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North London Railway 12 inch mahogany cased fusee railway clock. The English wire driven fusee movement has rectangular plates and turned pillars and is in good cleaned condition. The mahogany case with a cast brass bezel and one piece turned surround has one side door and a bottom door secured with a lock. Its N.L.R enamel numberplate 118 is secured onto the right hand side of the back box along with a later LMS oval brass numberplate 13691 the back box is also stamped 13691. The original dial is lettered NLR (ghosted at the top) J.N.O. WALKER 1 SOUTH MOLTON ST LONDON. A rare survivor with original dial painting as most were repainted LMSR or BR(LM) and retaining its original enamel numberplate. In working condition but not checked for accuracy complete with pendulum and key.

Bargoed Railway Rhymney & Great Western Railway 12in oak cased chain driven fusee railway clock. The oak case with eight piece surround has two side doors and a bottom door secured with the typical GWR ball bearing catch and the GWR ivorine numberplate 2970 is screwed onto the left hand side. The wire driven English fusee movement is in good clean condition and has rectangular plates with shaped shoulders. The original dial with GWR in block style has visible as ghosted writing Bargoed Railway Skarratt G.W. & R.R. Worcester. In good working condition but not checked for accuracy complete with pendulum and key. A rare clock.

South Eastern & Chatham Railway 14in oak cased chisel bottom drop dial English fusee railway clock. The brass chain driven movement has rectangular plates which are stamped with the SE&CRY G&B cartouches and is in good clean condition. The case with a convex and concave surround has one side door and a bottom door secured by a brass turn the SER numberplate 1384 is screwed to the right hand door. The back box is stamped 1384 SE. The original dial is lettered BR(S) JOHN WALKER 1 SOUTH MOLTON ST LONDON 1384 SE. The Southern Railway clock records show that this clock was last in use at Tonbridge East Yard Signal Cabin. In working condition complete with pendulum and key and a copy of the SR clock record.

A 9ct gold single stone Ring with white cabochon stone and set in moissanite chip surround, size M, 1.7 grams.

A Renaissance style print with gold highlights in a wooden surround.

A Diamond Cluster Ringthe central raised round brilliant cut diamond within a border of four larger round brilliant cut diamonds, to an outer surround of smaller round brilliant cut diamonds, in white claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 1.65 carat approximately finger size MThe ring is in good condition. It is stamped '18CT' and in our opinion would test as gold. The cluster measures 1.7cm by 1.7cm. The approximate qualities of the diamonds are; colour H/I/J, clarity SI1/SI2/I1. Gross weight 6.5 grams. CR made 24.01.25.

A 19th century mahogany framed Mirror with fretworked surround, 30 1/2" x 17" wide.

Oval Bevelled Wall Mirror, circa early XX Century with pierced oak surround, carved with scrolls and shells, 91cm wide, another with wavy oak frame (2).

'Rolex' Wall Clock 'Oyster Perpetual...' to black dial, in coppered surround 34cm wide, point of sale, not made by Rolex.

A "Logitech" surround sound system, plus a pair of "Sony" speakers.

A cast iron fireplace, 38" x 38", and a wooden fire surround 5 ft x 4 ft x 9" deep.

