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A George III oak eight day longcase clock, the caddy top over 12" dial with subsidiary seconds and day of the month aperture, the chapter ring signed 'Martin White' and 'James Parson' surround by gilt corner spandrels, the trunk with split column decoration raised on bracket feet, 225 cm high.
A cased Victorian gem set bracelet, with a shield centrepiece, comprising a raised centre boss set with golden topaz. A twisted wire surround, to an outer row of oval topaz gemstones with entwined crossover twisted wire decoration, mesh link bracelet and glazed locket verso, tested as approximately 15ct gold, case by Sarl and Sons. Visit www.sworder.co.uk for larger image and condition reports.
A Victorian citrine set gold brooch, c.1870, an oval citrine claw set to a lozenge shaped scroll and flower head surround, with a detachable pendant drop with a pear shaped citrine in matching frame, together with a pair of Victorian drop earrings with two graduated circular domes hand engraved with scroll decoration, and a chased split ring c.1830, with two stone set seals and a memorial locket with woven hair beneath a glazed cover (4). Visit www.sworder.co.uk for larger image and condition reports.
A large ruby, synthetic ruby and diamond corsage brooch, c.1950, flower heads rub set at the centre with old European cut diamonds to a scattered surround of calibre synthetic rubies, polished looped bow with stems and leaves set with lines of graduated cushion cut, old European cut and old eight cut diamonds and graduated rubies. Double pin, tested as approximately 18ct gold. Visit www.sworder.co.uk for larger image and condition reports.
A sapphire, ruby and diamond set suite, the necklet with a rub set sapphire to a hinged pear shaped drop, with a central line on channel set calibre rubies to a rub set sapphire and pave set diamond surround, at the centre of a flat curb link chain, together with a matching ring and pair of clip earrings an estimated total diamond weight of approximately 3.00ct, stamped 750 18K and tested as approximately 18ct gold, finger size L1/2 (4). Visit www.sworder.co.uk for larger image and condition reports.
A Victorian oval malachite set brooch, with serpent surround; a fancy link bracelet, with heart shaped clasp, set with three turquoise cabochons; a gem set interwoven link bracelet; a modern jade circular pendant; a pair of cultured pearl earrings; together with a large green gem set ring (likely to be synthetic spinel), with pleated border, stamped KT18 (6)
A Victorian gold mounted floral cluster ring, set with a half-pearl within a surround of old mine cut diamonds; an 18ct gold signet ring; another similarly mounted signet ring, set with an oval lapis lazuli panel; an amethyst set hinged bangle; together with an enamel decorated circular locket with chain (5)
A French Art Deco platinum mounted diamond set cocktail ring, of bombe design, the central collet set early round brilliant cut diamond within a domed tapering surround, pave set with graduated single and early round brilliant cut diamonds, additionally pierced with four circular motifs, each collet set with a quatrefoil of single cut diamonds. Estimated principal diamond weight 1.38cts
An early 20th century emerald and diamond cluster ring, the domed front collet set to the centre with an oval cut emerald cabochon, to a floral surround, pave set with graduated round brilliant cut diamonds flanked by similarly set tapering shoulders. Height of ring to front 1.7cm, estimated emerald weight 0.91cts
An emerald and diamond set suite, comprising a necklace and matching pendant earrings, each composed of a millegrain collet set pear cut emerald, surmounting a briolette cut emerald drop, within an open ovoid surround, millegrain collet set with graduated round brilliant cut diamonds, the necklace suspended from a fine belcher link chain, spectacle set with four round brilliant cut diamonds, mounts stamped 750 ITALY (2). Lengths: 45cm and 2.6cm
A 9ct gold mounted ruby and diamond set ring, designed as a claw set floral cluster of circular cut rubies, within a surround of similarly set round brilliant cut diamonds; also a 9ct gold mounted emerald and diamond cluster ring, of shaped oval design (2). Height of rings to front: 1.2cm and 1.1cm
A 9ct gold mounted amethyst and diamond set cluster ring, claw set with a heart cut amethyst, the surround illusion set with single cut diamonds; another 9ct gold mounted amethyst and diamond set cluster ring; a similarly mounted oval cut amethyst set ring; a circular cut garnet set floral cluster ring; and a gem set pendant (6)
A Victorian mahogany dial clock, unsigned, late 19th century. The four-pillar single fusee movement with shaped- top plates and 12 inch cream painted circular Roman numeral dial within a cast brass bezel and turned wood surround, the case with side door and pendulum adjustment flap to the curved base, lacking pendulum and glass, diameter 37cm, with an American oak veneered drop dial wall timepiece, (2). Provenance: The Workshop of John Hooper. Visit www.dnfa.com for condition reports.
