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IMPRESSIVE ART DECO STYLE BLUE TOPAZ AND DIAMOND PLAQUE RINGthe three central vertically set graduated blue topaz in a pierced diamond set oval surround, on a nine carat gold shank, ring size P

OPAL TRIPLET RINGthe oval opal triplet in rope twist surround, on nine carat gold shank, ring size M

PRETTY EMERALD AND DIAMOND CLUSTER RING the central oval cut emerald measuring approximately 0.2cts, with a ten diamond surround, on a nine carat gold shank, ring size N-O

DIAMOND AND SAPPHIRE CLUSTER RINGthe central illusion set diamond in eight sapphire surround, on nine carat gold shank with textured shoulders, ring size N and approximately 3.5 grams

SAPPHIRE AND CLEAR GEM SET DRESS RINGthe central row of sapphires in clear gem set surround, the setting of horizontal navette shape, in eighteen carat gold, ring size P-Q and approximately 4.2 grams

CITRINE AND DIAMOND CLUSTER RINGthe central oval cut citrine approximately 1ct in a sixteen diamond surround, on nine carat gold shank, ring size L-M

PRETTY CITRINE AND BLUE TOPAZ CLUSTER RINGthe central oval cut citrine measuring approximately 1ct, with a twelve blue topaz surround, on a nine carat gold shank, ring size P

PERIDOT AND PEARL CLUSTER RING the central horizontally set rectangular cut peridot in a fourteen pearl surround, on a nine carat gold shank, ring size O

The platinum ring is set with a round cut diamond to the centre of approximately 0.55ct with purple-red calibrated rubies in surround to create the iconic Art Deco target ring design. Dates from the 1930sBox not included; for display only.Weight: 2.7g Size: J1/2

The 18ct yellow and white gold ring is set with an oval cut blue sapphire weighing approximately 1.9ct with round cut diamonds weighing approximately 0.50ct in surround. Box not included; for display only.Weight: 7.5g Size: P

The 18ct yellow gold scalloped-edged pendant brooch is set with a large oval-cut mauve amethyst of approximately 7.2ct to the centre with smaller round cut amethysts in surround. To the reverse are both pendant and brooch fittings so it may be worn as either.Weight: 12.8g Size: 43x35mm

The 18ct yellow gold ring is set with a good sized oval cut sapphire to the centre (some facet wear) of approximately 2.7ct, with rose and old cut diamonds in surround and further calibrated sapphires to the outer edge.Box not included; for display only.Weight: 4.6g Size: O

The platinum necklace comes together in a crescent pendant with a 0.45ct old cut diamond centre with rose cut diamonds in surround. The necklace is made of fine platinum chain. French dating to c.1910-20.Box not included; for display only.Size: 41cm / 16” Weight: 6.5g

A turquoise and diamond set 18ct gold ring, comprising an  octagonal shaped head set to the centre with an old cushion cut diamond measuring approx 3.5x3.7mm, within a surround of six oval cabochon cut turquoise, each measuring approx 6x4mm, with alternating  diamond set accents, setting diameter approx 15mm, scroll engraved shoulders to solid shank, size M, stamped 18ct, total gross weight approx  7.8gms  further details: good stones present, wear and tear commensurate with age 