Alina Dieth Sleeping Woman and Dog, 2024 Wax pastel on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Alina is a German, London-based fine artist working almost entirely in dry media, predominantly charcoal. Her work explores moments of tenderness and care in a fleeting and desperately fast-moving world, with a strong relationship to animals and nature. Drawing from personal experience and memory, she wants to invite the viewer to reflect on their own memories and cogitate their perception and stance to anything they surround themselves with, opening a window into the quiet observation and contemplation of deep care, love, and loss. A meditation on the longing for active participation in our environment and the feeling of passiveness stemming from our disconnection to the natural world lies at the heart of her practice to help people, make them feel heard, and give solace. Alina studied Illustration at Camberwell College of Art before joining the postgraduate programme "The Drawing Year" at the acclaimed Royal Drawing School in Shoreditch. She is part of the represented artists collective "AGB Emerging" at Alice Black Gallery. Education 2021-2022 BA Illustration, Camberwell College of Art, London, UK 2022-2023 "The Drawing Year" Postgraduate Programme, The Royal Drawing School, London, UK Solo Exhibitions N/A Group Exhibitions 2023 The Best of the Drawing Year, Christie's, London, UK The Best of the Drawing Year, The Royal Drawing School, London, UK Open Studios, SPACE, London, UK 2024 AGB Emerging Collection 01, Alice Black Gallery, London, UK Gathering Relief, Appach Gallery, London, UK Whorl, Pulp Collective at Hypha, London, UK Residencies Moritz-Heyman Foundation Residency, Borgo Pignano, Tuscany, 2023 and 2024 National Trust Hafod Estate Residency, Wales, 2024 Public Collections The Royal Collection, Windsor, UK Statement about AOAP Submitted Artwork My work attempts to create an alternate universe, which breaks down the boundaries between humans and nature, while stressing the importance of community, empathy, and interrelatedness between humans and the broader ecological non-human community. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Alina Dieth Spider Love, 2024 Coloured pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Alina is a German, London-based fine artist working almost entirely in dry media, predominantly charcoal. Her work explores moments of tenderness and care in a fleeting and desperately fast-moving world, with a strong relationship to animals and nature. Drawing from personal experience and memory, she wants to invite the viewer to reflect on their own memories and cogitate their perception and stance to anything they surround themselves with, opening a window into the quiet observation and contemplation of deep care, love, and loss. A meditation on the longing for active participation in our environment and the feeling of passiveness stemming from our disconnection to the natural world lies at the heart of her practice to help people, make them feel heard, and give solace. Alina studied Illustration at Camberwell College of Art before joining the postgraduate programme "The Drawing Year" at the acclaimed Royal Drawing School in Shoreditch. She is part of the represented artists collective "AGB Emerging" at Alice Black Gallery. Education 2021-2022 BA Illustration, Camberwell College of Art, London, UK 2022-2023 "The Drawing Year" Postgraduate Programme, The Royal Drawing School, London, UK Solo Exhibitions N/A Group Exhibitions 2023 The Best of the Drawing Year, Christie's, London, UK The Best of the Drawing Year, The Royal Drawing School, London, UK Open Studios, SPACE, London, UK 2024 AGB Emerging Collection 01, Alice Black Gallery, London, UK Gathering Relief, Appach Gallery, London, UK Whorl, Pulp Collective at Hypha, London, UK Residencies Moritz-Heyman Foundation Residency, Borgo Pignano, Tuscany, 2023 and 2024 National Trust Hafod Estate Residency, Wales, 2024 Public Collections The Royal Collection, Windsor, UK Statement about AOAP Submitted Artwork My work attempts to create an alternate universe, which breaks down the boundaries between humans and nature, while stressing the importance of community, empathy, and interrelatedness between humans and the broader ecological non-human community. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Poppy Lennox Echoes of the Land - Study, 2025 Liquid rust, crystallised salt, and pure silk thread on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About By looking to both the structures within the cosmos and nature's intricate systems and patterns, contemporary British artist Poppy Lennox explores the human desire to seek pattern as a way of understanding the vastness and complexities of existence. Using materials such as wood, plaster, paint, earth, metal powders, wax, raw silk and thread, Poppy's dynamic works capture the delicate yet powerful systems that underpin life itself. The Transcendentalist belief in the divinity of nature and the importance of our connection to it informs much of Poppy's subject matter. 'Energy Lines', Poppy's most recent body of work reveals pattern that is reminiscent of both mycelium and cosmic networks. Tethered forms of thread go beyond the woven mark to connect the microcosm and macrocosm and reflect on the energetic and vibrational forces that surround every aspect of life. The process of layering and revealing plaster and paint with the incisive, repetitive, often geometric stitched marks of thread creates traces and memories-echoes of both our presence and that which has forever existed. Education 1999-2003 BA (Hons) Fine Art, Newcastle University 1998-1999 BTEC Diploma in Foundation Studies, Cheltenham & Gloucester College Group Exhibitions 2025 Today for You, Tomorrow for Me, London Art Fair, curated by Becca Pelly-Fry International Women's Day Auction, Art on a Postcard OPEN05, Park Royal Gallery The Art Studio Pop-Up, London You are the Circle, Excelsior Studios, London Design Festival Just Playing, Gorst Road Studios, London Design Festival OPEN24, Tarpey Gallery, Castle Donington Dark Materials Tell Stories, J/M Gallery, London The Spirit of Boudica, Norwich Cathedral 2023 Re-Block, pop-up as part of the 'LONDON re made' programme OPEN04, Excelsior Studios, London Design Festival Synergism, Gorst Road Studios, London Design Festival Art For Charity Collective Summer Exhibition International Women's Day Auction, Art on a Postcard, curated by Lee Sharrock International Women's Day Auction, Art For Charity Collective 2022 Arms Around the Child, charity art auction, Christie's Auction House Poppy Lennox + Dawn Beckles: Life Still', 99 Projects, London Home House, London Expressions of Abstraction, The Savoy, London Rebirth, 99 Projects, London, group exhibition curated by Lee Sharrock Supernature, Paxton + Glew Gallery, Brighton SHE/HER/HERS, Oakland Gallery, New Brighton Gallery Representation 99 Projects, London, UK Statement About AOAP Artwork Echoes of the Land Study is part of Poppy's ongoing 'Energy Lines' series, in which she explores the intricate systems and patterns of nature's landscapes, our deep connection to the land, and the unseen energy that moves through and between us. In this latest exploration, she layers crystallised salt and liquid rust-textures evocative of eroded landscapes, salt plains, or even an otherworldly terrain-blending the raw and the ethereal. Silk threads, hand-stitched to represent energy lines, weave through the space, symbolising connection, purity, femininity, and the transcendental. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Mid-Victorian giltwood overmantel mirror, the shallow arch mirror plate enclosed within naturalistically carved tree branch surround and foliate scroll cresting, 165cm x 178cm high

