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Lot 359
Italian Rococo Painted Tall Case Clock, late 18th c., probably Venetian, architectonic bonnet with incurvate glazed panels, the brass dial framed by reticulated rocaille surround; conforming case in mustard yellow ground, painted with European landscapes and genre scenes, h. 98 in., w. 20 1/4 in., d. 15 in
Lot 487
A Victorian mahogany chiffonier, with raised semi-circular back with moulded and carved surround, the plain top over two shaped frieze drawers above two single panel doors enclosing a single shelf over a deep drawer on the right, standing on a plain plinth, 47¾ x 17¾in. (121.75 x 45cm.), 56in. (412.25cm.) high.
Lot 486
Royal Air Force Irvin Flying Jacket and Flying Helmet Grouping Attributed to New Zealand Battle of Britain Fighter Pilot, P/O Owen “Okey” Edward Lamb 151 Squadron, Later Killed in Action in North Africa with 73 Squadron, grouping consists of his original wool lined two panel back Irvin Flying Jacket. The jacket is named to the reverse under the collar in black ink “P/O OKEY LAMB”, zip cuffs and 9 vents under the armpits. Jacket has lower loops but the belt is missing. Tab for the collar fastener is still present. Jacket shows evidence of service wear and has some period field repairs. Accompanying the jacket is his original B-Type flying helmet with zipped ear cups and leather straps to the reverse. Interior of the helmet has the original Air Ministry size label and is also inked “OKEY LAMB” and “OKEY”. The helmet remains in very good condition showing just signs of light service wear. RCAF MK III Flying Goggles complete with the original strap with stamped store numbers 22C/13 and 1940. Goggles are complete with the original lenses and leather surround. The goggle strap is inked with the initials “O.L”. Born in Auckland, New Zealand on 10th May 1917. Early in 1939 he applied for an RAF short service commission and was provisionally accepted. He sailed for the UK on 6th May 1939 on RMS Rangitane. He commenced elementary flying training at 10 E&RFTS, Yatesbury and in late August moved to 2 FTS, Brize Norton. With his training completed Lamp was posted to 7 AGS, Newton Down in February 1940 for a gunnery course, after which he went to 6 OTU, Sutton Bridge and converted to the Hurricane fighter aircraft. On 13th April 1940 Lamb began a Specialist Armaments Officers Course at No1 Air Armaments School at Manby. He went to 5 OTU, Aston Down on August 31st for Hurricane refresher course and joined 151 Squadron in mid September, flying the Hurricane Fighter on sorties during the Battle of Britain. In November 1940 Lamb volunteered for overseas service and joined 73 Squadron at Debden. The Squadron embarked for the Middle East on HMS Furious on the 10th November 1940. On arrival in the Western Desert the Squadron was attached to 274 Squadron until January 1941 when 73 Squadron became operational on its own account. On 14th April 1941 the Luftwaffe mounted a heavy attack against Tobruk with a force of more than ninety bomber and fighter aircraft. On this day 73 Squadron was operating in the perimeter defences and were scrambled with the orders to engage the enemy. Pilot Officer Lamb failed to return from this sortie, his body was later found and buried in an isolated grave near the Tobruk-Bardia road. After the war Lamb’s remains were re-interred in the Knightsbridge War Cemetery, Acroma Libya. A rare and fantastic grouping to “One of the Few” who defended England against the might of the Luftwaffe during the Battle of Britain and later paid the ultimate sacrifice in combat. These were the actual items of flying clothing that Pilot Officer Lamb wore during the Battle of Britain.
Lot 442
Royal Air Force Officers Inter War Parade Dress Busby, leather covered shell with seal fur surround, knotted gold bullion cords with blue flecks. Fitted with an incorrect gilt metal NCO’s badge as opposed to the correct pattern badge for these busby’s. Fine officers ostrich feather plume with gilt metal ring. Interior has leather sweatband and partial artificial crimson silk lining. Patent leather chinstrap still present. Fur remains in very good condition and does the leather covering. Overall a good example.
