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Click here to subscribeA diamond and ruby plaque cluster ring, the central cut cornered step cut diamond, approximately 0.70 carats, millegrain set within a surround of French cut rubies and an outer border of brilliant cut diamonds above brilliant cut diamond three stone shoulders, signed Sophia D. and numbered 452S, stamped ‘plat’, finger size N
* A pair of early 20th century bouton pearl, sapphire and diamond double sided cufflinks, the central 5mm bouton pearls within a surround of shaped triangular cut sapphires and an outer border of old cut diamonds, with figure of eight clip connections. Please note the bouton pearls are untested and unwarranted as natural pearls
An emerald and diamond cluster ring by Diannor, the oval cabochon emerald claw set above a surround of twenty four brilliant cut diamonds, approximately 1.50 carats total, above tapered shoulders on a reeded hoop shank, the shank engraved with the emerald weight, approximately 19.00 carats, signed Dianoor, stamped ‘18K’, finger size I?. Sold on behalf of the administrators of Dianoor International Limited - In Liquidation
A 19TH CENTURY CONTINENTAL MAHOGANY MARBLE-TOPPED NIGHT CUPBOARD having a square inset veined marble top within a gilt brass surround, a frieze drawer with applied gilt brass moulding and raised on four fluted columns, the lower section with shaped panelled cupboard door between fluted columns, stands on gilt enriched turned feet finishing with brass caps and ceramic castors. 92cm(h) x 39cm(w).
A LATE 17TH CENTURY OAK COURT CUPBOARD, the frieze carved with strap-work motifs centred by a date 1694 and ownership initials SLM, having barley twist uprights, two central panels with inlaid surround, and two flanking cupboard doors, all above a short central drawer flanked by two larger drawers over two triple panelled cupboard doors and central panelled section, all between stile ends, raised on later additional bracket feet. 155cm(h) x 184cm(w) x 57cm(d).
A group of turquoise set jewellery to include an Edwardian diamond and turquoise set brooch of scrolling form; a pair of earstuds of domed form set small turquoises; a Victorian brooch of cross form with central dome set central diamond and surround of turquoises and turquoise outer border; a small brooch set shaped turquoises in a lozenge shape (5)
A collection of items, to include a sapphire and diamond cluster ring, the central corner claw set trap cut sapphire, within a canted rectangular surround set with single cut diamonds, shank stamped 18ct; a 9ct gold mounted oval cut citrine set ring, with ropetwisted borders; a large synthetic sapphire and diamond cluster ring, setting stamped Au 10K; together with a pair of synthetic ruby and colourless gem set cluster earrings, with post and butterfly fittings, stamped 18K (4)
An Edwardian 9ct white gold mounted onyx and diamond gentleman`s dress set comprising a pair of cufflinks, four buttons and two studs, each with canted square terminal millegrain box set to the centre with a single cut diamond to an onyx surround, contained in a tooled grey leather fitted case, stamped W. CANEY & SONS...
A collection of items to include an Edwardian turquoise cabochon and seed pearl set bar brooch, suspending a circular hand-painted portrait miniature depicting a young man, within a surround of turquoise cabochons and rose cut diamonds; an Edwardian seed pearl and turquoise cabochon set monogram brooch; a similarly set 9ct gold shaped circular pendant; a wedding band; a cased part set of five turquoise cabochon set buttons; two similarly set pendants; an enamelled oval locket and an enamelled pansy form brooch, set to the centre with a round brilliant cut diamond (Qty)
A collection of jewellery and costume jewellery to include assorted fancy link gold chains; a cultured pearl necklace (A/F); an Edwardian 15ct gold bar brooch, applied with a ruby and seed pearl set insect; a pendant with oval hand-painted portrait miniature, within a marcasite set surround; a beaded collar by Elena Khudiakova for Van Peterson, with original fitted case and other pieces, contained in a fitted leather jewellery box (Qty)
A sapphire and diamond circular cluster ring claw set with a circular cut sapphire, within a surround of single cut diamonds; another ring, composed of flexible brick form links, collet set to the front with an oval cut sapphire, within a surround of circular cut colourless gems, stamped 750; together with a pair of three-coloured knot form earrings, with post and hinged clip fittings, stamped 750 (3)
A multi-gem set bracelet the central cluster collet set with an oval cut ruby within a scroll shaped surround set with graduated round brilliant cut diamonds, flanked by box shaped links either pave set with round brilliant cut diamonds, pairs of calibre cut rubies or emeralds, with concealed clasp and safety clips stamped 750, together with three additional similarly set links Lengths: 16cm and 1.5cm
THEO FENNELL - two pairs of 18ct gold mounted gem set earrings to include a pair of hooped earrings, each collet set with a circular cut sapphire, the second pair of circular design, each collet set to the centre with a circular cut peridot, to a domed surround applied with beaded decoration, both with post and butterfly fittings (2) Lengths 1.7cm and 1.2cm Theo Fennell (b. 1951) studied art at York and the Byam Shaw. going on to become an apprentice designer with Edward Barnard & Sons Ltd. He established his own workshop in Hatton Garden to design and create silverware. In 1982 he opened his first shop in Chelsea`s Fulham Road. Fennell experimented across a broad spectrum of design, all the upholding the belief that jewellery and silverware can be irreverent as well as beautiful, and exhibiting a scrupulous eye for minute detail.