Taxidermy Interest: a Victorian cased diorama of taxidermy birds, shown in parade for the "Who Killed Cock Robin" parody (first heard of in the mid to late 18th century), having a mix of birds from the main Robin to a Raven and an Owl in a concierge to the burial grave area, with a mix of various shrubs, branches and leaves to show forest style surround, a painted country scene background panel, all housed within a glazed wooden display cabinet, with a printed copy of the parody behind glass to the front. Case approx. 112.5cm wide x 63.5cm high x 37.5cm deep. Who killed Cock Robin?I, said the Sparrow,with my bow and arrow,I killed Cock Robin.Who saw him die?I, said the Fly,with my little teeny eye,I saw him die.Who caught his blood?I, said the Fish,With my little dishI caught his blood.Who'll make the shroud?I, said the Beetle,with my thread and needle,I'll make the shroud.Who'll dig his grave?I, said the Owl,with my pick and trowel,I'll dig his grave.Who'll be the parson?I, said the Rook,with my little book,I'll be the parson.Who'll be the clerk?I, said the Lark,if it's not in the dark,I'll be the clerk.Who'll carry the link?I, said the Linnet,I'll fetch it in a minute,I'll carry the link.Who'll be chief mourner?I, said the Dove,I mourn for my love,I'll be chief mourner.Who'll carry the coffin?I, said the Kite,if it's not through the night,I'll carry the coffin.Who'll bear the pall?We, said the Wren,both the cock and the hen,We’ll bear the pall.Who'll sing a psalm?I, said the Thrush,as she sat on a bush,I'll sing a psalm.Who'll toll the bell?I, said the Bull,because I can pull,I'll toll the bell.All the birds of the airfell a-sighing and a-sobbing,when they heard the bell tollfor poor Cock Robin.Further Details: All taxidermy behind glass so untouched, some damage to parts of casing but still in generally good and stable condition, glass intact, some scratching and slight wear, wear and chips to wooden areas to top, edges and casing around glass.

A large oak serving tray, with silver plate and copper gallery surround, 46cm x 59cm

BANG & OLUFSEN - A BeoCenter 1 TV/DVD/Tuner with surround sound and Beo 4 remote control. Screen size 24".

The Beatles: An Egg Chair Believed To Be Custom-Made By EMI,1969,the egg-form chair of plastic construction with latex tube surround to the rim, a speaker installed within each side of the chair interior, with six fitted brown padded cushions, on 27-inch (89cm) diameter circular base with four spherical rollers, 53in (134.5cm) high x 39in (99cm) wide x 35in (89cm) deepFootnotes:Provenance:From the Estate of the late Hilary Gerrard (1933-2023), formerly Business Manager to Ringo Starr from the 1970s onwards.It's believed that EMI made four of these chairs in 1969 and gifted them to the Beatles as Christmas presents that year. A similar chair can be seen in Tom Hanley's photographs of John Lennon and Yoko Ono in their Tittenhurst house. Two copies of these photographs were sent to Hilary Gerrard by Apple Records and accompany this Lot. It is unknown if this was one of the band member's chairs.This example is extremely similar to those chairs designed and made by Lee West of California. These classic Stereo Alpha 'egg chairs' were seen as futuristic in the 60s and gained lots of popularity at the time. Invented as a home theatre to listen and relax to music, they were seen as pods of escape.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Doctor Who: An Original Weapon Box From The Keeper Of Traken,BBC, 1981,the box covered with blue/purple velvet lining, with metal fittings, a clear polyhedral resin crystal with decorated surround to the top of the lid, the front with two latches and a green faux-stone, 7 1/2in x 3 1/2in x 9 1/2in (19cm x 9cm x 24cm) overallFootnotes:Provenance:Acquired by the current owner from the Peter Logan collection. Logan joined the BBC Visual Effects department in July 1967, working on many episodes as a design assistant and prop maker.The present box is understood to have been used by the Fourth Doctor's (Tom Baker) companion Nyssa (Sarah Sutton), in part three of the serial The Keeper Of Traken, broadcast on 14th February 1981. In this episode, Nyssa is seen using the box to conceal an ion bonder weapon inside, while trying to gain access to her imprisoned father.For further information on this lot please visit Bonhams.com

A WMF silver plated German Art Nouveau Jugdenstil dish decorated with maiden and cherub within floral and pierced surround, impressed WMF and 240 marks verso, 33cm x 19.5cm; cast Iron table cross, pewter ale mugs; treen figure group of mother and child, 20cm high etc

