teslar Dual Time Zone watch, with Teslar Quantum Technology, the two dials in black surround, in brushed chrome finish, serial no.2006265, with two interchangeable leather straps, one black, one faux snakeskin, with original box, booklets and outer carry box.Condition Report: - The vendor had the watch serviced on the 30th March 2023, at a cost of £159.96. The service included battery and re-seal, complete quartz service including cleaning and oiling movement control, case screws, etc. It has a twelve-month movement guarantee from the 30th March 2023.
A set of nine Regency faux-rosewood dining chairs, on sabre front and back legs84 x 45 x 56cmProvenance:Private collection, Morpeth Mansions, London, SW1Chairs generally quite knocked with some legs loose with signs of restorationStructurally most are ok though some have a bit of giveEvidence of historic worm to the framesSix chairs have been re-canedThree chairs have replacement central gilt metal mounts which shows a flower head within a circular surroundTwo chairs are missing the smaller gilt metal mounts See images
An unfinished silk stumpwork picture of a royal court scene, 17th century, with a seated king, a queen and attendants, within an oval cartouche, with a surround of flowers and animals, later rosewood framed56 x 69cm overallProvenance: Collection of the late Susan Mason, removed from Mulberry House, Titchwell, NorfolkSome tears and loss to support silk and in part re-drawn, colours otherwise good
Three Victorian brooches comprising a knot set with foiled citrines (one missing, tests as 15ct gold, 13.9g, 5cm), a carved coral cameo set into a pierced surround (tests as 18k gold, 13.3g, 4 x 3.5cm) and a 9ct gold mourning brooch with locket to the centre within an embossed border (3.6g, 1.8 x 1.3cm)
A Victorian mahogany cased circular wall clock with single fusee movement, the circular brass dial with Roman numerals to the chapter ring, enclosing inscription "Hampton & Sons London", 28 cm diameter CONDITION REPORTS Weight and pendulum extent with signs of wear and tear conducive with age and use. The clock itself - the frame arguably requiring cleaning and re-polishing. Some signs of wear and tear conducive with age and use. A little light staining below "6". Two pegs missing from dial surround securing it to the movement box. The fusee movement appears intact and whilst no doubt with some wear conducive with age and use, overall appears in good condition. See images for further detail.
Three diamond and gem set rings, comprising: an Art Deco platinum diamond and emerald target cluster ring, with an old-brilliant cut diamond to surround of single-cut diamonds, and outer border of channel set calibré-cut emeralds, (two emeralds lacking), ring size N½; an early 20th century platinum diamond, sapphire and ruby 'night and day' ring, with hinged diamond set guards, (two sapphires lacking), ring size P; and an 18ct gold three stone opal ring, Chester 1910, ring size N (3)
An 18ct white gold diamond pendant, with an old European-cut diamond, with an estimated weight of approximately 1.40 carats, claw set to openwork heart surround grain set with single-cut diamonds, to articulated suspension loop, London import hallmarks, 1976, length 2.6cmCondition Report: Gross weight 3.76 grams. Principal diamond measures approximately 6.98 - 7.13 x 4.42mm. Assessed as approximately: colour I-J, clarity SI1-SI2 Nibbles to the girdle of the principal diamond. Suspension ring that bale is attached to is very worn - almost worn through entirely. Wear to rhodium plating.
An 18ct gold opal and diamond cluster ring, the cabochon opal to surround of brilliant-cut diamonds, all claw set to a plain hoop, London hallmarks, 1976, cluster 1.9 x 1.5cm, ring size Q¾; together with a pair of opal and diamond drop earrings, designed as an oval cabochon opal and single-cut diamond cluster, suspended from a single-cut diamond set box collet, with post and butterfly fittings (2)Condition Report: Ring 6.00 grams. Earrings 5.77 grams.
An orange garnet and diamond cluster ring, the single cushion-shaped orange garnet, approximately 9.3 x 8.0 x 6.6mm, in four-claw mount with circular-cut diamond surround to baguette diamond single stone shoulders, ring size P-Q approximatelyCondition Report: Garnet is loose in setting and moves, but does not appear to be at risk of loss.
An Art Deco diamond rectangular panel brooch, with central millegrain-set old-brilliant-cut diamond weighing approximately 1.03 carats, within diamond pierced openwork geometric pattern surround, circa 1930, approximately 1.8 x 3.7cmCondition Report: Gross weight approx. 7.5g. Principal diamond approx. colour I-J, clarity I2. Replacement pin hook.
A ruby and diamond ring and pendant, the ring in the form of a single claw-set oval mixed-cut ruby with brilliant-cut diamond surround, to a plain hoop, ring size O; and a matching ruby and diamond cluster pendant to a fancy belcher-link neckchain, stamped 10K (2)Condition Report: overall good condition, of recent manufacture, stones are bright
A diamond and gem pendant and neckchain, the pendant of target cluster design, with central brilliant-cut diamond within circular-cut emerald, baguette ruby and sapphire surround to a diamond border and diamond two stone pendant loop, suspended from a neckchain, stamped 750, width of pendant 2cm, length of neckchain 38cm
A group of four rings, comprising: a cultured pearl and diamond cluster ring, with a grey/brown cultured pearl, claw set to surround of single-cut diamonds, cluster diameter 1.3cm, ring size M; a ruby and diamond ring by Mikimoto, stamped 18kt, ring size K, with maker's box; a brilliant-cut diamond full eternity ring, ring size L; and an amethyst and diamond three stone ring (4)
A pair of Edwardian style 18ct white gold sapphire and diamond ear pendants, each designed as a central oval mixed cut sapphire suspended within a graduated brilliant cut diamond set openwork surround, all mounted to diamond and sapphire stylised fan post, 26mm long, total weight approx 4.6gCondition:Pendants measure approx 25mm from top of stud to base of drop, at widest on the base they each measure approx 12mm, no obvious visible damage just general wear, refer to images
An Art Deco diamond set brooch attributed to Cartier, designed as a central principle old cut diamond mounted within a pave old cut diamond pierced surround of radiating circular design, the white metal reverse engraved 'B3497', 35mm diameter, weight approx 12.3g, presented within fitted Cartier red leather and tooled gilt box (some damage)Condition:Principle diamond measures approx 7.5mm diameter x 2.3mm deep, estimated diamond weight approx 0.85cts, some small nibbles to the girdle, clarity estimated approx SI1, colour estimated H/I, four further diamonds each weigh approx 0.10cts, outer border of diamonds each weigh approx 0.05cts, remaining pave diamonds to mount are rose cuts, top of mount has vacant hinge where pendant bail may have been located, some small gaps/splits to where the circular brooch frame meets the mount, engraved to reverse 'B3497', general wear, refer to imagesVideo also available on website

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79003 item(s)/page