Regency oval silkwork picture depicting a young lady feeding two swans at the water's edge, 37cm x 27.5cm, within verre églomisé surround and period gilt frame

Late Victorian ruby, sapphire and diamond 18ct gold double heart ring, the round old cut ruby measuring approx 3.0mm x 3.0mm x 1.4mm, the old cushion cut sapphire measuring approx 3.2mm x 3.0mm x 1.7mm, flush set, sixteen small rose cut diamond surround, pierced V shaped shoulders with scroll terminal, tapered band, ring size M½, hallmarked Birmingham 1900, weight 3.4g gross approx

Emerald and diamond 18ct yellow and white gold square cluster ring, the square mixed step cut emerald measuring approx. 7.8mm x 7.9mm x 4.9mm, four claw setting, twelve round brilliant cut diamond surround, total diamond weight approx. 0.80 carats, illusion set, tapered shoulders, ring size M, weight 5.9g gross approx

Manner of Rafael Contreras - Moulded and carved plaster and alabaster Granada Alhambra panel, depicting a wall of the Hall of the Two Sisters (sala de las dos hermanas), with a band of Kufic text above four windows and three mihrab arches, the panel 37.5cm x 32.5cm, in wine plush surround and carved oak frame, glazed, remnants of old label verso Rafael Contreras was the chief restorer of the Alhambra Palace in Granada during the 19th century. He produced a variety of architectural panels for the tourist market. Comparable examples sold:Christies, 2nd October 2012, lot 56. Adams (Dublin) 15th October 2024, lot 364.

Abolition of Slavery interest - Set of three early 19th century engravings, being profile bust portraits depicting 'Granville Sharp' [1735-1813], (William) 'Wilberforce' [1759-1833] and (Thomas) 'Clarkson' [1760-1846), each on shaded ground in oval wreath surround over named tablet, each plate image 11.5cm x 9cm, in a single gilt frame under glass, printed vignette verso entitled in ink beneath "Clarksons Residence"These three engraved plates, by W. Worthington after models by Miss C. Andras, are taken from James Montgomery, James Grahame and Elizabeth Benger's 1809 book "Poems on the Abolition of the Slave Trade", printed by R. Bowyer, Pall Mall for T. Bensley, Fleet Street.

Art Deco green tourmaline and diamond cluster ring, the rectangular mixed cut tourmaline measuring approx 5.6mm x 4.2mm x 3.0mm, rubover set with millegrain edging, twelve old cut diamond surround, total diamond weight approx 1.0 carats, assessed clarities SI-I1, pavé set, the rectangular head measuring approx 15mm x 13mm, tapered shoulders, ring size L, white metal assessed as unmarked platinum, weight 3.8g gross approxBelieved to have previously formed part of the Estate of Mrs Simpson, wife of Captain John F. Simpson, Staff Captain of HMS Lusitania (and Captain of the Verentin). He died on board the latter vessel in 1923. From the Estate of this wife, through the family by descent.