Postcards, Silks, 5 embroidered silk cards featuring black cats inc. 'Good Luck to You' with cat sitting in gun barrel; 'All Good Luck Surround You' showing black cat smoking a cigar and wearing military hat; 'Good Luck to You' cat sitting next to flag; 'Keep Smiling' showing pair of cats, 1 reading the other holding an umbrella; and 'Good Luck' showing black cat (arched) within 4 leafed clover (mainly gd)

Postcards, Silks, 3 embroidered regimental badges for the Black Watch, Hampshire Regt, and The King's Liverpool Regt (VIII) with rearing horse to centre of badge, Latin text surround and crown above (gd)

Postcards, Silks, a Naval mix of 6 embroidered silk cards, inc. 'A Kiss from France' showing full length naval ship (un-named) decorated in Union Jack colours; 'England is Watching' with naval ship to centre with sunburst surround; vertical card of ships funnel decorated with flags and anchor with 1914 to left and 1915 right; Naval rating climbing ladder with 'Ready Aye Ready' above; 'Hands across the Sea' with flags and ship above; and 'Royal Navy' showing badge with anchor to centre and flags each side (mixed condition)

‘The Richardson House’ a large and impressive painted wooden dolls house and contents, English mid 18th century, previously on display in the Vivien Greene Dolls House museum, the sand stone brick effect façade with two steps leading to painted green panelled front door with glazed fanlight, eight recently glazed windows and quoining to each side, with later painted black pitch roof with two chimneys, opening in two wings to six rooms on three levels, hallway and landing with staircase and annex to rear of ground floor landing, all rooms with interior doors and moulded wood surrounds, painted marble effect built-in wooden fireplaces. Hallway and landing with rare original painted wood effect walls, kitchen with painted blue walls, built in plate rake, shelf, cupboard and good Evans and Cartwright tinplate stove with painted marble effect surround, first floor drawing room with fine mid 18th century wall papers with large leaf and rose pattern and rare panel of exotic birds eating fruit. With a good selection of contents including Waltershausen settee with scroll shaped ends, four chairs and a carver all with mauve silk upholstery and three further smaller chairs, sewing table with lyre shaped supports and hinged top (loose), marble top writing desk with pigeon holes, side board with mirror back and painted pillar supports, bureau with two drawers and fold down front, display cabinet with blue lining and two drawers (lacks glass to front) and a chest of drawers all with gold transfer decoration, pair of pink silk upholstered chairs with tassels, painted tinplate mirror on stand with shaped and moulded legs and twisted supports, family of five painted wooden dolls and two with moulded hair styles (both lack lower legs and one lacks arms) and a bisque shoulder head maid together with a good selection of wooden furniture, ornaments, kitchenalia and more, 42 ½” (108cm) tall, 36” (92cm) wide, 15” (38cm) deep , (condition: since this house was sold in the Vivien Greene sale part I in December 1998 the present owner has carefully removed the later red paint to the façade to reveal wonderful original sand stone brick detail, added repainted window brick pediments, replaced sills and repainted front door and steps). Provenance: Prior to being on display at Vivien Greene’s museum the house was the property of the late Sir Albert Richardson, past president of The Royal Academy and pre-eminent authority on 18th century architecture, the drawing room wall paper is of particular interest and has been identified and dated to 1777. Please note: For viewing, shipping and collection of this lot please contact Leigh Gotch at C&T Auctioneers direct.

‘Ivy Villa’ a painted wooden dolls house and contents, English circa 1890, the red brick effect façade with painted green ivy, on a base with garden and wall surround, green wooden front door with stained glass panel, large bay window and two glazed windows above, painted black slate roof with two chimneys, front opening to two rooms on two levels, each room with original wall papers, tinplate fireplaces, a good selection of furniture including pine wooden bedroom suite, ornaments and accessories, house 26” (66cm) tall, 18 ½” (47cm) tall, 14 ½” (37cm) deep including garden, (condition: some restoration/repainting to exterior, chimneys not original). Please note: For viewing, shipping and collection of this lot please contact Leigh Gotch at C&T Auctioneers direct.