An 18ct white gold mounted garnet and diamond set ring the central claw set oval cut garnet, of a pleasing strong red hue, within a surround of round brilliant cut diamonds, additionally set to the each shoulder with a cluster of three similarly cut diamonds Length of central cluster 2.2cm, estiamted weights: garnet 14.82cts; diamonds 0.54cts total
A pair of multi-gem set pendant earrings each composed of a circular cluster set to the centre with a circular cut blue topaz, within a border of smaller similarly cut rubies, surmounting articulated links set with single cut diamonds, suspending a cushion shaped drop, claw set to the centre with a cushion cut topaz within a surround of round brilliant cut rubies, with post and hinged clip fittings, stamped 14K Length 4cm
ASPREY - a pair of contemporary 18ct gold mounted diamond and peridot set earrings, each designed as a floral cluster, claw set to the centre with a round brilliant cut diamond, within a petal shaped surround similarly set with marquise cut peridot, with post and butterfly fittings, contained in the original tooled deep red leather fitted case, stamped ASPREY Diameter 1.7cm
NASH, Joseph (1809-1878). Mansions of England in the Olden Time ... re-edited by J Corbett Anderson . London: Henry Sotheran, 1869-1872. Series 1-4 in 4 volumes, large 2° (572 x 460mm), each with its own descriptive letterpress, 2° in 4s (564 x 375mm), titles printed in red and black. Original plain wrappers, stapled (light soiling, spotting and marginal staining, spines beginning to split). 106 lithographic plates (most approx. 207 x 281mm) on 104 sheets, hand-coloured and most heightened with gum arabic, printed on card and mounted within gilt rule surround. (Two large tears to plate 53, one half way through the plate, no. 54 mount heavily stained and plate spotted, most plates clean and fine with occasional light spotting affecting mounts only, plates to vol. III more heavily spotted and soiled.) Contained in the original publisher's morocco-backed portfolios, lettered in gilt to upper covers (worn, dampstained, flaps sometimes defective and missing, lacking silk ties). Provenance: Bruno Hessling (Berlin bookseller's ticket). Second edition of 'NASH'S MOST FAMOUS WORK' (RIBA) WITH FINE COLOURED PLATES. For this edition, the plates were 'carefully reduced and executed in lithography by Samuel Stanesbury ... [and] M. & N. Hanhart'. Abbey Scenery 402; RIBA 2237; Tooley 337 (all 1st editions). (4) View on Christie's.com
Psalterium. Edited by Bruno (d.1045), Bishop of Würzburg. [Nuremberg:] Anton Koberger, 1494. Median 4° (227 x 172mm). Gothic type, double column, text with commentary surround. Initial spaces with guide-letter, rubricated, yellow capital strokes. (Occasional faint dampstain, small stain at some extreme foremargins.) Contemporary blindstamped calf over wooden boards (rebacked preserving parts of original backstrip, rubbed without clasps). Provenance: some contemporary annotations -- MS date table on rear flyleaves spanning 1502-1524 -- amateurly-drawn armorial at end -- Christian Closner, 1658 (title inscription) -- 18th-century library stamp: M.B.H., college library at ?Auxil. -- André Himpe (De Gulden Passer, 2003, no. 35). Second edition with the commentary of Bruno, Bishop of Würzburg. H *4012; BMC II, 439; BSB-Ink P-836; Bod-inc P-514; Goff P-1050. View on Christie's.com
A pair of single stone diamond stud earrings, each brilliant cut diamond claw set to a flower shaped surround with engraved and textured petals. Marked PT 18ct and tested as approximately platinum and 18ct white gold. Total diamond weight estimated as approximately 1.70ct. (2) Diamonds estimated as approximately. Colour M/N. Clarity VS2/SI1
Two Victorian and one George IV mourning rings, to include a 15ct gold rose diamond and split pearl ring with outer black enamel detail, hallmarks for Birmingham 1873, a cluster ring, with central hair panel within a surround of seed pearl and black enamel, with inner inscription reading; `John Johnson Died 4th Jan 1832 Aged 32` and one other similar ring. Weight 9gms. AF. Condition:
A small collection of paste set jewellery to include a crescent brooch set with colourless paste, a heart brooch, the central heart shaped paste within a surround of colourless paste, two brooches set with citrine, and fifteen other items. AF. Condition: Due to the large quantity of items in this lot we are unable to provide a condition report.
Victorian silver trophy cup of classic form, acanthus scroll surround to the plain body, leaf capped scroll handle, knopped stem leading to a circular footed base. Hallmarked Elkington & Co (Frederick Elkington) London 1876. Height measuring 14 inches (36 cm), weight 39 ozt (1223 grams). Condition: Overall the trophy cup would benefit from a clean and polish with noticeable surface tarnishing, there are generals scratches, marks and tarnishing commensurate with the age and use. The trophy has been previously engraved, a presentation engraving just visible to one side-however the metal does not feel thin as common place with the removal of engravings it is therefore likely the engraving has been filled. There are some small shallow dents around the body. The hallmarks are clear and legible.
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![Psalterium. Edited by Bruno (d.1045), Bishop of Würzburg. [Nuremberg:] Anton Koberger, 1494.
Median 4° (227 x 172mm). Gothic](http://lot-images.atgmedia.com/SR/10058/2803817/d5387096e_468x382.jpg)
