We found 79059 price guide item(s) matching your search
There are 79059 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
79059 item(s)/page
Lot 271
Dutch School - late 17th century, Circle of Rembrandt Van Rijn, oil on canvas, Portrait of a Gentleman with long hair, cap and one gloved hand within a painted surround, later framed, various written and stencilled numbers verso, and with a later label for Colonel Rowland Farrer? dated 1885, 74cm x 61cm
Lot 1147
An American Gingerbread style Clock by the Ansonia Clock CO., New York, USA. ornate fretcut, shaped surround with scroll and leaf carved detail, single pane door with silver transfer lace style decoration, white Roman numeral face in white metal surround, 30 hour movement and white metal pendulum, 22 3/4'' high x 14 1/2'' wide
Lot 1149
A 19th c. Mahogany cased Vienna Wall Clock having central finial to the platform pediment top, the single pane door having half-bobbin mouldings and half-turned columns to the sides, cream Roman numeral face in brass surround, 30 hour movement, brass pendulum, having lower moulded base flanked by inverted finials, 36'' high x 16'' wide
Lot 869
A stunning large Art Deco tested 9ct gold mounted carved shell Cameo pendant brooch pin depicting the Angel Gabriel. Mounted in a tested 9ct gold setting with greek key style decoration with a pointed spear collar surround, completed with pin and pendant hoop to verso with roller clasp. Total weight 18g. Measures 6cms.
Lot 109
A Regency ring set with a hardstone cameo depicting a Blackamoor in a diamond surround, the banded agate carved with the black head in profile on a white ground, collet set to a border of rose cut diamonds, in closed back sunburst mount, to trifurcated fleur-de-lys shoulders and plain shank with sizing fillet, size H, boxed
Lot 185
A matched suite of green and white paste jewellery in a Cartier case, the earpendants of 19th century style with a rectangular cushion cut green stone in an open surround with flowerheads and three graduated and articulated foliate pendant drops, set throughout with white pastes in closed backs, white metal tests for silver, length 7.5cm; the necklace with a central oval pierced and scalloped edge feature, set with a line of half-moon and round green pastes to a white paste border, enclosing a flowerhead within an elongated hexagon, also set with white stones, all in closed back settings, to a later double string of green beads with white paste set rondel spacers, safety clasp stamped '375' for 9ct gold, length 41.5cm; together with a pair of cluster earclips, each with an oval green paste in a border of white round cut pastes, length 2.2cm; all presented in a period gold tooled red leather shield shaped Cartier case (3+ case)
Lot 207
A blue and white paste crucifix, the Latin cross formed by channel set square and rectangular cut light blue stones, to an ornate pierced and foliate surround set throughout with white pastes, suspended from a bale set with a square cut white stone beneath a trefoil of similar round cut stones; length including bale 9.8cm; cased
Lot 372
A MAHOGANY CASED DROP DIAL WALL TIMEPIECE, second half 19th century, the single fusee movement with 12" white enamel dial having Roman numerals and signed E. Crouch, Clapham & Brixton, the case with moulded dial surround, pendulum window flanked by scrolled brackets, bottom and side opening doors, 15" x 20 1/2"
Lot 378
A FRENCH WHITE MARBLE AND ORMOLU MOUNTED PORTICO CLOCK, 19th century, the twin barrel drum movement with outside count wheels striking on a bell, 4 1/2" white enamel dial with Arabic numerals signed Guibet Paris, the case with a laurel wreath surround and with urn surmount with floral spray, stepped demi lune support with four columns and urn finials, beaded edging and turned feet, 11" x 5 1/2" x 23" (Illustrated)
Lot 14
A homemade tin diving helmet:, the helmet is very tall and extremely narrow with weights built into two canisters attached to the front and back, handles to the sides and another on the top, the small front window is fixed with a tin surround which is attached to the helmet, the air enters top back where part of a rubber tube is still attached,50 cm high * Notes- Anthony Pardoe remarks, one interesting feature is the row of holes just above each shoulder allowing the air to escape, thus not obscuring the diver's vision. It looks like the Tin Man from the Wizard of Oz! * see page 15, vol 1, 'Diving Helmets and Equipment Through The Ages'.
Lot 2
A Miller Dunn 'Divinhood' Navy Standard (style two) shallow water diving helmet by Miller Dunn, Miami:, brass handle to top, with circular comms connection cap and safety chain, side air intake, squared and angled front windows with double bar guards, stamped 'B12' to the window surround, copper weight mounts to front and back, 61cm high. see page 3, vol 1, 'Diving Helmets and Equipment Through The Ages'.