‘Stack House’ a good and important early English painted wooden dolls house and contents, circa 1820, previously on display at the Vivien Greene Dolls House museum, the façade and sides with painted trompe l’oeil, creating a convincing red brick Regency house with stone string course, panelled front door with fanlight, Doric columns to portico and nine sash windows with painted blinds, the kitchen window is particularly interesting and shows a wire blind to keep out flies and a maidservant peering over, awaiting visitors perhaps, the black pitch roof has two chimneys, the front opens in two wings to four rooms, hallway and landing, mounted on a wooden stand. Hallway: this is entered by a painted wooden archway with painted marbled columns, leading to staircase with red silk carpet and ochre painted walls. Kitchen: with plain wood walls and floor, Evans and Cartwright tinplate cooking range with wooden fire surround and brass hand wound mechanical spit Jack, fixed hanging wooden shelves and a selection of kitchen furniture including wooden table, chairs, tinplate Evans & Cartwright chair, food, pots, pans, plates, serving dishes, kettle, utensils and more. Ground floor dining room: with cream floral wallpapers, Evans and Cartwright tinplate fireplace and painted wooden ‘marbled’ surround, good amount of furniture to include wooden tables, pink upholstered chairs with settee, bureau, bird in cage, chessboard (incomplete), and various ornaments, together with two bisque shoulder head seated gentlemen. First floor landing: with blue floral wallpapers, chest of drawers, pram and painted wooden Grodnertal doll in original clothes. First floor bedroom: with cream foliage wallpapers, Evans and Cartwright tinplate fireplace and painted wooden ‘marbled’ surround, Chinois four poster bed, wooden table, chest, Evans & Cartwright washstand, ornaments, Grodnertal and peg wooden dolls (Grodnertal with paint loss to face, peg lacks one lower arm). First floor drawing room: with cream papered walls, Evans and Cartwright tinplate fireplace and painted wooden ‘marbled’ surround, nice mauve upholstered settee and chairs, Evans & Cartwright table, display cabinet, clock, bird cage and more, together with two Parian shoulder head dolls and a Grodnertal wooden doll (face and lower legs overpainted). House (without stand) 36” (91cm) tall, with stand 59 ¾” (151.5cm), 40” (112cm) wide, 15 ½” (39cm) deep. Stand 24” (61cm) tall, (condition: some repaired cracks to façade, marble effect fireplace surrounds and kitchen surround and Jack not original, stand 19th century but probably not original to house). Provenance: The house originates from Settle in Yorkshire, where it is believed to have remained in Stack House with one family for more than one hundred years, it was subsequently sold to, an antique dealer in Sussex who sold it to Miss Mary Titcomb a friend of Vivien Greene’s, the House features in ‘English Dolls’ Houses of the Eighteenth and Nineteenth Century’ Vivien Greene’s first book on Dolls Houses and the house was later exhibited in her famous Rotunda Museum, Oxford. The house was sold in 1998 by Bonhams Auctioneers, London as part of the Vivien Greene museum collection. Jennifer Le Masurier later acquired the house and has since done further extensive research into the history and family which will all be offered with the house. Please note: For viewing, shipping and collection of this lot please contact Leigh Gotch at C&T Auctioneers direct.

A large painted wooden dolls house and contents, English 1890s, the painted brick red exterior with three steps leading to green panelled front door with columns and shallow portico, with eight large square glazed windows, moulded coining, sills and painted window bars, black pitch roof with two chimneys, the front opens in two wings to six rooms, hallway and two landings with stair case to all three levels, two rooms with built in fire places and kitchen with stove surround, all rooms with interior doors and later wall papers, furnishings include a nice set of six dining chairs with gold silk patterned upholstery (one chair lacks one leg), wooden roll top bureau, music room with wooden harpsicord and flower stand with embossed flower decoration and blue edging, upright piano, other furniture includes wooden kitchen table, chairs, dresser, dining table, cabinet, metal bed and a selection of ornaments, glazed bisque maid doll, gentleman with moustache and shoulder head parian (lacks feet), house 50” (127cm) tall, 43” (110cm) wide, 18” (46cm) deep, (condition: exterior over-painted, window bars not original, two interior door are loose). Please note: For viewing, shipping and collection of this lot please contact Leigh Gotch at C&T Auctioneers direct.