Doris Brabham Hatt, ARWA (1890-1969) - Oil on board - The Forge, Swiss Valley, Clevedon with Walton Castle beyond, monogrammed and dated (19) 61 lower right, 25cm x 33.2cm image size excluding painted surround, framed, with pencil written note from the artist with instructions to framer, verso For a larger version of this picture, painted in 1963, see Denys J. Wilcox, The Art of Doris Hatt, The Court Gallery, 2019, p162

Art Deco diamond and platinum brooch, the principal round brilliant cut diamond to the centre measuring approx 4.70mm x 4.85mm x 2.6mm, calculated weight approx 0.55 carat, assessed clarity SI, aassessed colour J-L, eighty-eight round brilliant and eight cut diamonds, two baguette cut diamonds, total diamond weight approx 2.20 carats, assessed clarities SI, assessed colours J-L, pavé settings with collet surround, hinged pin and trombone clasp brooch fittings, French dog head mark to denote platinum, dimensions approx 5cm x 2cm, weight approx 14.1g gross approx

Chinese jade and diamond marquise rose gold cluster ring, the marquise cabochon cut green jade measuring approx 12.30mm x 5.30mm x 2.92mm, claw set, fourteen round brilliant cut diamond surround, total diamond weight approx 1.0 carat, shared claw settings, the band stamped with Chinese character marks, ring size J, weight 4.1g gross approx

Pair of late 19th century giltwood and gesso triple circular frames, each with ribbon tied crest over three framed roundels each with velvet lined inner surround, 28cm x 102cm (2)

Ruby, sapphire and diamond Indian yellow metal ring, the ruby measuring approx 6.44mm x 4.32mm x 2.56mm and the sapphire measuring approx 6.71mm x 4.49mm x 3.11mm, calculated weights approx 0.70 and 0.90 carat, rubover set, the central oval panel set with eleven small round brilliant cut diamonds (one deficient) full set modern round brilliant cut diamond surround, total diamond weight approx 0.50 carat, pavé set, millegrain detailing, tapered shoulders, ring size M½, weight 6.5g gross approx, and two loose old cut diamonds each weighing approx 0.25 carats

Early 20th century emerald and diamond 18ct yellow gold cluster ring, the emerald cut emerald measuring approx 7.0mm x 6.27mm x 3.06mm, calculated weight approx 1.0 carat, rubover set, twelve old round brilliant cut diamond surround, total diamond weight approx 1.20 carats, pavé-rubover set with millegrain edging, diameter of head approx 15mm, scrolled pierced tapered shoulders with detailing, white metal settings, ring size K½, weight 4.2g gross approx

Victorian/Edwardian Fire surround. 42 x 45 inches see photos. Heavy item Two man lift. Collection or Courier only. See photos.

g Elizabeth II (1952-2022), gold proof Five Pounds, by The Royal Mint on behalf of Alderney, 2005, 21st Birthday Prince Harry of Wales, portrait of Her Majesty Queen Elizabeth II facing left by Raphael Maklouf, ELIZABETH II ALDERNEY surround with date below, rev. by sculptor Robert Elderton, bust of Prince Harry , FIVE POUNDS H.R.H. PRINCE HENRY OF WALES surrounds with Royal Coat of Arms to right in field, edge milled, 39.94g . Proof as struck with wooden box and Certificate of Authenticity. Limited Issue of 150

An Antique Carved Shell Cameo Panel Brooch, the oval panel depicting the side profile of a lady, collet set within plain oval surround with textured border, stamped "9ct" "HR&S" verso, approximately 4.5cm x 4cm.

A 9ct Gold Fine Curb Link Chain, with a 9ct gold cross pendant of starburst textured finish, together with a small collection of antique and later jewellery, including a large circular panel brooch depicting Beatrice Cenci, within ropetwist style surround, verso baring notation "Beatrice Cenci" (worn), Edwardian style seed pearl set buckle bar brooch, (lacking pin), with suspension drop, circular locket pendant of scrolling foliage design with vacant shield cartouche, stamped "9ct front & back" verso, a rolled gold wirework brooch, suspending heartshape drop with imitation pearl bead.(6)

A Pair of 9ct Gold Carved Cameo Drop Earrings, the carved oval panel depicting the portrait of a lady, within decorative scrolling surround, together with a fancy link chain stamped "9K", suspending a carved cameo drop pendant, the oval panel within sinuous openwork panel. (2)

A 9ct Gold Vintage Stone Set Ring, the inset hardstone panel oval collet set within ropetwist style surround and scalloped border, between chevron shaped tapered shoulders (2.5grams).