A fine and rare Victorian mahogany quarter chiming dial clock, Aubert & Klaftenberger, London, mid 19th century. The substantial six-pillar triple-fusee movement with anchor escapement, chiming the quarters on eight bells and the hours on a coiled gong, the 14 inch circular white painted Roman numeral dial signed AUBERT & KLAFTENBERGER, Regent Street, LONDON to centre and with Chime/Not Chime switch at 12 o'clock, the drum-shaped case with cast brass bezel and continuous oakleaf carved surround, with pendulum adjustment flap to base and two brass fish-scale hinged panels to the upper surfaces, diam 53cm. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.
A George III black japanned tavern timepiece, unsigned, circa 1780. The four-pillar weight-driven movement with five wheel train, anchor escapement and tapered plates, the 24.5 inch circular cream painted Roman numeral dial with Arabic five minutes and black painted hands (the minute counterweighted) within an ogee turned surround, the drop-trunk case with shaped ears above concave-topped door decorated in polychrome and gilt with figures in an oriental landscape, with canted ogee and cavetto moulded base and movement access doors to sides, case lacking decoration to door surround and sides, 147cm high. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.
An early Victorian mahogany 'Norwich' type eight-day wall timepiece, Thomas Pilch, North Walsham, mid 19th century. The four-pillar weight-driven movement with anchor escapement and 13 inch white painted circular Roman numeral dial signed THos PILCH, NORTH WALSHAM to centre, the case with turned dial surround to the hood above drop-trunk with concave-topped door and moulded tapered base, 109cm high. A Thomas Pilch is recorded in Baillie G. H.Watchmakers & Clockmakers of the World as working in North Walsham circa 1780. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.
An impressive George III scarlet lacquer table clock, John Taylor, London, late 18th century. The five-pillar twin fusee rack and bell striking movement now with deadbeat escapement, the backplate engraved with symmetrical foliate scrolls, the 8 inch brass break-arch dial with recessed shaped silvered nameplate engraved John Taylor, London to the matted centre, within an applied silvered Roman numeral chapter ring with Arabic five minutes, the angles with foliate scroll cast spandrels beneath STRIKE/SILENT dial flanked by conforming mounts to arch, now in an elaborate case with flambeau urn finials to the bell-top upstand decorated in gilt with bird inhabited foliage above gilt blind fret infill and four further finials to the break-arch cornice, the front with panels of figures within terrace landscapes to door surround flanked by finely chased gilt metal female caryatid corner mounts, the sides with brass handle above rectangular windows, on concave moulded base with shaped apron and turned brass pendant feet, 73cm high overall. John Taylor is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London circa 1780. Although it appears that the movement and dial did not start out life in this case they are certainly 'in period'. The case is very rare as it retains most of its original decoration and would respond very well to sympathetic restoration. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.
A red japanned eight-day longcase clock, bearing signature for Francis Neale, Aylesbury, 18th/19th century. The five-pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial and calendar aperture to the matted centre, within an applied silvered Roman numeral chapter ring with stylised fleur de lys half hour markers and Arabic five minutes, the angles with female mask and scroll cast spandrels beneath arch now with recessed centre section applied with silvered boss signed Fran's Neale AYLESBURY flanked by dolphin mounts within a foliate engraved surround, now in an impressive red japanned case with pagoda pediment fronted by a seated Oriental deity in gilt with silvered detail above break-arch cornice and reeded pilasters to hood, the long trunk door finely decorated with raised terrace garden landscape with pagodas and figures, on raised panel-fronted plinth decorated with figures hunting birds, above double skirt base, 248cm high. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

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79002 item(s)/page