‘Hartswood House’ a good early English painted wooden dolls house, early 19th century, the painted red exterior on a shallow wooden base with finely painted steps to large arched dummy panelled front door with painted fanlight, key-hole, windows with painted window bars and blinds and castellated flat roof, carry handle to each side, front opens in two wings to three large rooms on three levels, ground floor kitchen with blue washed walls, original metal cooking stove with built in wooden surround and shelves, salon with built in original painted marble effect fireplace, top floor with similar fireplace and with ornate pink and green floral wallpapers, 42” (107cm) tall, 33” (84cm) wide, 15” (38cm) deep, (condition: door knobs not original, it appears to have had some later paint removed to reveal the original facade). Please note: For viewing, shipping and collection of this lot please contact Leigh Gotch at C&T Auctioneers direct.

Wooden miniature furniture, including stained dark wooden Tudor style sideboard with opening doors, carved pillars and pediment, 9” (23cm) tall, together with a another sideboard in similar style, grain wooden effect shaving mirror with painted inlay effect to surround and drawer below, stained wooden dresser and hallstand with mirror and three drawers, (condition: good, hallstand lacks one drawer handle), (5 items).

A good painted wooden dolls house and contents, English circa 1860, the painted brown exterior with step leading to brown panelled front door with glazed fanlight and moulded surround, having five glazed windows with moulded window bars and sills, black pitch roof and chimney, front lifts of in one wing to four rooms on two levels, kitchen with painted washed blue walls and built in stove, other rooms with replaced old wallpapers and built in fireplaces, contents include wooden kitchen dresser, table, chairs, sideboard, four red upholstered chairs, ornaments, two Parian dolls (a/f) and more, 36” (92cm) tall, 30” (76cm) wide, 40” (39cm) deep, (condition: brown paint to exterior not original, mother lacks feet, child lacks one arm). Please note: For viewing, shipping and collection of this lot please contact Leigh Gotch at C&T Auctioneers direct.

Selection of wooden miniature furniture, including solid wooden wardrobe 6 ½” (16cm) tall, dressing table and chest of drawers with inlaid detail to dummy drawers and glass button handles and a chair, together with a mauve velvet upholstered settee with four matching chairs and three fretwork backed chairs with pink silk upholstered seats, (condition: generally good, wardrobe door surround overpainted), (12 items).

An unusual early English painted wooden dolls cupboard and contents, the ochre/mustard painted cupboard with glazing to front and sides, two panelled doors to front with brass handles to open, denture carving to base and decorative pediment, having three rooms on three levels, kitchen with metal cooking range with built-in moulded surround, middle floor salon with pink and grey rosebud wallpaper and built in fireplace, bedroom with blue floral papers and, built in fireplace, together with a selection of furniture including a wooden four poster bed, wardrobe, chest of draws, chaise, tables, settee, bureau, chairs, Parian shoulder head doll in white dress and more, 51” (130cm) tall, 24 ¼” (62cm) wide, 15” (38cm) deep, (condition: exterior paint not original, papers added later). Please note: For viewing, shipping and collection of this lot please contact Leigh Gotch at C&T Auctioneers direct.