A 9ct Gold Vintage Carved Cameo Ring, the oval panel depicting the portrait of a lady, collet set within modernist style surround, between bifurcated shoulders (finger size R) (4.5grams).

A Highly Decorative Victorian Mourning Brooch, the glazed panel baring hairwork design, within highly decorative love knot style surround with plume style decoration, verso with brooch pin and applied suspension loop; Together with a pair of Art Deco style gent's stud pins, single stone set to centre within hardstone panel, the circular back stamped "RW". (2)

A 9ct Gold Diamond and Sapphire Set Dress Ring, the oval centre stone claw set within diamond illusion set surround, between tapered shoulders of textured finish (finger size O1/2) (3grams).

A Pair of Freshwater Pearl and Stone Set Abstract Foliage Earrings, the claw set centre stone within three pearl set surround and stylised stone set leaf accents, together with a pair of stone set drop earrings, the hinge top backs suspending two graduated collet set stone drops, (stamped indistinctly), in a W. Greenwood & Sons earring box. (2)Overall good condition to both pairs of earrings, no obvious signs of damage or repair.

A 9ct Gold Medallion Fob / Brooch, in the form of a Maltese Cross, the circular centre panel engraved "EJ", within etched scrollwork surround, verso engraved "Wakefield Swimming Club Quarter-Mile Champions of Yorkshire" "2nd Prize" "Won by A. Jagger" "19th Sept 1895", (lacking brooch pin).8grams in weight.

A Medieval stained glass fragment painted with a male head with fair hair, within a lozenge blue glazed surround, 25.5cm high, 22cm wide; with various Roman and later glass fragments including 18th century bottle seals

A scalloped tortoiseshell plate decorated with a pair of peacocks, 30cm diameter; together with a carved and gilded wood panel, with Chinese furniture, 18 x 36cm (2)plate has signicant crack of undulating nature, as well as a star crack to the centre, old glue to basecarved panel has two loose pieces, some cracks and chips to the carving, the back board surround has residual flakes of mother of pearl on a royal blue backgroundplease see further images for condition

Two Ashford marble pieces to include; a circular tea pot stand, the top inset with mixed hardstones / marbles and malachite surround, approx. 18cm diameter, the other a single candlestick, with inset mixed coloured marbles, approx. 11cm high. (2) Condition: stand scratched, chipped and nibbles; candlestick chipped, with nibbles, base with loss underneath.

A collection of costume jewellery to include a 19th Century gilt metal shell cameo brooch, carved to depict a Greek female figure, (damage to gilt surround) length approx 65mm, together with a silver and 9ct gold paste set bar brooch, Ingersoll pocket watch, along with damaged pocket watch, faux pearls necklaces A/F damaged snapped, beads, bangles etc (1 bag). Further details: wear and tear, losses damages wear commensurate with age 

A Moorcroft Plaque in the Day Dream design by Nicola Slaney, in wooden surround, total diameter approximately 30.5cm,1st quality, in good condition with No chips, cracks or restoration, factory marks to base.

An Edwardian style amethyst 9ct gold drop pendant, comprising a diamond set bow top, suspending an oval mixed cut amethyst, target like wire surround inset with floral set diamond accents, suspending a pear cut dropper, length approx 40mm, suspended from a 22'', total gross weight approx 9gms together with a pair of floral amethyst set drop earrings on post fittings, scrolls missing, length approx 15mm, total gross weight approx 2.5gms Further details: stones present and intact, minor wear and tear only 

A Moorcroft Plaque in the Bramble revisited design by Alicia Amison, in wooden surround, total diameter approximately 30.5cm,1st quality, in good condition with No chips, cracks or restoration, factory marks to base.

3 Moorcroft items to include a Lamp in the Cosmos design by Philip Gibson with Shade , lamp height approx 24cm including fitting , together with a Crimson Hibiscus Bowl by Walter Moorcroft c1977 , approximate diameter 25cm, both 1st Quality and in good condition with No chips, cracks or restoration, together with a Heron Charger by Philip Richardson in wooden surround , restoration to rear ,  Usual factory marks to bases 

A Vienna porcelain part tea service consisting of six cups and saucers; six plates; twin handled serving plate and a small comport, all hand painted with classical female scenes, all titled to reverse and marked, some signed by Schuler, with gilt and cobalt blue grounds. Together with a hand painted Vienna porcelain twin handled bowl, with central portrait after Gainsborough's lady with gilt surround. (Minor wear, loss to gilding and wear.)