Lot 32
A 6-bolt Admiralty pattern diving helmet by Siebe Gorman & Co,London:, oval side windows with guards, circular front window, spitcock, side outlet , rear inlet and telephone, the corselet with maker's plate as per title, 46cm high. * Notes-This is an example of a helmet that was scrapped by the Admiralty. A pick axe was put through the top and other parts damaged or destroyed before discarding. It has been rebuilt - but not very well. Though the front view appears normal, closer inspection shows the copper of the corselet is almost separated from the brass surround. The outlet valve is untidy and the hole alongside would have had a lanyard hook attached. However the holes in the top and the inside air vents have been well repaired. The Admiralty markings AP 7985, with their emblem the broad arrow and AB are stamped above the front window. The side window surrounds are also stamped 378 & 916 but have been replaced with odd nuts and bolts which can be seen. The comms inside have been poorly replaced. * see page 44-45, vol 1, 'Diving Helmets and Equipment Through The Ages'.
Lot 670
RICHARD COSWAY, RA (1742-1821) A LADY in white dress and cap with blue bow, sky background, ivory, oval, 6.7 x 5.5cm, gold frame with plaited hair in blue glass surround The attribution to Cosway has been confirmed by Dr Stephen Lloyd, who observed that it is "a fine example of Cosway's mature style" and probably dates from the late 1780s or early 1790s (private communication). ++In apparently excellent condition, unexamined out of the frame
Lot 1102
A GEORGE III MAHOGANY SHIELD SHAPED DRESSING MIRROR, C1800 crossbanded in rosewood, the double cavetto base fitted with drawers, 62cm h, 47cm w ++The mirror glass apparently original but with loss of silvering mainly to the top edge, small loss of crossbanding to mirror surround, lacking one of the two turned ivory roundels but otherwise complete and original including the feet and brass knobs
Lot 1029
AN ENGLISH CINEMA ORGAN BY THE JOHN COMPTON ORGAN CO, C1930 the three manual stop-key console with 3 x 61 note manuals and 32 note pedal board, in Art Deco illuminated glass surround with matching stool, ranks of pipes, tuba, horn, clarinet, oboe, box, tibia, cello, violin, celeste, flute and diapason, manual chest and base chest, two sets of standard Compton horizontal shutters and actions, toy counter, Compton standard tune percussion including xylophone, glockenspiel, vibraphone and chimes, multi stage blower, four tremulants, regulators, framework, pipe racks, wind ducting, manifolds, flanges and joints, console and surround approximately 165cm h; 113 x 254cm John Compton (1876-1957) established his eponymous company after a brief partnership in Nottingham in the early 20th c. The present magnificent Art Deco instrument is one of the total of 261 that the company built at its workshops in Chiswick and subsequently at a purpose-built factory at North Acton, London. They were installed in cinemas and theatres throughout the British Isles. In the 1930s the cost was approximately £3,000, representing a major investment but one which was regarded as essential in the era of the silent films where it replaced an orchestra in the pit. It also continued to play an important role with the advent of the talkies where the organist entertained the audience between features. ++This organ was acquired by the father of the present vendor and has been stored for 40 years in a dry barn. Whilst we make no warranty as to its completeness there are several thousand components and although dusty these appear to be in reasonably good condition. Many of the smaller pieces have been left undisturbed, stacked in six wooden crates and still wrapped in newspaper printed in 1972. Some of the decorative glass is missing or damaged and the gold painted console has been affected by woodworm whilst in storage. The purchaser will be required to remove the lot within 14 days of the Sale.
Lot 342
AN OPAL AND DIAMOND CLUSTER RING the opal with a surround of fourteen evenly sized round brilliant cut diamonds, in 18ct white gold, Birmingham 1976, size M ++In excellent condition, practically as new, the opal retaining the full polish with no scratches evident, the diamonds clean and bright
Lot 1128
A VICTORIAN REVIVED ROCOCO GILTWOOD OVERMANTLE MIRROR, C1870 crisply carved with spume and applied with leafy scrolls crested by a rose, original softwood backboard, 179cm h, 166cm w overall ++An excellent quality example in fine original condition, the mirror plate almost certainly original and with apparently 100% of the silvering, the carved wood surround with minor losses, the gilding old and possibly original
Loading...-
79059 item(s)/page