An Edwardian aquamarine, rose cut diamond and pearl jabot style brooch, the round aquamarine in a millegrain setting and with quatrefoil surround, tests as 14-15ct gold with base metal pin, 9cm long, 5.8g gross, in associated J. Bacon of Dover case (the pearls untested and unwarranted)

A fine Art Nouveau amethyst and split pearl pendant, the large oval facetted amethyst with naturalistic surround and tear drop shaped amethyst drop to the base, 5.5cm long including bale, tests as 18-22ct gold, 5.2g gross (the pearls untested and unwarranted)

An early to mid 20th century brooch, set with a central oval facetted amethyst, in a two colour foliate surround, 3cm x 2.5cm, tests as 14-15ct gold, 7.5g gross

A 19th century mourning brooch, set with a sardonyx cameo, the finely carved cameo depicting a lady in classical dress, the floriate surround with black enamel; the inscription to the back - In Memory of William Gillett Obit. March 4th 1852'; 5cm long, tests as 9ct gold, 24g gross; in associated box

REPEATER CARRIAGE CLOCK, of casket design with column support, satin finish dial by Shaw of Glasgow, stamped on back plate A*B in oval surround, 16cm height

SCHOOL ROOM CLOCK, Edwardian mahogany surround hanging wall clock, 33cm diameter

CARRIAGE CLOCK, drum cased bevelled glass carriage clock by Huber, stamped "ACG" in oval surround, 12cm height

Barraud & Lunds mahogany cased fusee wall clock, with octagonal surround grape and leaf foliate carved decoration. 59 cm high, the dial 28 cm diameter. CONDITION REPORT: This appears to be in very good condition. There are some losses of veneer to the top left-hand corner and the top right-hand corner. We have a pendulum and keys and it has been ticking away on the wall.

A pair of large flowerhead earrings, with sapphire and diamond centres, the central cluster of five calibré cut sapphires in a cross with four round cut diamonds at the corners, to an ornate broad petal and rope twist surround, gold tested as 18ct, diameter 25mm, 12.61gCondition ReportAll stones appear secure; the sapphires have abraded facet edges but are well-matched; the posts and butterflies are not original.

An early 20th century diamond daisy cluster ring,centring an old European diamond within a surround of smaller old cut diamonds, all claw set to a coronet gallery, to solid shoulders and a plain band. Tested as approximately 18ct gold. 2.68g.Finger size KCondition ReportThe ring head is in poor condition. The sides coronet collets may be gilded as they are showing wear to the sides, to reveal a different colour.The band shows evidence of resizing.

A pair of silver gilt turquoise and rose cut diamond drop earrings,each centred by an oval cabochon turquoise claw set to a surround of rose cut diamonds and encircled by an outer border of cabochon turquoises. Wire hook fittings with as collet set rose cut diamond. The combined weight of turquoise stated as 4.81ct; the total diamond weight stated as 0.31g. 36mm long. Presented in a leather earring case. 8.37g (2)Condition ReportGilding integral. Some minor tarnish to the silver-coloured sections and the mount in general.

A ruby and diamond double cluster crossover ring, the alternating flower heads set with round mixed cut rubies within a surround of claw set round cut diamonds. A crossover gallery channel set with calibre cut rubies, to a plain shank. Indistinctly stamped, possibly 585. Tested as approximately 14 - 18ct gold, 5.20g. Finger size I½Buying this gemstone ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportRuby and diamond well matched, bright and lively. Some minor marks and scratches to the mount. The mount is possibly 14ct with a high carat gilding.

A Georgian gold garnet memorial brooch,an oval glazed panel to a surround of flat cut pear shape garnets, grain set to a plain mount with pin and 'C' catch fittings, 26mm x 28mm, tested as approximately 9ct gold, 5.32gCondition ReportSome garnets showing scratches to table.Catch secures.Pin very slightly out of shape. Marks and scratches to surfaces commensurate with age.Tarnish.

A white gold diamond and cultured grey pearl pendant,headed by a round brilliant diamond rub set to a pear shaped collet, within a surround of grain set round brilliant diamonds, to a clip bale. An articulated drop comprising a cultured baroque grey pearl, untested, peg set to a diamond trefoil surmounted by a singular collet set round brilliant diamond. Stamped 18K 750. Tested as approximately 18ct gold. Pearl 10.30mm, pendant 28mm long, 4.27gCondition ReportThe round brilliant diamond in the pear shaped collet is probably a replacement. The setting is designed to fit a pear cut diamond.