Lot 115
A 9ct gold sapphire and pearl hinged bangle, set to the front with a navette form plaque with a graduated line of alternating small round cut sapphires and seed pearls in a linear and beaded surround, the bangle of triangular and V cross-section, snap clasp, fixed safety chain, London hallmarks 1990, internal width 5.9cm
Lot 173
An 18ct white gold necklace with diamond heart centrepiece and interchangeable pink sapphire and diamond centrepiece, the ropetwist necklace composed of fine 18ct gold wire forming a softly flexible torque with bayonet terminations that snap into housings in each of the two alternate centrepieces, London laser hallmark, 2016; the first centrepiece a fringed heart motif, with a central heart cut diamond within an open rose gold surround pavé set with round brilliant cut diamonds, and an outer open heart of white gold similarly pavé set, and suspending a graduated and articulated fringe of collet set diamonds; width and length of heart feature 3.2 and 5.1cm; the maker, Dawson of Stamford Ltd, state that the heart cut diamond weighs 0.28cts, and that the total diamond weight including that is 2.73cts; length 48cm; the alternative centrepiece is a gently asymmetric white gold heart spiral, slightly tilting as it curls, the outer edge set with a line of small round cut pink sapphires becoming lighter in colour, then interspersed with and finally replaced by similar diamonds, the spiral continuing as a square-edged line with brushed textured finish, London laser hallmark for 18ct gold 2005, width and length 3.0 and 2.9cm; the whole in a presentation case
Lot 210
An early 20th century sapphire and diamond cluster ring, the rectangular step cut sapphire in a delicately pierced surround of eight old round brilliant cut diamonds, the four larger at the cardinal points in millegrain edged collets, spaced by four smaller in tulip head fields, unmarked white precious metal, presumed platinum, size P, in period red leather case
Lot 691
A Continental mahogany longcase clock, 19th century, the convex enamelled 24.5cm dial with 30hour movement, pendulum suspension bracket above the backplate, anchor escapement and shaped brass plates, the drum head case with sliding hood cover having still leaf moulded surround, break arch cornice, the slightly tapering case with upper door above a glass lenticle, upon a plinth base and stepped foot, 230cm high 230cm (90in)
Lot 95
A 19th century Continental foiled hardstone brooch and pendant, the principal stone a cushion triangular cabochon claw set in a closed back red foiled setting, with a pierced cast and carved scrolling foliate and bead surround, the pendant drop en suite with a pear shaped cabochon stone; brooch clasp with safety catch, pendant with balancing pin, joining link later; length 7.0cm. Due to the settings it has not been possible to test the stones sufficiently to identify the mineral, though they are definitely not paste (too high in both hardness and RI); the unmarked yellow precious metal tests for 18ct gold
Lot 993
A late Victorian mahogany chiming bracket clock by Dent, London, the bell top case with handle and four ball finials, arched brass 18.5cm dial with subsidiaries for chime/silent, slow/fast and chime on 8 bells/Westminster, within a raised gilt foliate scroll mask surround, matted centre, the three train fusee movement striking on a gong and chiming on 8 bells or 4 gongs, and gong hour strike, the case with stop fluted columns and arched brass side frets, mesh rear door, all on brass ogee feet, 61 x 40 x 35.5 cm (24 x 15.75 x 14in)
Lot 349
An Austro-Hungarian silver garnet and enamel necklace, c.1900,with an offset square centrepiece. The pendant drop composed of a Swiss cut garnet, claw set to a white enamel collet, with a gilded frame of reeded orange enamel with green and black enamel at the quarter points. A two-row beaded border, a scrolling surround, with enamel boss decoration and further garnet drop. The pendant suspended from a matching necklace with alternating cabochon garnets and matching enamel boss centres to a concealed box clasp
Lot 364
A Scottish Victorian hardstone or pebble brooch,with a large Madeira citrine, claw set to the centre with a hand engraved collet. An octofoil surround with specimen agate and jasper samples, with hand engraved initials to the reverse, 58 x 58cm,together with a Scottish hardstone plaque brooch,with diaper inlaid specimens, damage, 45 x 35cm (2)
Lot 371
A Georgian diamond set star brooch,with a Dutch rose cut diamond, set in a cut down collet at the centre. An arched six-point star surround, set with rows of graduated Dutch rose cut diamonds, with rose cut diamonds in cut down collets to blade edge bars between. An outer spray-style starburst surround, all set with lines of graduated Dutch rose cut diamonds to closed back settings. 70 x 68mm
Lot 384