A 20th century cast brass wall sconce modelled as a young boy holding the candle holder, wall attachment with cast floral design, approx. 31.5cm long, together with a 20th century brass wall mirror with two candle sconces attached and movable, brass mirror surround with pierced and cast floral design and top with masked design, overall approx. 30cm long masked top to bottom. (2) Condition: boy wall sconce with holes for wires to body and back of sconce. Wear commensurate with age to both.

A Moorcroft Plaque in the Walter design by Rachel Bishop wooden surround, total diameter approximately 30.5cm,1st quality, in good condition with No chips, cracks or restoration, factory marks to base.

A George III applewood tea caddy, of apple shape with hinged cover opening to reveal zinc lining to single central compartment, carved key hole to front and wooden stalk to top, circa 1800, approx. 11.5cm high x 11.5cm diameter. Further details: some nibbles to stalk; metal key hole surround missing; scratches, marks and wear to all exterior; loss to zinc lining and material base; hinge slightly loose but intact; general wear commensurate with age.

Coloured stone, silver surround brooch

Bing tinplate clockwork twin funnel Gunboat Vlastny, circa 1905, black and grey painted hull, darker grey decks with handrails, covered cannon and hinged superstructure to working clockwork motor with timing mechanism for firing the gun and operating the rudder, 38cm (15”) long, good original condition, some wear, gun surround loose and barrel probably replace, flag not original.

A 9ct gold chain (3.8g, 50cm) and 9ct gold ring set with a cameo in a gilt surround (size O)

Follower of Antonio Palomino,  Spanish 1655-1726- The Assumption of the Virgin; oil on canvas, 33.7 x 25.5 cm. (unframed). Provenance:  Private Collection, UK. Note:  The present work recalls the theatrical compositions of the Baroque painter Palomino, particularly in the dramatic, flowing drapery of the Virgin, and in the putti which surround her. Indeed, the figure of the Virgin herself resembles that in Palomino's depiction of 'The Immaculate Conception' which was offered at Sotheby's, New York, on 24 January 2008, as lot 50. 

A 14k yellow gold split mount ring with a twisted chain surrounded mount set with a composite stone size N 2.3gms, a 9ct yellow gold ring with footprints all around outside and with a St Christopher prayer internal inscription and tiny diamond set amongst the footprints size T 1/2 3.7gms, a 9ct yellow gold signet ring size Y 3.4gms (heavily worn), and a 9ct yellow gold wedding band with leaf design on surround size N 1/2 2.6gms. (4)

A diamond set purse. Designed as a series yellow interwoven lines, with diamond set hinged opening, set with ten graduating single cut diamonds, within a white metal millegrain and grooved surround, stamped 750, Italian marks reading 838AL, partially rubbed, approximate length 86mm, gross weight 118.18 grams.

A 9ct gold emerald and diamond ring, the emerald cut stone in a surround of brilliant cut diamonds, size Q, 2.1g.

An 18ct gold sapphire and diamond ring, the circular sapphire in a surround of tiny diamonds, size L½, 3.0g.

A CULTURED PEARL AND DIAMOND RINGSet with a round-shaped cultured pearl of white tint, within a surround of single- and brilliant-cut diamonds, mounted in gold, ring size Q * This lot is sold without a reserve Condition Report: Cultured pearl of cream/white bodycolour, with pink and green overtones, high lustre, measuring approximately 11mmDiamonds bright and lively, a couple of diamonds more tinted than the othersRing shank with fractureMetal unmarked, tested by the jewellery department to be 9K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 5.2 grams

A SAPPHIRE AND DIAMOND RING Set with an oval-shaped sapphire weighing approximately 2.30cts, within a tapered baguette-cut surround, to a polished band, mounted in 18K gold, ring size L Condition Report: Sapphire: blue hue, light to medium tone, good transparency, facet abrasions visible under 10 x magnification and a bright light sourceDiamonds bright and livelyPartial mark for 18ct, tested by the jewellery department and confirmed to be 18K goldNormal signs of wear, overall in good conditionTotal gross weight approximately 7.1 g