A collection of gold jewellery,comprising a gold amethyst oval locket, with an oval cut amethyst, bezel set to a twisted wire surround, to an oval gold locket with an incised surround and a plain brushed back with an articulated jump ring, 20mm x 27mm, tested as approximately 9ct gold, suspended by a gilt metal trace link chain with a bolt ring, a pair of Italian 9ct gold hollow hoop earrings, by UnoAErre, internal diameter 11mm, width 2.5mm, Italian official national marks 1968 to present, for Arrezo, a pair of gold amethyst stud earrings, approximately 8mm x 10mm, to post and butterfly fittings, tested as approximately 9ct gold, and a gilt metal goldstone pendant, with an oval goldstone cabochon, four claw set to a pear shaped wire mount and tapered bale, 28mm long, suspended by a gilt metal trace link chain, 460mm long, 9ct gold - 6.65g totalCondition ReportMarks and scratches.Tarnish.

A 9ct gold opal triplet pendant,with an oval opal triplet cabochon, bezel set to a twist wire surround, 15mm x 19mm, suspended by a 9ct gold snake link chain, 2.28mm wide, 440mm long, Birmingham 1982, 14.08gCondition ReportClasp secures.Minor marks and scratches.Tarnish.

Two Victorian gold memorial brooches,comprising a gold foiled glass cabochon memorial brooch, a circular foiled glass cabochon, to a circular hollow gold mount with millegrain wire and granulations, to a glazed panel verso, with a 'C' catch and base metal pin, 37mm diameter, and a gold split pearl ogee shaped memorial brooch, with a central cluster of split pearls, grain set to a raised star shaped panel, to a plain raised oval step with an ogee shaped surround with graduated granulations, with a glazed panel verso and 'C' catch and pin, 34mm x 47mm, 23.75g totaltogether with a rolled gold amethyst brooch,an oval cut amethyst, claw set to a hollow openwork mount, pin vacant, 55mm x 41mm, 17.46g (3)Condition ReportCircular gold glass cabochon brooch showing compressions and perforations to one side of front. Spot discolouration. Corrosion to pin hinge. Rolled gold brooch showing multiple base metal soft solder repairs to back. Pin vacant.Marks and scratches.Tarnish.

A single row uniform pearl necklace with an amethyst and seed pearl cluster style clasp,seventy-two uniform cultured pearls, untested, approximately 7.20mm diameter, strung knotted to a flower head 9ct gold clasp, set with oval mixed cut amethysts within a surround of grain set seed pearls, marked 9ct. 634mm long, 52.50gCondition ReportPearls well matched.Medium lustre. A few dimples and blemishes.

A gold ruby and diamond line bracelet,a series of calibre cut rubies channel set to plain bars, alternating to similarly set smaller arched bars within a figure of eight diamond set surround. One ruby and one small diamond deficient. A concealed box clasp with a single figure of eight safety catch. Marked 14K and tested as approximately 14ct gold. 175mm long. 10.22gCondition ReportOne ruby missing from the clasp panel.One diamond missing from one of the surrounds.Surface scratches and marks to the gold.

Three gold diamond rings,comprising an 18ct gold diamond cluster ring, with a central brilliant cut diamond, to a surround of eight cut diamonds, all grain set in white, to tapered split shoulders and a plain 'D' section shank, Birmingham 1966, a gold diamond single stone ring, with a central brilliant cut diamond, star and grain set to raised faceted foliate shoulders in white, to a plain 'D' section shank, stamped '18CT PLAT', tested as approximately 18ct gold and platinum, and a gold diamond single stone ring, with a central eight cut diamond, star and grain set to plain foliate chenier shoulders, all in white, to a plain 'D' section shank, stamped '18CT PLAT', tested as approximately 18ct gold and platinum, 9.20g totalFinger size M, N½, OCondition ReportMarks and scratches to mounts.Settings a little dirty. Would benefit from being cleaned.