A Victorian diamond set gold hinged bangle,with a crossover centrepiece composed of five graduated Dutch rose cut diamonds, all claw set to dome back settings to a floral scalloped surround. Pairs of bud-shaped links between, all grain set with rose cut diamonds to crossover guards, grain set with lines of rose cut diamonds, with graduated rose cut diamond set shoulders. Pierced gallery to a two row, flat section back bangle. Tested as approximately 15ct gold. Interior dimensions 58 x 51mm, 27.60g
Lot 394
A cased Victorian Etruscan-style brooch and earrings gold suite, c.1870,the shield-style circular brooch with a plain central boss to a twisted wire and applied bead flower head surround. A recessed border with bands of twisted wire to a stepped outer level decorated with twisted wire scallops with bead points to a bloomed ground, a rope border to glazed locket verso with pin and 'C' catch', brooch 39mm diameter,together with a pair of matching drop earrings with a bell-shaped hasp top to hook fittings. Tested as approximately 9ct gold. Earrings 40 x 17mm. Total 25.81g (3)
Lot 422
A Victorian garnet and diamond set pendant,with a cushion cut garnet, milligrain set to a yellow collet. An open scrolling cartouche surround milligrain set with Swiss cut diamonds and rose cut diamond set leaves. Diamond set bale and suspended on a Figaro link gold chain with a barrel clasp. Clasp marked 9ct. Pendant tested as silver backed in 15ct gold. 47 x 21mm, 5.92g
Lot 424
A Belle Époque ruby, diamond and seed pearl bar brooch,with a circular mixed cut ruby, milligrain set to the centre. A laurel garland to a blade edge bar surround, with pairs of rose cut diamond set leaves, with seed pearls peg set at the quarter points. Further laurel leaves at each end to an open row frame set with split pearls. Marked 15ct. 37 x 14mm, 4.13g
Lot 494
An 18ct three-colour gold black opal triplet diamond and freshwater pearl ring, c.1970,by Christopher Nicholas Hamilton. An oval black opal triplet, rub set to the centre with a surround of polished yellow gold and incised rose gold leaves. Pairs of freshwater pearls peg set to the top and bottom with scattered seed pearls and rub set diamonds, open shoulders to a plain shank, Edinburgh 1977. 8.66g.Finger size O
Lot 511
An Indian high carat gold cultured pearl and garnet, three row cultured pearl necklace and bracelet suite.The necklace with a star flower pierced centrepiece composed of a central flower with a split cultured pearl surrounded by cabochon garnets in petals, an open hoop surround with a line of cultured pearls to an outer row of cabochon garnet in further petals, to a lower fringe of cultured pearls. Three rows of uniform cultured pearls to each side with pairs of spacer bars set with lines of cabochon garnets. A later lower carat extension chain and bolt ring clasp. A matching bracelet with a curved centrepiece and ladder snap clasp. Tested as approximately 18-20ct gold. 93.24g (2)
Lot 532
An Indian high carat gold, white zircon, turquoise, ruby, emerald and cultured pearl pendant and earring matched suite,the quatrefoil-shaped pierced pendant with a central white zircon surrounded by cabochon turquoise to a pierced flower head, to a surround of oval mixed cut rubies. The lobes set with emeralds, turquoise and cultured pearls with white zircons above, suspended on a rectangular bar link chain. A pair of matched bird earrings with a cultured pearl fringe with posts and screw backs. Tested as approximately 18-20ct gold. 34.04g (3)
Lot 545
A single row uniform cultured pearl opera necklace,with a white gold, sapphire set clasp. Semi-round, grey-silver blue enhanced cultured pearls, 8.5 to 9mm in size, strung knotted to a single row box clasp, with a circular mixed cut sapphire, claw set to an open textured surround. Marked 585. 88.8g
Lot 735
A SMALL GEORGIAN MAHOGANY TOILET MIRROR, mid 18th century, the arched bevelled plate within a moulded and parcel gilt surround, and suspended from square tapering uprights with turned brass finials, box base with three drawers and turned brass handle, on ogee bracket feet, 14" x 9" x 20 1/2"
Lot 709
A VICTORIAN WALNUT CENTRE TABLE, the circular banded and figured top with flower carved scalloped edge, central inlaid geometric roundel within a similar edge strapwork surround, raised on four turned tapering and collared supports, joined by a scroll cross stretcher with turned boss, leaf carved feet and china castors, 60" x 27 1/2" (Illustrated)
Lot 739
GILLOWS OF LANCASTER, a William IV Goncalo Alves Pole Screen, the shield shaped floral needlework screen within a carved scrolled surround, on turned brass pole and crisply carved turned and part fluted stem with acanthus collar, beaded triform concave base with carved leaf scrolled feet, stamped Gillows Lancaster, 57 1/4" high
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79003 item(s)/page