A gold diamond flowerhead cluster ring,set with a transitional cut diamond within a surround of eight cut diamonds, all bead set in white to a yellow pierced underbezel, to open shoulders and a plain band. Stamped 18ct. 2.00g.Finger size N

A gold Edna May style diamond drop necklace,with an old European cut diamond, millegrain set to a plain wire surround, suspended by a plain bar, surmounted by a smaller old European diamond, millegrain set and all faced in white, drop 41mm long, to a white gold fetter link chain and side lever clasp, 440mm long, tested as approximately 14ct gold, 3.82gCondition ReportMinor marks and scratches.Some tarnish.

A 9ct gold photo locket pendant,a circular floral hand engraved locket, to a wire twist surround, 34mm diameter, to a plain back and plain tapered articulated bale, Birmingham 1978, 11.46gtogether with a rolled gold memorial locket pendant,a circular locket, 23mm diameter, with hand engraved panels to front and back, to a single glass glazed interior, interior inscription reads 'In memory of W.m. Smith', 7.45gCondition ReportMaker's mark to 9ct gold locket has been over polished.Front of locket a little dirty. Would benefit from a gentle clean.Marks and scratches to surfaces.Rolled gold to memorial locket worn.Marks and scratches to surfaces.As found.

A Victorian gold split pearl and champlevé enamel oval locket,with a central split pearl, grain set to a blue champlevé enamel star surround, to a plain oval mount, engraved verso with two internal glazed panels, to an articulated plain tapered bale, suspended by a rectangular cable link chain, with a bolt ring clasp, tested as approximately 14ct gold, 28.84gCondition ReportSmall chips to blue enamel. Visible under 10x magnification.Clasp secures.Marks and scratches.Tarnish.

A Victorian gold diamond memorial brooch,a central old European cut diamond, grain set to a hollow gold oval stepped shield with a central twisted wire and granulated surround, with an oval glazed panel verso, to a 'C' catch and cable link safety chain, tested as approximately 14ct gold, with a hinged base metal pin, 11.29g Condition ReportMount to pin hinge showing signs of repair and mixed metal solder.Small dents.Marks and scratches commensurate with age.Wear to surfaces.Recesses a little dirty.Tarnish.

A Victorian gold diamond bar brooch and a gold diamond and enamel mourning brooch,comprising a 15ct gold diamond bar brooch, with a central rose cut diamond, grain set to a scalloped mount with granulations and foliate detail to each end, to pin and 'C' catch, 14mm x 45mm, London 1869, and a gold diamond and enamel octagonal mourning brooch, with rose cut diamonds grain set to a white floral mount, to a raised claw set black champlevé enamel plaque with a gold floral surround, to a black champlevé enamel border, and a glazed oval panel verso, to pin and 'C' catch, tested as approximately 15ct gold, 13.15g totalCondition ReportMaker's mark 15ct gold diamond bar brooch WEP.15ct gold diamond bar brooch pin slightly out of shape.Gold diamond and enamel octagonal mourning brooch pin slightly out of shape.Marks and scratches to surfaces.Tarnish.

A 9ct gold oval cluster ring,an oval mixed cut green quartz, possibly synthetic, rub set to a surround of eight cut diamonds, all grain set to an open gallery, to a plain band. Hallmarks for Sheffield, 3.34g.Finger size NCondition ReportGreen gemstone refractive index matches with refractive index of quartz. Colour suggests synthetic origin.

A 9ct gold topaz pendant,with an oval cut topaz, claw set to a plain collet and plain tapered articulated bale, 17mm long, Birmingham 2005, suspended by a 9ct gold cobra link chain, together with a 9ct gold diamond pendant,with an oval pendant, with eight cut diamonds, grain set to a foliate mount with a wire twist surround,18mm long, common control mark 375, suspended by a gold curb link chain, 450mm long, tested as approximately 9ct gold, 8.07g totalCondition ReportMarks and scratches to surfaces.Topaz a little dirty. Would benefit from a gentle clean.Curb link chain links a little worn.Minor tarnish.